| Teaching Little Fingers to Play Classics - Book/CD Piano seul [Partition + CD] - Débutant Willis Music
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hart...(+)
Teaching Little Fingers
to Play/Early Elementary
Level. Arranged by
Randall Hartsell. Willis.
Book with CD. 24 pages.
Published by Willis
Music.
$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Little Ceremonial Orchestra Full Score Chester
Little Ceremonial was commissioned by the West Australian Symphony Orchestra, ge...(+)
Little Ceremonial was
commissioned by the West
Australian Symphony
Orchestra, generously
supported by Janet Holmes
a Court AC, and the
Norfolk and Norwich
Festival. It was first
performed on 26th March
2010 at the Perth Concert
Hall, conducted by Paul
Daniel
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music for Little Mozarts: Recital Book 3
Piano seul [Partition] - Débutant Alfred Publishing
By Christine H. Barden, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Piano M...(+)
By Christine H. Barden,
Gayle Kowalchyk, and E.
L. Lancaster. For Piano.
Piano Method. Music for
Little Mozarts. Book. 32
pages. Published by
Alfred Publishing.
$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scott: A Complete Little Russian Suite for Piano Piano seul Music Sales
Cyril Scott was an English composer, writer, an...(+)
Cyril
Scott was an
English composer, writer,
and poet. He was
essentially a late
romantic composer, whose
style was at the same
time strongly influenced
by impressionism. His
harmony was notably
exotic.
Scott wrote
around four hundred
works,which include two
mature symphonies, three
operas, three Piano
concertos,concertos for
Violin, Cello, Oboe and
Harpsichord, several
overtures, four
oratorios, as well as a
mass of chamber music
$14.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano seul - Intermédiaire Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
$27.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Classical Era - Easy to Intermediate Piano Solo Piano seul - Intermédiaire Hal Leonard
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 6 [Conducteur] Theodore Presser Co.
Band SKU: PR.16500104F Three Places in the East. Composed by Dan W...(+)
Band SKU:
PR.16500104F Three
Places in the East.
Composed by Dan Welcher.
Full score. Theodore
Presser Company
#165-00104F. Published by
Theodore Presser Company
(PR.16500104F). ISBN
9781491132159. UPC:
680160681082. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| little tree Chorale SATB Hal Leonard
Composed by Eric Whitacre (1970-). Eric Whitacre Choral. Concert. Octavo. Dura...(+)
Composed by Eric Whitacre
(1970-). Eric Whitacre
Choral.
Concert. Octavo. Duration
300
seconds. Published by Hal
Leonard
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) [Conducteur] - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS215F Arranged
by Jeffrey Turner. Carl
Fischer Young String
Orchestra Series. Full
score. 8 pages. Carl
Fischer Music #YAS215F.
Published by Carl Fischer
Music (CF.YAS215F).
ISBN 9781491160756.
UPC:
680160919352. Beeth
oven's 5th Symphony is
one of the best-known
musical compositions of
the Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion. Beethovenâ
™s 5th Symphony is one
of the best-known musical
compositions of the
Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shadow of Fate (reimagined from Beethoven's 5th Symphony) - Facile Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2.5 SKU: C...(+)
Orchestra violin 1,
violin 2, violin 3,
viola, cello, bass -
Grade 2.5 SKU:
CF.YAS215 Arranged by
Jeffrey Turner. Carl
Fischer Young String
Orchestra Series. Set of
Score and Parts.
8+8+2+5+5+5+8 pages. Carl
Fischer Music #YAS215.
Published by Carl Fischer
Music (CF.YAS215).
ISBN 9781491160497.
UPC:
680160919086. Beeth
oven's 5th Symphony is
one of the best-known
musical compositions of
the Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion. Beethovenâ
™s 5th Symphony is one
of the best-known musical
compositions of the
Classical period. Its
opening measures are
instantly recognizable,
even to the non-musician.
This arrangement takes a
little different approach
to this passionate
masterpiece. Instead of
the bold, dynamic energy
of the original score,
this arrangement features
a softer, delicate
interpretation, creating
a sense of loneliness,
loss, and heartbreak in a
gentle setting. While the
tempo of this piece is
notated as Largo, rubato,
the arranger encourages
conductors to use rubato
liberally for ultimate
dramatic effect.
Suggested measures for
additional ritardando
include the end of
measure 9 and measures 13
through 15. Holding back
the tempo momentarily at
the discretion of the
director can convey the
fullest range of
expression and
emotion.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little New Broadway Fake Book Instruments en Do [Fake Book] Hal Leonard
645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway. Softcover....(+)
645 Songs from 285 Shows.
Composed by Various. Fake
Book. Broadway.
Softcover.
696 pages. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Teaching Little Fingers to Play Songbook - 55 Fantastic Songs for the Earliest Beginner Piano seul [Partition + Accès audio] - Débutant Willis Music
Early Elementary Level. Composed by Various. Arranged by Various. Willis. Recita...(+)
Early Elementary Level.
Composed by Various.
Arranged by Various.
Willis. Recital, Solos.
Softcover Audio Online.
128 pages. Published by
Willis Music
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classics Piano Facile [Partition] - Débutant Willis Music
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hart...(+)
Teaching Little Fingers
to Play/Early Elementary
Level. Arranged by
Randall Hartsell. Willis.
Softcover. Size 8.5x11
inches. 24 pages.
Published by Willis
Music.
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata Seesaw Music Corp
Little Symphony SKU: SU.50022950 For Little Symphony. Composed by ...(+)
Little Symphony SKU:
SU.50022950 For
Little Symphony.
Composed by Gen Parchman.
Orchestra. Study Score.
Seesaw Music Corp
#50022950. Published by
Seesaw Music Corp
(SU.50022950).
Parts avaiable
on rental. Copyright
1971. Published by:
Seesaw Music. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peter Ilyich Tchaikovsky : Little Russian March (from Symphony No. 2) Orchestre à Cordes [Conducteur et Parties séparées] - Facile Hal Leonard
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Longfield. For Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Robert
Longfield. For Orchestra,
String Orchestra (Score
and Parts). Easy Music
For Strings. Grade 2.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Haydn: His Greatest Piano Solos Piano seul Music Sales
By Alexandra Shealy (Editor). For Piano. Classical. 191 pages. Published by Musi...(+)
By Alexandra Shealy
(Editor). For Piano.
Classical. 191 pages.
Published by Music Sales.
35 pieces, including
Album Leaf, A Little
Waltz, Capriccio, Country
Dance, Oxen Minuet,
Oxford Symphony, Fantasia
and more.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Allegretto from Symphony No. 5 Mvt. 2 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Southern Music Ltd
For String Orchestra. Composed by Dmitri Shostakovich (1906-1975). Arrange...(+)
For String Orchestra.
Composed by Dmitri
Shostakovich (1906-1975).
Arranged by Lauren
Keiser.
Southern Music.
Classical.
Softcover. Southern Music
Company #SO125C.
Published
by Southern Music Company
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony AD 78 Orchestre d'harmonie [Conducteur] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet,...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute,
Oboe 1/2, Bassoon 1/2, Eb
Clarinet, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet, Bb Bass
Clarinet, Eb Alto
Saxophone 1/2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, 1st Bb Cornet,
2nd/3rd Bb Cornet, 1) -
grade 5 SKU:
CN.S11158 Composed by
Gordon Jacob. Band Music.
Score only. Duration
15:30. Published by G & M
Brand Music Publishers
(CN.S11158). A
powerful work. An opening
fanfare leads directly to
an Allegro risoluto,
which exudes
determination and
forthrightness. The
second movement follows
without a break and is a
continuous plaint in
which the melody seems
forever seeking
resolution like a
troubled soul searching
for respite. Only in the
closing bars does peace
seem to take over. The
final movement, marked
Allegro non troppo,
starts with a cheering
fanfare that leads to a
bright and breezy romp,
with a rustic feel about
it. When the fanfare
reappears we are suddenly
immersed in exaltations
of joy that really give a
feeling of optimism as we
proceed to the end of the
piece via a short
Coda.
With this
Symphony, Gordon Jacob
proclaims his absolute
mastery of idiom and
instrumentation with a
triumphant rejoicing.
Written in 1978 as a
commission from Arthur
Doyle (hence the AD in
the title, a typical
piece of Jacob wit), it
lay virtually unplayed
save for the efforts of
his Estate, Troy Peterson
and Geoffrey Brand and
CBDNA (College Band
Directors Association,
USA), who between them
ensured that it was
professionally recorded
in 1994 and published in
1995. There is little
point in indulging in
semantics as to whether
the piece is a Symphony.
It is Jacob's approach to
his tuneful, folk-based
material which is
symphonic: weighty in
exposition and
development, sonorous and
expressive in the slow
movement, with a
scherzo-like last
movement and a giocoso
coda. After a brilliant
opening fanfare, the
quick triple-meter first
theme (Allegro Risoluto)
is introduced on
clarinets, punctuated
with brass. It is soon
followed by a contrasting
melody for saxophone. In
all this material the
interval of a 4th is
prominent, and throughout
the work the 4th and 7th
are important. Perhaps it
is the frequent use of
the 7th which gives a
feeling of restlessness
without resolution which
pervades this movement as
the themes are dissected
and developed. The second
movement follows directly
after a horn bridge.
Still the melody outlines
the 7th and the ear is
not satisfied until the
full band (with organ),
comes to rest in Bb
major. This point of
repose and the magic
pianissimo which follows
shortly after when the
slow theme is re-stated,
are the apex of the
Symphony's construction.
Soon, however, we are
transported, via a
fanfare, into a
helter-skelter 9/8 romp:
rustic, English, and
almost vulgar, this theme
is thrown around the
group before exploding
into a boisterous 2/4
coda. $30.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Allegretto Grazioso (from Symphony No. 8) Orchestre à Cordes - Intermédiaire Alfred Publishing
By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert S...(+)
By Antonin Dvorak.
Arranged by Robert
Sieving. By Antonin
Dvorak / arr. Robert
Sieving. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 94 pages.
Published by Alfred
Publishing.
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Witold Lutoslawski: Little Suite (For Symphony Orchestra) Orchestre [Conducteur] Chester
Orchestra (Study Score) SKU: HL.14019657 Composed by Witold Lutoslawski. ...(+)
Orchestra (Study Score)
SKU: HL.14019657
Composed by Witold
Lutoslawski. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 68 pages. Chester
Music #CH55923. Published
by Chester Music
(HL.14019657). UPC:
884088490324.
8.5x11.0x0.166
inches. The
original version of this
work, scored for chamber
orchestra, was written in
1950 in response to a
commission from Warsaw
Radio. In the following
year the composer revised
and slightly extended the
work and rescored it for
symphony orchestra. The
first performance was
given by the Warsaw Radio
Symphony Orchestra,
conducted by Grzegorz
Fitelberg, in Warsaw in
April 1951. The work uses
folk melodies from the
village of Machow in the
region of Rzeszow, east
of Cracow. Duration c.11
mins. Full score and
orchestral parts
available on hire from
the publisher. $17.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Little Suite Potenza Music
Bassoon duo SKU: P2.40010 Composed by Reed Hanna. Chamber music. Publishe...(+)
Bassoon duo SKU:
P2.40010 Composed by
Reed Hanna. Chamber
music. Published by
Potenza Music (P2.40010).
Little Suite is
a short work for bassoon
and bass clarinet that I
wrote in 2013-2014 as a
gift for my friends
Shannon Lowe (bassoon)
and Peter Geldrich
(clarinet). The movements
are written in three
distinct musical styles:
the first movement is
inspired by clarinet
lines in the opening
section of Stravinsky's
Symphonies of Wind
Instruments, and the
second movement by the
Passacaglia in Krzysztof
Penderecki's Symphony No.
3. The third movement is
an original dance tune
that I sometimes jokingly
like to refer to as a 3/4
rhumba. The version for
two bassoons came as an
afterthought after I had
performed the piece for
the first time with a
bass clarinetist. The two
bassoon iteration not all
that different from the
original, but sounds
remarkably different
because of the same
instrumental timbre. I
have since wondered what
the piece would sound
like if the second part
were played on a cello,
or the first part (with
some obvious octave
transpositions) on a
viola... $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Little Suite Potenza Music
Bassoon and Bb clarinet SKU: P2.30139 Composed by Reed Hanna. Duet. Publi...(+)
Bassoon and Bb clarinet
SKU: P2.30139
Composed by Reed Hanna.
Duet. Published by
Potenza Music (P2.30139).
Little Suite is
a short work for bassoon
and bass clarinet that I
wrote in 2013-2014 as a
gift for my friends
Shannon Lowe (bassoon)
and Peter Geldrich
(clarinet). The movements
are written in three
distinct musical styles:
the first movement is
inspired by clarinet
lines in the opening
section of Stravinsky's
Symphonies of Wind
Instruments, and the
second movement by the
Passacaglia in Krzysztof
Penderecki's Symphony No.
3. The third movement is
an original dance tune
that I sometimes jokingly
like to refer to as a 3/4
rhumba. The version for
two bassoons came as an
afterthought after I had
performed the piece for
the first time with a
bass clarinetist. The two
bassoon iteration not all
that different from the
original, but sounds
remarkably different
because of the same
instrumental timbre. I
have since wondered what
the piece would sound
like if the second part
were played on a cello,
or the first part (with
some obvious octave
transpositions) on a
viola... $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 2 [Conducteur] - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 S...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 4.5 SKU:
CF.SAS9F
Finale. Composed
by Emilie Mayer. Arranged
by Lauren Taylor. Full
score. 20 pages. Duration
5:12. Carl Fischer Music
#SAS9F. Published by Carl
Fischer Music (CF.SAS9F).
ISBN 9781491163221.
UPC: 680160921973. Key: D
minor. Despite an
impressive body of work,
little is known about
German composer Emilie
Mayer (1812-1883). Mayer
studied composition with
Carl Loewe after the
death of her parents,
writing a total of eight
symphonies, eight violin
sonatas, twelve cello
sonatas, six piano trios,
seven string quartets,
seven orchestral
overtures, and numerous
works for piano and
voice. Mayer's works were
acclaimed in Germany and
she toured frequently
performing her music, an
unheard of practice for a
single woman at the time.
Regrettably, however,
most of her work remained
unpublished at the time
of her death. Written in
her 30s, Mayer's stormy
fourth and final movement
from her second symphony
reveals her bold Romantic
style and growing
confidence as a composer.
Arranged for string
orchestra and timpani,
this movement was
painstakingly drawn from
the handwritten score,
offering a profound
opportunity for students
to experience the music
of this incredible
composer for the first
time. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 2 - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 4.5 S...(+)
Orchestra Cello,
Contrabass, Timpani,
Viola, Violin 1, Violin 2
- Grade 4.5 SKU:
CF.SAS9
Finale. Composed
by Emilie Mayer. Arranged
by Lauren Taylor. Set of
Score and Parts. Duration
5:12. Carl Fischer Music
#SAS9. Published by Carl
Fischer Music (CF.SAS9).
ISBN 9781491162880.
UPC: 680160921638. Key: D
minor. Despite an
impressive body of work,
little is known about
German composer Emilie
Mayer (1812-1883). Mayer
studied composition with
Carl Loewe after the
death of her parents,
writing a total of eight
symphonies, eight violin
sonatas, twelve cello
sonatas, six piano trios,
seven string quartets,
seven orchestral
overtures, and numerous
works for piano and
voice. Mayer's works were
acclaimed in Germany and
she toured frequently
performing her music, an
unheard of practice for a
single woman at the time.
Regrettably, however,
most of her work remained
unpublished at the time
of her death. Written in
her 30s, Mayer's stormy
fourth and final movement
from her second symphony
reveals her bold Romantic
style and growing
confidence as a composer.
Arranged for string
orchestra and timpani,
this movement was
painstakingly drawn from
the handwritten score,
offering a profound
opportunity for students
to experience the music
of this incredible
composer for the first
time. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rubank Trombone Symphony Collection Of Compositions Adapted For 4 Trombones Trombone Hal Leonard
| | |
| The Symphonic Wind Music of David R. Holsinger - Volume 10 [CD d'écoute] Mark Custom Music
By The University of Texas at El Paso Wind Symphony. By David R. Holsinger. For ...(+)
By The University of
Texas at El Paso Wind
Symphony. By David R.
Holsinger. For Wind
Symphony. Classical.
Performance CD
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony No. 1 - The Borgias (The Black Legend) - 2. Nepotism Orchestre d'harmonie [Conducteur] Hal Leonard
Concert Band (Score) SKU: HL.4008922 Score. Composed by Otto M. Sc...(+)
Concert Band (Score)
SKU: HL.4008922
Score. Composed by
Otto M. Schwarz.
Symphonic Dimensions.
Symphony. Softcover.
Duration 555 seconds. Hal
Leonard #SDP1422201.
Published by Hal Leonard
(HL.4008922). UPC:
196288277538. A
sinister legend hangs
over the Borgia family, a
legend of corruption,
abuse of power, orgies,
sex and murder. These
rumors proliferated
especially during the
papacy of Alexander VI, a
descendant of the family,
who was even called the
Antichrist. On his death,
contemporary witnesses
reported that the devil
himself prowled around
the death chamber and a
black dog run along the
corridors of the Vatican
as his emissary. One
might say that this
Borgia pope, who ruled
together with his family
with the greatest
brutality, became
demonized.
Unscrupulousness,
poison-toting, incest and
other malice are to this
day the hallmarks of this
pontiff. 2. NEPOTISM
Rodrigo Borgia was
elected Pope on August
11, 1492. From the very
start, the new pope was
prepared to use any means
to eliminate his
opponents, either through
the infamous “Borgia
poison” or by
excommunication and
execution. His son
Cesare, who wanted little
to do with the church,
was appointed cardinal
against his will.
Alessandro Farnese, broth
of Giulia Farnese, the
Pope's mistress, also
became a cardinal.
Numerous Spaniards were
brought into the country
and were appointed to
ecclesiastical posts.
This infuriated the
opponents of Alexander
VI. The Dominican
Girolamo Savonarola from
Florence demanded the
removal of the Pope. He
was tortured and banned.
Giuliano della Rovere
wanted to convene
councils to depose the
Pope, which Alexander
managed to prevent
through artful political
maneuverings. Through
great brutality, brillian
political skill and power
games, this pope was able
to achieve his goal of
leaving for his children
a great legacy. Alexander
VI constantly changed his
allies and always acted
unscrupulously to improve
his financial situation
and expand his sphere of
influence. At the centre
of the second movement of
this work is the medieval
hymn Dies Irae (Day of
Wrath), which acts as a
warning in the background
condemning the Pope's
actions. $43.00 - Voir plus => Acheter | | |
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