Second to None Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 5 SKU: BT.AMP-417-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.AMP-417-010
Composed by Philip
Sparke. Elite Series.
Concert Piece. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
417-010. Published by
Anglo Music Press
(BT.AMP-417-010).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Erönungsstück
für jedes festliche
Konzert.
Second to None
(Secondo a nessuno) è
un titolo perfetto per
questo lavoro, anche se
in realt si riferisce a
“Nulli
Secundusâ€, il motto
del British Corps of Army
Music, che lo ha
commissionato a Philip
Sparke. Il brano si apre
con una fanfara, seguita
da due brevi citazioni,
prese da due delle marce
del Corpo e da un gioioso
Vivace. Una sezione
centrale, che da più
spazio al legato, crea un
piacevole contrasto con
la fanfara iniziale prima
della chiusura del brano.
Un connubio perfetto!
Piano, 4 Hands (Piano) SKU: HL.14017990 Composed by Lowell Mason. Music S...(+)
Piano, 4 Hands (Piano)
SKU: HL.14017990
Composed by Lowell Mason.
Music Sales America. 20th
Century. Book
[Softcover]. 24 pages.
Music Sales #BOE003627.
Published by Music Sales
(HL.14017990).
ISBN
9780711992801.
Five
pieces of progressive
difficulty for 4-hands at
one piano! It can be used
in conjunction with the
Second Album and Third
Album books of the Modern
Course For Beginners or
as supplementary material
for other methods. The
Primo and Secondo are of
similar difficulty so can
be played by pupils of
the same level who are
encouraged to learn both
parts.
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn, second horn,
third horn, horn 4, first
trumpet, second trumpet,
timpani (1. Flute, 2.
Flute, 1. Oboe, 2. Oboe,
1. Clarinet, 2. Clarinet,
1. Bassoon, 2. Bassoon,
1. Horn, 2. Horn, 3.
Horn, 4. Horn, 1.
Trumpet, 2. Trumpet,
Timpani)
SKU:
BA.BA10422-65
Composed by Antonin
Dvorak. Edited by Iacopo
Cividini. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 53.
7/8/8/7/7/7/8/7/8/8/8/8/6
/6/6 pages. Baerenreiter
Verlag #BA10422_65.
Published by Baerenreiter
Verlag (BA.BA10422-65).
ISBN 9790260108110.
32.5 x 25.5 cm inches.
Key: A minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
First flute, second flute, first oboe, second oboe, first clarinet, second clari...(+)
First flute, second
flute, first oboe, second
oboe, first clarinet,
second clarinet, first
bassoon, second bassoon,
first horn, second horn
(1. Flute, 2. Flute, 1.
Oboe, 2. Oboe, 1.
Clarinet, 2. Clarinet, 1.
Bassoon, 2. Bassoon, 1.
Horn, 2. Horn)
SKU:
BA.BA09079-65
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. Opus 31,
MWV A 9.
3/3/5/5/4/5/4/4/3/3
pages. Baerenreiter
Verlag #BA09079_65.
Published by Baerenreiter
Verlag (BA.BA09079-65).
ISBN 9790006531387.
32.5 x 25.5 cm inches.
Text: Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concert band - Grade 3 SKU: CL.026-4223-01 Arranged by Stanton. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4223-01
Arranged by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2013.
Duration 2 minutes, 40
seconds. C.L. Barnhouse
#026-4223-01. Published
by C.L. Barnhouse
(CL.026-4223-01).
Scott Stanton's
arrangement of this
classic Gustav Holst band
composition now makes
Holst's entire Second
Suite in F available in
the Build-A-Band format.
Playable with any
instrumentation as long
as you have the four main
parts covered by the
instrument of your
choice, the arrangement
includes optional piano,
guitar, mallet percussion
and percussion parts. Now
bands with extreme
instrumentation problems
or groups of very small
size can experience
performing this staple of
the concert band
repertoire. A true
classic!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
Composed by Jan Van der
Roost. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2013.
De Haske Publications
#1135389010. Published by
De Haske Publications
(HL.44011968).
Namase
Rhapsody differs in
several respects from
most other concert works
by Jan Van der Roost,
with its impressive
twists and turns and
musical allusions to the
work of John Adams. A
first, minimalist
movement, is followed by
a lyrical andexpressive
second movement for
various soloists in
different ranges. The
third movement sees a
stark change of mood with
a rigid metrical figure
before a powerful and
energetic
close.
Met
Namase Rhapsody
kiest componist Jan Van
der Roost voor het
experiment en slaat hij
nieuwe verrassende
muzikale wegen in. Zo
refereert hij in het
eerste, bijna
minimalistische deel hier
en daar naar de muziek
van John Adams. In het
tweede,zeer expressieve
deel komen verschillende
solisten en
instrumentengroepen aan
bod om dan over te gaan
in een spectaculair en
dynamisch slotdeel waarin
een star metrisch patroon
centraal staat.
Verrassend!
Nam
ase Rhapsody weicht
in mehrerlei Hinsicht von
den meisten anderen
Blasorchesterwerken von
Jan Van der Roost ab und
besticht mit
uberraschenden Wendungen
und Anspielungen auf die
Musik von John Adams. Auf
den ersten,
minimalistischanmutenden
Satz, folgt ein
lyrischer, expressiver
zweiter Satz fur diverse
Solisten und Register.
Der dritte Satz bringt
mit einem starren
metrischen Muster einen
Stimmungswechsel ins
Spiel, bevor das Werk
kraftvoll und energisch
endet.
a divers
points de vue, Namase
Rhapsody sort quelque
peu de l'ordinaire par
rapport a la plupart des
oeuvres de Jan Van der
Roost. Le premier
mouvement de la piece est
particulierement
inhabituel : un motif
rythmiquede trois mesures
repete par les cuivres
sur des intervalles
varies. Le deuxieme
mouvement quant a lui est
beaucoup plus melodieux
et lyrique. Le troisieme
developpe et elabore un
impressionnant
bouillonnement. Survient
un passage lentet court,
dramatiquement interrompu
pour reprendre en un
dernier eclat d'energie
et de
puissance.
Sotto
molti aspetti Namase
Rhapsody si allontana
dallo stile tipico di Van
der Roost. La
composizione colpisce per
i suoi numerosi
riferimenti alla musica
di John Adams. Il primo
movimento, minimalista ed
elegante, precede una
seconda parteespressiva
per diversi solisti e
banda. Il terzo
movimento, prima
dell'energico finale,
apporta un cambiamento di
atmosfere attraverso un
sistema metrico molto
accentuato.
The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
The Crescent City Stomp Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Eric Richards. Jazz ensemble. Barnhouse Advanced Jazz Series. Audio recording...(+)
By Eric Richards. Jazz
ensemble. Barnhouse
Advanced Jazz Series.
Audio recording available
separately (item
CL.991-2002-02). Grade 4.
Score and set of parts.
Composed 2002. Duration 3
minutes, 42 seconds.
Published by C.L.
Barnhouse . Score and
Parts.
Second to None Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 5 SKU: BT.AMP-417-030 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 5
SKU:
BT.AMP-417-030
Composed by Philip
Sparke. Elite Series.
Concert March. Set (Score
& Parts). Composed 2015.
Anglo Music Press #AMP
417-030. Published by
Anglo Music Press
(BT.AMP-417-030).
English-German-French-
Dutch.
Second to
None is a perfectly
suitable title for this
work, though it actually
refers to “Nulli
Secundusâ€, the
motto of the British
Corps of Army Music, who
gave the commission to
Philip Sparke. The piece
opens with a fanfare,
followed by two short
quotes from two of the
Corp’s own marches
and a festive
Vivace. A more
legato central section
creates a nice contrast
before the work closes
with the opening fanfare.
A perfect affair!
De titel Second
to None past heel goed
bij dit werk, maar
verwijst eigenlijk naar
‘Nulli
Secundus’, het
motto van British Army
Corps of Music, het
orkest dat Philip Sparke
de opdracht voor dit werk
gaf. Second to None opent
met een fanfare. Daarna
volgen twee korte citaten
uit twee van de eigen
marsen van het orkest en
een feestelijke Vivace.
Een meer legato deel
creëert een mooi
contrast voordat het werk
wordt afgesloten met de
openingsfanfare. Van
begin tot einde
prachtig!
Secon
d to None
(Unübertroffen“)
wurde zum 20-jährigen
Jubiläum der
britischen Armee
komponiert. Das
feierliche Werk honoriert
die musikalische
Tradition des Corps,
indem es auf einige
seiner eigenen
berühmten Märsche,
wie beispielsweise The
Corps of Army Music Slow
March (Greg Machin)
und The Music
Makers (Ian
Mitchell), anspielt.
Second to None
kann auch in einer
kürzeren Fassung
gespielt werden und ist
ein ideales
Eröffnungsstück
für jedes festliche
Konzert.
Second to
None was composed for
the celebration of the
20th anniversary of the
British Army Corps.
Paying tribute to the
musical tradition of the
Corps, this celebratory
work refers to some of
its own famous marches
like The Corps of
ArmyMusic Slow March
(Greg Machin) and The
Music Makers (Ian
Mitchell). Second to None
- which can also be
played in a shorter
version - is an ideal
opener for any festive
concert.
Beneath the Irish Sky Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Peter Terry. Score and part(s). With Standard notation. 12 86 page...(+)
Composed by Peter Terry.
Score and part(s). With
Standard notation. 12
86 pages. Duration 2
minutes, 59 seconds. Carl
Fischer #YAS0152.
Published by Carl Fischer
(CF.YAS152).
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
2 violins, viola, violoncello SKU: FG.55011-878-2 Composed by Kalevi Aho....(+)
2 violins, viola,
violoncello
SKU:
FG.55011-878-2
Composed by Kalevi Aho.
Classical, contemporary,
folk. Score & parts.
Fennica Gehrman
#55011-878-2. Published
by Fennica Gehrman
(FG.55011-878-2).
Lasting 27
minutes, Kalevi
Aho’s String
quartet no. 4 (2021) is
in four movements. The
first, Nocturne, begins
with a hazily muted
melody dominated by the
interval of a minor third
on the second violin.
Though the first movement
begins in nocturnal mood,
there is also some more
forceful music around the
middle. The second
movement, Allegro
capriccioso, is quick
with quirky rhythms. At
times tempestuous, it
faces the players with
the biggest technical and
virtuoso challenges. The
following Largo is slow.
A couple of times in the
first half it is
dominated by soft,
mysterious harmonies. The
tempo marking of the
virtuosic closing
movement is Presto,
leggiore. The movement
begins with quick,
flickering,
will-o’-the-wisp-l
ike music. It later
builds up to an extremely
violent climax dominated
by tremolo figures on the
second violin and thick
chords on the other
instruments. The
flickering music of the
beginning returns at the
end, before dissolving
into silence.
This
product includes the full
score (A4) and the parts
(B4).
NFMC
2016-2010 Piano Duet
Event Primary
III-IV-Elementary I
Selection. Arranged
by Wesley Schaum.
Educational Piano. Duet,
Recital, Supplementary.
Softcover. 32 pages.
Duration 7200 seconds.
Schaum Publications, Inc.
#0572. Published by
Schaum Publications, Inc.
(HL.645554).
ISBN
9781495081569. UPC:
008148005727. 9.0x12.0
inches.
A great
music educator once said,
Rhythm is caught, not
taught. Duet playing
provides valuable
experience developing a
sense of rhythm. These
duets are designed for
two students at the same
level - primo and secondo
parts are of equal
difficulty. Both parts
are fun to learn because
both players are given
interesting acompaniments
as well as melodies. It
is suggested that a
student alternate parts,
learning the primo part
for one piece, the
secondo part for the
next, etc. This gives
valuable sight-reading
experience with both
hands in treble clef and
with both hands in bass
clef. Duet playing
provides an excellent
opportunity for ear
training, too. Emphasis
should be placed on
listening carefully to
both parts so that the
melody can be heard
clearly and the
accompaniment subdued.
Book Two includes 12
duets: Blue Tail Fly *
(She'll Be) Comin' Round
the Mountain * Down by
the Riverside * Jimmy
Crack Corn (Blue Tail
Fly) * Little David Play
on Your Harp * Marines'
Hymn * My Wild Irish Rose
* You're a Grand Old Flag
* and more.
(for Flute). By Joachim Andersen, Ernesto Kohler, Benoit Tranquil Berbiguier. Ar...(+)
(for Flute). By Joachim
Andersen, Ernesto Kohler,
Benoit Tranquil
Berbiguier. Arranged by
Mary Karen Clardy. For
Flute. This edition: The
optional second flute
part is available as free
download from the
publisher's website. 65
pages. Published by
Universal Edition
1 or 2 Violins and continuo SKU: FZ.5390 Amsterdam, 1744. Composed...(+)
1 or 2 Violins and
continuo
SKU:
FZ.5390
Amsterdam,
1744. Composed by
Pietro Antonio Locatelli.
Edited by Nicolas
Fromageot. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5390).
ISBN
9790230653909. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Pietro Antonio
Locatelli is part of our
Dominantes collection. X
Sonate, VI a violino solo
e basso, e IV a tre.
Opera Ottava. Edition:
Amsterdam, l'Auteur,
undated (=1744).
Presentation by Nicolas
Fromageot: Bibliography -
Comparison of the first
and second editions -
Hints about the score. A
copy deposited at the
University of Leiden by
the composer himself. The
preface contains a
comparison with the
second Dutch edition and
the French edition.
Facsimile of the copy
preserved at the library
of the university of
Leiden. Edition in
separated parts: first
violin part, with the
bass, in full score for
the first six sonatas and
without the bass for
sonatas VII to X - second
violin part (sonatas VII
to X) - continuo bass
(sonatas VII to X).
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the Library
of the University of
Leiden (Netherlands).
Anne Fuzeau Classique
propose period copies of
classical music
scores.
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet
SKU:
HL.14036341
Composed
by Hugh Wood. Music Sales
America. Classical. Set.
Composed 2001. Chester
Music #CH60931. Published
by Chester Music
(HL.14036341).
ISBN
9780711955080.
Comm
issioned by the BBC and
premiered by the
Chilingirian String
Quartet. Quoting Wood: In
my Second and Third
Quartets I attempted
sectional, agglutinative
forms: in my Fourth I
return to the
conventional four
movement form of my First
Quartet of 1962. Both
works build up (as in the
19th century symphony) to
the Finale, thus making
it the most substantial
movement, which provides
a climax to the work. The
First Movement has, in
both works, only the
status of an
Introduction. But there
the consciously willed
resemblances end. This
Introduction follows the
Second Quartet to a
certain extent, in that
it provides a sort of
'cauldron', from which
elements to be used later
can all be plucked. Its
opening will reappear at
various points throughout
the work, most completely
at a climatic point of
the Finale (bar 110).
Subsequent material will
be more fully worked out
in the second movement, a
large Scherzo. The
Introduction concludes
with an unusually placed
violin cadenza (itself a
rare feature in a string
quartet, the idea lifted
from Elliott Carter's
First Quartet) of which
the opening is to
reappear halfway through
the Finale. The Scherzo
(which follows attacca)
does not have at its
centre a discretely
characterized Trio: a
figure in double-stops
like a distant fanfare
supplies the necessary
contrast of a second
idea. The Slow Movement
has a secondary idea
first heard on the cello
and marked appassionato:
an agitato middle section
recalls the opening of
the work, but in a
formulation which will be
found closely to
anticipate its
reappearance in the
Finale. The Finale is
planned on a broad scale.
Only after a fully worked
exposition of both
primary and secondary
material does the opening
of the whole work return,
now in a greatly extended
form. Then, at bar 140,
the tune of the violin
cadenza is first
harmonized in fanfare
style on the upper
instruments, then
presented as a chorale on
the lower ones, with a
rushing semiquaver
accompaniment above. This
climatic activity mounts
to the very end. The work
is dedicated to the
Chilingirian Quartet, old
friends over many years.
Score available
separately: SOS04044.
String Quartet SKU: HL.14031816 Composed by Jean Joubert. Music Sales Ame...(+)
String Quartet
SKU:
HL.14031816
Composed
by Jean Joubert. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12053901.
Published by Music Sales
(HL.14031816).
8.5x11.75x0.3
inches.
Though
conceived as four
separate movements, my
second string quartet has
a single motif which is
common to them all. This
is the three-note Muss es
sein? from Beethoven's
last quartet, Op. 135.
But whereas Beethoven's
theme is notated G E A
flat, thus giving it an F
minor connotation, I have
sued an alternative
spelling - G E G sharp -
which suggests an
ambiguous E minor-major.
This ambiguity, in fact,
becomes the tonal basis
of the whole work, only
to be resolved at the end
of the final movement.
Each movement begins with
a variant of the basic
motif on the cello. The
first has the original
form of the theme, while
the second has a
majorised version which
is also expressed as a
chord. The third
movement, with its
scherzoid middle section,
reverts to the
major-minor ambiguity of
the first, and the finale
begins with the majorised
version as an ostinato
accompaniment on
pizzicato cello. The slow
movement is sub-titled In
memoriam DSCH and
concludes with a
quotation of
Shostakovich's motto - D
E flat C B - which is
basically the same as
Beethoven's with the
addition of one note.
This is not to imply that
the work contains no
other thematic material.
One important theme, a
rising fifth and a
second, is also common to
three of the movements,
and is ultimately derived
from my first quartet,
Op. 1 of 27 years
earlier, to which this
second contribution to
the form is in many ways
like a sequel. Like the
earlier work, too, this
quartet is dedicated to
my wife.
Composed by Isabella Leonarda (1620-1704). Edited by Barbara Jackson. 2 violins,...(+)
Composed by Isabella
Leonarda (1620-1704).
Edited by Barbara
Jackson. 2 violins,
cello. For 2 violins,
cello, organ. This
edition: Second Edition.
String parts for choral
Mass. String parts set
for the whole work,
complete in one set of
parts. Baroque. College.
Set of Parts. Sheet
music. 33 pages. Duration
41 minutes, 38 seconds.
Published by ClarNan
Editions
Composed by Israeli Folk Song. Arranged by Dan Davison. Sws. Octavo. 16 pa...(+)
Composed by Israeli Folk
Song. Arranged by Dan
Davison. Sws. Octavo. 16
pages. Duration 2
minutes, 57
seconds. BriLee Music
#BL1151. Published by
BriLee
Music
Concert band - Grade 3 SKU: CL.026-4133-01 Arranged by Stanton. Concert B...(+)
Concert band - Grade 3
SKU:
CL.026-4133-01
Arranged by Stanton.
Concert Band.
Build-A-Band. Extra full
score. Composed 2012.
Duration 3 minutes, 22
seconds. C.L. Barnhouse
#026-4133-01. Published
by C.L. Barnhouse
(CL.026-4133-01).
An outstanding
new addition to the
Build-A-Band Series that
includes the Song Without
Words and Song of the
Blacksmith movements from
this famous suite. Can be
combined with Scott's
earlier arrangement of
the March movement the
same suite to make a
wonderful program for
concert and contest
performances. Now even
the smallest bands can
successfully perform this
great work which is such
a staple of the concert
band repertoire.
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)