Keyboard

SKU: HH.HH569-SOL

Composed by Henri-Joseph Rigel. Edited by Michael Talbot. Playing score. Edition HH Music Publishers #HH569-SOL. Published by Edition HH Music Publishers (HH.HH569-SOL).

ISBN 9790708185840.

Rige l’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.

Accordion (keyboard) - Intermediate

SKU: MB.97210

Composed by David DiGiuseppe. Style, Squareback saddle stitch, Tunebooks, Piano Accordion, Celtic / Irish, Folk, European, World. Acoustic Music. Book. 112 pages. Mel Bay Publications, Inc #97210. Published by Mel Bay Publications, Inc (MB.97210).

ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.

An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.

(With marked and unmarked string parts). By Gabriel Faur̩ and Gabriel Faur. Edited by Fabian Kolb. For Violin, Piano Accompaniment (Score and Parts). Henle Music Folios. Softcover. G. Henle #HN980. Published by G. Henle

Heures mystiques: Elevations, Communions, Sorties. By Leon Boellmann. Edited by Schauerte-Maubouet, Helga. For Organ. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

Cello - intermediate

SKU: BT.DHP-1135502-400

Composed by Joachim Johow. Folk Klezmer. Book with CD. Composed 2013. 28 pages. De Haske Publications #DHP 1135502-400. Published by De Haske Publications (BT.DHP-1135502-400).

ISBN 9789043137683. 9x12 inches. English-German-French-Dut ch.

This is a wonderful collection of klezmer music, inspired by the Jewish dances and songs of the klezmorim from Eastern Europe - from the lyrical HORA to the fast, compelling FREILACH. Some of the pieces have a second part ad libitum - for playingtogether or for variation in a repeat. For the accompaniment, chord symbols have been added and on the included CD there are complete versions as well as play-along versions of all pieces, played live by genuine klezmer musicians.

Een prachtige verzameling klezmermuziek, ge nspireerd op de joodse dansen en liederen van de klezmorim uit Oost-Europa: van de lyrische Hora tot de snelle, meeslepende Freilach. Ook de invloed van de nieuwere Israëlische volksmuziek la Giora Feidman is hoorbaar. Sommige stukken hebben een tweede stem ad libitum - voor samenspel of ter afwisseling bij herhaling. Voor de begeleiding zijn akkoordsymbolen toegevoegd - en op de bijgevoegde cd staan van alle stukken mooie demo- én play-along-versies, die live zijn ingespeeld door rasechte klezmermuzikanten.

ALL TIME KLEZMERS ist eine wundervolle Sammlung von Klezmermusik, inspiriert von den jüdischen Tänzen und Liedern der Klezmorim aus Osteuropa: vom lyrischen Hora bis hin zum schnellen, unwiderstehlichen Freilach. Einige Stücke haben eine optionalezweite Stimme für das Zusammenspiel oder eine Variation in einer Wiederholung. Für die Begleitung wurden Akkordsymbole hinzugefügt. Auf der beiliegenden CD gibt es vollständige Aufnahmen sowie Mitspielversionen aller Stücke, live eingespielt vonechten Klezmermusikern.

L e recueil All Time Klezmers sâ??inspire des danses et des chants juifs joués par les klezmorim : de la beauté lyrique de la Hora lâ??exubérance du Freilach. Lâ??accompagnement a été confié dâ??authentiques klezmorim évoluant dans la plus pure tradition de la musique klezmer.

La raccolta All Time Klezmers si ispira alle danze e ai balli: dalla bellezza lirica della Hora allâ??esuberanza di Freilach. Ci si ritrova ugualmente lâ??influenza della musica tradizionale israeliana nello spirito di Giora Feidman. Lâ??accompagnamento è affidato ad un vero gruppo klezmorim che vi trasciner nellâ??autenticit di questo genere musicale.

Keyboard

SKU: HH.HH454-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH454-SOL. Published by Edition HH Music Publishers (HH.HH454-SOL).

ISBN 9790708146612.

Geor ge Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

Violine 1

SKU: CA.2100411

Composed by Andre Campra. French Sacred Music. Violin 1. Sacred vocal music, Requiem, Mourning, death. Individual part. Composed 1695. 16 pages. Duration 50 minutes. Carus Verlag #CV 21.004/11. Published by Carus Verlag (CA.2100411).

ISBN 9790007197681. Language: Latin.

The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services: There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers: a five-voice Grand Choeur, a 2-3 voice Petit Choeur, three vocal soloists as well as an instrumental group designated as a Symphonie.. Score and part available separately - see item CA.2100400.

Vocal Solo

SKU: HP.9151

Composed by Joel Raney. Piano Accompaniment with Optional Orchestra. Vocal Score. 12 pages. Hope Publishing Company #9151. Published by Hope Publishing Company (HP.9151).

UPC: 763628191511.

Origi nal anthem
In the tradition of Joel Raney's top-selling Christmas anthems Christmas Is Coming and Somebody Build a Manger, this SATB original is an up-tempo seasonal celebration. The optional handbell and instrumental parts add lots of sparkle to this jazzy setting. Strains of the familiar We Three Kings are introduced as the piece reaches a rousing, pull-out-all-the-stops conclusion. The Orchestration contains a Conductor's Score and parts for: Harp, Flute, Trumpet, French Horn, Violin, Cello, Bass, Percussion, and Handbells.

Viola 2

SKU: CA.2100414

Composed by Andre Campra. French Sacred Music. Viola 2. Sacred vocal music, Requiem, Mourning, death. Individual part. Composed 1695. 12 pages. Duration 50 minutes. Carus Verlag #CV 21.004/14. Published by Carus Verlag (CA.2100414).

ISBN 9790007197711. Language: Latin.

The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services: There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers: a five-voice Grand Choeur, a 2-3 voice Petit Choeur, three vocal soloists as well as an instrumental group designated as a Symphonie.. Score and part available separately - see item CA.2100400.

Fanfare Band - Grade 3

SKU: BT.AMP-139-120

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2005. 12 pages. Anglo Music Press #AMP 139-120. Published by Anglo Music Press (BT.AMP-139-120).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Brass Band - Grade 4

SKU: BT.AMP-137-130

Composed by Philip Sparke. Anglo Music Midway Series. Original Light Music. Score Only. Composed 2006. Anglo Music Press #AMP 137-130. Published by Anglo Music Press (BT.AMP-137-130).

9x12 inches. English-German-French-Dut ch.

The Latin American mood of the piece is a salute to the population of California, a state which many feel still clearly displays its Mexican roots. The melody and intoxicating rhythm of the music oozes excitement, thus ensuring every single member of your audience will go home in a joyous mood!

In seine Komposition Fiesta de la Vida - einem Fest des Lebens“ - legte Philip Sparke das Temperament und die Lebensfreude Lateinamerikas hinein. Von den originalen Melodien im lateinamerikanischen Stil werden alle auf der Bühne und im Zuschauerraum zum Tanzen verführt. Absolut ansteckend!

Le caractère latino-américain de la pièce témoigne également du métissage de la population californienne qui puise son identité et ses racines dans les traditions culturelles mexicaines. Néanmoins, aucune mélodie traditionnelle n’apparaît dans le développement. Fiesta de la Vida (“Célébration de la vie”) rend hommage la vitalité et l’enthousiasme des habitants par une musique dont les caractéristiques constituent par excellence les festivités de la joie, du bonheur et de la gaieté.

The Latin American mood of this piece is truly infectious and will make all players, and audience members, get up and dance.Why not add a little Latin spice to any concert with this lively new work.

Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.EB-11450

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Symphonic poem; Late-romantic; Early modern. Piano reduction. 68 pages. Duration 23'. Breitkopf and Haertel #EB 11450. Published by Breitkopf and Haertel (BR.EB-11450).

ISBN 9790201814506. 9.5 x 12 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.

Heures mystiques: Entrees, Offertoires, Offertoire funebre. By Leon Boellmann. Edited by Schauerte-Maubouet, Helga. For Organ. Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

Choral (SATB)

SKU: HL.14017079

Composed by Jorgen Jersild. Music Sales America. A Cappella, Classical. Choral Score. Composed 2002. 23 pages. Edition Wilhelm Hansen #WH29739. Published by Edition Wilhelm Hansen (HL.14017079).

ISBN 9788759859292. 8.25x11.75x0.119 inches.

Jorgen Jersild's music is always marked by a timbral refinement with a certain inspiration from Cesar Franck and a persistently seamless musical timing. His early works sit in the intersection between the Danish and French traditions, whose inspirations he later synthesized into his own personal style, as can be heard in Three Romantic Songs for Chorus , composed in 1971. Jorgen Jersild (1913-2004) was a Danish composer and pedagogue. He studied in Paris and at the University of Copenhagen, before becoming a teacher at the Royal Danish Academy of Music for over thirty years. During this time he wrote several successful textbooks on solfege and musical theory.

Violoncello/Contrabass

SKU: CA.2100415

Composed by Andre Campra. French Sacred Music. Violoncello/double bass. Sacred vocal music, Requiem, Mourning, death. Individual part. Composed 1695. 16 pages. Duration 50 minutes. Carus Verlag #CV 21.004/15. Published by Carus Verlag (CA.2100415).

ISBN 9790007197728. Language: Latin.

The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services: There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers: a five-voice Grand Choeur, a 2-3 voice Petit Choeur, three vocal soloists as well as an instrumental group designated as a Symphonie.. Score and part available separately - see item CA.2100400.

Concert Band/Harmonie and Trombone Solo - Grade 5

SKU: BT.DHP-1094442-010

La Tragédie Cathare - Poéme Symphonique pour Trombone et Orchestre d'Harmonie. Composed by Maxime Aulio. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094442-010. Published by De Haske Publications (BT.DHP-1094442-010).

9x12 inches. English-German-French-Dut ch.

Symfonische gedichten zijn gewoonlijk verhalende of beschrijvende werken die zijn gebaseerd op een verhaallijn - of het nu gaat om poëzie of proza. Naar het voorbeeld van meestercomponisten als Berlioz, Liszt en Debussy zet MaximeAulio het genre voort met Montségur, een klankgedicht dat uitgaat van het dramatische verhaal over de burcht van de katharen, het Ch teau de Montségur (Ariège, Frankrijk). Als een impressionistische schilder gebruikt de componistveel nuances en klankkleuren, steeds perfect in harmonie met de betreffende thematiek. Een schilderachtig solowerk voor trombone!

In der Tradition von Meisterkomponisten, wie Berlioz, Liszt und Debussy, erweitert Maxime Aulio das Genre des Tongedichts um Montségur, einem Werk auf der Grundlage der dramatischen Geschichte der gleichnamigen Festung in Südfrankreich. Wie ein impressionistischer Maler verwendete Maxime Aulio dabei viele Tonnuancen und Klangfarben. Ein malerisch schönes Solowerk für Posaune und Blasorchester!

Un poème symphonique est une composition dont la nature expressive relève d'une intention essentiellement poétique ou descriptive, s'appuyant explicitement sur un thème, un personnage, une légende le plus souvent inspirés par un texte littéraire. Suivant l’exemple d’illustres compositeurs tels que Berlioz, Liszt et Debussy, entre autres, Maxime Aulio fait perdurer le genre dans ce poème de sons qui relate l’histoire tragique du ch teau de Montségur (Ariège, France), bastion de la résistance cathare. Et tel un peintre impressionniste, il choisit, une multitude de timbres et de couleurs tonales toujours en parfaite adéquation avec le motif décrire. Le tableau respire, etl’on perçoit dans les premières mesures, le souffle du vent. La beauté du paysage qui s’enroule autour du gigantesque piton rocheux défile sous nos yeux quand soudain, une volée de carreaux d’arbalète fend l’air en sifflant comme une pluie de fer. On entend les pierres s’écraser sur les murailles du ch teau. La forteresse cathare est assiégée... Dans ce climat musical pesant et poignant, le trombone revêt une dimension tragique servie par une symbolique expressive. Il expose des thèmes cycliques qui reviennent dans l’ensemble de l’œuvre : le thème du ch teau, la prière des Parfaits, le thème du b cher. En mars 1244, 207 Parfaits cathares périrent br lés vifs. Presque huit siècles plus tard, ces flammes d'un autre ge alimentent encore les rumeurs les plus folles.

Keyboard

SKU: HH.HH453-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH453-SOL. Published by Edition HH Music Publishers (HH.HH453-SOL).

ISBN 9790708146605.

Geor ge Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

Concert Band/Harmonie - Grade 5

SKU: BT.AMP-417-010

Composed by Philip Sparke. Elite Series. Concert Piece. Set (Score & Parts). Composed 2015. Anglo Music Press #AMP 417-010. Published by Anglo Music Press (BT.AMP-417-010).

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Erönungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None (Secondo a nessuno) è un titolo perfetto per questo lavoro, anche se in realt si riferisce a “Nulli Secundus”, il motto del British Corps of Army Music, che lo ha commissionato a Philip Sparke. Il brano si apre con una fanfara, seguita da due brevi citazioni, prese da due delle marce del Corpo e da un gioioso Vivace. Una sezione centrale, che da più spazio al legato, crea un piacevole contrasto con la fanfara iniziale prima della chiusura del brano. Un connubio perfetto!

Fanfare Band - Grade 3

SKU: BT.AMP-324-120

Composed by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2011. 36 pages. Anglo Music Press #AMP 324-120. Published by Anglo Music Press (BT.AMP-324-120).

9x12 inches. English-German-French-Dut ch.

Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmas verwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, das ebenfalls auf das 14. Jahrhundert zurückgeht.

Concert Band - Grade 4

SKU: HL.44007319

Grade 4 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2007. 36 pages. Anglo Music Press #AMP196. Published by Anglo Music Press (HL.44007319).

UPC: 884088245160. 9x12 inches. English-German-French-Dut ch.

Prelude to a Celebration is a fantastic way to open any concert in the tradition of great symphonic openers. The work starts with a triumphant yet majestic fanfare from the trumpet section, which gives the basis for the whole work. A rollicking and driving faster section follows for the woodwinds, which leads into a broader trio before the opening fanfare returns to bring the work to a majestic conclusion. Whatever the occasion (or celebration), Prelude to a Celebration is one piece that is sure to have your audience on the edge of their seat and start your performance off in the finest of styles. Duration: 5:10.

SKU: BP.BP2164

Composed by Dan Forrest. Octavo. Beckenhorst Press #BP2164. Published by Beckenhorst Press (BP.BP2164).

Printed product.

A haunting, thoughtful setting of the French Canadian melody with the ancient words of the Huron Carol. The congregation will learn to love this as much as the choir does as it becomes part of your Christmas tradition. It is scored for SATB choir and piano with optional full score and parts for string quartet or optional full score and parts for orchestral accompaniment.

Cello - Medium

SKU: PL.9302SP

Composed by Michael Ferguson. Cathedral. Choral, Evensong. Set of parts. Paraclete Press #9302SP. Published by Paraclete Press (PL.9302SP).

Ferguson's love of chant inspires much of his writing in this Evening Service. He offers here a setting of the Phos Hillaron (O Gracious Light), Psalm 111 (Confitebor Tibi), and the Magnificat and Nunc Dimittis. Each movement is voiced according to Ferguson's interpretation of the text: Unison treble chorus for the Phos hilaron, SATB for the Psalm and Magnificat and TTBB for the Nunc Dimittis; all accompanied by organ, revealing the heritage of the French style of chant accompaniment as well as the time-honored tradition of Anglican psalmody and singing of the evening canticles. The Nunc Dimittis also has optional parts for three violoncelli.

By Joel Raney. (SATB). Jazz/SwingStyle, Ring and Sing, Contemporary and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.