Christmas Day Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1104917-120 Fantasy on Old Carols(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1104917-120
Fantasy on Old
Carols. Composed by
Gustav Holst. Arranged by
Robert van Beringen.
Christmas Collection.
Festive and Solemn Music.
Score Only. Composed
2010. 36 pages. De Haske
Publications #DHP
1104917-120. Published by
De Haske Publications
(BT.DHP-1104917-120).
9x12 inches.
English-German-French-Dut
ch.
Gustav Holst
composed almost 200
works, one being a very
elegant and charming
fantasy on the old
English christmas carols:
Good Christian Men,
Rejoice; God Rest You
Merry, Gentlemen; Come Ye
Lofty, Come and
The First Nowell.
The fantasy called
Christmas Day was
originally written for
mixed choir with
orchestra or organ
accompaniment. Robert van
Beringen has arranged
this work for concert
band exactly 100 years
later. His arrangement
can be performed as an
instrumental piece or
with a choir, making it
suitable for any
occasion.
Een van
de tweehonderd werken die
Gustav Holst heeft
gecomponeerd, is deze
fantasie over de vier
oude Engelse
kerstliederen: Good
Christian Men, Rejoic -
God Rest You Merry,
Gentlemen - Come Ye
Lofty, Come en
The First
Nowell.In 1910
schreef hij Christian
Day - oorspronkelijk
voor gemengd koor met
orkest of
orgelbegeleiding. Precies
honderd jaar later
bewerkte Robert van
Beringen het werk voor
blaasorkest. U kunt zijn
arrangement
geheelinstrumental, maar
ook met koor
uitvoeren.
Eines
der 200 Werke, die Gustav
Holst außer der
bekannten Suite Die
Planeten
hinterließ, ist diese
Fantasie über die vier
alten englischen
Weihnachtslieder Good
Christian Men, Rejoice;
God Rest You Merry,
Gentlemen; Come Ye Lofty,
Come und The First
Nowell. Christmas
Day wurde
ursprünglich für
gemischten Chor mit
Orchesteroder
Orgelbegleitung
geschrieben. Genau
hundert Jahre später
bearbeitete Robert van
Beringen das Werk für
Blasorchester. Sein
Arrangement kann rein
instrumental, aber auch
mit Chor aufgeführt
werden.
SKU: HL.1333447 Book. Guitar Reference. Softcover. 636 pages. Published b...(+)
SKU: HL.1333447
Book. Guitar Reference.
Softcover. 636 pages.
Published by Vintage
Guitar Books
(HL.1333447).
ISBN
9781884883460. UPC:
196288191261.
8.25x10.75x0.759
inches.
The Guide
gathers input from 35 of
the world's foremost
expert dealers, each of
whom brings decades of
experience in the
business. That's one of
the many reasons it's the
most-trusted source for
values! Partering with 35
of the top guitar dealers
in the industry, Vintage
Guitar is proud to
provide the most accurate
values on thousands of
models of electrics,
acoustics, basses,
amplifiers, effects, lap
steels, mandolins, and
Banjos! The Guide
includes a useful
directory/geographical
guide featuring dealers,
manufacturers and
tech/repair companies AND
contact info! Knowledge
and information are vital
in the dynamic world of
collectible guitars and
gear, and no source
provides it better than
The Official Vintage
Guitar Price Guide 2024.
Whether your instrument
is an investment or a
piece that you simply
enjoy riffing on, it's
always nice to know its
worth. Checking out a
guitar at the local shop
and want to know its
value before you hand
over the cash? The Guide
is your source for all
the details! Conveniently
available in both print
and digital editions
– no matter where
you go, you will have The
Guide right at your
fingertips. Digital
edition redemption code
ships with the print
edition, but only when
purchased directly from
Vintage Guitar. For many
musicians, instruments
are investments. And,
they've been good
investments; the typical
vintage guitar is today
worth almost four times
what it was in 1991.
Vintage Guitar developed
its 42 Guitar Index to
help readers and
enthusiasts track the
value of their
instruments. The
easy-to-understand
graphic can be found in
the introduction. The
table of contents shows
the major sections and
each is organized in
alphabetical order by
brand, then by model. The
Guide has excellent brand
histories and in most
cases the guitar section
has the most detailed
information for each
brand. When possible, The
Guide lists each model's
years of availability and
any design changes that
affect values.
SKU: HL.1152371 Book. Guitar Reference. Softcover. 628 pages. Published b...(+)
SKU: HL.1152371
Book. Guitar Reference.
Softcover. 628 pages.
Published by Vintage
Guitar Books
(HL.1152371).
ISBN
9781884883453. UPC:
196288119432.
8.0x10.75x0.923
inches.
The Guide
gathers input from 35 of
the world's foremost
expert dealers, each of
whom brings decades of
experience in the
business. That's one of
the many reasons it's the
most-trusted source for
values! Partnering with
35 of the top guitar
dealers in the industry,
Vintage Guitar is proud
to provide the most
accurate values on
thousands of models of
electrics, acoustics,
basses, amplifiers,
effects, lap steels,
mandolins, and Banjos!
The Guide includes a
useful
directory/geographical
guide featuring dealers,
manufacturers and
tech/repair companiesAND
contact info! Knowledge
and information are vital
in the dynamic world of
collectible guitars and
gear, and no source
provides it better than
The Official Vintage
Guitar Price Guide 2023.
Whether your instrument
is an investment or a
piece that you simply
enjoy riffing on, it's
always nice to know its
worth. Checking out a
guitar at the local shop
and want to know its
value before you hand
over the cash? The Guide
is your source for all
the details! For many
musicians, instruments
are investments. And,
they've been good
investments: the typical
vintage guitar is today
worth almost four times
what it was in 1991.
Vintage Guitar developed
its 42 Guitar Index to
help readers and
enthusiasts track the
value of their
instruments. The
easy-to-understand
graphic can be found in
the introduction. The
table of contents shows
the major sections and
each is organized in
alphabetical order by
brand, then by model. The
Guide has excellent brand
histories and in most
cases the guitar section
has the most detailed
information for each
brand. When possible, The
Guide lists each model's
years of availability and
any design changes that
affect values.
Songs of the 1940s Piano, Voix et Guitare [Partition + Accès audio] Hal Leonard
(Decade Series Play-Along). Composed by Various. For Piano/Vocal/Guitar. Pian...(+)
(Decade Series
Play-Along).
Composed by Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook.
Softcover Audio Online.
352
pages. Published by Hal
Leonard
Composed by Ken Bible. For SATB choir, hymnal style. This edition: Paperback, Wo...(+)
Composed by Ken Bible.
For SATB choir, hymnal
style. This edition:
Paperback, Words Only
Edition. Songbook.
Multicultural and Sacred.
Words only. 30 pages.
Published by Lillenas
Publishing Company
(From Playford's Dancing Master). Edited by Jeremy Barlow. For Violin. Book; Sol...(+)
(From Playford's Dancing
Master). Edited by Jeremy
Barlow. For Violin. Book;
Solo; String - Violin
Studies or Collection.
Faber Edition.
Multicultural.
Intermediate. Published
by Faber Music
For guitar. Format: easy instrumental solo songbook. With leadsheet notation, ch...(+)
For guitar. Format: easy
instrumental solo
songbook. With leadsheet
notation, chord names,
lyrics, strum and pick
patterns, introductory
text, instructional text
and guitar chord
diagrams. Christmas and
holiday. Series: Strum
It! guitar. 80 pages.
9x12 inches. Published by
Hal Leonard.
Study Score.
Composed by Henry
Purcell. Edited by
Christopher Hogwood. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. 140 pages.
Duration 60'. Eulenburg
Edition #ETP8063.
Published by Eulenburg
Edition (HL.49017724).
ISBN 9783795771775.
UPC: 841886013797.
7.5x10.75x0.332
inches.
An annual
London celebration of the
patron saint of music, in
the form of a banquet
plus the performance of
an ode, was instituted on
St. Cecilia's Day, 22
November 1683. The
occasion proved so
popular that it continued
for some 30 years after.
A newspaper account of
the first performance of
the 1692 Ode informs us
that 'the Ode was
admirably set to music by
Mr. Henry Purcell, and
perform'd twice with
universal applause'. The
popularity of Purcell's
setting is apparent from
the many sources that
survived from the period
and from printed extracts
which appeared almost
immediately after its
first performance. The
editor, Christopher
Hogwood, is the
founder-director of the
Academy of Ancient Music
with whom he has made
over 200 recordings. He
is Honorary Professor of
Music at the University
of Cambridge and Visiting
Professor at the Royal
Academy of Music,
London.
For voice. Format: vocal score (spiral bound). With vocal score and chord names....(+)
For voice. Format: vocal
score (spiral bound).
With vocal score and
chord names. Gospel and
Country. 9x12 inches.
Published by
Brentwood-Benson Music
Publishing. Clic
k for Split Trax
Cassette
Chorus a cappella SKU: BR.CHB-32104-02 Urtext. Composed by Friedri...(+)
Chorus a cappella
SKU:
BR.CHB-32104-02
Urtext. Composed
by Friedrich Schneider.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Mass; Romantic;
Classical. Choral score.
80 pages. Duration 30'.
Breitkopf and Haertel
#ChB 32104-02. Published
by Breitkopf and Haertel
(BR.CHB-32104-02).
ISBN 9790004413517.
7.5 x 10.5
inches.
Friedrich
Schneider's dedication to
sacred vocal music dates
back into his early years
as a schoolboy in Zittau.
As of today Schneider is
- if at all - only known
as the composer of the
ground-breaking oratorio
The Last Judgement, but
his extensive
compositional output,
which serves nearly all
musical genres, is
unknown to a great
extent. Breitkopf &
Hartel will fill this gap
in the coming years.The
mass in A minor presented
here (No. 8) is his
second completed
a-cappella mass. It was
composed during September
9 to 28, 1815 and thus
still falls into the
almost overproductive
Leipzig years of the
composer. It would be no
exaggeration to say, that
Schneider gained his
overwhelming treatment
and the finishing touches
of the choruses in his
oratorios by his year
long preoccupation with
the genre of the mass.
Although the majority of
his masses remained
unpublished, they enjoyed
great popularity, which
is evidently by the
numerous copies that are
preserved in several
libraries.
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Gospel. 112
pages. 9x12 inches.
Published by Hal Leonard
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-217
Composed by Johann
Sebastian Bach. Choir;
Linen. Buchverlag
Breitkopf & Hartel (Music
Books). Mass; Baroque.
Book. 64 pages. Duration
38'. Breitkopf and
Haertel #BV 217.
Published by Breitkopf
and Haertel (BR.BV-217).
ISBN 9783765102172. 9
x 14.5 inches.
English.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus a cappella SKU: BR.CHB-5375 Composed by Ohad Stolarz. Choir; stapl...(+)
Chorus a cappella
SKU:
BR.CHB-5375
Composed
by Ohad Stolarz. Choir;
stapled. Chor-Bibliothek
(Choral Library). Motet;
Song; Music post-1945.
Sheet Music. Breitkopf
and Haertel #CHB 5375.
Published by Breitkopf
and Haertel
(BR.CHB-5375).
ISBN
9790004413050. 7.5 x 10.5
inches.
Hebrew.
With his
Hebrew Choral Songbook,
Ohad Stolarz presents a
new collection of
classics of the musical
repertoire in Hebrew,
arranged by him for mixed
choir a cappella. Many of
these pieces are
published in Germany for
the first time; almost
all of them are first
published as choral
arrangements. The first
volume contains ten
sacred and paraliturgical
songs that may be sung at
various occasions. Among
these are the feast of
Passover, the Ten Days of
Repentance in the month
of Tishre and the
Sabbath. The second
volume contains ten
secular songs that have
become widely known in
Israel during the 20th
century. These songs are
part of Israel's cultural
history and belong to its
core repertoire. All
Hebrew lyrics appear in
transliteration
underneath the music,
translations in German
and English and
comprehensive annotation
texts are located in the
appendix. This choral
songbook therefore allows
all interculturally
interested choirs to take
first steps into the
world of Jewish and more
generally Hebrew choral
music.None of Stolarz's
versions are strophic
harmonisations; all are
through-composed scores
with enough variation of
texture to satisfy the
listener's ear while
ensuring that the
original words and melody
are not obscured. They
are anything but dull.
(Jeremy Jackson, Choir &
Organ).
Chorus a cappella SKU: BR.CHB-5376 Composed by Ohad Stolarz. Choir; stapl...(+)
Chorus a cappella
SKU:
BR.CHB-5376
Composed
by Ohad Stolarz. Choir;
stapled. Chor-Bibliothek
(Choral Library). Motet;
Song; Music post-1945.
Sheet Music. Breitkopf
and Haertel #CHB 5376.
Published by Breitkopf
and Haertel
(BR.CHB-5376).
ISBN
9790004413777. 7.5 x 10.5
inches.
Hebrew.
With his
Hebrew Choral Songbook,
Ohad Stolarz presents a
new collection of
classics of the musical
repertoire in Hebrew,
arranged by him for mixed
choir a cappella. Many of
these pieces are
published in Germany for
the first time; almost
all of them are first
published as choral
arrangements. The first
volume contains ten
sacred and paraliturgical
songs that may be sung at
various occasions. Among
these are the feast of
Passover, the Ten Days of
Repentance in the month
of Tishre and the
Sabbath. The second
volume contains ten
secular songs that have
become widely known in
Israel during the 20th
century. These songs are
part of Israel's cultural
history and belong to its
core repertoire. All
Hebrew lyrics appear in
transliteration
underneath the music,
translations in German
and English and
comprehensive annotation
texts are located in the
appendix. This choral
songbook therefore allows
all interculturally
interested choirs to take
first steps into the
world of Jewish and more
generally Hebrew choral
music.None of Stolarz's
versions are strophic
harmonisations; all are
through-composed scores
with enough variation of
texture to satisfy the
listener's ear while
ensuring that the
original words and melody
are not obscured. They
are anything but dull.
(Jeremy Jackson, Choir &
Organ).
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.BV-209
Composed by Johann
Sebastian Bach. Edited by
Hafner,Klaus and Oswald
Bill. Choir; Linen.
Buchverlag Breitkopf &
Hartel (Music Books).
Mass; Baroque. Book. 64
pages. Duration 38'.
Breitkopf and Haertel #BV
209. Published by
Breitkopf and Haertel
(BR.BV-209).
ISBN
9783765102097. 9 x 14.5
inches. German.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 -...(+)
Chorus (with soloists)
and piano (solos: SAB -
choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU: BR.EB-4063
Composed by Johann
Sebastian Bach. Edited by
Salomon Jadassohn.
Arranged by Salomon
Jadassohn. Choir;
Softcover. Edition
Breitkopf. Mass; Baroque.
Piano/Vocal Score. 48
pages. Duration 38'.
Breitkopf and Haertel #EB
4063. Published by
Breitkopf and Haertel
(BR.EB-4063).
ISBN
9790004162224. 7.5 x 10.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0...(+)
Chorus (with soloists)
and orchestra (solos: SAB
- choir: SATB - 2.0.0.0 -
0.0.0.0 - str - bc)
SKU:
BR.CHB-3477-02
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library). Mass;
Baroque. Choral score. 20
pages. Duration 38'.
Breitkopf and Haertel
#ChB 3477-02. Published
by Breitkopf and Haertel
(BR.CHB-3477-02).
ISBN
9790004404218. 6.5 x 9.5
inches.
The
Publication in facsimile
of the auto graphic copy
of Johann Sebastian
Bach's Mass in A major
BWV 234 at the occasion
of the Bach Anniversary
Year 1985 has been made
possible thanks to the
generous support of the
publishing house which so
carefully preserved this
precious manuscript in
its archives for almost
200 years. The manuscript
was acquired long ago by
Johann Gottlob Immanuel
Breitkopf, the brilliant
and dynamic forefather of
the publishing house
Breitkopf & Hartel, who
conducted a prosperous
business selling music
transcriptions in
Leipzig. It is still
unclear as to how he
obtained the manuscript.
Perhaps it had belonged
to the estate of Wilhelm
Friedemann Bach, from
whom Breitkopf apparently
acquired a part of his
Bach collection. The
earliest reference to the
manuscript's change of
ownership is found in
Breitkopfs Verzeichniss
Musicalischer Werke of
1761, which includes
Bach's Missa, a 2 Flauti,
2 Violini, Viola 4 Voci,
Organo under the listing
of copies of unpublished
compositions. The copy
was available at the
price of 2 thl. (thalers)
12gl. (groschen). A few
years later, in 1769, the
same offer appeared again
together with other works
by Bach or ascribed to
him in the Verzeichniss
lateinischer und
italianischer
Kirchen-Musiken of
Bernhard Christoph
Breitkopf & Sohn. In more
recent times, the work
has been mentioned in
Wilhelm Hitzig's Katalog
des Archivs von Breitkopf
& Hartel, revised in
1925, together with the
continuo part, which was
included with the copy
and which was also
originally written in
Bach's own hand. The
economic reorganization
of the publishing house
Breitkopf & Hartel after
the Second World War made
it necessary to sell the
manuscript together with
other works from the
publisher's archives.
This manuscript was to
have been put up at
auction by the auction
house J. A. Stargardt.
The catalogue, containing
an informative commentary
by Wolfgang Schmieder,
was already printed, but
before the auction could
take place, the land of
Hesse decided to purchase
all the manuscripts, thus
preventing the dispersion
of this valuable
collection. The
manuscript was officially
handed over to the
Hessische Landes- und
Hochschulbibliothek in
Darmstadt on 29 October
1953. The A major Mass is
still preserved there
today, together with its
fellow piece, the Mass in
G major BWV 236.
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 216 pages.
Published by Hal Leonard.
Chamber Music bass trombone SKU: PR.114418410 Composed by Stacy Garrop. S...(+)
Chamber Music bass
trombone
SKU:
PR.114418410
Composed
by Stacy Garrop. Sws.
Performance Score. 8
pages. Duration 6:30.
Theodore Presser Company
#114-41841. Published by
Theodore Presser Company
(PR.114418410).
ISBN
9781491133644. UPC:
680160641932. 9 x 12
inches.
Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by Carl Sandburg in 1916
when Chicago was the
heart of the meatpacking
and railroad industries.
When bass trombonist Sun
He commissioned Garrop,
he mentioned a deep love
for Chicago, adding,
“I remember the
first time I walked on
the street in Chicago, by
the corner of Michigan
and Roosevelt, and how I
felt the energy of this
city almost brought my
blood to a boil...â€
Those images inspired
Garrop to write a piece
that conveys the beating
pulse of the city, as
well as its
grandeur. Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by the American poet Carl
Sandburg. Dating from
1916, the city of Chicago
at that time served as
the heart of the
meatpacking and railroad
industries. The
poem’s lines
mingle the dark
underbelly of the
city:And they tell me you
are brutal and my reply
is: On the faces of
women   Â
    Â
  and children I
have seen the marks of
wanton hunger.with
immense pride felt by its
inhabitants:Â Â
  Come and show
me another city with
lifted head singing so
proud to be aliveÂ
    and
course and strong and
cunning.As a Chicagoan
myself, I find much of
Sandburg’s
unabashed view of the
city very appealing and
still relevant over a
hundred years later.When
bass trombonist Sun He
commissioned me for a
solo trombone piece, he
mentioned his deep love
for Chicago. He wrote to
me in an email:“I
remember the first time I
walked on the street in
Chicago, by the corner of
Michigan and Roosevelt,
and how I felt the energy
of this city almost
brought my blood to a
boil...â€His words
inspired me to write a
piece that conveys the
beating pulse of the
city, as well as its
grandeur. Carl
Sandburg’s poem
became the perfect
inspiration to tell the
story of the pride Sun He
and I have for
Chicago.Sun He has
dedicated Stormy, Husky,
Brawling to Jane Addams
and the Hull House of
Chicago. Ms. Addams
(1860-1935) was a
distinguished
sociologist, social
worker, philosopher, and
author, who opened the
Hull House in 1889. She
provided many services to
immigrant families at the
Hull House, including
kindergarten, day care,
an employment bureau, and
classes in English,
citizenship, music,
theater, and the
arts.
(Featuring Instruction from Jason Bittner, John Blackwell, Keith Carlock, David ...(+)
(Featuring Instruction
from Jason Bittner, John
Blackwell, Keith Carlock,
David Garibaldi and
more). By David
Garibaldi, Jason Bittner,
John Blackwell, and Keith
Carlock. For Drum.
Percussion. Softcover
with DVD. 104 pages.
Hudson Music #HDBK36.
Published
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by The Doors. For voice, piano and guitar chords. Format: piano/vocal/...(+)
Performed by The Doors.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, introductory
text and black and white
photos. Classic rock and
psychedelic rock. 412
pages. 9x12 inches.
Published by Hal Leonard.