SSSATB vocal soli, SSATB choir, 2 violins, 2 violas, basso continuo, [2 trombones]

SKU: CA.3601949

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. This edition: Paperbound. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Single Part, Organ. BuxWV Anh. 3. 76 pages. Duration 137 minutes. Carus Verlag #CV 36.019/49. Published by Carus Verlag (CA.3601949).

ISBN 9790007091613. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

Concert Band - Grade 3 - Score and Parts. Arranged by Thomas Doss, T Doss. De Haske Concert Band Full Set. Size 9x12 inches. Published by DeHaske Publications.

Brass Band - Grade 2

SKU: BT.DHP-0910325-030

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910325-030. Published by De Haske Publications (BT.DHP-0910325-030).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise für Brass Band bearbeitet.

Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2

SKU: HL.44001743

Composed by Traditional. Arranged by Herman Oldenstijl. De Haske Concert Band. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #910325. Published by De Haske Publications (HL.44001743).

UPC: 073999257281. 6.75x10.5 inches.

This lovely Scottish hymn, also known as The Lord's My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Falschlicherweise zunachst einem Geschaftsmann und Amateurmusiker zugeschrieben, stellte sich spater heraus, dass die Musik tatsachlich von Jessie Irvine, der Tochter eines Kusters, komponiert worden war. Die schone Melodie der sonst unbekannten Komponistin gelangte 1929 schliesslich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0910325-216

Composed by Traditional. Arranged by Herman Oldenstijl. Musica Sacra. Festive and Solemn Music. Score Only. Composed 1991. De Haske Publications #DHP 0910325-216. Published by De Haske Publications (BT.DHP-0910325-216).

This lovely Scottish hymn, also known as The Lord’s My Shepherd, first appeared in 1929 in the Scottish songbook Northern Psalter, where it was incorrectly credited to David Grant, an Aberdeen businessman and amateur musician. It was, in fact, composed by Jessie Irvine the daughter of the parish minister at Crimond. This arrangement will be a musical jewel in your concert repertoire.

Crimond ist ein geistliches Lied aus Schottland aus dem Jahr 1836. Fälschlicherweise zunächst einem Geschäftsmann und Amateurmusiker zugeschrieben, stellte sich später heraus, dass die Musik tatsächlich von Jessie Irvine, der Tochter eines Küsters, komponiert worden war. Die schöne Melodie der sonst unbekannten Komponistin gelangte 1929 schließlich in ein schottisches Gesangbuch. Herman Oldenstijl hat nun dieses musikalische Kleinod auf eindrucksvolle Weise bearbeitet.

SKU: BR.BV-363

Jean Sibelius. Studien zu Leben und Werk. Composed by Tomi Makela. Hardback. Buchverlag Breitkopf & Hartel (Music Books). For more than 40 years now, Tomi Makela's book has been the most comprehensive original publication in German on the life and works of Jean Sibelius. It contains many little-known illustrations as well as iconographic material found nowhere else. Music post-1945. Book. 512 pages. Breitkopf and Haertel #BV 363. Published by Breitkopf and Haertel (BR.BV-363).

ISBN 9783765103636. 7 x 9.5 inches. German.

For more than 40 years now, Tomi Makela's book has been the most comprehensive original publication in German on the life and works of Jean Sibelius. It contains many little-known illustrations as well as iconographic material found nowhere else. An extensive depiction of the most important currents in the Sibelius reception of the 20th century as well as a chronology of Sibelius's life close the lengthy volume. Poesie in der Luft is an attempt to grasp Sibelius and his compositional legacy from the perspective of his cultivated background and his regional origins, which were far from provincial. The author sketches the highly complex psychogram of a modern artist. The composer's self-discovery can easily be compared with that of other artists of his generation. Makela's results oblige us to rethink the depiction of Sibelius as a kind of exotic naif and nature lover, and to see in a new light his creative individuality, which consciously guided itself on the Central European currents of the time. In the focus of the author's commentaries on the works are the symphonic, chamber-music and vocal genres, with which Sibelius obtained international recognition.Tomi Makela locates Sibelius and his compositions firmly in the social and aesthetic turmoil of his time. This impressive book is not only an extremely thorough and accomplished presentation of empirical research, but also an exciting and vigorously argued critical study of a composer whose stature has been rising ever higher in recent years. Prof. Derek Scott, School of Music, University of Leeds.

Orchestra

SKU: BA.BA10989

Laudon. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Wolfgang Stockmeier. This edition: urtext edition. Stapled. Score. Baerenreiter Verlag #BA10989_00. Published by Baerenreiter Verlag (BA.BA10989).

ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major.

Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776.

In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Clarinet (Clarinet)

SKU: HL.48181419

Composed by Vincenzo Gambaro. Leduc. Classical. Softcover. 13 pages. Alphonse Leduc #AL20942. Published by Alphonse Leduc (HL.48181419).

UPC: 888680855857. 9.0x12.25x0.153 inches.

Reviewed by Ulysse Delecluse, this edition of Twenty Caprices<strong style=font-weight: bold;> for Clarinet by Vincenzo Gambaro(1746-1810) has a faster tempo compared to previous versions such as the one edited by David Hite. These interesting studies have a range of keys with 3 sharps and 3 flats while their tempo is quite varied. They would be ideal for upper-intermediate/lower- advanced level players. Vincenzo Gambaro is an Italian Clarinettist and arranger who spent most of his life in France where he founded a music publishers and shop in Paris. He also transcribed some work of Mozart, Beethoven and Haydn and was known as a virtuoso composer of wind music..

Violine 2

SKU: CA.3601912

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Individual part. BuxWV Anh. 3. 28 pages. Duration 137 minutes. Carus Verlag #CV 36.019/12. Published by Carus Verlag (CA.3601912).

ISBN 9790007213879. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

SSSATB vocal soli, SSATB choir, 2 violins, 2 violas, basso continuo, [2 trombones]

SKU: CA.3601909

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. 2x 36.019/31 2 trombones. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Set of Orchestra Parts. BuxWV Anh. 3. 4 pages. Duration 137 minutes. Carus Verlag #CV 36.019/09. Published by Carus Verlag (CA.3601909).

ISBN 9790007213855. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and parts available separately - see item CA.3601900.

Viola 1

SKU: CA.3601913

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Individual part. BuxWV Anh. 3. 12 pages. Duration 137 minutes. Carus Verlag #CV 36.019/13. Published by Carus Verlag (CA.3601913).

ISBN 9790007213886. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

SSSATB vocal soli, SSATB choir, 2 violins, 2 violas, basso continuo, [2 trombones]

SKU: CA.3601905

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Choral Score. BuxWV Anh. 3. 32 pages. Duration 137 minutes. Carus Verlag #CV 36.019/05. Published by Carus Verlag (CA.3601905).

ISBN 9790007112608. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score available separately - see item CA.3601900.

SSSATB vocal soli, SSATB choir, 2 violins, 2 violas, basso continuo, [2 trombones]

SKU: CA.3601919

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Set of Orchestra Parts. BuxWV Anh. 3. Duration 137 minutes. Carus Verlag #CV 36.019/19. Published by Carus Verlag (CA.3601919).

ISBN 9790007096939. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and parts available separately - see item CA.3601900.

Violone

SKU: CA.3601915

Wacht! Euch zum Streit gefasset macht. Composed by Dietrich Buxtehude. Edited by Ton Koopman. Das Jungste Gericht. Oratorium Anh 3. Sacred vocal music, Oratorios. Individual part. BuxWV Anh. 3. 40 pages. Duration 137 minutes. Carus Verlag #CV 36.019/15. Published by Carus Verlag (CA.3601915).

ISBN 9790007213909. Language: German.

There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and part available separately - see item CA.3601900.

Brass quintet

SKU: P2.60021

Composed by Modest Petrovich Mussorgsky. Arranged by JD Shaw. Chamber music. Published by Potenza Music (P2.60021).

Known throughout the world as a founding member, music programmer and arranger for the Boston Brass, JD Shaw has also performed in the Rochester Philharmonic, San Francisco Symphony, Wichita Symphony Orchestra, Missouri Symphony, Vienna Philharmonic and the Boston Pops. He has also been a featured performer on NPR's Performance Today and the CBS Morning Show. Prof. Shaw received a Bachelor of Music from Wichita State University, where he studied with Dr. Nicholas E. Smith, and a Master of Music from the Eastman School of Music, where he was awarded the Performer's Certificate under the tutelage of horn pedagogue Verne Reynolds. As an active performer and prolific arranger, Shaw has recorded over fifteen albums encompassing diverse musical styles from the classical, jazz and Latin genres. His record labels include Loft Recordings, Mark Records and Summit Records. A notable recent project featured the Boston Brass recording the Stan Kenton Christmas Carols with many well-known brass players, such as Scott Hartman, Jens Lindemann, Scott Thornburg, Jeff Nelsen and Sam Pilafian. Prof. Shaw has presented numerous clinics and workshops for music educators, as well as masterclasses for students of all ages and levels. In addition to his credentials as a horn performer and teacher, he is the Brass Program Director and Music Arranger for the Phantom Regiment, the reigning Drum Corps International World Champion.

Brass quintet

SKU: P2.60042

Composed by Henry Purcell. Arranged by JD Shaw. Chamber music. Published by Potenza Music (P2.60042).

Known throughout the world as a founding member, music programmer and arranger for the Boston Brass , JD Shaw has also performed in the Rochester Philharmonic, San Francisco Symphony, Wichita Symphony Orchestra, Missouri Symphony, Vienna Philharmonic and the Boston Pops. He has also been a featured performer on NPR's Performance Today and the CBS Morning Show. Prof. Shaw received a Bachelor of Music from Wichita State University, where he studied with Dr. Nicholas E. Smith, and a Master of Music from the Eastman School of Music. where he was awarded the Performer's Certificate under the tutelage of horn pedagogue Verne Reynolds.As an active performer and prolific arranger, Shaw has recorded over fifteen albums encompassing diverse musical styles from the classical, jazz, and Latin genres. His record labels include Loft Recordings, Mark Records, and Summit Records. A notable recent project featured the Boston Brass recording the Stan Kenton Christmas Carols with many well-known brass players, such as Scott Hartman, Jens Lindemann, Scott Thornburg, Jeff Nelsen, and Sam Pilafian. Prof. Shaw has presented numerous clinics and workshops for music educators, as well as masterclasses for students of all ages and levels. In addition to his credentials as a horn performer and teacher, he is the Brass Program Director and Music Arranger for the Phantom Regiment, the reigning Drum Corps International World Champion.

Brass quintet

SKU: P2.60041

Composed by Pietro Mascagni. Arranged by JD Shaw. Chamber music. Published by Potenza Music (P2.60041).

Known throughout the world as a founding member, music programmer and arranger for the Boston Brass , JD Shaw has also performed in the Rochester Philharmonic, San Francisco Symphony, Wichita Symphony Orchestra, Missouri Symphony, Vienna Philharmonic and the Boston Pops. He has also been a featured performer on NPR's Performance Today and the CBS Morning Show. Prof. Shaw received a Bachelor of Music from Wichita State University, where he studied with Dr. Nicholas E. Smith, and a Master of Music from the Eastman School of Music. where he was awarded the Performer's Certificate under the tutelage of horn pedagogue Verne Reynolds.As an active performer and prolific arranger, Shaw has recorded over fifteen albums encompassing diverse musical styles from the classical, jazz, and Latin genres. His record labels include Loft Recordings, Mark Records, and Summit Records. A notable recent project featured the Boston Brass recording the Stan Kenton Christmas Carols with many well-known brass players, such as Scott Hartman, Jens Lindemann, Scott Thornburg, Jeff Nelsen, and Sam Pilafian. Prof. Shaw has presented numerous clinics and workshops for music educators, as well as masterclasses for students of all ages and levels. In addition to his credentials as a horn performer and teacher, he is the Brass Program Director and Music Arranger for the Phantom Regiment, the reigning Drum Corps International World Champion.

Organ

SKU: BR.EB-9345

For Organ. Composed by Sanchez-Verdu. Solo instruments; stapled. Edition Breitkopf.

World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019)Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019ISBN 9790004188095. 12 x 9 inches.

Lar in Roman mythology refers to the so-called Lares, gods of households, fields and pathways, deified souls of the deceased and tutelary deities, especially of the house and its inhabitants. Lar is also the fireplace in a house - and thus a place where you feel protected. Lar II is part of a cycle. Each piece focusses on a kind of movement or transition between the interior (the house) and the unknown (the outside, the adventure). Gilles Deleuze speaks of deterritorialization; it is precisely this process that is also used in music as a metaphor. For Deleuze, a melody can act as a ritornello, for example, representing the house, the acquainted. Lar II plays with ritornellos which are developed alternatingly - like breathing- with certain movements to the outside and back again. Musically, the instrument organ opens/introduces as a topos something within a space and focusses on the concept of space as the central point of a continuous musical transition. (Jose M. Sanchez-Verdu, 2018)

World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019) Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019.

Voice and Piano

SKU: BT.ALHE28794

Composed by Joseph Canteloube. Folk Music. Book Only. 24 pages. Heugel & Cie #ALHE28794. Published by Heugel & Cie (BT.ALHE28794).

French.

Compiled by Joseph Canteloube, this book is the first set from the series Songs from the Auvergne. It features three songs, including the most famous one _x001A_Bá lèro_x001A_. This edition, written for Voice and Piano, contains lyrics in thelocal dialect _x001A_Occitan_x001A_, with the French translation below. Some directives are given to obtain the correct pronunciation of the language. I. La Pastoura als camps (La Bergère aux champs) / Shepherdess in the fields II. Bá lèro(Chant de Bergers) / Shepherd's song III. Trois Bourrées a. L'a o de rotso (L'eau de source) / Spring Water b. Ound' onoren gorda ? (Où irons-nous garder ?) / Where will we take the sheep c. Obal din lou Limouzi (L -bas dans leLimousin) / There, in the Limousin Each piece is also commented with the exact location the song is from Joseph Canteloube (1879-1957) was a French composer, musician and author, mainly known for his folk songs and for theseries 'Songs from the Auvergne' inspired by the area his family was from.

SKU: BR.BV-423

Complete Letters in 35 Volumes and Supplements. Composed by Richard Wagner. Edited by Andreas Mielke. Linen. Buchverlag Breitkopf & Hartel (Music Books). Romantic period. Book. 720 pages. Breitkopf and Haertel #BV 423. Published by Breitkopf and Haertel (BR.BV-423).

ISBN 9783765104237. 5.5 x 8.5 inches. German.

Thanks to the edition Complete Letters , one can - where possible - draw on an authentic and also reliably commented text for the first time. This edition is a centenary edition in the best sense. For a better understanding of the letters, the thematic commentaries are helpful, and the reader is advised to read those first; with their necessary conciseness they provide an overview over the time span each volume is covering. (Werner P. Seiferth, Der Neue Merker) The Complete Edition for Subscription With the publications of Volume 10 and 11 in 1999 and 2000, Werner Breig's fundamentally new scholarly concept of Richard Wagner's complete letters begins to make itself felt more strongly. The meticulously annotated volumes are illustrated with facsimiles and little known photos. Further enhancing the value of this edition are a number of letters, which were hitherto practically unavailable and are published here for the first time. The commentaries are based on many previously unpublished documents.

Assembly, cantor, Descant, priest or Presider or Narrator, SAB choir, keyboard accompaniment

SKU: GI.G-018220

Composed by Francis Patrick O'brien. Sacred. Full score. GIA Publications #018220. Published by GIA Publications (GI.G-018220).

UPC: 641151125848.

A priest of the Archdiocese of Boston and a well-known composer, Father Fran composed the Mass of Saint Matthias for the parish in Marlborough, Massachusetts where he is pastor. This lyrical and uplifting setting a lso includes a Penitential Rite, a song for the Sprinkling Rite, two settings (refrain-style and through-composed) of the Glory to God, and a setting of the Lord's Prayer.

SKU: GI.G-10717

A Mosaic of Historical Composers and Compositions. Composed by Dennis Shrock. Music Education. 294 pages. GIA Publications #10717. Published by GIA Publications (GI.G-10717).

ISBN 9781622776597.

Writ ten by noted scholar and conductor Dennis Shrock, Choral Diversity is a presentation of composers throughout history who represent the broad and diverse canon of choral music. Included are twenty women composers and ten composers of color, many of whom have been previously underrepresented in studies and in performances. Each chapter presents overviews of the composer’s life and choral output, information and analysis of selected compositions, including complete texts and literal translations not found elsewhere, and guidelines that address related and important aspects of performance. Importantly, Shrock approaches choral diversity from multiple perspectives. Most notably, the book highlights the music of women composers—such as Hildegard von Bingen, Amy Beach, and Undine Smith Moore—as well as composers of color, including José Maurício Nunes Garcia, William Grant Still, and Margaret Allison Bonds, among others. Rounding out his approach, Shrock also explores the lesser-known works of familiar composers such as Palestrina and Brahms. The book’s repertoire, too, represents a diversity of musical periods, styles, and genres—including chants, madrigals, chansons, motets, partsongs, oratorios, cantatas, and vocal chamber pieces—all of which are intended to be accessible to regular school, church, and community choruses. With its broad scope and scholarly authority, Choral Diversity is the ideal resource for conductors at all levels looking to diversify their concert programming in a practical and historically informed way. Dennis Shrock is author of ten books, three published by Oxford University Press and the remaining seven published by GIA Publications. He has held faculty positions at Boston University, Westminster Choir College, and the University of Oklahoma. He has also served as Artistic Director of the Santa Fe Desert Chorale and was a lecturer and member of the conducting staff at Yale University. Shrock received his master’s and doctoral degrees in choral conducting from Indiana University.

Vocal solos, choir, orchestra (Alto Voice Solo, 17speaker, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, timpani, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA05570-01

Romantic drama in four acts. Composed by Franz Schubert. Edited by Christine Martin and Walther Durr. This edition: complete edition, urtext edition. Linen. New Schubert Edition II, 9. Complete edition, Score. D 797. Duration 50 minutes. Baerenreiter Verlag #BA05570_01. Published by Baerenreiter Verlag (BA.BA05570-01).

ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.

On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien.
Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere.

Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano (Piano Solo)

SKU: HL.51481453

Works of the 20th Century. Composed by Various. Edited by Jingxian Xie. Henle Music Folios. Chinese, Classical. Softcover. 88 pages. G. Henle #HN1453. Published by G. Henle (HL.51481453).

UPC: 196288191933. 9.25x12.25x0.283 inches.

This extraordinary edition includes a selection of ten piano works by Chinese composers from the second half of the 20th century. They are marked by Western influences while also reflecting the multifaceted folk music of China. They range from short character pieces to sonatinas, from simple song arrangements to multi-movement cycles. These works are of medium difficulty and offer a representative cross-section of a musical cosmos that remains largely unknown in Europe. Predominantly pentatonic in character, these works unite the magic of Far Eastern music with the sound of the piano. We were able to get the well-known pianist Jingxian (“Jane”) Xie from Shanghai to select these compositions, which she herself regularly performs in the concert hall. She not only provided the fingerings, but has also written a preface that offers a general overview of modern Chinese piano music and introductions to each of the individual pieces. CONTENTS: Wei Qu: Flower Drum Pei-Xun Chen: Thunder during a Drought Li-San Wang: Sonatina Hu-Wei Huang: Pictures from Bashu Yi-Qiang Sun: Threshing Dance Wang-Hua Chu: The Moon Reflected in the Erquan Spring Jian-Zhon wang: A Hundred Birds Pay Homage to the Phoenix Jian-Zhong Wang: Colorful Clouds Chasing the Moon Ying-Hai Li: Adieux at Yangguan Li-San Wang: The Sound of the Waves.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
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Concert Band (Score)

SKU: HL.4007646

Score. Composed by Bert Appermont. Beriato Music Concert Band Set. Concert. Softcover. Duration 369 seconds. Beriato Music #033372. Published by Beriato Music (HL.4007646).

UPC: 196288074922.

This composition is based on the life of the German cavalry general Hans Michael Elias von Obentraut (1574-1625), who was known for his nerve, loyalty and courage. The figure Van Obentraut is closely connected to the town of Seelze, where he died a heroic death and where a monument was erected in his honor. The work consists of four movements in which various aspects of this historical figure are featured. What is extra special about this work is the fact that its firs movement (Hymn for a Hero) had been made available as an easy version for flexible band. This makes it possible for a youth of beginner band to play along with a band of adults or advanced players. This hymn can also be played as a separate piece.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061093

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061093. Published by Carus Verlag (CA.4061093).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061092

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061092. Published by Carus Verlag (CA.4061092).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.

Soli SATB, Coro SATB, 2 Clt, 2 Ctr, Timp, 2 Vl, Va, Bc, [Fg]

SKU: CA.4061094

Missa in B. Composed by Franz Joseph Haydn. Carus Choir Coach (audio only). Hob. XXII:12. Duration 37 minutes. Carus Verlag #4061094. Published by Carus Verlag (CA.4061094).

Key: B flat major. Latin.

The Mass in B flat major by Joseph Haydn is known under the name “Theresienmesse.† The reason for this epithet has to this day not been clarified, but it could have to do with a performance of this Mass in Vienna in May 1800, probably in the presence of the Empress Marie Therese. Compared with Haydn’s last two masses and the large oratorios, the relatively modest orchestral scoring of the Theresienmesse is notable (for two clarinets, two trumpets with timpani, strings and organ continuo). Thus the Mass is also easily performable in those churches where music programs have only modest means at their disposal - and at the same they can have this treasure from the late Viennese classical period. Score available separately - see item CA.4061000.