By Artie Almeida. For Games. General music. Published by Heritage Music Press. (30/2060H)

Composed by Chris Judah-Lauder. Classroom Music. Book, audio/data CD. Published by Heritage Music Press (LO.75-1053H).

(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John Wasson, edited by Bob Dingley. Performance part for electric bass guitar. With standard notation. 12 pages. Published by Alfred Publishing.

(Punctuated by Love?) Lyrics by Gloria Rosenthal, music by Steve Hopkins. Vocal score for SSA chorus and piano accompaniment. Medium Junior High/High School or Easy Adult. 10 pages. Published by Hinshaw Music Inc.

(24 Reproducible Worksheets). Composed by Jeanette Morgan. Classroom Music. PreK - 2. Games. Published by Heritage Music Press

Concert Band/Harmonie - Grade 2

SKU: BT.GOB-000618-140

Composed by Andreas Ludwig Schulte. Score Only. 20 pages. Gobelin Music Publications #GOB 000618-140. Published by Gobelin Music Publications (BT.GOB-000618-140).

The world's most important sports event inspired Schulte to compose a magnificent new concert piece.
In three parts he successively describes the opening ceremony (musical entry of the athletes), the hymn for the winner (an alluring ballad), and the party following the closing ceremony (rock party) during which all tensions disappear.
Enter the world of the Olympic Games and enjoy!

Elke vier jaar zijn er Olympische Spelen, sinds 1896 het grootste sportevenement op aarde en daarmee het summum op sportgebied.
Iedere (top)sporter droomt ervan mee te doen aan dit grootse evenement en stiekem droomt ook weerelke sporter van succes, het behalen van een medaille en de hoop op de eeuwige roem.
In Olympic Dream zijn een drietal momenten van de Spelen muzikaal weergegeven.

In het feestelijk eerste deel is er aandacht voor de openingsceremoniemet de feestelijkheden die daarbij horen zoals de opkomst van de atleten en het binnenbrengen van de vlam.
Het tweede gedeelte is een hymne (ballade) ter ere van de winnaar. De emoties van de winnaar nemen nude vrije loop.
Het derde gedeelte vertolkt het spontane feest dat na elke sluitingsceremonie weer losbarst. Alle spanningen vloeien weg als er gedanst mag worden .
Een schitterend concertwerk!

Violin

SKU: BT.STACLI475

Composed by Mark Goddard. Book Only. Clifton Edition #STACLI475. Published by Clifton Edition (BT.STACLI475).

63 Traditional Pieces. Composed by Peter Bowman. This edition: Saddle stitching. Sheet music with online material. Woodwind Solo. Classical, Irish. Edition with Online audio file. 48 pages. Schott Music #ED 13568-96. Published by Schott Music

For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Soul. Book. 84 pages. Published by Alfred Music Publishing

For Tenor Sax. By Various. Instrumental Folio. Softcover. 160 pages. Published by Hal Leonard

(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John Wasson, edited by Bob Dingley. Performance part for Eb alto saxophone II. With standard notation. 12 pages. Published by Alfred Publishing.

(For Singers and Choral Groups). Composed by Jeffrey Agrell, Patrice Ward-Steinman. Music Education. Educational. Book. 76 pages. Published by GIA Publications

Hal Leonard Student Piano Library. By Barbara Kreader, Fred Kern and Phillip Keveren. Educational Piano Library. Book only. Size 9x12 inches. 40 pages. Published by Hal Leonard.

A cello method for children age four and older. Composed by Egon Saßmannshaus and Kurt Sassmannshaus. Stapled. With a Chinese text booklet. Performance score. Baerenreiter Verlag #BA10756. Published by Baerenreiter Verlag

9 Graded Selections for Late Intermediate Pianists. Arranged by Dan Coates. Book; Piano Collection; Piano Supplemental. Hits for Teens. Movie; TV. 40 pages. Published by Alfred Music

A Creative and Interactive Piano Course for Children. Piano. Softcover Audio Online. 48 pages. Schott Music #ED13811. Published by Schott Music

By Artie Almeida. For Games. General music. Published by Heritage Music Press. (30/1998H)

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Classroom

SKU: BT.9780713679205

Composed by Helen MacGregor. Book with CD. 80 pages. Collins Music Publishing #9780713679205. Published by Collins Music Publishing (BT.9780713679205).

ISBN 9780713679205. English.

Sing and Dance your way around the world with this sparkling and imaginative collection of over thirty songs! Helen MacGregor's Tam Tam Tambalay! contains a wealth of children's songs, chants and singing games fromaround the world, including greeting and farewell songs, fingerplays and action songs, dancing songs and story songs. These have been chosen to capture the imagination and expose ears to a range of different languages.

perfect for the classroom or playground, each song comes with imaginative and flexible ideas for actions sound effects and percussion accompaniments.

Includes both demonstrations and full accompaniments onasing-along CD.

Brass Band - Grade 1.5

SKU: BT.GOB-000725-130

Composed by Patrick Millstone. Score Only. Gobelin Music Publications #GOB 000725-130. Published by Gobelin Music Publications (BT.GOB-000725-130).

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey. After a year’s hard work we may finally enjoy a well-earned holiday. The first part of this three-part composition has the appropriate title ‘On Tour’. When we chose our holiday destination, the brochure said that it would be bathed in sunlight every day. Unfortunately, this turns out not to be the case. Somewhat melancholically, we play round games in our summer house on a ‘Rainy Day’. However, the next day, when the sun again has driven away all the clouds, we naturally visit the ‘Crowded Beach’, where we enjoy both sun, sea and beach once again.

In ‘A Summer Holiday’ neemt Patrick Millstone ons mee op reis. Na een jaar hard werken kunnen we van een welverdiende vakantie genieten. Het eerste deel van deze driedelige compositie heeft de toepasselijke titel ‘On Tour’. Bijhet uitzoeken van de vakantie, stond in de folder dat onze bestemming zonovergoten zou zijn. Dit blijkt helaas niet alle dagen zo te zijn. Met enige weemoed zitten we in ons huisje wat gezelschapsspelletjes te doen op deze ‘RainyDay’. Maar als de zon de wolken verdreven heeft, en dat is de volgende dag zo, gaan we natuurlijk met z’n allen naar de ‘Crowded Beach’, waar we genieten van zon, zee en strand.

(Collection of Songs, Activites and Musical Games for K-3). Little School House Books

Easy Piano. Arranged by Dan Coates. This edition: Easy Piano; Deluxe Annual. Book; Piano - Easy Piano Collection; Piano Supplemental. Greatest Pop and Movie Hits. Movie; Pop. 108 pages. Published by Alfred Music

(Music, Movement and More! The Music Magazine for Grades K-6). By Kris Kropff. For Games, Unison choir, Orff Instrument, Movement, CD Included. General, Halloween, Thanksgiving. General music