Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for soloinstrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘ also suitable for an ordinary alto or bass'. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes

Par KLOMP CARSTEN. The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements. The editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition – flexible instrumentation with easy playability – ensures that the pieces can easily be tackled and fun to play for church services, musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year: Advent / Christmas Passion / Easter Epiphany / Whitsun / Pentecost Death and Eternity / Funerals Praise and Thanks Divine Service Communion Special Services (baptisms / weddings) The complete series will comprise eight volumes./ Recueil / Orgue et Mélodie

Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du aber, Daniel, gehe hin” appears here for the first time in print. A score of the work, until Second World War, was held in the Berliner Sing-Akademie. It was written by J. Dirmar, the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score, parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo, Bass solo, Mixed choir (SATB), Flute, Oboe, Strings, Organ/ Répertoire / SB, 4 Parties Mixtes et Orchestre

Telemann, Georg Philipp Gott der Hoffnung erfülle euch TVWV 1:634 Cantata for Whit Sunday In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch' for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang', also known as 'Das Harmonische Zion' or 'Italienischer Jahrgang' where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. ' Urtext edition based on 'Georg Philipp Telemann, Musical Works' ' Cantata for the first day of Whitsun ' Ideal for church services and concerts ' An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) Edition no.: BA 5898-90 ISMN: 9790006562688 Editor: Richter, Maik Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Stapled Pages / Format: VI, 21 S. - 27,0 x 19,0 cm

Par MEIER ARNAUD. Cette pièce au caractère trouble puis recueilli est écrite avec l'envie d'emmener le musicien, dès la fin de sa première année de pratique, dans une atmosphère que l'on peut ressentir par exemple dans une grotte ou une cathédrale. - Arnaud MEIER - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Hautbois 1 Piano - Niveau de Difficulté : Facile - Durée : 2 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Arnaud MEIER - / Niveau : Facile / Répertoire / Hautbois et Piano

Par BERNARD PATRICE. Une pièce adaptée pour une audition ou un examen de fin de 2e cycle. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Hautbois 1 Piano - Niveau de Difficulté : Intermédiaire / Avancé - Durée : 2 mn 25 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Patrice BERNARD - / Niveau : Intermédiaire à Avancé / Répertoire / Hautbois et Piano

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Alto

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Contrebasse

Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all that remains of the percussion are the timpani- the organ has also been taken out. The cor anglais and bass clarinet parts can be replaced by an oboe and clarinet (ossia staves in score and parts).This arrangement, which judiciously reduces the richness of Dvorák's original orchestration, makes the work available to a broader range of performers outside professional circles.- Standard choral work with a manageable reduced orchestration- A stylistically appropriate as well as tried and tested arrangement- In keeping with the vocal score H 2924-90 / Violon I

In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Violon I

In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Alto

In 1717 Telemann composed his cantata 'Gott der Hoffnung erfülle euch? for the first day of Whitsun based on a text by Erdmann Neumeister. It forms part of the 'Concerten-Jahrgang?, also known as 'Das Harmonische Zion? or 'Italienischer Jahrgang? where all the cantatas are conceived as concertos for vocal and instrumental parts and have been colourfully scored. This particular work includes two oboes, two Corni da Caccia and strings. Vocal soloists, choir and instruments alternate and have equal musical standing in this festive Whitsun cantata which provides a valuable addition to the church service or concert repertoire. - Urtext edition based on 'Georg Philipp Telemann, Musical Works?- Cantata for the first day of Whitsun- Ideal for church services and concerts- An attractive addition to the repertoire with a view to the 250th anniversary of Telemann's death (2017) / Violon II