| Quartet Sant Petersburg Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Ed...(+)
String quartet SKU:
BO.B.3664 Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3664).
Cuarteto San
Petersburgo (The Saint
Petersburg Quartet) was
written between January
and March 2011. It owes
its name to the fact that
Saint Petersburg has been
a very significant city
for me. I was invited
there in 1988 to take
part in a big
contemporary music
festival, but my
uninterrupted bond with
the city started on 2002,
thanks to the
negotiations of my friend
and pupil Albert Barbeta.
Since then, I have
constantly travelled
there in order to record
a considerable part of my
repertoire: seventeen
pieces. In addition to
the concerts we went to,
I took the opportunity
during my trips to visit
the well-known
conservatoire where so
many great personalities
from the world of music
composition once taught,
and the place that
launched the most
important violin school
in the whole of Russia:
the school of Leopoldo
Auer. Spending a long
time in Auer's classroom
writing my concert for
violin and orchestra was
an unforgettable
experience for me. His
large portrait motivated
me even
further.
Cuartet
o San Petersburgo evokes
many of the most
cherished and moving
moments that I have had
in this city. It is
structured in four
movements. The first one,
Allegretto-Allegro, opens
with an introduction that
sets forth the two main
themes, amid a soft and
elastic atmosphere. The
Allegro starts vigorously
and in it we find changes
in the tempo and moments
of mystery, as well as
certain seclusion,
returning then to the
emphatic theme where the
counterpoint finds its
place. The movement ends
placidly.
The
Scherzo-marcato that
follows is marked by a
persistent rhythm of
triplets that carries on
from beginning to end.
The tempo does not
change, but brief and
decided themes are
introduced, as well as
passages of counterpoint.
Brief and dissonant
chords are heard
throughout the movement,
which ends
vigorously.
The
third movement, Ut, is a
very special one. For a
while already I had been
playing with the idea of
writing a movement that
was to have the tonality
C as a leitmotiv. This
one is made up by two
slow and static parts. In
the first one, the first
violin plays
pizzicatti-glissandi. In
the second, the first
violin and particularly
the violoncello settle on
C while the other two
instruments produce
descending chromatic
harmonies.
Final
ly, the
Introduccion-Presto (the
Introduction-Presto). It
starts with some bucolic
passages which remind us
of the introduction to
the first movement. A
fast and energetic Presto
suddenly erupts. A kind
of moto perpetuo which
alternates with two
expressive passages and,
towards the end, a viola
and violoncello tremolo,
all of great mystery and
expectation, make way for
a resounding finale
marcato. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| E-Z Play Today #42. Baby Boomers Songbook [Partition] Hal Leonard
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play
Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 88 pages.
Published by Hal Leonard.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of the 1960s - The New Decade Series [Partition] Hal Leonard
E-Z Play�® Today Volume 366. Composed by Various. E-Z Play Today. So...(+)
E-Z Play�® Today
Volume 366. Composed
by Various. E-Z Play
Today. Softcover. 304
pages. Published by Hal
Leonard (HL.159572).
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Easy Ukulele: Japanese Kayo Song 60 Yamaha
Ukulele and Vocal SKU: YM.GTL01100317 Let's begin with just 3 chords! ...(+)
Ukulele and Vocal SKU:
YM.GTL01100317
Let's begin with just
3 chords! [Revised
Edition]. Composed by
Various. J-Pop. J-Pop,
Traditional Japanese
Song, Kayo, Enka. Book.
Yamaha Music Media
#GTL01100317. Published
by Yamaha Music Media
(YM.GTL01100317). ISBN
9784636102246. 8.5 x 12
inches. Here is a
collection of 60 Japanese
Kayo hit songs of all
time for ukulele
beginners.Starting with
songs that use only three
chords, chord diagrams
and symbols are presented
in an easy-to-read size
so that beginners can try
out the songs with ease
and expand their
repertoire of songs to
play. Please note that
each arrangement is in a
different key and length
from the original song,
making it easier to
play. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top-Requested Jewish Holiday Songs Sheet Music Piano, Voix et Guitare Alfred Publishing
(19 Treasured Songs for Special Occasions). For Guitar; Keyboard; Piano; V...(+)
(19 Treasured Songs for
Special Occasions). For
Guitar; Keyboard; Piano;
Voice. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Top-
Requested Sheet Music.
Chanukah; Jewish
Heritage;
Winter. 56 pages.
Published by
Alfred Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pixar Collection for Big-Note Piano Piano grosses notes - Débutant Hal Leonard
Piano/Keyboard SKU: HL.1206200 Composed by Various. Arranged by Various. ...(+)
Piano/Keyboard SKU:
HL.1206200 Composed
by Various. Arranged by
Various. Big Note
Songbook. Disney.
Softcover. 144 pages.
Published by Hal Leonard
(HL.1206200). ISBN
9781705193693. UPC:
196288137115. 9.0x12.0
inches. Whether
you're reliving the
heartwarming moments of
Coco, exploring the
vibrant underwater world
of Finding Nemo, or
setting off on a riveting
journey with Brave, this
new collection has
something for every Pixar
fan! Learn to play your
favorite instrumental
themes and sing along
with your favorite songs
from Pixar's cherished
tales, including all four
Toy Story movies, Soul,
Inside Out, The
Incredibles, Ratatouille,
and many more. Expertly
arranged for big-note
piano with lyrics, it's
perfect for budding
musicians who seek to
capture the whimsy and
wonder of Pixar's
universe. Songs include:
The Ballad of the
Lonesome Cowboy â¢
Beyond the Sea â¢
Bundle of Joy ⢠Le
Festin ⢠The
Incredits ⢠It's All
Right ⢠Lava â¢
Life Is a Highway â¢
Married Life â¢
Nobody Like U â¢
Remember Me (Lullaby)
⢠Touch the Sky
⢠When She Loved Me
⢠and more. $24.99 - Voir plus => Acheter | | |
| Fiddling for Viola
Alto seul [Partition] - Intermédiaire Mel Bay
Traditional Irish and American Fiddle Tunes Arranged for Viola. by Michael Hoffh...(+)
Traditional Irish and
American Fiddle Tunes
Arranged for Viola. by
Michael Hoffheimer.
Level: Intermediate.
Book. Size 8.56x11.75. 88
pages. Published by Mel
Bay Pub., Inc.
(12)$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Top 40 (Feature Medley) [Feuillet] Hal Leonard
Arranged by Mark A. Brymer. (2 Part Singer). Choral. 48 pages. Published by Hal...(+)
Arranged by Mark A.
Brymer. (2 Part Singer).
Choral. 48 pages.
Published by Hal Leonard.
$4.75 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Festival March Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Popular Performer Movies (The Best Songs from the Worlds Most Cherished Movies) Piano seul [Partition] Alfred Publishing
Arranged by Victor Labenske. Collection for solo piano. Series: Popular Performe...(+)
Arranged by Victor
Labenske. Collection for
solo piano. Series:
Popular Performer Series.
48 pages. Published by
Alfred Publishing.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Banjo Pickers Fake Book Banjo [Fake Book] Oak Publications
By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet...(+)
By David Brody. For Banjo
Tab, with chord symbols.
Traditional, Bluegrass.
Sheet Music. 216 pages.
Published by Oak
Publications.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prophesies [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cherish (The Association's Greatest Hits) Chorale SATB SATB Hal Leonard
(Medley). Arranged by Alan Billingsley. (SATB). Pop Choral Series. 16 pages. Pu...(+)
(Medley). Arranged by
Alan Billingsley.
(SATB). Pop Choral
Series. 16 pages.
Published by Hal Leonard.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cherish (The Association's Greatest Hits) Chorale 3 parties SAB Hal Leonard
(Medley). Arranged by Alan Billingsley. (SAB). Pop Choral Series. 16 pages. Pub...(+)
(Medley). Arranged by
Alan Billingsley. (SAB).
Pop Choral Series. 16
pages. Published by Hal
Leonard.
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cherish (The Association's Greatest Hits) CD Chorale Hal Leonard
(Medley). Arranged by Alan Billingsley. (Showtrax CD). Pop Choral Series. CD on...(+)
(Medley). Arranged by
Alan Billingsley.
(Showtrax CD). Pop Choral
Series. CD only.
Published by Hal Leonard.
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cherish (The Association's Greatest Hits) Chorale 3 parties TTB/TBB Hal Leonard
(Medley). Arranged by Alan Billingsley. (TTB). Pop Choral Series. 16 pages. Pub...(+)
(Medley). Arranged by
Alan Billingsley. (TTB).
Pop Choral Series. 16
pages. Published by Hal
Leonard.
$2.50 $2.375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cherished Hymn Favorites Piano seul - Facile Santorella Publications
Cherished Hymn Favorites composed by Various. Arranged by Tina Tomlins. For easy...(+)
Cherished Hymn Favorites
composed by Various.
Arranged by Tina Tomlins.
For easy piano. This
edition: Paperback.
Collection. Sacred. Book.
Text Language: English.
32 pages. Published by
Santorella Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Island Elegy and Aubade [Conducteur] Subito Music
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s...(+)
Soprano(s) & Piano (with
opt. Melodica) SKU:
SU.96050220 For
Soprano(s) & Piano (with
opt. Melodica).
Composed by Thomas
Parente. Vocal/Choral,
Solo Voice. Accompanied
by piano, Melodica.
Score. Subito Music
Corporation #96050220.
Published by Subito Music
Corporation
(SU.96050220).
1. My Beautiful
Island (in the present) -
The character is that of
a young woman who sings
joyfully and exuberantly
of the beauty of her
island - a magnificent
paradise. 2. Oh Home of
Sweet Tranquility (20
years later) - The woman
is beginning to realize
that her cherished island
is beginning to disappear
due to the encroaching
waves, storms and ever
increasing heat. The
bloom of her idealism and
youth has been replaced
with something more
dreadful. 3. The Song
Itself We Have Forgotten
(an additional 20 years
later) - The island
clearly is doomed due to
rising seas resulting in
the evacuation of the
entire island. She is
experiencing a slow
simmering shock, is
dis-regulated, mumbling,
and thoroughly
disbelieving in what is
taking place. Out in the
distance I imagined an
ocean liner on the
horizon. She’s
standing on a long line
to be transported to the
ship that will take her
to an unknown destination
and destiny. 4. Aubade -
(a love poem welcoming or
lamenting the arrival of
dawn) As expressed by a
seagull riding the wind
above the ocean, my take
of it relates to the arc
of universal existence -
Beginning, Middle (life
expressed), End.
Performance Note:
Island Elegy and Aubade
may be performed by 3
sopranos - one for each
song- or by one soprano.
In the latter case the
final Aubade may be
performed via a
previously recorded
multitrack rendering of
all three parts or two
parts with the soprano
singing the top part.
Alternatively, the
pianist can accompany the
soprano, (who sings the
top line) by playing the
bottom two parts on a
melodica, piano or
electric keyboard.
Soprano(s) & Piano (with
opt. Melodica) Duration:
ca. 25' Composed: 2023
Published by: Subito
Music Publishing. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Elf the Musical JR. CD Chorale MTI (Music Theatre International)
(Audio Sampler (includes actor script and listening CD)). Composed by Chad Begue...(+)
(Audio Sampler (includes
actor script and
listening CD)). Composed
by Chad Beguelin and
Matthew Sklar. For Choral
(AUDSAMPLER). Recorded
Promo - Stockable.
Published by MTI (Music
Theatre International)
$10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Carlos Salzado Collection Harpe [Partie seule] Carl Fischer
For Harp. By Franz Joseph Haydn, Anton Rubenstein, Christoph Willibald von Gluck...(+)
For Harp. By Franz Joseph
Haydn, Anton Rubenstein,
Christoph Willibald von
Gluck, Carlos Salzedo.
Arranged by Carlos
Salzedo. Text: Yolanda
Kondonassis. For Harp.
Solo part. 64 pages.
Published by Carl
Fischer.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Listen to My Song Chorale 2 parties 2 parties, Piano [Octavo] Alfred Publishing
By Andy Beck. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. 8 page...(+)
By Andy Beck. Choir
Secular. 2-Part Choir.
Choral Octavo. Choral
Designs. 8 pages.
Published by Alfred Music
Publishing
$2.05 $1.9475 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The 1960s Paroles Seulement [Partition] Hal Leonard
Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches...(+)
Paperback Lyrics. By
Various. Paperback
Lyrics. Softcover. Size
4.25x6.75 inches. 256
pages. Published by Hal
Leonard.
(1)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Come, Christians, Join to Sing Chorale Unison Unison/2-parties, Piano Shawnee Press
Unison/opt. 2-Part Children's Choir; Choral; Youth Choir (Unison/2-Part Treble) ...(+)
Unison/opt. 2-Part
Children's Choir; Choral;
Youth Choir
(Unison/2-Part Treble)
SKU: HL.345968
Arranged by Mark
Patterson. Harold Flammer
WorshipSongs Jr.
Children, Children'S
Choir, Concert, Festival,
General Worship, Hymn,
Sacred, Youth Choir.
Octavo. 8 pages. Duration
129 seconds. Published by
Shawnee Press
(HL.345968). ISBN
9781540093103. UPC:
840126921151.
6.75x10.5x0.019 inches.
Colossians 3:16, Luke
19:37-40, Psalm
30. Rhythmic energy
fills this festive
arrangement from start to
finish! Melodic
syncopation plus an
optional vocal harmony
for budding 2-part choirs
brings new life to this
cherished hymn of praise.
Great for older
elementary, youth, or
adult choirs. Available
separately: Unison/opt.
2-Part Treble. Duration:
2:09. $2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Bride's Guide To Wedding Music
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, guitar chord
diagrams, instructional
text and introductory
text. Wedding. 304 pages.
9x12 inches. Published by
Hal Leonard.
(13)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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