SKU: LO.99-2485L Remembering Christ's Sacrifice of Love. Composed ...(+)
SKU: LO.99-2485L
Remembering Christ's
Sacrifice of Love.
Composed by Pepper
Choplin. Choral,
cantatas. Eastertide,
Palm Sunday, Holy Week,
Lent, Sacred. Bulk
performance CDs. Lorenz
Publishing Company
#99/2485L. Published by
Lorenz Publishing Company
(LO.99-2485L).
UPC:
000308121520.
The
journey to the cross was
life-changing for those
who witnessed it
firsthand, and continues
to impact our lives
today. “Journey to
the Cross†is a
cantata/collection
suitable for a variety of
uses during the Lenten
season. An optional
narration links the five
pieces in a 20-minute
choral presentation
appropriate for Holy
Week. Each individual
anthem may be used to
enhance worship services
during Lent and/or Holy
Week. The SAB or Two-part
Mixed voicing is an ideal
resource for smaller or
vocally unbalanced
choirs. Even larger
choirs seeking options
for the busy Lenten
season will find this
voicing a worthy
consideration, while the
SATB voicing is also
offered for those
desiring a full choral
edition. The addition of
a live orchestra or the
accompaniment CD will
heighten the experience
for the congregation and
the singers as they
experience this
awe-inspiring reminder of
our Lord’s love,
His sacrifice, and His
victory over death.
Musicals for Adults. Blues- Gospel-Spirituals, Hymn Arrangements, Christmas, J...(+)
Musicals for Adults.
Blues-
Gospel-Spirituals, Hymn
Arrangements, Christmas,
Jesus Christ - Birth.
Choral
score. Hope Publishing
Company #9051. Published
by
Hope Publishing Company
A Story with Music for Percussion, Piano, Voices and Narrator. By Paul Nordoff. ...(+)
A Story with Music for
Percussion, Piano, Voices
and Narrator. By Paul
Nordoff. Text: Clive
Robbins. For Medium Sized
Drum, Three Different
Drums, Drums, Orchestra
Cymbals, Gong, Smaller
Gong, Orff Alto-Chromatic
Xylophone, Resonator
Bells, Triangle, Large
Tambourine. Full Score -
Large. 40 pages.
Published by Theodore
Presser Company.
Musicals for Adults.
Advent, Christmas. Choral
score. 80 pages. Hope
Publishing Company #9131.
Published by Hope
Publishing Company
(HP.9131).
UPC:
763628191313. Joel
Raney.
AVAILABLE
NOW! This gospel-flavored
musical reflects on the
promise of peace
delivered by the angels
on the night of Jesus'
birth. An original
composition, Love Is Born
is used as musical
bookends: its theme is
briefly stated in the
second movement and then
returns in full-blown
gospel style at the end
to provide an emotion
filled climax. In
between, the Christmas
story is told through
scriptural narration and
familiar carols set in a
variety of styles ranging
from jazz to gospel to
calypso. Accompaniment
can be provided by piano,
full orchestra, or a
smaller set of rhythm
parts, arranged by Ed
Hogan. Performance time
is 35 minutes.
Soli AAB, Coro SSA(A)T(T)B(B), 2 Ob, 2 Tr, 2 (3) Vl, Va, Bc - Level 3 SKU: CA...(+)
Soli AAB, Coro
SSA(A)T(T)B(B), 2 Ob, 2
Tr, 2 (3) Vl, Va, Bc -
Level 3
SKU:
CA.5527909
O be
joyful. Composed by
George Frideric Handel.
Edited by Uwe Wolf. Set
of Orchestra Parts.
Composed 1713. HWV 279.
24 pages. Duration 17
minutes. Carus Verlag
#5527900. Published by
Carus Verlag
(CA.5527909).
ISBN
9790007293017.
German/English.
Han
del's Utrecht Jubilate
HWV 279 enthralled London
audiences right from its
first performance, and it
continues to do so today
in concert halls and
churches all over the
world, thanks to the wide
range of occasions when
it can be performed. It
was performed for the
first time in a festive
service on 7 July 1713 at
St. Paul's Cathedral to
celebrate the Peace
marking the end of the
twelve year-long War of
the Spanish Succession.
The Utrecht Te Deum and
Jubilate were Handel's
first sacred works in
English and important
milestones at the
beginning of his London
career. The edition is
based on Handel's
autograph (which
unfortunately does not
survive) and on a copy
from Handel's circle,
which in some respects
provides more information
than the autograph and
contains important
details for this edition.
In 1717 Handel revised
the Jubilate in a smaller
scoring for the ensemble
at Cannons (HWV 246) and
preceded it with a
two-part Sinfonia which
is also reproduced in the
Appendix to this edition.
The chorus is mainly
scored in four parts, and
is in eight parts in just
one short movement. In
two other movements the
soprano part divides. The
second alto solo part can
also be sung by a high
tenor. Score and parts
available separately -
see item CA.5527900.
SKU: HP.9055 Composed by Joel Raney. Orchestration. Instrumental parts. H...(+)
SKU: HP.9055
Composed by Joel Raney.
Orchestration.
Instrumental parts. Hope
Publishing Company #9055.
Published by Hope
Publishing Company
(HP.9055).
UPC:
763628190552.
A
Christmas celebration for
SATB choirs This
gospel-flavored musical
reflects on the promise
of peace delivered by the
angels on the night of
Jesus' birth. The iconic
ballad, Let There Be
Peace on Earth is used as
musical bookends: its
theme is briefly stated
in the second movement
and then returns in
full-blown gospel style
at the end to provide an
emotion-filled climax. In
between, the Christmas
story is told through
scriptural narration and
six beloved carols set in
a variety of styles
ranging from jazz, to
gospel, to calypso.
Accompaniment can be
provided by piano, full
orchestra, or a smaller
set of rhythm parts,
arranged by Ed Hogan.
Performance time is 35
minutes.
Piano & string quartet (pno, 2 vln, vla, vc) - Moderately Difficult to Difficult...(+)
Piano & string quartet
(pno, 2 vln, vla, vc) -
Moderately Difficult to
Difficult
SKU:
OU.9780193530119
Chamber version.
Composed by Howard
Skempton. Piano (Solo).
Set of parts. 48 pages.
Duration 14'. Oxford
University Press
#9780193530119. Published
by Oxford University
Press (OU.9780193530119).
ISBN 9780193530119. 12
x 8 inches.
For
piano and string quartet
Originally scored for
solo piano and full
orchestra, Skempton's
Piano Concerto has been
arranged by the composer
for quintet, broadening
its reach to smaller
ensembles. The work
consists of five short
movements, each exploring
dissonance in a different
way.
First violin, coro II (1. Violin (Choir II)) - Level 3 SKU: BA.BA08958-25 ...(+)
First violin, coro II (1.
Violin (Choir II)) -
Level 3
SKU:
BA.BA08958-25
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_25. Published by
Baerenreiter Verlag
(BA.BA08958-25).
ISBN
9790006557677. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Concert Band - Grade 2 SKU: FJ.B1871 Composed by Traditional. Arranged by...(+)
Concert Band - Grade 2
SKU: FJ.B1871
Composed by Traditional.
Arranged by Timothy
Loest. Concert Band. FJH
Young Band. Christmas;
Holiday Pops. Score and
Part(s). The FJH Music
Company Inc #98-B1871.
Published by The FJH
Music Company Inc
(FJ.B1871).
English.
Ring in
the holiday cheer with
this festive medley of
five bell-inspired carols
including Ding Dong!
Merrily on High,
Ukrainian Bell Carol, I
Heard the Bells on
Christmas Day, Ring
Little Bell, and Jingle
Bells. Feature the entire
ensemble, while directing
the musical spotlight on
orchestra bells, chimes,
and sleigh bells. A
solid, superb arrangement
that works equally well
as a jubilant opener, or
a joyous closer!
About FJH
Young
Band
Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5
Piano & string quartet (pno, 2 vln, vla, vc) - Moderately Difficult to Difficult...(+)
Piano & string quartet
(pno, 2 vln, vla, vc) -
Moderately Difficult to
Difficult
SKU:
OU.9780193530102
Chamber version.
Composed by Howard
Skempton. Piano (Solo).
Full score. 24 pages.
Duration 14'. Oxford
University Press
#9780193530102. Published
by Oxford University
Press (OU.9780193530102).
ISBN 9780193530102. 12
x 8 inches.
For
piano and string quartet
Originally scored for
solo piano and full
orchestra, Skempton's
Piano Concerto has been
arranged by the composer
for quintet, broadening
its reach to smaller
ensembles. The work
consists of five short
movements, each exploring
dissonance in a different
way.
From 'The Messiah'. Composed by George Frideric Handel (1685-1759). Arran...(+)
From 'The
Messiah'. Composed by
George Frideric Handel
(1685-1759). Arranged by
Andrew Glover. Young
band. Command Series.
Score and parts. Duration
0:3:53. Published by C.L.
Barnhouse
(CL.011-4483-00).
Soli SATBB, SATB Choir, 3 Ctr, Timp, 2 Vl, Va, Bc SKU: CA.3914319 Compose...(+)
Soli SATBB, SATB Choir, 3
Ctr, Timp, 2 Vl, Va, Bc
SKU: CA.3914319
Composed by Georg Philipp
Telemann. Edited by Arne
Thielemann. Stuttgart
Urtext Edition:
Telemann-Archiv. Complete
orchestral parts. Sacred
vocal music, Magnificats,
Praise and thanks. Set of
Orchestra Parts. TVWV
9:17. Duration 19
minutes. Carus Verlag #CV
39.143/19. Published by
Carus Verlag
(CA.3914319).
ISBN
9790007216375. Language:
Latin.
Georg
Philipp Telemann has long
been perceived as a
composer of sacred music,
and particularly of the
German-language church
cantata. However, in the
course of his long life
he also composed church
works setting Latin
texts. In addition to
works for smaller
ensembles there is
presently only one larger
psalm setting, Deus
judicium tuum, that is
available in a new
edition. This is now
joined by the first ever
scholarly, critical
edition of his Magnificat
in C major. Telemann
probably composed this
impressive work for the
dedication of the organ
in the Leipzig Neukirche
in 1704. Like Bach's
well-known Magnificat, it
is scored for three
trumpets and timpani. For
ambitious church choirs,
the work is really
worthwhile, and is also a
most effective piece for
audiences to enjoy. Score
and parts available
separately - see item
CA.3914300.
SSATTB choir, 6
instruments ad lib.,
basso continuo
SKU:
CA.1002919
Chorale
concert. Composed by
Michael Praetorius.
Edited by Uwe Wolf. This
edition: urtext.
Stuttgart Urtext Edition.
Complete orchestral
parts. Sacred concertos,
Sacred vocal music,
Praise and thanks. Set of
Orchestra Parts. Duration
5 minutes. Carus Verlag
#CV 10.029/19. Published
by Carus Verlag
(CA.1002919).
ISBN
9790007189396. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorale concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking choral
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. The
six-part polyphonic
choral setting of the
German Gloria (the first
and fourth verses are
underlaid) is divided,
following Italian models,
by tutti sections in
triple meter. Instruments
join the tutti sections
ad libitum, strengthening
the vocal parts. Score
and parts available
separately - see item
CA.1002900.
SKU: HP.9057 Composed by Joel Raney. Set of 10 CDs. Hope Publishing Compa...(+)
SKU: HP.9057
Composed by Joel Raney.
Set of 10 CDs. Hope
Publishing Company #9057.
Published by Hope
Publishing Company
(HP.9057).
UPC:
763628190576.
A
Christmas celebration for
SATB choirs This
gospel-flavored musical
reflects on the promise
of peace delivered by the
angels on the night of
Jesus' birth. The iconic
ballad, Let There Be
Peace on Earth is used as
musical bookends: its
theme is briefly stated
in the second movement
and then returns in
full-blown gospel style
at the end to provide an
emotion-filled climax. In
between, the Christmas
story is told through
scriptural narration and
six beloved carols set in
a variety of styles
ranging from jazz, to
gospel, to calypso.
Accompaniment can be
provided by piano, full
orchestra, or a smaller
set of rhythm parts,
arranged by Ed Hogan.
Performance time is 35
minutes.
Composed by Giovanni Battista Pergolesi (1710-1736). Edited by Malcolm Bruno; Ca...(+)
Composed by Giovanni
Battista Pergolesi
(1710-1736). Edited by
Malcolm Bruno; Caroline
Ritchie. This edition:
urtext edition.
Paperback. Vocal score.
Published by Baerenreiter
Verlag (BA.BA8958-90).
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_16. Published by
Baerenreiter Verlag
(BA.BA08958-16).
ISBN
9790006557646. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord or organ, strings, basso continuo SKU: HH.HH545-FSC Composed ...(+)
Harpsichord or organ,
strings, basso continuo
SKU: HH.HH545-FSC
Composed by Henry Junior
Burgess. Edited by
Michael Talbot. Full
score. Edition HH Music
Publishers #HH545-FSC.
Published by Edition HH
Music Publishers
(HH.HH545-FSC).
ISBN
9790708185604.
Burg
ess’s concertos
display unity in larger
matters and variety in
smaller ones, aiming to
achieve coherence without
monotony. Their greatest
originality, and a major
part of their
attractiveness, arises
from the fact that they
draw their inspiration
from three different
sources. Particularly in
the fast movements not in
binary form, they adopt
the structure and much of
the style of equivalent
movements by Vivaldi. But
they also follow
Handelian precedent in
their copious use of the
‘call-and-response
€™ device, where
soloist and orchestra
exchange a series of
phrases, and in their
striving for gravitas and
pathos. To these
influences can be added
their frequent allusions
to English song and dance
traditions.
Solo voices, SATB chorus, 2 Fl, 2 Ob, 2 Cor, 2 Vl, Va, Bc - Grade 3 SKU: CA.5...(+)
Solo voices, SATB chorus,
2 Fl, 2 Ob, 2 Cor, 2 Vl,
Va, Bc - Grade 3
SKU:
CA.5075209
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Set of
Orchestra Parts. Duration
20 minutes. Carus Verlag
#5075209. Published by
Carus Verlag
(CA.5075209).
ISBN
9790007248338. Key: B
flat major.
Latin.
Hasseâ€
s much smaller-scale
Requiem in B flat, which
we are publishing for the
first time, was
presumably composed as
early as the second half
of the 1750s. Nothing is
known about the occasion
for which this beautiful
work was composed, or
even whether it was
performed during the
composer’s
lifetime. Perhaps the
Seven Years War, in which
the electorate of Saxony
was involved, prevented
any performance. Several
borrowings from it in his
Requiem in C major and in
the later Requiem in E
flat major show that
Hasse held the work in
high regard.
Audio
example: Live
recording from Dresden,
Kreuzkirche,
20.11.2022
Carine
Tinney,
SopranoAnna-Maria
Tietze,
Mezzosoprano Marie
Bieber, Alto Vocal
Concert
Dresden Dresdner
Instrumental-Concert C
onductor: Peter Kopp.
Concert band - Grade 3 SKU: CL.011-4483-01 From The Messiah. Compo...(+)
Concert band - Grade 3
SKU:
CL.011-4483-01
From The Messiah.
Composed by George
Frideric Handel. Arranged
by Glover. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR389). Extra full
score. Composed 2016.
Duration 3 minutes, 53
seconds. C.L. Barnhouse
#011-4483-01. Published
by C.L. Barnhouse
(CL.011-4483-01).
Audiences have
always loved
Handel’s
Hallelujah Chorus at the
holiday season. Composed
for chorus with
orchestra, this
arrangement presents this
classic work as a brass
quartet (taking the role
of the chorus) with band
accompaniment. Quartet
parts are included for
two trumpets, trombone
(or baritone in either
clef, or horn) and
baritone (in either
clef.) Transposed to
B-flat major, this
arrangement sounds very
full and sonorous, and
can be prepared with a
minimal amount of
rehearsal time. A
guaranteed holiday
spectacular which will
enthrall your
audience!
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Consort (Print) Choral (Instrumental Consort) SKU: HL.35031612 A Canta...(+)
Consort (Print) Choral
(Instrumental Consort)
SKU: HL.35031612
A Cantata for
Christmas. Composed
by Joseph M. Martin.
Shawnee Sacred. Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
Collection, General
Worship, Sacred, World
Music. Softcover.
Duration 3000 seconds.
Published by Shawnee
Press (HL.35031612).
ISBN 9781495092039.
UPC: 888680676162.
8.5x11.0x0.902
inches.
The Song
Heard 'Round the World is
a journey of
international carols and
folk songs that
incorporate narration and
scripture to share
Christmas story. With
sections for Advent,
Christmas and Epiphany,
the anticipation,
incarnation and
proclamation of Christ's
birth is presented. Each
movement is from a
different nation, filling
the work with a tapestry
of musical diversity. The
overall theme of unity
and peace on earth is
timely, giving many
options for creative
presentations. Colorful
orchestrations by Brant
Adams capture the
diversity that is so much
a part of this meaningful
work. A smaller chamber
orchestration is also
available, as well as a
full line of support
products. Songs include:
A Joyful Journey of
Carols; Hear the Song
Heard 'Round the World;
An Advent Prayer; Prepare
the Way of the King; Gesu
Bambino; Rejoice! Christ
Is Born!; A Unity Carol;
Music of the Morning
Star; Prayer for Peace.
Score and Parts for Full
Orchestra (fl 1-2/pic,
ob, cl 1-2, bn, hn 1-2,
tpt 1-3, tbn 1-2, tba,
timp, perc 1-4, hp, kybd,
vn 1-2, va, vc, db) and
Consort (fl, cl, tpt 1-2,
tbn, bls, perc, kybd)
available as a Printed
Edition and as a digital
download.
Split-track Accomp CD SKU: HP.9054 Composed by Joel Raney. Accompaniment ...(+)
Split-track Accomp CD
SKU: HP.9054
Composed by Joel Raney.
Accompaniment CD. Hope
Publishing Company #9054.
Published by Hope
Publishing Company
(HP.9054).
UPC:
763628190545.
A
Christmas celebration for
SATB choirs This
gospel-flavored musical
reflects on the promise
of peace delivered by the
angels on the night of
Jesus' birth. The iconic
ballad, Let There Be
Peace on Earth is used as
musical bookends: its
theme is briefly stated
in the second movement
and then returns in
full-blown gospel style
at the end to provide an
emotion-filled climax. In
between, the Christmas
story is told through
scriptural narration and
six beloved carols set in
a variety of styles
ranging from jazz, to
gospel, to calypso.
Accompaniment can be
provided by piano, full
orchestra, or a smaller
set of rhythm parts,
arranged by Ed Hogan.
Performance time is 35
minutes.
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad
lib., 5 instruments ad
lib., basso continuo
SKU: CA.1002819
Chorale concert.
Composed by Michael
Praetorius. Edited by Uwe
Wolf. This edition:
urtext. Stuttgart Urtext
Edition. Separate
instruments. Sacred
concertos, Sacred vocal
music, Advent. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 10.028/19. Published
by Carus Verlag
(CA.1002819).
ISBN
9790007181420. Text
language:
German.
The
collection Polyhymnia
Caduceatrix & Panegyrica
of 1619 is rightly
regarded as the high
point in Michael
Praetorius's output. It
combines Solennische
Friedt- und
Frewden-Concert: which
Praetorius as a
travelling musician had
composed largely for
festive occasions - he
writes of Kayser: Konig:
Chur: vnd Furstlichen
zusammen Kunfften - and
also for furnehme
Capellen vnd Kirchen. In
these chorael concerti
the highly modern,
Italian style and the
Protestant chorale
combine and form a
symbiosis which showed
the way forward for the
history of German music.
The chorale settings draw
on influences from
Venetian polychoral
music, use ritornelli and
employ obbligato
instruments in a way
which is beyond compare,
even in contemporary
Italy. Here we see a
quite different side of
the master from the
composer of Es ist ein
Ros entsprungen. And
above all, Praetorius
always remains a
practical musician who
ensures that these
breathtaking chorale
concerti can also be
effectively performed
with smaller forces,
sometimes considerably
reduced ones. In the
chorale setting Wie schon
leuchtet der Morgenstern
Praetorius wrote for a
five-part ensemble which
is joined in some
sections by a four-part
capella. For the
ensemble, Praetorius
suggested both voices and
instruments, which he
uses in a sophisticated
texture of sound, the
instruments sometimes
duplicating the voices
and sometimes alternating
with them. Score and
parts available
separately - see item
CA.1002800.
First oboe, second oboe, first horn (Coro I), second horn (Coro I), trumpet, sec...(+)
First oboe, second oboe,
first horn (Coro I),
second horn (Coro I),
trumpet, second trumpet
(1. Oboe, 2. Oboe, 1.
Horn (Choir I), 2. Horn
(Choir I), Trumpet, 2.
Trumpet) - Level 3
SKU: BA.BA08958-65
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Folded.
Barenreiter Urtext. Set
of wind parts.
4/4/3/3/1/1 pages.
Baerenreiter Verlag
#BA08958_65. Published by
Baerenreiter Verlag
(BA.BA08958-65).
ISBN
9790006557622. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Soli SATBB, SATB Choir, 3 Ctr, Timp, 2 Vl, Va, Bc SKU: CA.3914309 Compose...(+)
Soli SATBB, SATB Choir, 3
Ctr, Timp, 2 Vl, Va, Bc
SKU: CA.3914309
Composed by Georg Philipp
Telemann. Edited by Arne
Thielemann. 4x 39.143/31
trumpet/timpani.
Stuttgart Urtext Edition:
Telemann-Archiv. Harmony
parts. Sacred vocal
music, Magnificats,
Praise and thanks. Set of
Orchestra Parts. TVWV
9:17. Duration 19
minutes. Carus Verlag #CV
39.143/09. Published by
Carus Verlag
(CA.3914309).
ISBN
9790007216320. Language:
Latin.
Georg
Philipp Telemann has long
been perceived as a
composer of sacred music,
and particularly of the
German-language church
cantata. However, in the
course of his long life
he also composed church
works setting Latin
texts. In addition to
works for smaller
ensembles there is
presently only one larger
psalm setting, Deus
judicium tuum, that is
available in a new
edition. This is now
joined by the first ever
scholarly, critical
edition of his Magnificat
in C major. Telemann
probably composed this
impressive work for the
dedication of the organ
in the Leipzig Neukirche
in 1704. Like Bach's
well-known Magnificat, it
is scored for three
trumpets and timpani. For
ambitious church choirs,
the work is really
worthwhile, and is also a
most effective piece for
audiences to enjoy. Score
and parts available
separately - see item
CA.3914300.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 15 pages.
Baerenreiter Verlag
#BA08958_17. Published by
Baerenreiter Verlag
(BA.BA08958-17).
ISBN
9790006557653. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Choral SKU: HP.9058 Composed by Joel Raney. Book & CD. Hope Publishing Co...(+)
Choral
SKU:
HP.9058
Composed by
Joel Raney. Book & CD.
Hope Publishing Company
#9058. Published by Hope
Publishing Company
(HP.9058).
UPC:
763628190583.
A
Christmas celebration for
SATB choirs This
gospel-flavored musical
reflects on the promise
of peace delivered by the
angels on the night of
Jesus' birth. The iconic
ballad, Let There Be
Peace on Earth is used as
musical bookends: its
theme is briefly stated
in the second movement
and then returns in
full-blown gospel style
at the end to provide an
emotion-filled climax. In
between, the Christmas
story is told through
scriptural narration and
six beloved carols set in
a variety of styles
ranging from jazz, to
gospel, to calypso.
Accompaniment can be
provided by piano, full
orchestra, or a smaller
set of rhythm parts,
arranged by Ed Hogan.
Performance time is 35
minutes.
Cantata based on Psalm
103 - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score. 52
pages. Duration 15'.
Breitkopf and Haertel #PB
32091. Published by
Breitkopf and Haertel
(BR.PB-32091).
ISBN
9790004215777. 9.5 x 12
inches.
The date of
composition of the
cantata Lobe den Herren,
meine Seele can only be
conjectured. However,
several indications
suggest an early
composition, possibly
during Kuhnau's stay in
Zittau. The work is one
of only two known
cantatas by Kuhnau in
which cornetti are scored
- the second work is the
cantata Christ lag in
Todes-Banden (PB 32034)
-, even so in combination
with three trombones as
an early baroque wind
section. In addition, the
musical texture of the
introductory Sonata can
certainly be understood
as a reminiscence of the
polychorality known from
the Renaissance and early
Baroque as well as their
connection with the basso
continuo era, since four
strings and bassoon on
the one side and five
wind instruments on the
other side face each
other over a continuous
continuo part. The text
of the cantata is a
selection of a few verses
from Psalm 103. This is
the larger scored cantata
with this textual basis;
parallel to it exists a
smaller scored one for
alto, bass, violin, oboe
d'amore and continuo.
Flute; Recorder; Violin; Orchestra; Early Music SKU: UT.GCE-20 Composed b...(+)
Flute; Recorder; Violin;
Orchestra; Early Music
SKU: UT.GCE-20
Composed by Francesco
Geminiani. Edited by
Rudolf Rasch. Francesco
Geminiani Opera Omnia.
Classical. Score. Ut
Orpheus #GCE 20.
Published by Ut Orpheus
(UT.GCE-20).
ISBN
9790215328259. 9 x 12
inches.
Given that
appendices have since
been included in other
volumes, it now seems
appropriate to compile an
appendix for Volume 1A in
the form of a separate
publication, Volume 1C of
the series. Even with a
whole volume available,
however, it is impossible
to include all known
arrangements. Such a
publication would be of
disproportionate size: it
would require about 600
pages, due largely to the
two complete or
near-complete sets of
concerto arrangements.
The present volume thus
includes only selections
from these sets of
concerto arrangements and
also only a selection
from Edward
Finch’s complete
set of arrangements in
the form of
transverse-flute sonatas.
The smaller sets of
arrangements—eithe
r as solo sonatas or as
trio sonatas—are
included in their
entirety. The
available arrangements
fall into three distinct
categories: solo sonatas,
trio sonatas, and
concertos. There are
fourteen arrangements by
Edward Finch for
transverse flute with
figured bass; they are
found in the so-called
Armstrong-Finch
manuscript and comprise a
full set of twelve plus
two duplicate versions.
Four of these
arrangements are included
in the present volume.
Three more arrangements
for transverse flute or
recorder with figured
bass are found in
anthologies of sonatas
for these instruments
published in the 1720s;
they are all of them
edited here.
Geminiani’s
Sonatas VII-XII were
transformed into trio
sonatas by Francesco
Barsanti and published in
this format in 1727.
These arrangements are
included here in complete
form as well. A
near-complete set of
concerto
arrangements—Sonat
a XI is
missing—was
composed by Charles
Avison and a complete set
by Gerhard Christoph
Raupach, both sets
composed probably in the
1730s. From each of these
two sets, two examples
were selected for
inclusion in the present
volume. They are
supplemented by single
concerto arrangements by
William Hayes (after
Sonata IV) and Johan
Helmich Roman (after
Sonata VI), composed at
all probability in the
1730s as well. None of
these concerto
arrangements was
published in the
eighteenth century.
Composed by Giovanni
Battista Pergolesi.
Edited by Caroline
Ritchie and Malcolm
Bruno. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 11 pages.
Baerenreiter Verlag
#BA08958_27. Published by
Baerenreiter Verlag
(BA.BA08958-27).
ISBN
9790006557691. 32.5 x
25.5 cm inches. Key: F
major. Language of work:
Latin, Text language:
German,
English.
The Missa
in F of 1734 for two or
four choirs is probably
Pergolesi's most
important work for choir
and orchestra. The
nickname Missa Romana was
added later in reference
to a performance given in
Rome during Pergolesi's
lifetime.
This
Urtext edition presents
the work for the first
time in the four-choir
version that Pergolesi
wrote for the above
mentioned performance in
Rome. Choirs III and
IV are reproduced in
smaller type and are
added to the version for
double choir in order to
intensify the overall
sound. This allows
the work to be performed
not only with two choirs
but also in the
delightful enlarged
version for four
choirs. Rounding off
the edition are an
informative Foreword
(Eng/Ger) and a Critical
Commentary
(Eng).
- First
publication with choirs
III and IV - Can be
performed with both two
or four choirs -
Idiomatic, well-presented
piano reduction.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through