Piano/Keyboard SKU: PE.EP72783 S161, 162; Urtext. Composed by Fran...(+)
Piano/Keyboard
SKU:
PE.EP72783
S161,
162; Urtext. Composed
by Franz Liszt. Edited by
Leslie Howard. Piano
(Solo). Edition Peters.
Score. 128 pages. Edition
Peters #98-EP72783.
Published by Edition
Peters (PE.EP72783).
Also
included in this prestige
volume, a must-have for
any serious Liszt
pianist, is the
supplementary volume
Venezia e
Napoli, beautiful
and ingenious revisions
of earlier works based on
Italian street
music.
Piano Solo SKU: YM.GTP01100655 Composed by Various. J-Pop. J-POP. Score. ...(+)
Piano Solo
SKU:
YM.GTP01100655
Composed by Various.
J-Pop. J-POP. Score.
Yamaha Music Media
#GTP01100655. Published
by Yamaha Music Media
(YM.GTP01100655).
ISBN
9784636104608. 8.5 x 12
inches.
The
definitive selection of
the 30 hottest songs that
were big hits in early
2022 is now available! It
includes J-POP hits and
the theme songs for
Japanese TV dramas and
Animes. Enjoy it to the
fullest!
Bassoon and piano SKU: BR.MR-1265 Composed by Antonio Vivaldi. Edited by ...(+)
Bassoon and piano
SKU:
BR.MR-1265
Composed
by Antonio Vivaldi.
Edited by Da Lasocki and
Robert P. Block. Solo
instruments; stapled.
Musica Rara. Solo
concerto; Baroque. Piano
reduction. 20 pages.
Breitkopf and Haertel #MR
1265. Published by
Breitkopf and Haertel
(BR.MR-1265).
Organ solo SKU: FZ.5641 Composed by Jean-Francois Dandrieu & Pierre Dandr...(+)
Organ solo
SKU:
FZ.5641
Composed by
Jean-Francois Dandrieu &
Pierre Dandrieu. Edited
by Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5641).
ISBN
9790230656412. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Jean-Francois and
Pierre Dandrieu is part
of our French classical
music collection.
Editions : P. Dandrieu -
Paris 1729. J. F.
Dandrieu - Paris 1759.
This score also includes
Noels de Pierre Dandrieu.
The Noels of Pierre and
those of his nephew
Jean-Francois are very
different. Joint
publication of both works
is therefore quite
justified. Preface by:
Philippe Lescat:
biography of Pierre
Dandrieu - the editions
of Pierre Dandrieu's
Livre de Noels. Jean
Saint-Arroman: comparison
between the books of
Pierre and Jean-Francois
Dandrieu. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Mezzo soprano voice, tenor voice and 15 players SKU: HL.49006204 Eine ...(+)
Mezzo soprano voice,
tenor voice and 15
players
SKU:
HL.49006204
Eine
Sammlung von Liedern.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1973. 364
pages. Duration 90'.
Schott Music #ED 6344.
Published by Schott Music
(HL.49006204).
ISBN
9790001067454.
9.25x12.0x1.015 inches.
German - English -
Italian -
Spanish.
Voice, piano - Level 2-3 SKU: HF.FH-2995 Lieder zur Weihnachtszeit zum...(+)
Voice, piano - Level 2-3
SKU: HF.FH-2995
Lieder zur
Weihnachtszeit zum Singen
und Spielen auf dem
Klavier. Edited by
Gerhard Wohlgemuth. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 2995. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-2995).
ISBN 9790203429951. 9
x 12 inches.
1.
Leise rieselt der Schnee
(Ed. Ebel); 2. Ach,
bittrer Winter (17.
Jhd.); 3. Nikolauslied
(Rheinland); 4. Morgen,
Kinder, wird's was geben
(Berliner Volksweise,
1800); 5. Ihr Kinderlein,
kommet (J.A.P. Schulz,
1747-1800); 6. Alle Jahre
wieder (F. Silcher,
1789-1860); 7. Vom Himmel
hoch da komm' ich her (M.
Luther); 8. Frohlich soll
mein Herze springen (J.
Cruger, 1598-1662); 9.
Uns ist geboren
(Altflamisch); 10. Es ist
ein Ros entsprungen
(Speiersches Gesangsbuch,
1599); 11. O du frohliche
(sizilianische
Volksweise); 12. Nun
singet und seid froh
(Klug's Gesangbuch,
1535); 13. Vom Himmel
hoch ihr Englein (Kolner
Gesangbuch, 1632); 14.
Kommet, iht Hirten
(Volksweise); 15. Auf,
auf, ihr Hirten
(Niederosterreich); 16.
Spielt auf (Volksweise);
17. Lieb' Nachtigall,
wach auf (1670); 18.
Kindlein mein
(Volkslied); 19. Kindlein
zart (Volksweise); 20.
Joseph, lieber Joseph
mein (nach Handschrift
1305 der
Universitats-Bibliothek
Leipzig); 21. Still,
still, weil's Kindlein
schlafen will (Volkslied
aus Salzburg, 1819); 22.
O Tannebaum (Alte
Volksweise); 23. O
Tannebaum (Volkslied aus
Westfalen); 24. Ach
Tannenbaum (M. Franck,
1573-1639); 25. Am
Weihnachtsbaum die
Lichter brennen
(Volksweise); 26.
Frohliche Weihnacht
uberall (aus dem
Englischen); 27. Stille
Nacht (F. Gruber,
1787-1863).
Piano/Keyboard SKU: PE.EP72782 S160, 156b; Urtext. Composed by Fra...(+)
Piano/Keyboard
SKU:
PE.EP72782
S160,
156b; Urtext.
Composed by Franz Liszt.
Edited by Leslie Howard.
This edition: Urtext.
Piano (Solo). Edition
Peters. Book. 148 pages.
Duration 144. Edition
Peters #98-EP72782.
Published by Edition
Peters (PE.EP72782).
For the
first time, this first
volume of the trilogy,
Suisse
(Switzerland) is
published together with
the Trois Morceaux
suisses, in line
with the composer’s
original intention to
combine all his
Swiss-inspired character
pieces into a single
volume. The musical
journey is supported by
the inclusion of
historical illustrations
of the scenes and
landscapes that inspired
the
composer.
Edited by
world-renowned Liszt
expert and concert
pianist Leslie Howard,
the edition also contains
Liszt’s original
fingerings.
Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Vocal Score) -
difficult
SKU:
HL.49006579
Oratorio Vocal
Score. Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Piano
reduction. Composed
1968/1990. 336 pages.
Duration 70'. Schott
Music #ED6719. Published
by Schott Music
(HL.49006579).
ISBN
9790001071291. 9x12
inches. German - English.
Text: Ernst
Schnabel.
Performed by Various Artists. By Traditional. Arranged by Patrice Bourges. For p...(+)
Performed by Various
Artists. By Traditional.
Arranged by Patrice
Bourges. For piano with
lyrics. This edition:
Editions Bourges R.
Comptine. Comptine
(Counting Rhyme). Level:
3. Sheet music. Size 8.19
x 11.583. 2 pages.
Published by Editions
Bourges (French import).
SKU: BR.BV-47 Reprint of the Edition Leipzig 1905. Composed by Alf...(+)
SKU: BR.BV-47
Reprint of the Edition
Leipzig 1905.
Composed by Alfred
Wotquenne. Edited by
Alfred Wotquenne.
Softbound. Buchverlag
Breitkopf & Hartel (Music
Books). Reprint of the
edition Leipzig 1905.
Baroque period. Book. 120
pages. Breitkopf and
Haertel #BV 47. Published
by Breitkopf and Haertel
(BR.BV-47).
ISBN
9783765100475. 6.5 x 10
inches.
Reprint of
the edition Leipzig 1905
Zelenkas Messen -
Prachtstucke barocker
Chorliteratur in manchen
Partien farbenfroher
gesetzt als Bachs
entsprechende
Komposition. (Die Welt)
Zelenka's Masses - fine
specimens of Baroque
choral literature some
parts of which are set
even more colorfully than
in the corresponding
compositions by Bach.
(Die Welt) die der
Komponist selbst als
,,Missae ultimae
bezeichnet hat. Im
Gegensatz zu den beiden
anderen ,,Missae ultimae
besteht die Missa Dei
Filii nur aus Kyrie und
Gloria.
Der
Klavierauszug von
Matthias Grunert basiert
auf der von Paul Horn in
Band 100 des Erbe
deutscher Musik
herausgegebenen Partitur
in welcher die im
Autograph gegen Ende des
Gloria bestehenden
Notentextlucken behutsam
erganzt
wurden.
Zelenkas
kunstlerische
Personlichkeit seine
Biographie und sein
Komponistenstil fallen
aus dem Rahmen. Sein Stil
ist in hohem Mass
experimentell ... War
Zelenka wirklich einer
der grossten Komponisten
des 18. Jahrhunderts oder
nur einer der
interessantesten? Ich
glaube er hat noch manche
Uberraschung fur uns
bereit. (Schweizerische
Musikzeitung)
Zele
nkas Messen -
Prachtstucke barocker
Chorliteratur in manchen
Partien farbenfroher
gesetzt als Bachs
entsprechende
Komposition. (Die Welt)
Dismas Zelenka. It
belongs to an
incompletely transmitted
cycle of six masses which
the composer himself
designated as Missae
ultimae. Contrary to the
two other Missae ultimae
the Missa Dei Filii
consists only of a Kyrie
and
Gloria.
Matthias
Grunert's piano vocal
score is based on the
critical edition of the
score edited by Paul Horn
in volume 100 of the Erbe
deutscher.
Cello und Orgel SKU: VD.ED17639 Composed by Bernard Wayne Sanders. Classi...(+)
Cello und Orgel
SKU:
VD.ED17639
Composed
by Bernard Wayne Sanders.
Classical. Score, solo
part. 18 S. Part. + 6 S.
Stimme pages. Verlag Dohr
#ED17639. Published by
Verlag Dohr (VD.ED17639).
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library). Set
of parts. 72 pages.
Duration 8'. Breitkopf
and Haertel #OB 5624-30.
Published by Breitkopf
and Haertel
(BR.OB-5624-30).
ISBN
9790004348710. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Piano SKU: UT.HS-98 Transcribed for Piano 4 Hands. Composed by Gio...(+)
Piano
SKU:
UT.HS-98
Transcribed for Piano
4 Hands. Composed by
Gioachino Rossini.
Arranged by Adriano
Cirillo. Saddle
stitching. Classical. Ut
Orpheus #HS 98. Published
by Ut Orpheus (UT.HS-98).
Piano Solo - SMP Level 3 (Early Intermediate) SKU: BU.EBRA041 Composed by Johan...(+)
Piano Solo - SMP Level 3
(Early Intermediate)
SKU: BU.EBRA041
Composed by Johann
Sebastian Bach. This
edition: French Edition.
Classique. Anacrouse.
Partition Biographie
Notes sur l'oeuvre.
Score. Editions Bourges
#EBRA041. Published by
Editions Bourges
(BU.EBRA041).
ISBN 9790560151120. 8.58
x 12.48 inches.
Partition Biographie
Notes sur l'oeuvre
Book with Online Audio P/V/G and Lead Sheet Arrangements. Transcontinental Mus...(+)
Book with Online Audio
P/V/G
and Lead Sheet
Arrangements.
Transcontinental Music
Folios. Jewish. Softcover
Audio Online. 176 pages.
Transcontinental Music
Publications #994043.
Published by
Transcontinental
Music Publications
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-27. Published by
Breitkopf and Haertel
(BR.OB-5364-27).
ISBN
9790004337424. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Aus: Canora Orphei
dulce severi nemora.
Composed by P. Lambert
Kraus. Edited by Konrad
Ruhland. Music from East
Bavaria. German title:
Symphonia Nr.10, Op.Ii
1604901. Single Part,
Violin 1. Composed 1762.
Op. 2. 4 pages. Carus
Verlag #CV 91.188/11.
Published by Carus Verlag
(CA.9118811).
ISBN
9790007233396. Key: G
major. Language: all
languages.
Concert Overture No. 3
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 13'.
Breitkopf and Haertel #OB
5503-27. Published by
Breitkopf and Haertel
(BR.OB-5503-27).
ISBN
9790004337486. 10 x 12.5
inches.
Mendelssohn
s overture drew its
inspiration from two
poems by Goethe which had
already inspired Ludwig
van Beethoven to write a
choral work on them with
orchestral accompaniment.
The larger part of the
work on this piece must
have been carried out in
the summer of 1828. The
first public performance
took place in Berlin on 1
December 1832. The
revised version of the
work was first performed
in Leipzig on 20 April
1834. Its ranking as No.
3 of the concert
overtures was laid down
when the score was first
printed in 1835
(Breitkopf &
Hartel).(Ralf Wehner in
the Study Edition of the
Mendelssohn Work
Catalogue).
Concert Overture No. 4
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 50 pages.
Duration 12'. Breitkopf
and Haertel #OB 5505-30.
Published by Breitkopf
and Haertel
(BR.OB-5505-30).
ISBN
9790004337806. 10 x 12.5
inches.
A visit to
the opera whetted the
composers creative
appetite to explore the
fairy-tale-like theme of
Knight Raimunds love for
the beautiful mermaid
Melusine, which provided
the basis for
Mendelssohns fourth
concert overture. As
usual, Mendelssohn worked
out the composition in
his mind before
committing it to paper, a
task he most likely began
towards the end of March
1833. The works premiere
performance took place in
London on 7 April 1834;
the revised version was
given its first account
in Leipzig on 23 November
1835. Its ranking as No.
4 of the concert
overtures was assigned
around 1857 in a
posthumous edition.(Ralf
Wehner in the Study
Edition of the
Mendelssohn Work
Catalogue).
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-23. Published by
Breitkopf and Haertel
(BR.OB-5623-23).
ISBN
9790004348758. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-15. Published by
Breitkopf and Haertel
(BR.OB-5364-15).
ISBN
9790004337387. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-19. Published by
Breitkopf and Haertel
(BR.OB-5623-19).
ISBN
9790004348741. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 66 pages.
Duration 10'. Breitkopf
and Haertel #OB 5623-30.
Published by Breitkopf
and Haertel
(BR.OB-5623-30).
ISBN
9790004348772. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-16. Published by
Breitkopf and Haertel
(BR.OB-5624-16).
ISBN
9790004348673. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Vocal (2 (auch 2 Picc.) * 2 * 2 (2. auch Klar. in Es und Bassklar. in B) * 2 (2....(+)
Vocal (2 (auch 2 Picc.) *
2 * 2 (2. auch Klar. in
Es und Bassklar. in B) *
2 (2. auch Kontrafag.) -
2 * 1 Kornett in B * 0 *
2 * 0 - P. S. (gr. Tr. *
Trgl. * Crot. * Zimb. *
Schellenschnure *
Steinsp. * Glspl. *
Vibr.) - Cel. * Hfe. -
Str.) - advanced
SKU:
HL.49007227
Tenor
and Piano. Composed
by Wilhelm Killmayer.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed
1982-1985. 76 pages.
Duration 40'. Schott
Music #ED7421. Published
by Schott Music
(HL.49007227).
ISBN
9790001077705. UPC:
073999676976.
9.0x12.0x0.247
inches.