Download Digital Sheet Music of OTHER INSTRUMENTS for Orchestra

OTHER INSTRUMENTS
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Samai Kurd Orchestra

Full Orchestra - Level 2 - Digital Download SKU: A0.994919 Composed by Zoe Ronen. B…(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.994919 Composed by Zoe Ronen. Baroque,Classical,Contemporary,Renaissance. Score and parts. 2 pages. Zoe Ronen Digital Sheet Music #4601955. Published by Zoe Ronen Digital Sheet Music (A0.994919). A modern composition based on the Classical Ottoman Samai form. Meant to be played on Arab instruments, but can also be explored on other instruments that can adjust for microtonalities.Special thanks to Layth Sidiq for readthrough and edit suggestions.
$5.90 5.51 € #Orchestra #Zoe Ronen #Samai Kurd #Zoe Ronen Digital Sheet Music #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra â€“ AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me.Â Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later.Â An excerpt from 2008 Music Teacher of California Magazine review states â€œâ€¦The Great Wall Concerto is pleasant to listen to and has a retro 1940â€™s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductorâ€™s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard.Â THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing.Â Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com

A Mighty Fortress Is Our God Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.779364 Arranged by Shelton Ridg…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.779364 Arranged by Shelton Ridge Love. Christian,Sacred,Spiritual. Score and parts. 64 pages. Shelton Ridge Love #4767285. Published by Shelton Ridge Love (A0.779364). This piece was designed to allow for maximum flexibility. The piano part is composed as a piano solo, and is the only essential instrument in the arrangement. None of the other instruments are required to make the piece work. You may include as many or as few as your orchestra allows. I arranged this specifically with the church orchestra in mind. While participation and ability may range vastly from church to church, this piece will easily suit your particular situation. - Shelton Instrumentation
$35.00 32.7 € #Orchestra # #A Mighty Fortress Is Our God #Shelton Ridge Love #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.

SUITE II - Rising From The Death (Prelude) Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.1032575 Composed by Samuel Joha…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.1032575 Composed by Samuel Johanes. Christian,Contemporary,Easter,New Age,Praise & Worship. Score and parts. 4 pages. Samuel Johanes #5001521. Published by Samuel Johanes (A0.1032575). Composed by Samuel Johanes (2019)The title Rise from the Dead refers to Jesus Christ who conquered death then rose.He had risen! He's a true living GOD!The opening (prelude) part which I mostly done with begins with cello and contrabass play heroic repeated notes theme then gradually other instruments join with them.
$4.99 4.66 € #Orchestra #Samuel Johanes #SUITE II - Rising From The Death #Samuel Johanes #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energeticÂ second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.

Eleanor Rigby Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1041526 By David Cook. By John …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1041526 By David Cook. By John Lennon and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and parts. 43 pages. Kevin Riley #646280. Published by Kevin Riley (A0.1041526). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennonâ€“McCartney. Eleanor Rigby continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. The song topped singles charts in Australia, Belgium, Canada and New Zealand. This version has parts for Saxophones but any important phrases have been cued in other instruments.
$65.00 60.72 € #Orchestra #David Cook #Eleanor Rigby #Kevin Riley #SheetMusicPlus

Dancing In Sunshine Orchestra

Full Orchestra - Level 3 - Digital Download SKU: A0.992322 Composed by Hilary Dagli…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.992322 Composed by Hilary Daglish. Contemporary. Score and parts. 34 pages. Hilary Daglish #4352057. Published by Hilary Daglish (A0.992322). This is a short original piece of about 1.40 minutes for full orchestra of intermediate level such as orchestras in high schools or novice orchestras in the community.The piece is based on the bird call as heard by the piccolo at regular intervals and other instruments later on in the piece. It is in three sections. The first section A is displaying the first dancer solo work with background dancers ( the harmony ) The second section B Is displaying the second dancers solo work with harmony.The third Section C is where the 2 dancers unite display their dances together with equal intensity.As my stimulus came from listening to birds chirping in the bush in the sunshine I called it Dancing In Sunshine.
$25.00 23.35 € #Orchestra #Hilary Daglish # #Dancing In Sunshine #Hilary Daglish #SheetMusicPlus

The Ocean Deep, Orchestral Version Orchestra

Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. …(+)

Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99 8.4 € #Orchestra #Leif Jack #The Ocean Deep, Orchestral Version #Leif Thomas Marken Jack #SheetMusicPlus