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Prelude No.2
SAXOPHONE
Sheetmusic to print
85 sheet music found
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Prelude No.1 from The Well-Tempered Clavier Book 1 BWV 846 (Alto Sax Duet) with optional piano accom
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2 Saxophones, Piano
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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B
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Prelude No.1 from The Well-Tem
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Ben Dockery
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.694295 Composed by Johann Sebastian Bach. Arranged by B. C....
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.694295 Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 16 pages. Ben Dockery #6358345. Published by Ben Dockery (A0.694295). One of Bach's most beloved and famous keyboard compositions, this prelude has been arranged for alto sax duet with optional piano accompaniment. Great for weddings, graduation ceremonies, recitals, and celebrations of all kind.Includes score and parts.
$4.99
Prelude No.1 from The Well-Tempered Clavier Book 1 BWV 846 (Alto and Tenor Sax Duet)
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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B
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Prelude No.1 from The Well-Tem
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Ben Dockery
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.694303 Composed by Johann Sebastian Bach. Arrange...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.694303 Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 9 pages. Ben Dockery #6359139. Published by Ben Dockery (A0.694303). One of Bach's most beloved and famous keyboard compositions, this prelude has been arranged for alto and tenor sax duet. Great for weddings, graduation ceremonies, recitals, and celebrations of all kind.Includes score and parts.
$3.99
Prelude No.1 from The Well-Tempered Clavier Book 1 BWV 846 (Alto Sax Duet)
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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B
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Prelude No.1 from The Well-Tem
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Ben Dockery
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SheetMusicPlus
Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,Graduation,Hol iday,Wedding. 2 scores. 9 pages. Ben Dockery #6358353. P...
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Composed by Johann Sebastian Bach. Arranged by B. C. Dockery. Baroque,Concert,Graduation,Hol iday,Wedding. 2 scores. 9 pages. Ben Dockery #6358353. Published by Ben Dockery
$3.99
Prelude Op. 28, No. 20 (Saxophone Duet) - Frédéric Chopin
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2 Saxophones (duet)
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EASY
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Classical
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Frederic Chopin
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Henrique Oliveira
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Prelude Op. 28, No. 20
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Henrique Oliveira
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SheetMusicPlus
Baritone Saxophone,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1395636 Composed by Frederic Chopin. Arranged by Henrique Oliveira. 19th Centur...
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Baritone Saxophone,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1395636 Composed by Frederic Chopin. Arranged by Henrique Oliveira. 19th Century,Chamber,Classical,Romantic Period. Saxophone Duet. 3 pages. Henrique Oliveira #979077. Published by Henrique Oliveira (A0.1395636). Beautiful and simple arrangement for Saxophone Duet of the Prelude nº 20 Op. 28 by Chopin. This piece is ideal for performances with friends, students and family members. You'll receive immediate access to a PDF file containing both the individual parts and the full score. For more unique arrangements like this, be sure to visit my page! ð???.
$2.99
15 More Tenor Sax Duets for Fun (popular classics volume 2) - various levels
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2 Saxophones (duet)
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INTERMEDIATE
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Classical
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Antonio Vivaldi, Charpentier,
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Austin Ralphson
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15 More Tenor Sax Duets for Fu
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Austin Ralphson
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SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.563870 Composed by Antonio Vivaldi, Charpentier, Edvard Grieg, Felix Bartholdy ...
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Tenor Saxophone Duet Tenor Saxophone - Level 3 - Digital Download SKU: A0.563870 Composed by Antonio Vivaldi, Charpentier, Edvard Grieg, Felix Bartholdy Mendelssohn, George Gershwin, Jeremiah Clarke, Johann Strauss Jr., Peter Ilyich Tchaikovsky, Scott Joplin, and Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Wedding. Score. 38 pages. Austin Ralphson #5289849. Published by Austin Ralphson (A0.563870). This is a second book of popular pieces arranged for duet. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. This is the full list:1. The Entertainer (Scott Joplin)2. Highlights from Rhapsody In Blue (Gershwin)3. The Blue Danube Waltz (Johann Strauss II)4. Six Christmas Pieces, No.5 (Mendelssohn)5. Für Elise (Beethoven)6. In The Hall Of The Mountain King (Grieg)7. Trumpet Voluntary (Jeremiah Clarke)8. Eine Kleine Nachtmusik No.1 (Mozart)9. The Londonderry Air / Danny Boy (trad.)10. Symphony No.5, Mvt.1 (Beethoven)11. Rondo Alla Turca (Mozart)12. Autumn from ‘The Four Seasons’ (Vivaldi)13. Ode to Joy from Symphony No.9 (Beethoven)14. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)15. Prelude from ‘Te Deum’ (Charpentier)
$16.99
COMPLETE Book of 30 Tenor Sax Duets for Fun (popular classics volumes 1 and 2) - various levels
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2 Saxophones (duet)
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INTERMEDIATE
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Christmas
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Newton, Meacham, Handel, Del
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Austin Ralphson
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COMPLETE Book of 30 Tenor Sax
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Wedding, Recital. Score. 70 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, making a total of 30 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. This is the full list:
1. All Through The Night (Welsh trad.)
2. Amazing Grace (Newton)
3. American Patrol (Meacham)
4. David of the White Rock (Welsh trad.)
5. Fanfare from ‘Water Music’ (Handel)
6. Happy Birthday
7. Largo from ‘Xerxes’ (Handel)
8. Myfanwy (Welsh trad.)
9. Pizzicati from ‘Sylvia’ (Delibes)
10. Prelude in C (Bach)
11. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)
12. Rondo from ‘Abdelazer’ (Purcell)
13. Scherzo from Symphony No. 2 (Beethoven)
14. Suo Gan (Welsh trad.)
15. Concerto for Mandolin and Strings (Ugolino)
16. The Entertainer (Scott Joplin)
17. Highlights from Rhapsody In Blue (Gershwin)
18. The Blue Danube Waltz (Johann Strauss II)
19. Six Christmas Pieces, No.5 (Mendelssohn)
20. Für Elise (Beethoven)
21. In The Hall Of The Mountain King (Grieg)
22. Trumpet Voluntary (Jeremiah Clarke)
23. Eine Kleine Nachtmusik No.1 (Mozart)
24. The Londonderry Air / Danny Boy (trad.)
25. Symphony No.5, Mvt.1 (Beethoven)
26. Rondo Alla Turca (Mozart)
27. “Autumn” from ‘The Four Seasons’ (Vivaldi)
28. “Ode to Joy” from Symphony No.9 (Beethoven)
29. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)
30. Prelude from ‘Te Deum’ (Charpentier)
$29.99
COMPLETE Book of 30 Alto Sax Duets for Fun (popular classics volumes 1 and 2) - various levels
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2 Saxophones (duet)
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INTERMEDIATE
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Christmas
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Newton, Meacham, Handel, Del
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Austin Ralphson
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COMPLETE Book of 30 Alto Sax D
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Wedding, Recital. Score. 70 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, making a total of 30 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. This is the full list:
1. All Through The Night (Welsh trad.)
2. Amazing Grace (Newton)
3. American Patrol (Meacham)
4. David of the White Rock (Welsh trad.)
5. Fanfare from ‘Water Music’ (Handel)
6. Happy Birthday
7. Largo from ‘Xerxes’ (Handel)
8. Myfanwy (Welsh trad.)
9. Pizzicati from ‘Sylvia’ (Delibes)
10. Prelude in C (Bach)
11. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)
12. Rondo from ‘Abdelazer’ (Purcell)
13. Scherzo from Symphony No. 2 (Beethoven)
14. Suo Gan (Welsh trad.)
15. Concerto for Mandolin and Strings (Ugolino)
16. The Entertainer (Scott Joplin)
17. Highlights from Rhapsody In Blue (Gershwin)
18. The Blue Danube Waltz (Johann Strauss II)
19. Six Christmas Pieces, No.5 (Mendelssohn)
20. Für Elise (Beethoven)
21. In The Hall Of The Mountain King (Grieg)
22. Trumpet Voluntary (Jeremiah Clarke)
23. Eine Kleine Nachtmusik No.1 (Mozart)
24. The Londonderry Air / Danny Boy (trad.)
25. Symphony No.5, Mvt.1 (Beethoven)
26. Rondo Alla Turca (Mozart)
27. “Autumn” from ‘The Four Seasons’ (Vivaldi)
28. “Ode to Joy” from Symphony No.9 (Beethoven)
29. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)
30. Prelude from ‘Te Deum’ (Charpentier)
$29.99
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984760. Published by jmsgu3 (A0.1401579). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Prelude No. 1 (BWV 846) for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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G L Harvey
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Fugues
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Prelude No. 1
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G L Harvey
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.805873 Composed by Johann Sebas...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.805873 Composed by Johann Sebastian Bach. Arranged by G L Harvey. Baroque,Concert,Graduation,Standards,Wedding. 8 pages. G L Harvey #5210849. Published by G L Harvey (A0.805873). This piano classic in C major is first in the series of J S Bach's 48 Preludes & Fugues. Particularly with weddings and recital performances in mind, this arrangement has been created in sympathy with the composer’s original intentions for saxophone quartet. Players of intermediate level and above will have no problems creating a sensitive and convincing performance. The PDF is 8 pages in length (portrait A4) and includes a full score and parts for two Altos, Tenor and Baritone Saxophone. The duration of the Prelude is just under 2 minutes.
$8.99
Prelude No. 11 from 13 Preludes - Opus 32
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Sergei Rachmaninoff
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Gary Bricault
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Prelude No. 11 from 13 Prelude
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Gary Bricault
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1381050 Composed by Sergei Rachmaninoff. Arranged by Gary Bricault. Romantic Period. Score and ...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1381050 Composed by Sergei Rachmaninoff. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages. Gary Bricault #965766. Published by Gary Bricault (A0.1381050). Arrangement for Solo Alto Saxophone and Piano. Performance time 2'15.
$5.99
Prelude No.1 & Fugue No.22 from The Well-Tempered Clavier Book 2 By J.S.Bach for Saxophone Quartet (
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Stephen Davies
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Prelude No.1 & Fugue No.22 fro
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891943 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 34...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891943 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 34 pages. Stephen Davies #5724575. Published by Stephen Davies (A0.891943). In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! This unusual combination of the Saxophone Quartet, ie 2 Altos & 2 Tenors is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2. The original keys of C Major & Bb Minor have been altered to best suit the range of the 2 Saxes. Also, an opportunity for the Baritone player to get the drinks in !! The Prelude 1 Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levison, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end. Good to play as well!! The Fugue 22 The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic. Also available here in Clarinet Quartet and Wind Quartet (Flt/Ob/Clt/Bsn) flavours!!
$14.99
Prelude from Sonata No. 2 op. 27 for solo Violin (E. Ysaÿe) [Alto Saxophone Arrangement]
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Alto Saxophone
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ADVANCED
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Classical
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Eugene Ysaye
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Asun Ortiz
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Prelude from Sonata No. 2 op.
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Asunción Ortiz
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1505249 Composed by Eugene Ysaye. Arranged by Asun Ortiz. 19th Century,20th Century,Baroque,Clas...
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1505249 Composed by Eugene Ysaye. Arranged by Asun Ortiz. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 11 pages. Asunción Ortiz #1080633. Published by Asunción Ortiz (A0.1505249). (EN)Prelude Obsession from Sonata No. 2 by Ysaÿe arranged for E-flat Alto Saxophone. The part has been elaborated with great care and precision, maintaining the original articulations that appear on the Violin part. Also, it has been carefully adapted to the Saxophone's possibilities. It includes a Preface written by the arranger where the piece is put in context. The adaptations made are also explained in the Preface, as well as some considerations for future performers. This revised and critical edition of Ysaÿe's Prelude offers players a reliable score, containing the necessary information to achieve a successful performance. The edition that served as a reference for this arrangement was the one published in 1924 by Schott Frères (Brussels - Paris).(ES)Preludio Obsession de la Sonata No. 2 de Ysaÿe, arreglado para saxofón alto en Mi bemol. La parte ha sido elaborada con gran cuidado y precisión, manteniendo las articulaciones originales que aparecen en la parte de violín. Además, ha sido cuidadosamente adaptada a las posibilidades del saxofón. Incluye un Prefacio escrito por la arreglista, en el cual se contextualiza la pieza. Las adaptaciones realizadas también se explican en el Prefacio, así como algunas consideraciones para futuros intérpretes. Esta edición revisada y crítica del Preludio de Ysaÿe ofrece a los músicos una partitura en la que poder confiar, que contiene la información necesaria para lograr una interpretación exitosa. La edición que sirvió como referencia para este arreglo fue la publicada en 1924 por Schott Frères (Bruselas - París).
$6.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruc...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
6 Salon Pieces, Op.120, No.4 ‘Dream’ for Alto Saxophone & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Nölck, August
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Mikio Kamada
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6 Salon Pieces, Op.120, No.4
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ACORDO Sheet Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.777911 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Sco...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.777911 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #2098285. Published by ACORDO Sheet Music (A0.777911). August Nölck (1862-1928) was a composer, cellist, and pianist. He composed many small pieces for cello and Piano. 6 Salon Pieces, Op. 120, were originally composed for Violoncello and Piano, which consist of No. 1. 'Gypsy Maiden', No. 2. 'Aria', No. 3. 'A Dream', No. 4. 'Prelude', No. 5. 'Mazurka', and No. 6. 'Ring Dance'. No.3 'A Dream' is a small but very pretty piece.
$4.50
6 Salon Pieces, Op.120, No.4 ‘Dream’ for Tenor Saxophone & Piano
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Tenor Saxophone and Piano
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Classical
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Nölck, August
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Mikio Kamada
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6 Salon Pieces, Op.120, No.4
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ACORDO Sheet Music
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SheetMusicPlus
Piano,Tenor Saxophone - Digital Download SKU: A0.777912 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and pa...
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Piano,Tenor Saxophone - Digital Download SKU: A0.777912 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #2098287. Published by ACORDO Sheet Music (A0.777912). August Nölck (1862-1928) was a composer, cellist, and pianist. He composed many small pieces for cello and Piano. 6 Salon Pieces, Op. 120, were originally composed for Violoncello and Piano, which consist of No. 1. 'Gypsy Maiden', No. 2. 'Aria', No. 3. 'A Dream', No. 4. 'Prelude', No. 5. 'Mazurka', and No. 6. 'Ring Dance'. No.3 'A Dream' is a small but very pretty piece.
$4.50
Rachmaninoff Prelude in C# Minor for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Contemporary
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S
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Daisuke Uchiyama
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Rachmaninoff Prelude in C# Min
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Aya Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.883969 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.883969 Composed by S.Rachmaninoff. Arranged by Daisuke Uchiyama. 20th Century. 15 pages. Aya Music Publishing #5825617. Published by Aya Music Publishing (A0.883969). S.Rachmaninoff / Prelude in C Sharp Minor, Op.3 No.2 (for Saxophone Quartet)
$29.95
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Chr
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Seb...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 2 Tenor)
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
#
Three selections based on "Chr
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255318 Composed by Johann Sebastian Bach. Arrang...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 3 Tenor)
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
#
Three selections based on "Chr
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254362 Composed by Johann Sebastian Bach. Arrang...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254362 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847934. Published by Regis Bookshar (A0.1254362). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 3 Tenors) - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and the music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straighforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones and 3 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
#
Three selections based on "Chr
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254344 Comp...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254344 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #847633. Published by Regis Bookshar (A0.1254344). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian bach - Saxophone Quintet (1 Sop, 2 Alto, 1 Tenor, 1 Bari) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bond) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Prelude, Op. 11, No. 15
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3 Saxophones (trio)
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EASY
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Alexander Scriabin
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Overda Page
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middle ranges
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Prelude, Op. 11, No. 15
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Overda Page Stonerock
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716 Composed by Alexander Scriabin. Arranged by Overda Page. 19th Cen...
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716 Composed by Alexander Scriabin. Arranged by Overda Page. 19th Century,Chamber,Classical. 2 pages. Overda Page Stonerock #842266. Published by Overda Page Stonerock (A0.1247716). The opening 8 bars by the 2 alto flutes set the stage for the quiet, singing melody by the single C flute. After a single statement, the melody moves to the alto flute on part 3, then returns to the C flute to close. A challenge in tone and breath control of the low & middle ranges.  A beautiful little musical gem worth adding to the repertoire. From the composer's 24 Preludes, Op. 11 for piano.
$3.99
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