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Psalm 30
TRUMPET
Sheetmusic to print
5 sheet music found
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Jubilate Deo - Psalm 99
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Brass Trio
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INTERMEDIATE/ADVANCED
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Sacred music
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Giovanni Gabrieli
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Bill Schuetter
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Jubilate Deo - Psalm 99
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Imagine Music - Digital
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SheetMusicPlus
By Giovanni Gabrieli (1553-1612). Arranged by Bill Schuetter. For brass octet (4 trumpets, 2 horns, 2 trombones). Level 4. Score and parts. Duration 3 minutes 3...
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By Giovanni Gabrieli (1553-1612). Arranged by Bill Schuetter. For brass octet (4 trumpets, 2 horns, 2 trombones). Level 4. Score and parts. Duration 3 minutes 30 seconds. Published by Imagine Music - Digital
$16.00
A Billings Triptych - for 8-Part Brass Choir
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,P...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
In Your Hands - Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Christian contemporary
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Sacred music
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Paul St-Amand
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In Your Hands - Brass Quintet
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BBQ Editions
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.923891 Composed by Paul St-Amand. Christian,Contemporary,Easter,Sacred. Score and parts. 15 pages. BB...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.923891 Composed by Paul St-Amand. Christian,Contemporary,Easter,Sacred. Score and parts. 15 pages. BBQ Editions #3385417. Published by BBQ Editions (A0.923891). This chorale for brass quintet is a showcase for the 1st trumpeter, with several solo passages, and a soaring descant in the final passage. The piece is based on a line from Psalm 31, variously translated as Into your hands I commend my spirit or Father, I put my life in Your hands. The central musical theme is extrapolated from a basic melodic idea originally intended to be sung by a cantor. While it may be played year-round, In Your Hands makes an especially fitting selection during the Easter season.In Your Hands was composed by Bedford Brass Quintet trumpeter Paul St-Amand in memory of his father, Gerry. The piece was premiered at Harmony & Hope: A Concert for Cancer Research in 2015.Performance time is approx. 4:30.
$11.99
Higher Ground ("I'm pressing on the upward way") — brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Cen...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
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