| Warm Audio : EQP-WA GainMod (19 comments)
With gain modification for level adjustments of two devices- CineMag input and output tran...(+) With gain modification for level adjustments of two devices- CineMag input and output transformer - made in the USA- Premium 12AX7 and 12AU7 tubes- CineMag inductor EQ section- The EQ section can be set to bypass while the signal is still running through the tubes and transformers, thus keeping the "warmth" of the tube- Transformer balanced inputs and outputs (XLR and jack)- Linear frequency response from 20 50,000 Hz- Boost and cut can be used simultaneously to allow phase effects- Low frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 dB- Low frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 dB- High frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 dB- High frequency cut - 3, 4, 5, 10, 20 kHz - 14 dB- 5 more additional frequency points than the EQP-1 A for greater versatility- Integrated 115 / 230 V IEC power supply- Dimensions: 19" / 2U |
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| Warm Audio : WA-1B (2 comments)
with output transformers- True 270 volt, 100% discrete analog signal path - hand-wired- 12...(+) with output transformers- True 270 volt, 100% discrete analog signal path - hand-wired- 12ax7 Tung-Sol & JJ 12au7 tubes- Frequency range @ -3 dB: 5 - 25,000 Hz- Self-Noise: < -75 dBU @ 30 dB gain- Ratio adjustable from 2:1 to 10:1- Variable threshold from off (+20 dBU) to -40 dBU- Continuously adjustable attack and release time- 3 different attack/release modes: fixed, manual and fix/man- Output gain: adjustable from off to +30 dBU- Balanced XLR and jack inputs and outputs- Input impedance: 600 ohms- Two bus connectors for connecting multiple sidechains- Meter (VU) for input, output or compression- Dimensions: 483 x 184 x 89 mm- Weight: 3.9 kg |
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| Warm Audio : WA-2A (36 comments)
100% discrete signal path- CineMag input transformer- CineMag output transformer- 4 Premiu...(+) 100% discrete signal path- CineMag input transformer- CineMag output transformer- 4 Premium TungSol and Electro-Harmonix tubes: 2x 12AX7, 1x 12BH7, 1x 6AQ5 (or the 6P1 - can be interchanged)- Kenetek opto attenuator- Integrated power adapter- Stereo-link capability- Balanced XLR and jack inputs - 600 ohm impedance- Balanced XLR and jack outputs - 600 ohm impedance- Frequency response: +/- 1 dB, 15 - 20,000 Hz- Gain: 40 dB +/-1 dB- Input level: +16 dB maximum- Output level: +10 dB nominal, +16 dB maximum- Distortion: less than 0.1% THD at +/-10 dBm- Attack time: 10 milliseconds- Release time: 0.06 seconds for 50% release, 0.5 up to 5 seconds for complete release- Meter for gain reduction and output- Dimensions 483 x 178 x 89 mm- Weight: 5.44 kg |
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| Warm Audio : WA76
Replica of a classic 1176 Revision D- Discrete signal path- Cinemag input and output trans...(+) Replica of a classic 1176 Revision D- Discrete signal path- Cinemag input and output transformer- Class A line level output amplifier- Input Impedance: 600 Ohm- Frequency range: ± 1 dB from 20 Hz to 20 kHz- Gain: 55 dB- Less than 0.4 % harmonic distortion from 50 Hz to 20 kHz with limitations- VU metres for dB gain reduction and dB output- Format: 19 " / 2U |
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| Warm Audio : Bus-Comp (30 comments)
Switchable signal path with CineMag USA input and output transformer- THAT 2180 VCAs- Exte...(+) Switchable signal path with CineMag USA input and output transformer- THAT 2180 VCAs- External side chain input switchable- Switchable hi-pass filter: 30, 60, 105, 125, 185 Hz- Frequency response: 18 to 22,000 Hz- Dynamic range:> 120 dB- Input impedance: 10k ohms- Output impedance: 50 ohms- Input and output: XLR and TRS jack- Built-in power supply- Dimensions: 19"/ 1U |
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| Warm Audio : WA-DI-A (5 comments)
CineMag USA output transformer- Pad: adjustable from -3 dB to -30 dB- XLR output: 600 ohms...(+) CineMag USA output transformer- Pad: adjustable from -3 dB to -30 dB- XLR output: 600 ohms- Microphone level- Input impedance: 1 mega ohm- Phase reverse- Ground lift- Operation on +48 V phantom power- Passive operation is also possible- Robust aluminium housing construction- Dimensions: 190 x 70 x 190 mm- Weight: 0.5kg@Note: No load box - depending on the amplifier, proper speaker load is required. |
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| Direct Box Passive
Warm Audio. General Merchandise. Whether you play guitar, bass, keyboards or another stri...(+) Warm Audio. General Merchandise. Whether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active and Direct Box Passive from Warm Audio. Every aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches. You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span. When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio.
Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio.
Features include:
Custom-wound CineMag USA transformer
Converts instruments to mic-level signals without signal degradation
Ideal solution for plugging your instrument direct into any mic pre, mixer or recording device
Top-quality discrete components with gold-plated traces on circuit board
Rugged aluminum chassis construction
Pad: Variable from -3dB to -30dB
Balanced Output: 600 ohms, mic level
Input Impedance: 1 Meg Ohms
THD: .01% from 20Hz to 100Hz; Less than .004% from 100Hz to 20kHz
Frequency Response: 20Hz to 70kHz +/- 0.5dB. |
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| EQP-WA Tube Equalizer
Warm Audio. General Merchandise. Hal Leonard #EQP-WA. Published by Hal Leonard (HL.323655)...(+) Warm Audio. General Merchandise. Hal Leonard #EQP-WA. Published by Hal Leonard (HL.323655).
Item Number: HL.323655
10x23 inches.
Pultec Style Tube Equalizer
The EQP-WA is a re-creation of the most renowned tube Equalizer in studio history, the Pultec EQP-1A. Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that's nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.
Premium Components
The EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.
A Two Tube Operation
The EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and open sound. These two tubes are socketed for easy swapping and replacement. |
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| WA76 Discrete Compressor
Warm Audio. General Merchandise. Hal Leonard #WA76. Published by Hal Leonard (HL.323654).
...(+) Warm Audio. General Merchandise. Hal Leonard #WA76. Published by Hal Leonard (HL.323654).
Item Number: HL.323654
23.25x8.33 inches.
Classic Style
The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!
All Buttons In
The WA76 can reproduce the classic effect known as All Buttons In mode, sometimes also referred to as British mode or the Four Button Trick. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.
All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or overdrive on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a sucking effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to peg out and cease providing accurate metering.
Premium Components
We have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We've used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design. |
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| Warm Audio Bus-comp Analog Stereo Vca Bus Compressor Bus Comp Namm 2020
The Warm Audio BUS-COMP is a two-channel stereo VCA compressor, inspired by classic circui...(+) The Warm Audio BUS-COMP is a two-channel stereo VCA compressor, inspired by classic circuits which for decades have produced a soft, velvety sound. Stereo VCA compressors perfectly control the dynamics on many sources, but they mainly owe their recognition to their magic touch on stereo mixes. The BUS-COMP will work perfectly on stereo mixes, drum buses, overheads, acoustic guitars, keyboards, pianos, orchestral instruments, voiceovers. The BUS-COMP is mainly designed to operate in stereo, but it can also be effective on individual mono sources. VCA compressors of this type have become popular for their ability to control dynamics effortlessly but also to add depth and color to the audio signal, even when no compression is applied. Recreating compressor technology at VCA was central to the design of the BUS-COMP, however, adding options and improvements was also important during its development. One of the characteristics of the BUS-COMP is to have transformers made in the USA by CineMag in the signal path, amplified by fully discrete op-amps. With a simple press of the button on the front, these custom transformers made in the USA are inserted in the signal path, increasing the depth and the grain of the sound. Features: - Stereo compressor with VCA, analog - Can be used in mono or stereo - VCA THAT 2180 - Discreet op-amp - Switchable CineMag USA transformer - External switchable sidechain - Switchable high pass filter: 30, 60, 105, 125, 185 Hz - Compression switch for easy comparison with and without - Inputs and outputs in 6.35mm TRS jack and XLR - Input impedance: 10 kOhms - Output impedance: 50 Ohms - Noise level: 29 dBu, 20 Hz - 20 kHz - Dynamic range:> 120 dB - Frequency response: 18 Hz - 22 kHz - THD noise, 20 Hz - 20 kHz, input 20 dBU: |
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| Warm Audio Wa-di-a Di Active Di Box Namm 2020
Whether you are a guitarist, bass player, keyboard or whatever, you need a direct box that...(+) Whether you are a guitarist, bass player, keyboard or whatever, you need a direct box that does not degrade the sound of your instrument. Warm Audio has studied every aspect of its direct boxes to maximize the integrity of the sound, from the custom CineMag USA transformer to the potentiometer and switches. You will be able to count on a natural and full sound, even after a long length of cable, and the extruded aluminum case will ensure a long service life. When you need to convert an instrument level signal to the microphone level, with sound quality as a priority, the Warm Audio direct boxes will meet your needs. Designed around a transformer from the world famous brand CineMag USA, like no other direct box in the world, they integrate a printed circuit with gold-plated tracks and high-end discrete components, housed in a robust aluminum chassis with switches, buttons and connectors that are designed to withstand road or studio abuse. The Warm audio direct boxes are incredibly transparent. They will not deteriorate the sound or the grain of your instrument ... except by making it better. The integrated variable pad from -3 to -30 dB allows great versatility. This will allow you to easily attenuate the input level of any instrument. A direct box converts an asymmetrical high impedance signal to a symmetrical low impedance signal, for example to plug directly into a mixer or sound card, an electric instrument such as a guitar, bass, keyboard, or rhythm machine. By doing this, the instrument signal is converted to the correct level for the mixer or sound card, which avoids and eliminates the risk of signal distortion or deterioration. Active direct boxes are more suitable for instruments with passive microphones, such as acoustic instruments. They can also function passively. The WA-DI-A also has a Thru jack output connected to the jack input, allowing the signal to be sent to another point in addition to the mixer or the sound card. The D.I can also be used to send a signal at line level to another line input and simultaneously send the signal at microphone level via the XLR output of the direct box. Features: - Custom transformer CineMag USA - High-end component - PCB with gold-plated tracks - Robust aluminum chassis - Pad: variable from -3 dB to -30 dB - Balanced XLR output: 600 Ohms, microphone level - Input impedance: 1 MOhms - THD: 0.01% from 20 Hz to 50 Hz, |
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| Warm Audio Wa-di-p Di Passive Di Box Namm 2020
Whether you are a guitarist, bass player, keyboard or whatever, you need a direct box that...(+) Whether you are a guitarist, bass player, keyboard or whatever, you need a direct box that does not degrade the sound of your instrument. Warm Audio has studied every aspect of its direct boxes to maximize the integrity of the sound, from the custom CineMag USA transformer to the potentiometer and switches. You can count on a natural and full sound, even with a long cable length, and its extruded aluminum case will ensure a long service life. When you need to convert an instrument level signal to the microphone level, with sound quality as a priority, the Warm Audio direct boxes will meet your needs. Designed around a transformer from the world famous brand CineMag USA, like no other direct box in the world, they integrate a printed circuit with gold-plated tracks and high-end discrete components, housed in a robust aluminum chassis with switches, buttons and connectors that are designed to withstand road or studio abuse. The Warm audio direct boxes are incredibly transparent. They will not deteriorate the sound or the grain of your instrument ... except by making it better. The built-in variable pad from -3 to -30 dB allows great versatility of use by allowing easy attenuation of the input level of any instrument. A direct box converts an asymmetrical high impedance signal to a symmetrical low impedance signal, for example to plug directly, into a mixer or sound card, an electric instrument such as a guitar, bass, keyboard, or rhythm machine . By doing this, the instrument signal is converted to the correct level for the mixer or sound card, which avoids and eliminates the risk of signal distortion or deterioration. Passive direct boxes are more suitable for balancing the signal of instruments with active electronics. They also work very well with passive microphones thanks to their extended frequency response, compared to most direct boxes on the market. The WA-DI-P also has a Thru jack output connected to the jack input, allowing the signal to be sent to another point in addition to the mixer or the sound card. It can also be used to send a signal at line level to another line input and simultaneously send the signal at microphone level via the XLR output of the direct box. Features: - Custom transformer CineMag USA - High-end component - PCB with gold-plated tracks - Robust aluminum chassis - Pad: variable from -3 dB to -30 dB - Balanced XLR output: 600 Ohms, microphone level - Input impedance: 1 MOhms - THD: 0.01% from 20 Hz to 100 Hz, |
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