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"Mysterious Pond" - for Flute, Oboe and Piano [Performance Score & Parts]
Oboe, Piano (duet)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Digital Download SKU: A0.9…
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Digital Download SKU: A0.976005 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 50 pages. Lior Navok Music #4716991. Published by Lior Navok Music (A0.976005). MYSTERIOUS PONDfor Flute, Oboe and Piano (2004) DURATION: 10 Minutes PROGRAM NOTES: The composer writes about his work: Mysterious Pond was written during my artist residency at the MacDowell Colony in New Hampshire, USA. From my studio which was sited in the midst of the forest I could hear remote sounds that came from the nearby pond: Frog Peepers created a most haunting sound texture, the sounds of night birds and the distant howls. My mind started to work towards imagining the pond and its mysterious atmosphere at different times of the day, but especially from dusk to sunrise. I imagined small episodes, involving the water creatures, their sounds, the lighting, rustle of the leaves and the whisper of the water. All these created a continuum of musical scenes, woven one into the other. Mysterious Pond was written for flutist Eyal Ein Habar and oboist Dudu Carmel. It was commissioned by the Sons et Couleurs au Musée concert series, (Er'ella Talmi, Director) with funds from the Canada-Israel Cultural Foundation.INFO: Item: Full Score &Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 29 Parts: 21 Ink: Black & White Paper Size:DIN A4 / Letter.
$22.00
20.53 €
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Oboe, Piano (duet)
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Lior Navok
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"Mysterious Pond" - for Flute, Oboe and Piano [Performance Score & Parts]
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Lior Navok Music
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriab…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.62 €
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Oboe, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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jmsgu3
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SheetMusicPlus
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