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61 sheet music found
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"Alma cortes'e bella" for Brass Trio - Giovanni Gabrieli
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Renaissance
#
Giovanni Gabrieli
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Dennis S
#
"Alma cortes'e bella" for Bras
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.827227 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.827227 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 12 pages. Dennis S. Mowers #3492323. Published by Dennis S. Mowers (A0.827227). Giovanni Gabrieli's music was some of the most influential music of the Renaissance, and it continues to be played widely today. Alma cortes'e bella was originally written as a madrigal for three voices, but this arrangement was written for brass trio, echoing the style of Gabrieli's famous instrumental pieces.
$9.99
"Quand'io ero giovinetto" for Brass Quintet - Giovanni Gabrieli
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Quand'io ero giovinetto" for
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.827221 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renais...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.827221 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 22 pages. Dennis S. Mowers #3479569. Published by Dennis S. Mowers (A0.827221). Giovanni Gabrieli's music was some of the most influential music of the Renaissance, and it continues to be played widely today. Quand'io ero giovinetto was originally written as a choral piece, but this arrangement was written for brass quintet, echoing the style of Gabrieli's famous canzoni per sonare.Includes:-Score (5 pages)-Trumpet in B Flat 1 (2 pages)-Trumpet in B Flat 2-Horn in F (2 pages)-Trombone (2 pages)-Tuba (2 pages).
$9.99
"Canzon No. 2" for Brass Quartet - Giovanni Gabrieli
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
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Renaissance
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Giovanni Gabrieli
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Dennis S
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"Canzon No. 2" for Brass Quart
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827230 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827230 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 12 pages. Dennis S. Mowers #3493141. Published by Dennis S. Mowers (A0.827230). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the second of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
"Canzon No. 4" for Brass Quartet - Giovanni Gabrieli
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
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Renaissance
#
Giovanni Gabrieli
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Dennis S
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"Canzon No. 4" for Brass Quart
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827232 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827232 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 11 pages. Dennis S. Mowers #3493301. Published by Dennis S. Mowers (A0.827232). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the last of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
"Canzon No. 3" for Brass Quartet - Giovanni Gabrieli
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
#
Renaissance
#
Giovanni Gabrieli
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Dennis S
#
"Canzon No. 3" for Brass Quart
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Dennis S. Mowers
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827231 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.827231 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 10 pages. Dennis S. Mowers #3493225. Published by Dennis S. Mowers (A0.827231). A staple of Renaissance music, Canzoni per sonare is a collection of 36 relatively short pieces by various composers. Legendary composer Giovanni Gabrieli began the canzoni per sonare with four memorable pieces. This is the third of those four, and it has been rearranged for brass quartet in a way that feels natural for brass players.
$9.99
"Beata es Virgo Maria" from Sacrae Symphoniae for Brass Sextet - Giovanni Gabrieli
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Renaissance
#
Giovanni Gabrieli
#
Dennis S
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"Beata es Virgo Maria" from Sa
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Dennis S. Mowers
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.827228 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renais...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.827228 Composed by Giovanni Gabrieli. Arranged by Dennis S. Mowers. Renaissance. Score and parts. 14 pages. Dennis S. Mowers #3492871. Published by Dennis S. Mowers (A0.827228). Gabrieli's Sacrae Symphoniae was a collection of 45 motets from 1597 written for various ensembles of instruments and choirs. Beata es Virgo Maria is the third motet in the collection. Gabrieli was well-known for his instrumental music, so this piece originally written for a choir has been rearranged for brass sextet.
$11.99
Sonata XIII for Brass Ensemble by Gabrieli
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Renaissance
#
Classical
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Giovanni Gabrieli
#
Jerry Lanning
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Sonata XIII for Brass Ensemble
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Jerry Lanning
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767755 Composed by Giovanni Gabrieli. Arranged by Jerry Lanning. Baroque,R...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767755 Composed by Giovanni Gabrieli. Arranged by Jerry Lanning. Baroque,Renaissance. Score and parts. 34 pages. Jerry Lanning #3679841. Published by Jerry Lanning (A0.767755). The well-known Sonata XIII by Giovanni Gabrieli, arranged for brass ensemble. There are two antiphonal brass groups, the first is a standard brass quintet and the second comprises trumpet, two horns, trombone and bass trombone.
$14.95
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trumpet, Trombone (duet)
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EASY
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Giovanni Gabrieli
#
James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest...
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trumpet, Trombone (duet)
#
EASY
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Brass Quintet - Missa Brevis in F (A. Gabrieli)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
#
Andrea Gabrieli
#
Mike Lyons
#
Brass Quintet - Missa Brevis i
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767575 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Praise & Worsh...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767575 Composed by Andrea Gabrieli. Arranged by Mike Lyons. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 80 pages. Lyons Music Services #6421217. Published by Lyons Music Services (A0.767575). First published in 1565, this work is often referred to as either the Mass in F or the Missa Brevis. This version is missing the Credo so it's definitey the short one! I have arranged this for Brass quintet, with the bass and tenor parts occasionally being tacet. The original is only for 4 voices, so it took a little bit of real arranging to get it to work properly on quintet. Perfectly usable in a liturgical setting and equally at home on the concert stage. This is brand new and fresh. Andrea Gabrieli was, of course, the uncle of Giovanni Gabrieli and between them they made a huge change to the way music was viewed in the liturgy as well as at festivals and celebrations.
$15.00
Gabrieli Canzon II for Brass Quintet (aka Canzona per sonare No. 2)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Giovanni Gabrieli
#
Betsy Bright
#
Gabrieli Canzon II for Brass Q
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Bright Music Company
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.964600 Composed by Giovanni Gabrieli. Arranged by Betsy Bright. Concert,Renaissance,Wedding. Score an...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964600 Composed by Giovanni Gabrieli. Arranged by Betsy Bright. Concert,Renaissance,Wedding. Score and parts. 10 pages. Bright Music Company #6520951. Published by Bright Music Company (A0.964600). Gabrieli's music is always a hit on any brass quintet recital. Canzon II (also known as Canzona per sonare No. 2) is one of the most popular. While there are other arrangements out there, many are either for 4 voices (like the original) or, if they are quintets, the lower two voices are in octaves the whole time. This arrangement has 5 independent parts, which gives the lower voices more of a challenge, and the higher voices get a bit more rest. Duration: 2 1/2 minutesDifficulty Level: advanced intermediate.
$10.00
Vaghi amorosi e fortunati allori for Brass Quintet - Giovanni Gabrieli
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
#
Renaissance
#
Giovanni Gabrieli
#
Dennis Mowers
#
Vaghi amorosi e fortunati allo
#
Dennis Mowers
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Dennis Mowers. Renaissance. Score, Set of Parts. 15 pages. Published by Dennis Mowers (S0.336599). - Scor...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Dennis Mowers. Renaissance. Score, Set of Parts. 15 pages. Published by Dennis Mowers (S0.336599). - Score,Set of Parts - Renaissance - Dennis Mowers
Giovanni Gabrieli's music was some of the most influential music of the Renaissance, and it continues to be played widely today. Vaghi amorosi e fortunati allori was originally written as a choral piece, but this arrangement was written for brass quintet, echoing the style of Gabrieli's famous canzoni per sonare. Includes: -Score (4 pages) -Trumpet 1 (1 page) -Trumpet 2 (1 page) -Horn in F (1 page) -Trombone (1 page) -Tuba (1 page).
$9.99
Canzon II a 4 Ch.187 (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon II a 4 Ch.187
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 29 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 29 pages. Published by Published by Adrian Wagner (S0.243419). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Canzon I a 4 Ch.194 (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon I a 4 Ch.194
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 29 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 29 pages. Published by Published by Adrian Wagner (S0.243415). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Canzon III a 4 Ch.188 (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon III a 4 Ch.188
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner (S0.243421). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Vagi amorosi e fortunati allori (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Vagi amorosi e fortunati allor
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner (S0.243427). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Canzona per sonar No 1 Ch.186 (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzona per sonar No 1 Ch.186
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 19 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 19 pages. Published by Published by Adrian Wagner (S0.243425). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Canzon IV a 4 Ch.189 (Giovanni Gabrieli) Brass Quintet arr. Adrian Wagner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon IV a 4 Ch.189
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 17 pages. Published by Published by Adrian Wagner (S0.24...
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Composed by Giovanni Gabrieli (1553-1612). Arranged by Adrian Wagner. Renaissance. Score, Set of Parts. 17 pages. Published by Published by Adrian Wagner (S0.243423). - Score,Set of Parts - Renaissance - Published by Adrian Wagner
$7.50
Sonata Octavi Toni a 12 - No. 184
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Brass ensemble
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Classical
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Giovanni Gabrieli
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Randy Steinberg and Randy Stei
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Sonata Octavi Toni a 12 - No.
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Randy A. Steinberg
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SheetMusicPlus
Composed by Giovanni Gabrieli (1553-1612) and Giovanni Gabrieli (1553-1612). Arranged by Randy Steinberg and Randy Steinberg. Baroque Period. Score, Set of Part...
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Composed by Giovanni Gabrieli (1553-1612) and Giovanni Gabrieli (1553-1612). Arranged by Randy Steinberg and Randy Steinberg. Baroque Period. Score, Set of Parts. 82 pages. Published by Randy A. Steinberg (S0.190881). - Score,Set of Parts - Baroque Period - Randy A. Steinberg
$15.00
Canzon in Echo Duodecimi toni a 10 for Brass Ensemble
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Giovanni Gabrieli
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Fabrizio Bugani
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Canzon in Echo Duodecimi toni
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792809 Composed by Giovanni Gabrieli. Arranged by Fabrizio Bugani. Baroque,Classical,Renaissance. Score and parts. 57 pages. Gordon Cherry #6623467. Published by Gordon Cherry (A0.792809). Canzon in Echo Duodecimi Toni á 10 was published as part of Gabrieli's Sacre Symphoniae of 1597, a collection of pieces including motets, canzonas, and sonatas for various instrumental groups. Gabrieli used the layout of his musical home, the San Marco Church in Venice with its two choir lofts facing each other, to create the first spatial or antiphonal music for early brass instruments, cornetti, and sackbuts.Maestro Fabrizio Bugani has done a wonderful job of editing this almost 4-minute work for a double brass choir of 10 instruments (two brass quintets). Included are numerous substitute parts which include Trumpets in C, Horns, and Alto Trombones. If one wishes a pure cylindrical choir; that can be achieved by using the Alto Trombones in place of the conical Horns.This edition is appropriate for moderately advanced performers and is pitched in the key of B-flat, down a step from the original.Instrumentation is for double brass quintets of 4 B-flat Trumpets, 2 Horns and 4 Trombones.
$30.00
Dormiva dolcemente - Version for Double Brass Quartet
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Classical
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Stanley M Hoffman
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Stanley M Hoffman
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Dormiva dolcemente - Version f
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stanleymhoffman.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1253700 By Stanley M Hoffman. By Giovannie Gabrieli. Arranged by Stanley M Hoff...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1253700 By Stanley M Hoffman. By Giovannie Gabrieli. Arranged by Stanley M Hoffman. Classical. Score and Parts. 54 pages. Stanleymhoffman.com #847326. Published by stanleymhoffman.com (A0.1253700). The Gabrieli is presented with only one note displaced by an octave (written for voices out-of-range for this brass ensemble). Then, the Gabrieli is presented as reimagined by me; mainly the harmonies are different.
$9.00
Canzona (Nb. 2)
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
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Giovanni Gabrieli
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Josef STASTNY
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Canzona
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.743651 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Concer...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.743651 Composed by Giovanni Gabrieli. Arranged by Josef STASTNY. Baroque,Concert,Instructional,Standards. Score and parts. 8 pages. Josef STASTNY #4610347. Published by Josef STASTNY (A0.743651). One of Gabrieli´s canzonas. Early baroque polyphonic music.
$9.99
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