SKU: WD.080689867422 Composed by Deborah Craig-Claar and Gary Rhodes. Cho...(+)
SKU:
WD.080689867422
Composed by Deborah
Craig-Claar and Gary
Rhodes. Choral, cantatas.
Modern Christian. Stem
mixes. Word Music
#080689867422. Published
by Word Music
(WD.080689867422).
UPC:
080689867422.
Chris
tmas is coming! Doesn't
it seem as if we spend an
entire year waiting for
the anticipated season to
arrive? Instead of
packing the hope away
with the decorations
after Christmas, rejoice
that Christmas has come,
bringing us the most
wondrous Christmas gift
imaginable: the birth of
our Savior, Jesus Christ!
Christmas Is Coming
combines the powerful
expression of worship
with the high-energy
exuberance of the season
in a 46 minute
celebration that is sure
to thrill your
congregation and
community! Gary Rhodes
has dynamically arranged
new Christmas favorites
from Steven Curtis
Chapman, Jason Gray, and
Chris Tomlin as well as a
highly creative treatment
of beloved carols and
worship songs. Deborah
Craig-Claar has
artistically woven the
musical together with a
straight to the heart two
person narration that
seamlessly weds a
contemporary perspective
with scriptural truth. A
beautifully-crafted DVD
completes this inspiring
work that not only
features your choir and
soloists, but brings the
children front and center
as well. This Christmas,
let the Child of
Bethlehem awaken the
child inside of you -and
celebrate Christmas Is
Coming!
Composed by Mark Burrows.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48911. Published by
Alfred Music (AP.48911).
UPC: 038081562353.
English.
We will
reach out, sing out, make
a change. We will show
the world what love can
do! These empowering
lyrics were inspired by
thoughts and feelings
from amazing young people
at a virtual conference
held in 2020. Spread the
important message with
this stirring anthem of
hope by stellar composer
and youth mentor, Mark
Burrows. Starts with a
tiny mezzo-soprano seed
and blossoms into a full
bloom fortissimo. Along
the way, intuitive pop
rhythms, satisfying
harmonies, an especially
memorable bridge, a
moment of a cappella, and
even handclaps help to
secure that full finale
effect.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Composed
by Johannes Brahms.
Edited by Rainer Boss.
Set of Orchestra Parts.
Composed 1882. Op. 89.
Duration 12 minutes.
Carus Verlag #1040009.
Published by Carus Verlag
(CA.1040009).
ISBN
9790007302979. Key: D
minor. German/English.
Text: Goethe, Johann
Wolfgang.
The Three
Fates, or Parcae, were
the goddesses of fate in
Greek-Roman mythology,
and sang on themes of
curse and fate. The
Parzenlied in
Goethe’s verse
drama “Iphigenie
auf Tauris†is
concerned with these
themes and became the
model for Johannes
Brahms’s setting.
His Gesang der Parzen
(Song of the Fates) op.
89 describes in
thrilling, eruptive
sounds the fight to
overcome the mythical
curse through the purity
of truthful, noble
actions and the power of
hope.
With a
duration of around 12
minutes, the work can be
combined with
Brahms’s
“German
Requiem†in
concert.
Choral (3-Part Mixed choir) SKU: HL.35028234 Together We Sing Series(+)
Choral (3-Part Mixed
choir)
SKU:
HL.35028234
Together We Sing
Series. Composed by
Jerry Estes. Choral.
Christmas Secular,
Concert, Holiday. Octavo.
12 pages. Published by
Shawnee Press
(HL.35028234).
UPC:
884088630188. 6.75x10.5
inches.
Perfect for
winter shows and easily
interpreted for Christmas
and holiday concerts,
this gentle ballad speaks
of evergreen trees,
wishes, shining light,
and peace and hope for
the world. Capture that
special moment with this
gentle work. Available:
3-Part Mixed; 2-Part;
PianoTrax CD.
By Leonard Cohen. By Leonard Cohen. Arranged by Kirby Shaw. Pop Choral Series....(+)
By Leonard Cohen. By
Leonard
Cohen. Arranged by Kirby
Shaw. Pop Choral Series.
Ballad, Concert,
Inspirational, Pop.
Octavo.
12 pages. Published by
Hal
Leonard
Composed
by Carol Brittin
Chambers. Concert Band
(CPS). Full score. With
Standard notation. 24
pages. Carl Fischer Music
#CPS226F. Published by
Carl Fischer Music
(CF.CPS226F).
ISBN
9781491153208. UPC:
680160910700.
Inspi
red by the memory of an
influential music
educator, Carol Brittin
Chambers has woven a
multitude of grooves,
colors, and uplifting
themes into To Create a
Voice. Chambers has
attempted to convey
distinct moods and
emotions that this
educator tried to instill
in his students. In honor
of this dynamic teacher,
you will hear Hot
Cross Buns cleverly
placed throughout the
composition. To Create
a Voice was commissioned
by the Valley Concert
Band in Stockton,
California. The piece
premiered in October
2017, in memory and
celebration of Chris
Anderson, a local
musician and
educator.When writing
this piece, I tried to
convey certain moods and
emotions throughout:
soulful at the beginning
with calm woodwind chords
and solo trombone;
increased energy
throughout the various
sections of the piece;
exploration of different
grooves and colors; an
uplifting, emotional
ending that leaves the
listener with a sense of
how positive and loving
Chris was.This piece is
largely inspired by a
specific quote from
Chris:Most people would
consider the sounds
students first make on
their instruments to be
cringe-worthy, but to me
that’s music to my
ears, because
that’s the first
time students put a voice
to their instrument. Over
time those voices become
stronger; they become
clear, more confident,
and get to a point where
they use those voices to
communicate with each
other, and to their
audiences.To relate to
the first notes on the
instrument idea, I used
motifs based on the first
notes most beginners ever
play, do-re-mi, which are
introduced at the
beginning of the piece
with the trombone solo,
Chris’ instrument.
During the section at m.
15, the brass introduce a
chorale that I named
Chris’ Theme while
the woodwinds keep
reminding us of do-re-mi.
Later in the piece (mm.
71 and 79), I use these
notes again, but in
reverse, which becomes a
reference to the first
song most beginners
learn, Hot Cross Buns.
This section is also
meant to portray
Chris’ quirky and
joking side. In mm. 75
and 83, Chris’
Theme presents itself
again a couple of times
in response to Hot Cross
Buns.Toward the end, at
the uplifting moment (m.
97), do-re-mi is heard
again, but this time in
harmony with mi-fa-sol.
This represents the
ultimate satisfaction we
all feel as musicians
when we have finally
progressed enough to play
in harmony with others.
The half-time feeling in
3 at that moment also has
significance, relating
(rhythmically) to those
important three notes
again.I really hope you
enjoy performing and
listening to this piece
as much as I have enjoyed
creating it!
... of all times. Composed by Various Artists. Music Sales America. Classical. B...(+)
... of all times.
Composed by Various
Artists. Music Sales
America. Classical. Book
Only. 110 pages. Wise
Publications
#MUSAM987943. Published
by Wise Publications
Clarinet; Piano Accompaniment - easy to intermediate SKU: HL.49018403 ...(+)
Clarinet; Piano
Accompaniment - easy to
intermediate
SKU:
HL.49018403
B-flat
Clarinet and Piano.
Composed by Edward Elgar.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical, March. Op.
39/1. 14 pages. Schott
Music #ED09890. Published
by Schott Music
(HL.49018403).
ISBN
9790001175708. UPC:
841886016415.
9.25x12.0x0.052
inches.
A 'Last
Night of the Proms'
without this march -
unthinkable! 'Pomp and
Circumstance Military
March No. 1' with its
middle section, the
hymn-like 'Land of Hope
and Glory' by Edward
Elgar (1857-1934),
belongs to the finale of
the London music event
like the Radetzky March
usually played as last
piece to the New Year's
Concert of the Vienna
Philharmonic Orchestra.
The fame and popularity
of the other four
military marches composed
by Elgar between 1901 and
1907 fade in comparison
to this secret national
anthem of Great Britain
(although strongly
rivalled by 'Rule,
Britannia!'). It is,
indeed, an equally
rousing and catchy piece
of music, and the catchy
tune in the middle has
just become a classical
'hit'. Thanks to the
present edition, all
those who do not have a
large symphony orchestra
at home can now play this
rousing march by
themselves.
(26 Trios That Can Be Played by Any Combination of String Instruments). By Doris...(+)
(26 Trios That Can Be
Played by Any Combination
of String Instruments).
By Doris Gazda. Arranged
by Doris Gazda. For
Violin. Book. 48 pages.
Published by Carl Fischer
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0940599-010 Composed by John ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0940599-010
Composed by John
Williams. Arranged by Jan
de Haan. Film
Spectaculars. Festive and
Solemn Music. Set (Score
& Parts). Composed 1994.
De Haske Publications
#DHP 0940599-010.
Published by De Haske
Publications
(BT.DHP-0940599-010).
The stunningly
compassionate melodies
for John William’s
score for
Schindler’s List
are woven into this
arrangement which will
haunt both the band and
the audience. The
magnificently simple
melodies reflect both the
sadness and hope which is
portrayed throughout the
epic Steven Spielberg
film.
Met
Schindler’s
List, een film over
het leven van Oskar
Schindler, een Duits
industrieel die in de
Tweede Wereldoorlog met
de inzet van al zijn
financiële middelen
meer dan 1100 Joden redde
van de dood in Auschwitz,
schreefregisseur Steven
Spielberg
filmgeschiedenis. De
muziek bij deze - in
Amerika met maar liefst
zeven Oscars bekroonde -
film werd geschreven door
John Williams, de
componist met wie
Spielberg in het verleden
al meer succesvolle
productiesmaakte (onder
andere Indiana Jones,
Jawa, E.T. en
Jurassic Park).
Jan de Haan maakte een
inspirerende bewerking
van het pakkende thema
uit Schindler’s
List.
Die
verblüffend
leidenschaftlichen
Melodien aus John
Williams Musik zum Film
Schindlers Liste
flossen in dieses
Arrangement ein, das
Musiker und Publikum
gefangen nehmen wird. Die
herrlich einfachen
Melodien spiegeln sowohl
die Traurigkeit als auch
die Hoffnung, um die es
in Spielbergs Film geht,
wider. Bewegend und
mitreißend!
SATB choir, cantor,
assembly, keyboard
accompaniment, flute,
trumpet 1 in B-flat,
trumpet 1 in C, trumpet 2
in B-flat, trumpet 2 in
C, trombone, violin 1,
violin 2, cello, guitar -
Early intermediate
SKU: GI.G-10297
Composed by Peter M.
Kolar. Mass. Sacred.
Octavo. With guitar chord
names. 64 pages. GIA
Publications #10297.
Published by GIA
Publications
(GI.G-10297).
UPC:
785147029717. English,
Spanish. Text Source:
Revised Order of Mass
2010, Lectionary for
Mass. Misal
Romano, tercera
edición
SATB chorus and piano - Medium SKU: JK.00485 Composed by John Edgar Gould...(+)
SATB chorus and piano -
Medium
SKU:
JK.00485
Composed by
John Edgar Gould & Johann
Sebastian Bach. Arranged
by Douglas Pew. Choral
SATB, Difficulty Medium,
Piano Choir, Guidance,
Hope, Jesus Christ -
Friend, Jesus Christ -
Savior, Supplication.
Christian, Inspirational.
Duration 5:30. Jackman
Music Corporation #00485.
Published by Jackman
Music Corporation
(JK.00485).
Mark
4:39-41, Psalm
48:14.
Medley for
mixed chorus (SATB) and
piano, featuring the
hymns Jesus, Savior,
Pilot Me and O, Savior,
Thou Who Wearest a Crown,
with beautiful,
overlapping harmonies and
accompaniment. Compose
r: John Edgar Gould,
Johann Sebastian Bach
Arranger: Douglas Pew
Lyricist: Edward Hopper,
Karen Lynn Davidson
Difficulty: Medium
Performance time:
5:30 Reference: Mark
4:39-41, Psalm 48:14.
March No. 1 (Land of Hope and Glory). By Edward Elgar. Arranged by Clare Grundma...(+)
March No. 1 (Land of Hope
and Glory). By Edward
Elgar. Arranged by Clare
Grundman. (Condensed
Score). Boosey and Hawkes
Concert Band. 5 pages.
Published by Boosey &
Hawkes.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
Urtext. Composed
by Karl Ditters von
Dittersdorf and Karl
Ditters von Dittersdorf.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Classical.
Part. 8 pages. Duration
12'. Breitkopf and
Haertel #OB 15117-19.
Published by Breitkopf
and Haertel
(BR.OB-15117-19).
ISBN
9790004340431. 10 x 12.5
inches.
The Urtext
edition of what is
arguably the most often
played double-bass work
of all was long overdue.
The work was previously
available only in an
abridged and arranged
form. The edition departs
from the sole extant
source, a set of parts
from the estate of the
composer and double-bass
virtuoso Johannes
Sperger. The score and
orchestral parts as well
as the piano reduction
are printed in E major as
well as D major so as to
make the work playable
both in orchestral or
Viennese tuning as well
as in solo tuning. The
piano reduction contains
additional cadenzas by
the editor.I hope players
will convert to this
edition.(Clifford
Bartlett, in: Early Music
Review, No. 142, June
2011)An exciting addition
to the bassist's library.
This definitive score
will assist teachers and
performers alike.(Marian
Heckenburg, AUSTA
Stringendo).
(A Hero's Journey). By Patrick Roszell and Justin Williams. Concert Band. Concer...(+)
(A Hero's Journey). By
Patrick Roszell and
Justin Williams. Concert
Band. Concert Band;
Score; SmartMusic. Belwin
Symphonic Band. Folk.
Grade 4. 44 pages.
Published by Belwin Music
Piano Accompaniment; Viola - easy to intermediate SKU: HL.49018407 Vio...(+)
Piano Accompaniment;
Viola - easy to
intermediate
SKU:
HL.49018407
Viola
and Piano. Composed
by Edward Elgar. Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical, March. Op.
39/1. 16 pages. Schott
Music #ED09887. Published
by Schott Music
(HL.49018407).
ISBN
9790001175678. UPC:
841886016385.
9.0x12.0x0.067
inches.
A 'Last
Night of the Proms'
without this march -
unthinkable! 'Pomp and
Circumstance Military
March No. 1' with its
middle section, the
hymn-like 'Land of Hope
and Glory' by Edward
Elgar (1857-1934),
belongs to the finale of
the London music event
like the Radetzky March
usually played as last
piece to the New Year's
Concert of the Vienna
Philharmonic Orchestra.
The fame and popularity
of the other four
military marches composed
by Elgar between 1901 and
1907 fade in comparison
to this secret national
anthem of Great Britain
(although strongly
rivalled by 'Rule,
Britannia!'). It is,
indeed, an equally
rousing and catchy piece
of music, and the catchy
tune in the middle has
just become a classical
'hit'. Thanks to the
present edition, all
those who do not have a
large symphony orchestra
at home can now play this
rousing march by
themselves.
Composed by John Angotti
and Paul Benoit. Arranged
by Ed Bolduc. Holy
Thursday, Easter 5 C,
Easter 6 B. Tune Name:
Christian Love. Sacred.
Octavo. With guitar chord
names. 8 pages. GIA
Publications #008057.
Published by GIA
Publications
(GI.G-008057).
UPC:
641151080574. English.
Text Source: Ubi Caritas
et Amor. Text by Omer
Westendorf.
John
has composed an inspired
refrain and bridge to the
verses of the well-known
WLP classic “Where
Charity and Love
Prevail†by Dom
Paul Benoit. Here John
adds his distinctive
touch with a slight shift
of tonality from the
E-minor stanzas to newly
written melody, harmony,
and text in G major. The
refrain’s message
speaks of hope, peace,
love, and mercy when love
prevails. The bridge
section returns us to the
final verses and
refrain.
Score. Composed by
Antal Farkas. EMB.
Classical. Softcover. 22
pages. Duration 5:35.
Editio Musica Budapest
#Z14705. Published by
Editio Musica Budapest
(HL.50490256).
ISBN
9790080147054. UPC:
884088531652.
9.0x12.0x0.125 inches.
Antal Farkas; Tamas Antal
Farkas.
This
reworked edition of the
Folksong Suite by Antal
Farkas will help to widen
the repertoire of youth
ensembles and adult
amateur orchestras. The
composer's son, Tamas
Farkas has supplemented
the score of the work,
adding symphonic wind
ensemble parts, and has
in a number of places
reworked it slightly in
accordance with
present-day requirements.
'I recommend this work to
any orchestra active
anywhere in the world.
The piece provides an
enjoyable experience,
helps in correcting
faulty intonation, in
interpreting various
musical styles, in
fostering a homogeneous
sound, in developing
technique and ensemble
playing, and it is
certain of a favourable
response from audiences.
I hope every musician
will find pleasure in
it!' (Jozsef Csikota,
president of the East
European section of the
World Association for
Symphonic Bands and
Ensembles.)
Vocal and Guitar SKU: BT.PWM8835010 Composed by Bulat Okudzawa. Classical...(+)
Vocal and Guitar
SKU:
BT.PWM8835010
Composed by Bulat
Okudzawa. Classical.
Choral Score. Polskie
Wydawnictwo Muzyczne
#PWM8835010. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8835010).