| Classic Hymns For Two Voices, Vol. 2-Score Hope Publishing Company
Vocal ensemble SKU: HP.8991 Composed by Various. Arranged by Lloyd Larson...(+)
Vocal ensemble SKU:
HP.8991 Composed by
Various. Arranged by
Lloyd Larson. Vocal
score. Hope Publishing
Company #8991. Published
by Hope Publishing
Company (HP.8991).
UPC: 763628189914.
Various. Ten
top-selling duets by
Various Writers
Here are 10 vocal duets
of top-sellers from the
Hope catalog, each
arranged for two medium
voices. Available alone
or in a book/CD combo
with accompaniment tracks
useful for rehearsal and
performance. $24.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| I Guds Ljus (In The Light Of God) - Intermédiaire Barenreiter
Mixed choir (SMezATB) - Level 3 SKU: BA.BA07417 Composed by Marten Jansso...(+)
Mixed choir (SMezATB) -
Level 3 SKU:
BA.BA07417 Composed
by Marten Jansson.
Stapled. Choral score. 28
pages. Baerenreiter
Verlag #BA07417_00.
Published by Baerenreiter
Verlag (BA.BA07417).
ISBN 9790006561469. 27
x 19 cm inches. Text
Language: Swedish,
English. Preface:
Jansson,
Mårten. “I
asked my friend, the poet
Einar Askestad, if he
could write a poem for me
about love between father
and son, brothers and
God. I felt that these
forms of love are seldom
sung about. The poem
moved me greatly and I
have tried to put music
to these words which is
simple yet full of
beauty. In the four
movements of this
suite-like piece, various
aspects of these
relationships are
conveyed.†(Marten
Jansson)
â€
œMy music is my own and
I have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of Uppsala.
$15.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Kings (Die Konige, Op. 8 No. 3) Chorale TTBB TTBB A Cappella [Octavo] Kjos Music Company
Arranged by Erick Lichte. For TTBB choir, optional vocal solo, a cappella. Cantu...(+)
Arranged by Erick Lichte.
For TTBB choir, optional
vocal solo, a cappella.
Cantus (Music for Men's
Voices). Sacred, Choral,
Christmas. Octavo.
Published by Neil A. Kjos
Music Company . Octavo.
Sacred, Choral,
Christmas.
$1.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Promised Land (Vocal Score) Chorale SATB SATB divisi - Avancé Walton Music
SATB choir, divisi, piano reduction, oboe, english horn 1 & 2, bassoon, violin 1...(+)
SATB choir, divisi, piano
reduction, oboe, english
horn 1 & 2, bassoon,
violin 1, violin 2, cello
1 & 2, bass - Advanced
SKU: GI.WW1761
Composed by Ken Burton.
Jason Max Ferdinand.
Classical. 36 pages.
Walton Music #WW1761.
Published by Walton Music
(GI.WW1761). UPC:
785147021360. English.
Text Source: Various
Authors. This work
for chorus and chamber
orchestra was premiered
to acclaim by the Oakwood
University Aeolians at
the 2019 National ACDA
conference. Composer Ken
Burton has combined new
material with spirituals
and text by important
historical figures to
create a piece that
follows the experience of
black Americans during
and after the Civil
Rights period. Includes
texts by Martin Luther
King, Jr., Paul Laurence
Dunbar, Thomas Day, John
Bicknell, and William
Blake. This substantial
work will be a good fit
for collegiate,
professional, and
community ensembles. Can
be performed
unaccompanied or with
chamber orchestra. $5.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Duets 2 Altos (duo) [Partition] Kalmus
Composed by Andreas Romberg. Duet or Duo; Masterworks; Solo Small Ensembles; Str...(+)
Composed by Andreas
Romberg. Duet or Duo;
Masterworks; Solo Small
Ensembles; String - 2
Violas. Kalmus Edition.
Classical; Masterwork.
Book. 20 pages. Kalmus
Classic Edition
#00-K02216. Published by
Kalmus Classic Edition
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rheinberger: Choral ballads I (Complete edition, Vol 16) [Conducteur] Carus Verlag
SKU: CA.5021600 Composed by Josef Gabriel Rheinberger. Edited by Sebastia...(+)
SKU: CA.5021600
Composed by Josef Gabriel
Rheinberger. Edited by
Sebastian Hammelsbeck.
This edition: Complete
edition, linen cover.
Josef Gabriel Rheinberger
- Complete Works. German
title: Chorballaden I.
Chor Und Klavier. Secular
choral music. Full score
(complete edition /
selected edition). Carus
Verlag #CV 50.216/00.
Published by Carus Verlag
(CA.5021600). ISBN
9790007090272. The
choral ballad Toggenburg
op. 76 is based on the
legend of the holy Ida
von Toggenburg. It
enjoyed a great
popularity with the
public in Rheinberger's
day. Just a short time
after it was first
published in 1874 this
work was performed
numerous time. The
six-movement work is
scored alternately for
choir, various sized
vocal ensembles and
soloists. The other works
in this volume are of a
smaller scale . They are
all choral compositions
of one movement, although
in the case of Die tote
Braut op. 81, a solo
voice (mezzo soprano) is
called for. $158.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Messa de' morti) in C minor (Vocal Score) Peters
Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB) SKU: PE.EP73...(+)
Choir Sacred SA (SSATB)
Soli, SSATB ATB Choir,
Piano (SSATB ATB) SKU:
PE.EP73044A For
Soprano, Alto, Choir and
Orchestra, First Edition,
Urtext. Composed by
Francesco Durante. This
edition: Urtext. Choral
Works (inc. Oratorios).
Edition Peters. Book. 116
pages. Duration 00:00:00.
Edition Peters
#98-EP73044A. Published
by Edition Peters
(PE.EP73044A). ISBN
9790577013428. 190 x
272mm inches.
English. The
Requiem in C minor by
Francesco Durante
(1684–1755) is one
of the most important
works of this genre
written in the first half
of the 18th century. In
his Messa de’
morti, Durante shows
great creativity in
combining traditional
elements of church music
with new ideas
originating from
instrumental writing and
opera. The quality and
originality of his
Requiem make it an
exciting rediscovery with
the potential to
establish itself as a
core repertoire work of
sacred choral
music. Mainly known
today as the teacher of
Pergolesi and Paisiello,
Durante spent much of his
life working as music
director at various
conservatories in Naples
and enjoyed great renown
as a church composer well
into the 19th century.
Despite its widespread
popularity, indicated by
the number of manuscript
copies to be found across
Europe, his Requiem never
appeared in print. For
this first publication,
editor and leading
British choral director
Stephen Darlington has
consulted many of the
approximately 50
surviving sources of the
work, presenting a
critical edition which
for the first time makes
Durante’s Requiem
available to a wider
musical
audience. - First
publication
- Urtex
t
edition
- Particula
rly suitable for smaller
choirs and ensembles:
soprano and alto solo,
double choir (SSATB ATB)
and strings (plus 2 horns
in the Tuba
mirum)
- Full score
and orchestral material
also available
(EP73044)
This edition of
Durante’s Requiem
has been recorded by
Stephen Darlington, with
Oxford’s Christ
Church Cathedral Choir,
soloists from The Sixteen
and Oxford Baroque.
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Spanish Songs (for Soprano and Wind Ensemble) Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 5 SKU: AP.29638S Composed by Matthew Tommasini. Conc...(+)
Concert Band - Grade 5
SKU: AP.29638S
Composed by Matthew
Tommasini. Concert Band;
Performance Music
Ensemble; Single Titles.
Donald Hunsberger Wind
Library. Contemporary;
Latin. Score. 96 pages.
Alfred Music #00-29638S.
Published by Alfred Music
(AP.29638S). ISBN
9780739050972. UPC:
038081322872.
English. This cycle
is a setting of three
contrasting poems by
Latin-American poets
Leopoldo Lugones, Rube
én Dari Ão and Jose
é Marti Ã. Olas
Grises uses evocative
rain and sea imagery to
meditate on the nature of
life and death. Set as a
lyrical, quasi-strophic
song, these images are
portrayed through the
opening percussion
raindrop motive and the
moaning vocal line used
throughout the movement.
Nocturno is a frantic
soliloquy set as an
extended opera scene. The
opening recitative is
followed by a surreal
aria. This is followed by
a re-statement of both
sections. Suen ño
Despierto is a short poem
about the contrasting
images of a waking dream.
Based on a fragment of
the lullaby Nanita Nana,
heard in its entirety at
the opening, the song is
a set of three
variations, followed by a
coda, which portray these
various images. Three
Spanish Songs was
commissioned by Michael
Haithcock and the
University of Michigan
Symphony Band. This is
the recital/rehearsal
version of this piece.
The vocal solo with wind
ensemble accompaniment is
also available
(00-29639/$150). $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Readdy Jazz It While Shepherds - Intermédiaire Schott
Vocal ensemble with piano-accompaniment (PAKET 10ST) - intermediate SKU: HL.4...(+)
Vocal ensemble with
piano-accompaniment
(PAKET 10ST) -
intermediate SKU:
HL.49030477 6
jazzy arrangements of
Christmas carols.
Composed by Bill Readdy.
Arranged by Bill Readdy.
Sheet music. Edition
Schott. Choral Score.
Schott Music #ED
12763-10. Published by
Schott Music
(HL.49030477). ISBN
9790220122873.
9.25x12.0x0.409 inches.
English. 6 jazzy
carols for vocal ensemble
- easy piano
accompaniment - based on
well-known Christmas
carols - 6 contrasting
styles from ballad to
jazz/rock - various
arrangements, from one to
four parts - fun and
funky. $62.00 - Voir plus => Acheter | | |
| chorissimo! Christmas Chorale [Partition + CD] Carus Verlag
Composed by Various. Edited by Klaus Brecht and Klaus Konrad Weigele. Carus sh...(+)
Composed by Various.
Edited
by Klaus Brecht and Klaus
Konrad Weigele. Carus
sheet
music series: Chorissimo,
Choral collections for
Coro
SAM, Choral collections
for
children's choir. With
CD.
Sacred vocal music, Songs
for
children, Christmas
Carols,
Secular choral music.
Choral
collection. Carus Verlag
#CV
02.221/00. Published by
Carus
Verlag
$33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| An Irish Christmas Blessing - String Ensemble Score and Parts [Conducteur et Parties séparées] SoundForth
String ensemble SKU: S2.30-3526SF Composed by Various. Choral. Sacred Ant...(+)
String ensemble SKU:
S2.30-3526SF Composed
by Various. Choral.
Sacred Anthem, Christmas.
Score and parts.
SoundForth #30/3526SF.
Published by SoundForth
(S2.30-3526SF). UPC:
000308148565. Jay
Rouse arranged this
beautiful tune from Keith
and Kristyn Getty with
remarkable restraint and
sensitivity, staying true
to the message within.
The strophic nature of
the piece is approached
with vocal layering and
optional a cappella
sections. This
arrangement is an
excellent choice for a
meditative moment to end
your service and wish
your congregation the joy
and peace of the
Christmas season. $39.95 - Voir plus => Acheter | | |
| VOCES8 A Cappella Songbook (US Edition) Chorale SSAATTBB SSAATTBB A Cappella Peters
By Voces8. By Various. Voices (Solo) in Ensemble. Modern. Choral Score. Edition ...(+)
By Voces8. By Various.
Voices (Solo) in
Ensemble. Modern. Choral
Score. Edition Peters
#EP72443. Published by
Edition Peters
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Renaissance Madrigals Quatuor de Clarinettes: 4 clarinettes Eighth Note Publications
By Various. Arranged by David Marlatt. For 4 Clarinets. Wisconsin Festival List....(+)
By Various. Arranged by
David Marlatt. For 4
Clarinets. Wisconsin
Festival List. Eighth
Note Publications.
Renaissance. Duration
00:04:00. Published by
Eighth Note Publications
$12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contemporary Praise and Worship Guitar Guitare [Partition + CD] - Intermédiaire Hope Publishing Company
By Ric Holloway. Edited by Michael Perry. Various ensemble. For guitar. Contempo...(+)
By Ric Holloway. Edited
by Michael Perry. Various
ensemble. For guitar.
Contemporary. Fretboard
Fellowship Guitar.
Contemporary Praise and
Worship and Sacred. Book
and CDs. 146 pages.
Published by Hope
Publishing Company
$38.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Ladino Suite Piano, Voix et Guitare Transcontinental Music
Shabbat Songs Based on Ladino Melodies for 2 Voices, Instrumental Ensemble, and ...(+)
Shabbat Songs Based on
Ladino Melodies for 2
Voices, Instrumental
Ensemble, and Piano. By
Various. Arranged by
Tamar Bronstein.
Transcontinental Music
Folios. Jewish. Size
8.5x11 inches. Published
by Transcontinental Music
Publications.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lullaby Choirbook - Intermédiaire Schott
Book/CD Choral; Voice (SATB) - intermediate to advanced SKU: HL.49013529 ...(+)
Book/CD Choral; Voice
(SATB) - intermediate to
advanced SKU:
HL.49013529 Book
with CD. Composed by
Various. Arranged by
Carsten Gerlitz and
Ulrich Kaiser. This
edition: Saddle
stitching. Sheet music
with CD. Vocal Ensemble.
Classical. Edition with
CD. 64 pages. Schott
Music #ED9836-50.
Published by Schott Music
(HL.49013529). ISBN
9783795757786. UPC:
841886004726.
6.25x9.5x0.246 inches.
German - English -
French. A
collection of the most
beautiful international
evening songs and
lullabies in atmospheric
arrangements for mixed
choir (SATB). Apart from
classical pieces in
German, the present new
and modern arrangements
comprise Spanish,
Swedish, Scottish,
French, and Indian tunes,
among others. The pieces
are suited for concerts,
services, celebrations,
or as encore pieces.
Chill-out for choirs:
Both the audience and the
performers are going to
enjoy these pieces.Plus
CD with audio examples as
a kind of
'appetizer'. $22.99 - Voir plus => Acheter | | |
| The Lullaby Choirbook - Intermédiaire Schott
Choral; Voice (SATB) - intermediate to advanced SKU: HL.49013528 Book ...(+)
Choral; Voice (SATB) -
intermediate to advanced
SKU: HL.49013528
Book Only.
Composed by Various.
Arranged by Carsten
Gerlitz and Ulrich
Kaiser. This edition:
Saddle stitching. Sheet
music. Vocal Ensemble.
Classical. 64 pages.
Schott Music #ED9836.
Published by Schott Music
(HL.49013528). ISBN
9783795757779. UPC:
841886004719.
6.25x9.5x0.204 inches.
German - English -
French. A
collection of the most
beautiful international
evening songs and
lullabies in atmospheric
arrangements for mixed
choir (SATB). Apart from
classical pieces in
German, the present new
and modern arrangements
comprise Spanish,
Swedish, Scottish,
French, and Indian tunes,
among others. The pieces
are suited for concerts,
services, celebrations,
or as encore pieces. $15.99 - Voir plus => Acheter | | |
| Weihnachtslieder fur Kinder gesungen von Kindern Carus Verlag
SKU: CA.8301400 Composed by Various. Songs for children, Christmas Carols...(+)
SKU: CA.8301400
Composed by Various.
Songs for children,
Christmas Carols, Advent,
Christmas. Compact Disc.
Carus Verlag #CV
83.014/00. Published by
Carus Verlag
(CA.8301400).
Most tellingly,
Christmas songs render
the joy and anticipation
of children at
Christmastime. The
children's choir
SingsalaSing of the
Landesakademie for young
musicians in
Baden-Wurttemberg,
Ochsenhausen, sings 26
traditional and new
yuletide songs from
Germany and neighboring
countries. These are
especially suited to
children in elementary
school. The colorful and
diverse arrangements are
by Bobby Fischer, Markus
Munzer-Dorn, Veit Hubner,
Christoph Muller. This CD
is an invitation to
children and their
families to join in
singing together during
the Advent and Christmas
seasons. This CD is part
of the Lieder project
which promotes and
benefits singing with
children. This project
presents texts, music and
recordings of songs to
sing. It emphasizes
quality and is designed
especially for children.
The goal is to once again
focus on singing together
in families. To date, 100
solo singers, vocal
ensemble, choirs,
instrumentalists and over
300 children have offered
their time and talents to
the Carus Lieder project.
Profits derived from the
sale of books and CDs in
the Lieder project have
now reached 400,000 Euros
- these proceeds are
being donated to causes
which further singing
with children. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Curtain Up! Quartets Quatuor de Flûtes : 4 flûtes [Partition + CD] - Facile Universal Edition
Easy to intermediate arrangements. Composed by Various. Arranged by Barba...(+)
Easy to intermediate
arrangements.
Composed by Various.
Arranged by Barbara
Gisler-Haase. Score,
parts and CD. With
Standard notation. 72
pages. Universal Edition
#UE36692. Published by
Universal Edition
(PR.UE036692).
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa Brevis [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and
Opt. Choir - Grade 2
SKU:
BT.DHP-1033337-015
Composed by Jacob De
Haan. Musica Sacra. Hymns
& Chorals. Set (Score &
Parts). Composed 2003. De
Haske Publications #DHP
1033337-015. Published by
De Haske Publications
(BT.DHP-1033337-015).
9x12
inches. Missa
Brevis, written for
choir and wind band, was
commissioned by the
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(France), in celebration
of the millennium of Pope
Leon IX’sbirth in
Éguisheim (France).
The composer conducted
the first performance on
June 23, 2002. It was
performed live for the
French television channel
France 2. The mass
movements Kyrie,
Gloria, Credo, Sanctus,
Benedictus, and
Agnus Deiare very
suitable for the Catholic
as well as the Protestant
liturgy. For this mass,
various ways for
performing in diverse
variable strengths are
possible. An instrumental
performance is possible
if the brass represents
the choir parts. In
thisoption, it is
desirable for the brass
to be positioned
separately from the rest
of the band (on a
gallery, for example), so
that the idea of two
choirs is approached. In
a performance with a
large choir, the brass
can work very well as a
support. Inthat case, the
dynamics of the brass
should be adapted
somewhat, since these are
actually intended for an
instrumental performance.
You can also leave out
the brass entirely for
the benefit of the choir.
For the accompaniment of
smaller choirs, youcan
opt for a small ensemble
from the band. This can
also be a quartet, put
together as desired. For
the performance of this
mass, the obvious choice
is one of the above
options. However, as an
alternative, a
performance with a
combination of
theseoptions
(vocally/instrumentally)
is also possible not just
from an artistic point of
view (variation), but
also from a practical
starting point for
example in the case that
the choir has rehearsed
only two movements. With
a full strength,
theconductor can vary the
instrumentation to his or
her liking. Then the
brass can also play a
role in the accompaniment
(instead of supporting
the choir). The following
combinations are
possible: 1. clarinet
choir (from Eb Clarinet
to BassClarinet) 2.
clarinet choir +
saxophones 3. brass
(flugelhorns, horns,
euphoniums, bass
section) 4. brass (2
trumpets / 2
trombones) 5. double
reeds (optional + flute,
optional + string
bass) 6. tutti 7.
all winds 8.
allbrass In a
performance by brass band
and choir, it is usually
advisable to leave out
option 1 (choir + brass +
band). The choir sings
self-reliantly,
accompanied by a full
brass band. In an
instrumental performance,
you can consider a
combinedquartet (two
cornets and two
trombones) + brass
band. Choral parts
available
separately.
Mis
sa Brevis, geschreven
voor koor en blaasorkest,
werd gecomponeerd in
opdracht van de Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (dir.
Philippe Pfisterer) in
Guebwiller (Frankrijk),
ter gelegenheid van het
duizendstegeboortejaar
van paus Leo IX. In zijn
geboorteplaats,
Éguisheim (Elzas,
Frankrijk), vond op 23
juni 2002 de première
van deze mis plaats onder
leiding van de componist.
Het betrof een
live-registratie voor de
Franse televisiezender
France 2. Demisdelen
Kyrie, Gloria, Credo,
Sanctus, Benedictus
en Agnus Dei
lenen zich uitstekend
voor zowel de katholieke
als de protestantse
liturgie. Er zijn voor
deze mis diverse
uitvoeringsmogelijkheden
mogelijk, aangezien er
sprake is van
eenvariabele bezetting.
Een instrumentale
uitvoering behoort
uitdrukkelijk tot de
mogelijkheden, indien het
scherp koper de
koorpartijen
vertegenwoordigt. In deze
optie is het wenselijk
dat het scherp koper zich
separaat opstelt van de
rest van hetorkest
(bijvoorbeeld op een
galerij), zodat het idee
van dubbelkorigheid wordt
benaderd. Bij een
uitvoering voor groot
koor werkt het scherp
koper zeer goed als
ondersteuning. In dat
geval kan de dynamiek van
het koper iets worden
aangepast,aangezien deze
in eerste instantie
bedoeld is voor een
instrumentale versie. Ook
kan men ervoor kiezen het
scherp koper helemaal weg
te laten ten gunste van
het koor. Bij begeleiding
van kleinere koren kan
men kiezen voor een klein
ensemble uit hetorkest.
Dit kan ook een naar wens
samengesteld kwartet
zijn. Voor de uitvoering
van deze mis ligt het
voor de hand een van deze
opties te kiezen. Als
alternatief is echter ook
een uitvoering mogelijk
met een combinatie van
deze opties
(vocaal/instrumentaal)
niet slechts vanuit een
artistiek motief
(afwisseling), maar ook
vanuit een praktisch
motief, voor het geval
dat het koor bijvoorbeeld
slechts twee delen heeft
ingestudeerd. Bij een
volledige bezetting kan
de dirigent
deinstrumentatie naar
believen afwisselen.
Hierbij kan ook het
scherp koper in de
begeleiding een rol
krijgen (in plaats van
ondersteuning van het
koor). Zo zijn de
volgende combinaties
mogelijk: 1.
clarinet choir (van
Es-klarinet tot
basklarinet) 2.
clarinet choir +
saxofoons 3. zacht
koper (bugels, hoorns,
euphoniums, bassen)
4. scherp koper (2
trompetten / 2
trombones) 5.
dubbelrieten (eventueel +
fluit, eventueel +
contrabas) 6.
tutti 7. alle
hout 8. alle
koper In een
uitvoering voor brassband
en koor is het in de
meeste gevallen aan te
bevelen de optie voor
scherp koper weg te
laten. Het koor zingt
zelfstandig, begeleid
door een volledige
brassband. In een
instrumentale uitvoering
kunt u denken aan
eencombinatiekwartet
(twee cornetten en twee
trombones) +
brassband.Koorpartijen
apart
verkrijgbaar.
M
issa Brevis,
geschrieben für Chor
und Blasorchester
entstand im Auftrag des
Conseil Départemental
pour la Musique et la
Culture de Haute-Alsace
(Dir.: Philippe
Pfisterer) in Guebwiller
(Frankreich),
anlässlich des
tausendjährigen
Jubiläumsder Geburt
von Papst Leo IX in
Éguisheim. Der
Komponist dirigierte die
Uraufführung am 23.
Juni 2002. Sie wurde live
vom französischen
Fernsehen France 2
übertragen. Die
Messesätze Kyrie,
Gloria, Credo, Sanctus,
Benedictus und
Agnus Deieignen
sich ausgezeichnet sowohl
für die katholische
als auch die
protestantische Liturgie.
Diese Messe kann in
diversen variablen
Spielstärken
aufgeführt werden.
Eine
Instrumentalaufführung
ist möglich, wenn das
Blech die Chorstimme
übernimmt.Um der Idee
von zwei Chören in
dieser Variante
möglichst gerecht zu
werden, empfiehlt es
sich, das Blechregister
getrennt vom Rest des
Blasorchesters
aufzustellen
(beispielsweise auf einer
Galerie). In einer
Aufführung mit einem
großen Chor kann
dasBlechregister sehr gut
als Unterstützung
dienen. In diesem Fall
sollten die
Dynamikangaben der
Blechbläser etwas
angepasst werden, da sie
ja eigentlich für eine
Instrumentalaufführung
gedacht sind. Man kann
zugunsten des Chors auch
völlig auf dasBlech
verzichten. Zur
Begleitung kleinerer
Chöre können Sie
ein kleines Ensemble aus
dem Blasorchester
wählen. Dies könnte
auch ein Quartett in
beliebiger
Zusammensetzung sein.
Für die Aufführung
dieser Messe bietet sich
eine der oben
genanntenVarianten an.
Eine Kombination dieser
Wahlmöglichkeiten
(vokal/instrumental) ist
jedoch auch möglich
und das nicht nur vom
künstlerischen
Standpunkt aus betrachtet
(zur Abwechslung),
sondern auch aus
praktischen Erwägungen
beispielsweise, wennder
Chor nur zwei Sätze
einstudiert hat. In
voller Besetzung kann der
Dirigent die
Instrumentierung nach
Belieben variieren. Dann
können die
Blechbläser auch eine
Rolle in der Begleitung
übernehmen (anstatt
den Chor zu
unterstützen). Die
folgendenKombinationen
sind möglich:
1. Klarinettenchor
(von Klarinette in Es bis
Bassklarinette) 2.
Klarinettenchor +
Saxophone 3. Blech
(Flügelhorn, Horn,
Euphonium,
Bassregister) 4.
Blech (2 Trompeten / 2
Posaunen) 5.
Doppelrohrblattinstrument
e (wahlweise + Flöte,
wahlweise +
Kontrabass) 6.
Tutti 7. Alle
Holzbläser 8.
Alle Blechbläser
In einer Aufführung
mit Brass Band und Chor
ist es gewöhnlich
ratsam, nicht die erste
Option (Chor + Blech +
Blasorchester) zu
wählen. Der Chor singt
unabhängig, begleitet
von einer
vollständigen Brass
Band. In einer
Instrumentalaufführung
könnenSie sich für
ein kombiniertes Quartett
(zwei Kornette und zwei
Posaunen) + Brass Band
entscheiden. Chorstimmen
separat
erhältlich.
Missa Brevis est une
messe pour Orchestre
d’Harmonie et
Choeur composée la
demande du Conseil
Départemental pour la
Musique et la Culture de
Haute-Alsace (Dir. :
Philippe Pfisterer) de
Guebwiller en France,
l’occasion des
célébrations
dumillénaire de la
naissance du Pape Léon
IX Éguisheim. La
création mondiale a eu
lieu le 23 juin 2002 sous
la direction du
compositeur, et a
été diffusée en
direct sur la chaîne
de télévision
nationale France 2. Les
différentes parties de
cettemesse (Kyrie,
Gloria, Credo,
Sanctus,
Benedictus et
Agnus Dei)
conviennent autant la
liturgie catholique
qu’ la liturgie
protestante. Missa
Brevis peut être
interprétée dans
différentes
combinaisons
instrumentales. Ellepeut
être jouée dans une
version purement
instrumentale, où les
cuivres prennent en
charge la partie vocale.
En tel cas, il est
conseillé de placer
les cuivres
l’écart de la
formation (sur une
estrade, par exemple) de
façon reproduire
l’idée dedeux
groupes indépendants.
Dans le cadre
d’une
interprétation avec un
grand Choeur, les cuivres
jouent un rôle de
soutien. Leurs nuances
doivent alors être
adaptées dans la
mesure où elles ont
été écrites,
l’origine, pour
une version
instrumentale.Il est
également possible de
ne pas faire intervenir
les cuivres et de
privilégier le Choeur.
Pour accompagner de
petits ensembles vocaux,
il faut opter pour une
formation instrumentale
réduite voire même
un Quatuor
(instrumentation au
choix).
Pourl’interprét
ation de cette messe
l’un des choix
proposés ci-dessus
s’impose. Il
existe néanmoins une
alternative qui consiste
interpréter cette
oeuvre en combinant ces
options (vocales /
instrumentales). Cela
peut être
bénéfique tant
d’un point devue
artistique (variante) que
pratique dans le cas
où le Choeur
n’a travaillé
que deux mouvements de la
messe. Si le chef dispose
de deux formations
complètes (Choeur et
Orchestre
d’Harmonie), il
peut varier
l’instrumentation
selon ses
préférences. ce
moment-l , il peut
confier un rôle
d’accompagnement
et non de soutien aux
cuivres de sa formation.
Les combinaisons
suivantes peuvent être
formées : 1.
Choeur de Clarinettes (de
la Clarinette Mib la
Clarinette
Basse) 2. Choeur de
Clarinettes +
Saxophones 3.
Cuivres (Bugles, Cors,
Barytons / Euphoniums,
Basses) 4. Cuivres
(2 Trompettes / 2
Trombones) 5.
Instruments anches
doubles (Fl te et
Contrebasse cordes
optionnelles) 6.
Tutti 7. Tous les
Bois 8. Tous les
Cuivres Dans le
cadre d’une
interprétation par un
Brass Band accompagné
d’un Choeur, il
est préférable de
supprimer l’option
1 (Choeur + Cuivres +
Orchestre
d’Harmonie) car le
Choeur étant autonome.
Dans une version
instrumentale pour
Cuivres, il estpossible
de former la combinaison
suivante : Quatuor (2
Cornets / 2 Trombones) et
Brass Band.Partitions
pour chœur
disponibles
séparément.
Parti per coro
disponibili a parte. $327.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantaisie for Trumpet, French Horn and Organ Metropolis Music Publishers
Trumpet, French Horn and Organ SKU: IS.CM6561EM Composed by Paul Chatrou....(+)
Trumpet, French Horn and
Organ SKU:
IS.CM6561EM Composed
by Paul Chatrou.
Ensembles - Chamber
Music. Metropolis Music
Publishers #CM6561EM.
Published by Metropolis
Music Publishers
(IS.CM6561EM). ISBN
9790365065615. Paul
Chatrou, born in the
Netherlands, studied
piano and composition in
Utrecht. He played in
various ensembles for
which he also composed
music. He is teaching the
piano and composition
both private and in
various educational
institutions. As a
composer, he works mainly
freelance. He writes both
instrumental and vocal
compositions in a
romantic style based on
classical technique. $24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messe de Minuit pour Noel - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102912
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Viola 1.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Viola 1. H
9. 24 pages. Duration 25
minutes. Carus Verlag #CV
21.029/12. Published by
Carus Verlag
(CA.2102912). ISBN
9790007198206. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102913
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Viola 2.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Viola 2. H
9. 12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/13. Published by
Carus Verlag
(CA.2102913). ISBN
9790007198213. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102911
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music. Violin.
Sacred vocal music,
Masses, Latin, Christmas.
Single Part, Violin. H 9.
12 pages. Duration 25
minutes. Carus Verlag #CV
21.029/11. Published by
Carus Verlag
(CA.2102911). ISBN
9790007198190. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Messe de Minuit pour Noel Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
Soli SST(A)TB Voices, ST(A)TB Choir, 2 Fl, 2 Vl, 2 Va (Vl, Va), Vc/Tiorba/Org, B...(+)
Soli SST(A)TB Voices,
ST(A)TB Choir, 2 Fl, 2
Vl, 2 Va (Vl, Va),
Vc/Tiorba/Org, Basso
Continuo - Level 3
SKU: CA.2102914
Mitternachtsmesse zu
Weihnachten. Composed
by Marc-Antoine
Charpentier. Edited by
Hans Ryschawy. French
Sacred Music.
Violoncello. Sacred vocal
music, Masses, Latin,
Christmas. Single Part,
Cello. H 9. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
21.029/14. Published by
Carus Verlag
(CA.2102914). ISBN
9790007198220. Text
language:
Latin. Marc-Antoine
Charpentier's Christmas
mass, the Messe de
Minuit, is throughly in
the French tradition,
celebrating the joyful
news of the Birth of
Christ with cheerful
happiness. In this
midnight mass, composed
in 1694, ten traditional
French Christmas hymns
have been rearranged,
lending the work a
dance-like energy
alongside charming tone
coloring. In independent
movements the relatively
small instrumental
ensemble consisting of
two flutes, strings and
organ plays a significant
role in the musical
events of this mass,
alternating with various
combinations of the vocal
parts. Solo voices are
only used together in
small ensembles and, in
accordance with the
practices of the period,
the boundaries between
solo ensemble and choir
are fluid, meaning that
these solo passages can
also be sung by members
of the choir. Score and
part available separately
- see item
CA.2102900. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kleine geistliche Konzerte I (1636) Barenreiter
Vocal, Basso continuo (Ges,Bc) SKU: BA.BA05965-01 Composed by Heinrich Sc...(+)
Vocal, Basso continuo
(Ges,Bc) SKU:
BA.BA05965-01
Composed by Heinrich
Schutz. Edited by Beate
Agnes Schmidt. This
edition: complete
edition, urtext edition.
Linen. Heinrich Schutz.
Neue Ausgabe samtlicher
Werke 10/11. Complete
edition, Score,
anthology. Composed 1636.
Baerenreiter Verlag
#BA05965_01. Published by
Baerenreiter Verlag
(BA.BA05965-01). ISBN
9790006497683. 27.5 x 20
cm inches. Preface:
Schmidt, Beate
Agnes. TheKleine
geistliche Konzerte(Small
Sacred Concertos),
published in two parts in
1636 and1639, are among
the best-known and
well-loved compositions
of Heinrich Schutz. Both
parts constitute a
collection of vocal
pieces in a broad range
of styles written for
only a few voices with
basso continuo. Most of
the texts are in German,
but some are also in
Latin. The first volume
presents a broad spectrum
of vocal scoring, musical
forms and texts: there
are solo concertos in the
Italian style,
traditional four-part
motets, well-known Psalm
texts set to music, hymns
as well as mystically
contemplative meditative
literature. The
concertos' monodic
qualities and high level
of virtuosity -
especially in the
compositions with German
text - made Schutz a
household name shortly
after theKleine
geistliche Konzertewere
published in print. As
the works required no
large ensembles, they
could be performed for
different occasions and
in various locations;
particularly during the
Thirty Years' War they
could be heard at court,
in cities or in villages
but also in schools or at
home.
Unlike the
1963 edition of theKleine
geistliche Konzerte(BA
3664, BA 3665, BA 3666)
as part of the New Schutz
Edition, this new volume
presents the works for
the first time in their
original form and order.
A historic-critical
evaluation of all
relevant sources yields
new information regarding
the composer's
intentions, the printing
process and the works'
reception. Furthermore,
the edition includes a
reconstruction of an
earlier version that has
not been published until
now. This edition is
geared towards
musicologists, as well as
professional musicians
and amateurs with a keen
interest in early
music.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$359.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sylvia's Diary for Violin and Piano Violon et Piano SATB, Orchestre Metropolis Music Publishers
Violin and Piano SKU: IS.VLP6268EM Composed by Paul Chatrou. Strings - Vi...(+)
Violin and Piano SKU:
IS.VLP6268EM Composed
by Paul Chatrou. Strings
- Violin. Metropolis
Music Publishers
#VLP6268EM. Published by
Metropolis Music
Publishers
(IS.VLP6268EM). ISBN
9790365062683. Paul
Chatrou, born in the
Netherlands, studied
piano and composition in
Utrecht. He played in
various ensembles for
which he also composed
music. He is teaching the
piano and composition
both private and in
various educational
institutions. As a
composer, he works mainly
freelance. He writes both
instrumental and vocal
compositions in a
romantic style based on
classical technique. $21.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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