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4 sheet music found
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Sicilienne (Maria-Theresia von Paradis) for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1502763 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,F...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1502763 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078430. Published by SCORE EDITIONS (A0.1502763). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Trombone and Piano by Harry Walker.
$5.99 ≈
£4.74
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone and Piano
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EASY
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95 ≈
£26.09
Sullivan: The Lost Chord for Trombone & Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
£21.34
In Memoriam: A Chorale After Bruckner for Trombonne Trio
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3 Trombones (trio)
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ADVANCED
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Contemporary
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Brian Pappal
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In Memoriam: A Chorale After B
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble,Trombone Trio Trombone - Level 5 - Digital Download SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gord...
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Brass Ensemble,Trombone Trio Trombone - Level 5 - Digital Download SKU: A0.811132 Composed by Brian Pappal. Contemporary. Score and parts. 13 pages. Gordon Cherry #5316249. Published by Gordon Cherry (A0.811132). Here is a description of the work IN MEMORIAM by composer Brian Pappal. In Memoriam: A Chorale After Bruckner was composed in memory of Murray Crewe, former Bass Trombonist with the Pittsburgh Symphony Orchestra. Murray was my private trombone teacher at Duquesne University where he maintained a large studio of private trombone students and directed the trombone choir. During my lessons with him and in trombone choir rehearsals, Murray was contagiously positive and encouraging with a sense of humor all his own. He was also an artist of immense depth and sensitivity who daily sought to create and encounter moments of beauty in the world. Some of my greatest musical memories of Murray are of his leading the trombone choir in playing transcriptions of Brucknerâ??s choral motets. There are obvious parallels between the voice and the trombone, and Murrayâ??s artistry combined with Brucknerâ??s profound compositions created a deeply moving experience for me as a young musician. I wrote this piece with those memories in my mind. The sonorities are intentionally vocal, and performance of the piece should be approached in a similarly sustained and expressive style. The first trombone part remains rather high without rest; it may be played by either a tenor or alto trombone depending on player preference.
$30.00 ≈
£23.76
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