The beginning Sheet Music to download and print

The beginning
TUBA

We Wish You A Merry Christmas, tuba sheet music and tuba melody for the beginning musician (easy).

We Wish You A Merry Christmas, tuba sheet music and tuba melody for the beginning musician (easy). Tuba

Tuba Solo - Level 1 - Digital Download SKU: A0.1108765 Composed by Public Domain. A…(+)

Tuba Solo - Level 1 - Digital Download SKU: A0.1108765 Composed by Public Domain. Arranged by Rene Alves. Children,Multicultural,Pop,Traditional,Wedding,World. Individual part. 2 pages. Rene Alves #711414. Published by Rene Alves (A0.1108765). Tuba score and melody of the Christmas song, We Wish You A Merry Christmas, for the beginning musician. The sheet music is in large size, great for reading on tablets.
$3.00 2.77 € #Tuba #Public Domain #We Wish You A Merry Christmas, tuba sheet music and tuba melody for the beginning musician #Rene Alves #SheetMusicPlus

#We Wish You A Merry Christmas, tuba sheet music and tuba melody for the beginning musician

You're Still The One Tuba

Tuba Solo - Level 1 - Digital Download SKU: A0.1106437 By Shania Twain. By Robert J…(+)

Tuba Solo - Level 1 - Digital Download SKU: A0.1106437 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rene Alves. Children,Contemporary,Multicultural,Pop,Wedding,World. Individual part. 2 pages. Rene Alves #709553. Published by Rene Alves (A0.1106437). Cipher sheet music and tuba melody in B flat for the beginning musician. The sheet music is in large size. great for reading on tablets.
$6.00 5.53 € #Tuba #Shania Twain #You're Still The One #Rene Alves #SheetMusicPlus

Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting oneâ€™s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a childrenâ€™s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

From The Beginning

#From The Beginning

The Holy City Brass Quintet: 2 trumpets, horn, trombone, tuba

Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, …(+)

Composed by Michael Maybrick (1841?1913). Arranged by F. Leslie Smith. Christian, Sacred, Wedding. Score, Set of Parts. 22 pages. Published by Sweetwater Brass Press (S0.192931). - Score,Set of Parts - Christian,Sacred,Wedding - Sweetwater Brass Press
Michael Maybrick wrote music for ?The Holy City? in 1892 under the name, ?Stephen Adams.? Frederic Weatherly wrote the lyrics. The song was popular from the beginning, then experienced a resurgence when sung by Jeanette MacDonald in the 1936 film, San Francisco. Victorian in both words and melody, ?The Holy City? nonetheless remains a frequent performance piece today. The current arrangement is based on the original 1892 sheet music but has been augmented to take advantage of brass quintet instrumentation. Completed in 2012, this arrangement runs about 4 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., Treble Clef Baritone for Trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 13.78 € #Brass Quintet: 2 trumpets, horn, trombone, tuba #Michael Maybrick #The Holy City #Sweetwater Brass Press #SheetMusicPlus

Lua Nova - Tuba and Piano Tuba and Piano

Piano,Tuba - Level 4 - Digital Download SKU: A0.946706 Composed by Thiago Osorio. C…(+)

Piano,Tuba - Level 4 - Digital Download SKU: A0.946706 Composed by Thiago Osorio. Concert,Contemporary,Graduation,Standards,World. Score and part. 17 pages. Thiago Osorio Music #6440951. Published by Thiago Osorio Music (A0.946706). ''Lua Nova'' (in english: ''New Moon'') represents the beginning of a new cycle, between simple themes and challenging passages. It is a composition that explores the versatility of the duo of Tuba and Piano. An excellent short piece for your recital that will demonstrate your skill as a tubist, moving through different textures, dynamics and emotions.
$10.00 9.22 € #Tuba and Piano #Thiago Osorio #Lua Nova - Tuba and Piano #Thiago Osorio Music #SheetMusicPlus

Perpetuum Mobile (2014) for tuba and live processing 2 Tubas (duet)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.934211(+)

Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.934211 Composed by Mark Zanter. Contemporary. Score and parts. 6 pages. MJIC Music Publishing (ASCAP) #6040427. Published by MJIC Music Publishing (ASCAP) (A0.934211). Perpetuum Mobile (2014) for tuba, fixed media and processing was composed for George Palton, professor of tuba at Marshall University. I have worked closely with George engineering his solo CD, Tuba In Motion, and that influenced our collaboration on this work. Georgeâ€™s playing exhibits a full range of technical and expressive skills and the composition takes advantage of those strengths. The fixed media portion of the work was planned from the beginning; but as the work matured, processing was mixed with the live tuba enabling it to inhabit the same sound world as the recorded media. Overall the work is in three sections ending with a reprise of the opening material. Surface rhythms, textural changes, and the constant cycling of pitches occurring throughout the work exhibit the characteristic of moto perpetuo. A listener can perceive these myriad possibilities or simply enjoy the workâ€™s virtuosity, lyrical melodies, changes of rhythm, and ambient sounds. Perpetuum Mobile was premiered on the International Tuba and Euphonium Conference 2014. I have to thank George Palton for the many great performances of the work.
$8.00 7.38 € #2 Tubas (duet) #Mark Zanter #Perpetuum Mobile #MJIC Music Publishing #SheetMusicPlus