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Cheek To Cheek
ORCHESTRA - BAND
Orchestra
Sheetmusic to print
9 sheet music found
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Symphony No.2 Op.8 (Cheeky Chap!)
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Orchestra
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ADVANCED
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Contemporary
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David Burndrett
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Symphony No.2 Op.8
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David Burndrett
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.558779 Composed by David Burndrett. Contemporary. Score and parts. 140 pages. David Burndrett #537173...
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Full Orchestra - Level 5 - Digital Download SKU: A0.558779 Composed by David Burndrett. Contemporary. Score and parts. 140 pages. David Burndrett #5371739. Published by David Burndrett (A0.558779). This symphony is dedicated to my loyal companion Sam who is a eleven year old yellow Labrador Retriever.I composed this symphony between April-July 2019 and revised it on April 9th 2020.His mischievous ways have led to all manner of entertaining stories!
$14.95
The Western New York Trombone Concerto
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Orchestra
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William Pagan-Perez
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The Western New York Trombone
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez...
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Full Orchestra - Digital Download SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Published by William Pagan-Perez (A0.933829). The Western New York Trombone Concerto (For Trombone and Symphony Orchestra)  I. Arriving to Cheektowaga on 2017 II. The Lights of the Niagara Falls III. Tonawanda’s Rhapsody 2018 The Western New York Trombone Concerto was inspired in real life experiences, in the smell, the food, the scenic views, and the great personal relationships of the composer during his first year living in the City of the Good Neighbors (Buffalo, NY). More than have a traditional virtuoso solo music featuring fast and extreme technical phrases, this concerto wants to introduce the trombone as a melodic instrument for those beginner listeners that are discovering the trombone for the first time. The concerto has colorful sticky melodies and exciting rhythmic patterns to produces a great experience to the listener.
$125.00
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestra
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
EP!C!!!
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Take Five
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Orchestra
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INTERMEDIATE/ADVANCED
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Paul Desmond
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Andrew Middleton
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Take Five
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Andrew Middleton
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Con...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1452336 By Paul Desmond. By Paul Desmond. Arranged by Andrew Middleton. 20th Century,21st Century,Contemporary,Jazz. 192 pages. Andrew Middleton #1031659. Published by Andrew Middleton (A0.1452336). Take Five Maurice, is a tongue and cheek arrangement that combines the orchestral forces and the gradual increasing instrument forces of Ravel’s Bolero, with the melodies and chordal pattern of Take Five by Paul Desmond. Following the instrumental structure of Bolero, the piece begins with softer timbres of the woodwinds in the same manner Ravel uses the orchestra, gradually becoming much more raucous. The finally of the piece follows a similar key change to heighten the climax of the music as well as a similar trombone glissando motif found in Bolero as well the jazz styles Paul Desmond would have played.The piece is scored for: Piccolo, 2 flute, 2 oboes, cor anglais, 2 clarinets in B flat, Bass Clarinet in B flat, 2 bassoons, contrabassoon, soprano saxophone, alto saxophone, tenor saxophone 4 horns in F, 3 trumpets in B flat, 2 Trombones, Bass Trombone, Tuba Timpani, Cymbals, Tam-tam, drum kit, harp, celesta and strings.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$69.99
One-Note Concerto for piano and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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David Rubinstein
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One-Note Concerto for piano an
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David Rubinstein
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. D...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein #844042. Published by David Rubinstein (A0.1249638). ...one of the very few piano concertos ever written that I could handle technically. -Peter Schickele (P.D.Q. Bach) Transposed orchestral score and parts - one PDF.One-Note Concerto: a neo-classical romp on the key of B7 for piano and orchestra in three short movements. Premiered by the Hartford Symphony in 2006.One-Note Concerto combines a wide range of melodies that are surprisingly woven together through the reiteration - by the 'soloist' - of a single pitch (a very high “Bâ€). From carnival-like tunes in the first movement, to introspective waltzes in the second, to a violent (yet lighthearted!) presto in the finale, this concerto aggressively pursues a sense of musical drama with its tongue firmly placed in its cheek.† -  Jamie Allen, director of the Santa Fe New Music YouthFest.
$75.00
C. Debussy - 3 Preludes,
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Orchestra
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Classical
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means of the orchestra, as in
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Claude Debussy
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A
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C. Debussy - 3 Preludes,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Ley...
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Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). “La Sérénade Interrompueâ€,#9(I)Sometimes an orchestral transcription of a program piece like this “Interrupted Serenade†turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. “Strident,†“spiritual and discreetâ€: tongue-in-cheek. â€Sec,†a dry sound for staccato chords. Debussy’s transformation of the American popular tune, “Camp town Races.†Sudden dynamic changes suggest the juggling act of “General†Lavine, tossing large and small items at the same time.
$60.00
A Christmas Greeting Op. 52
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Orchestra
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INTERMEDIATE
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Christmas
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Edward Elgar
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Kara Williams
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Fl1&2
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A Christmas Greeting Op. 52
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Kara Williams
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday,Religious. Score and Parts. 59 pages. Kara Williams #702446. Published by Kara Williams (A0.1098583). Whilst not as well-known as some of his other work, this delicate little Christmas song is distinctly Elgar. Composed for the Choir of Hereford Cathedral it evokes love, friendship and the English countryside at Christmas. Originally scored for two soprano voices, accompanied by two violins and piano, this delightful work has been thoughtfully re-scored for orchestra (including percussion) by Kara Williams, and is aimed at intermediate level ensembles. The passionately pastoral introduction section leads into a joyful 6/8 section featuring the two trumpets and a cheeky quote from Handel’s ‘Messiah’. This work is a lovely addition to any program, and not just for Christmas time! Scoring: Picc; Fl1&2; Ob1&2; Cl1&2; Bsn1&2 (Bsn2 sub Bcl); FHn1&2; Tbn (sub FHn3); Tba; Timp, Perc1&2; Vln I; Vln2; Vla; VC; CB.
$25.00
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
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