Par CURNOW JAMES. The Sacred Harp (La Harpe Sacrée) est un livre de chants religieux nés dans le Sud rural des États- Unis au XIXe siècle. James Curnow a puisé dans le vaste trésor que forment ces psaumes et mélodies polyphoniques chantés a capella et écrits en notation différenciée. Inventions from The Sacred Harp est un ensemble d’inventions qui constituent une série de variations sur la mélodie du Psaume 23. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Arr. James Marshall. Par . This set of 10 intermediate-level arrangements was derived from songs from the Colonial through Civil War periods. In these pieces, the hauntingly lyrical tone of the clarinet combined with piano accompaniment creates a unique musical setting. The songs were drawn from the works of Stephen Foster, Sacred Harp shape-note themes, 19th-century folk songs as well as colonial fife and drum music. The arrangements explore the low melodious register of the clarinet through the lyrical mid tones and into the singing moderate-upper register. / Date parution : 2022-04-09/ Recueil / Clarinette et Piano

De Cerys Matthews, radio 6 DJ, ex-chanteur de Brit Pop bande catatonie et l'un des meilleurs amateurs de musique connus de Grande-Bretagne, vient Hook, Line and Singer, un sing-a-long livre pour toute la famille, pour toute occasion.Après plus de trente années de chanter, voyager et la collecte de chansons, Cerys Matthews trouve toujours qu'il n'y a pas de meilleure façon de passer du temps à chanter en bonne compagnie.Dans Hook, Line and chanteuse, elle vous invite à se joindre à elle dans une ancienne singalong grandiose. De chansons pour les jeunes familles à travers des airs de Vintage-amants, voyages loin, les favoris américains et chansons pour les périodes de l'optimisme, se terminant par des chants de fête pour Noël et le Nouvel An, c'est un livre rempli avec les souvenirs de Cerys et arrangements musicaux. Un mélange de traditionnel et contemporain, Hook, Line and Chanteur présente de la musique et des paroles clairement si le livre peut être chanté aussi bien en lecture, en vous offrant les histoires derrière les chansons, leurs âges et origines, et la raison de leur inclusion.Il s'agit d'une affirmation de la vie livre des plus mémorables, la mélancolie, plus stupide et plus facile à chanter des chansons qui Cerys sait, conçu pour garder à portée de main à la maison pour ces moments où seulement une chanson va faire.Cerys Matthews est un chanteur, compositeur, auteur et communicateur, anime une émission de radio hebdomadaire populaire sur BBC 6 Music et apparaissant sur ??la voix avec Tom Jones. Un collecteur de chansons depuis plus de trente ans, elle a également écrit et présenté des documentaires sur des sujets tels que Blue Horizon (le label de blues britannique emblématique), Sacred Harp chant et Dylan Thomas. Un chroniqueur pour le numéro un mondial magazine musical Songlines, elle est l'auteur de récits de contes pour enfants from the Deep et Gelert, le meilleur ami d'un homme. Elle était chanteur et compositeur pour le multi-million-seller bande catatonie, et en duo avec Tom Jones sur le favori de l'hiver éternel, 'Bébé, il fait froid dehors. Elle vit dans l'ouest de Londres avec ses enfants. / Ligne De Mélodie, Paroles Et Accords

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled “The dream of Herodes” and “The arrival at Sais, ” had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle, other than as it is almostalways depicted, after the Gospel of Luke. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this “sacred trilogy” a genuine alternative for performance at Christmas time. The score, published in 1855, contained a second singing text in German which had been translated from the French by Peter Cornelius. The critical edition by Carus presents a new translation by Klaus Kreuser which, as opposed to the text by Cornelius, adheres more closely to the French original and avoids becoming an embellished idyll. / Oratorio / Répertoire / Solistes STBarB, Choeur SATB, 2 Flûtes Traversière

Lullay, my liking is scored for accompanied two-part choir, allowing for various upper-/lower-voice combinations: two-part trebles or sopranos, upper voices only (S/A), or men only (T/B). If performed by a four-part choir, sopranos and tenors should read the upper line, and altos and basses read the lower. The keyboard part can be played on piano or organ, or harp. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Graham Ross (b. 1985) is Director of Music and Fellow of Clare College, Cambridge, and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire, he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works, including pieces by Ralph Vaughan Williams (Albion Records) - James MacMillan, Judith Bingham and Giles Swayne (Naxos) - and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad, with recent engagements in Palestine, Australia, Nigeria, Denmark, Aldeburgh and Glyndebourne. As a composer, recent performances have been given by, among others, Aurora Orchestra, Australian Chamber Orchestra, comedian Barry Humphries, BBC Concert Orchestra, Choir of London, City of London Sinfonia, National Youth Choir of Great Britain, O Duo and the Solstice Quartet. / Choeur A 2 Parties Et Orgue

Par CURNOW JAMES. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band

Un des aspects plus magiques de la musique réside dans sa capacité à fournir de force et confort lors d'événements sombres ou triste. Cette collection réfléchie des oeuvres pour des services funéraires ou mémorial a été spécialement choisie pour créer une ambiance de sérénité et de réflexion. Chaque pièce est présenté pour solo Piano, y compris la musique de Bach, Mendelssohn et d'autres. / Piano / 96 pages / Partition