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You've selected:
A Trick Of The Tail
ORCHESTRA - BAND
Sheetmusic to print
5 sheet music found
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Dance On A Volcano
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1362159 Composed by Mike Rutherfo…
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Concert Band - Level 5 - Digital Download SKU: A0.1362159 Composed by Mike Rutherford, Phil Collins, Steven Hackett, and Tony Banks. Arranged by David Beal. 20th Century,Contemporary,Pop,Rock. 170 pages. Larch Music Ltd. #946635. Published by Larch Music Ltd. (A0.1362159). A Trick of the Tail is the seventh studio album by English progressive rock band Genesis. It was released on 13 February 1976 on Charisma Records and was the first album to feature drummer Phil Collins as lead vocalist following the departure of Peter Gabriel. It was a critical and commercial success in the UK and U.S., reaching No. 3 and No. 31 respectively. The opening track, Dance on a Volcano, was the first song written for the album. Rutherford felt that, in contrast to the material on The Lamb..., it was easy to write, and was intended to show how Genesis would move forward.Now available for Concert BandScored for: Â Piccolo Flute Oboe Bassoon 3 x Bb Clarinet Alto Clarinet Bass Clarinet 2 x Alto Saxophone Tenor Saxophone Baritone Saxophone# 3 x Bb Trumpet 2 x Horn in F (Eb Part included) 2 x Tenor Trombone (Bb Part included) Bass Trombone Baritone (Bass Clef) Baritone (Treble Clef) Tuba (Eb & Bb Parts included) Bass Guitar Drum Kit Tuned Percussion Timpani.
$60.00
54.4 €
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Concert band
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Mike Rutherford, Phil Collins, Steven Hackett, and Tony Banks
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Dance On A Volcano
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Larch Music Ltd.
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SheetMusicPlus
Issue 6, Series 2 - Trickster from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.886122 Composed by Jason McChrist…
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Concert Band - Level 4 - Digital Download SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Published by Jason Gary McChristian (A0.886122). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Trickster - ...A NEW TERROR IS ABOUT. TREACHERY AND SEDUCTION ARE ITS SPORT....
$40.00
36.27 €
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Concert band
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Jason McChristian
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Issue 6, Series 2 - Trickster from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Jason Gary McChristian
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
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Concert band
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Stormy Weather
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.799181 Composed by Harold Arlen…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.799181 Composed by Harold Arlen. Arranged by John Milne. Contemporary. Score and parts. 16 pages. Odd Shoe Music #3224707. Published by Odd Shoe Music (A0.799181). Arrangement of classic tune from 1933 in Eb moving to G at the end.Range for trumpet 1 is quite comfortable so would be useful to include in a program as respite for more tricky parts!Duration 3m Odd Shoe Music has a growing collection of titles available in various styles. Visit http://www.johnmilne.co.uk for more details.
$14.99
13.59 €
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Brass ensemble
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Harold Arlen
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Stormy Weather
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Odd Shoe Music
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SheetMusicPlus
"Freunde, das Leben ist lebenswert!" (Life Is Worth Living, My Friends)
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1485710 Composed by Franz Lehar. …
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Concert Band - Level 5 - Digital Download SKU: A0.1485710 Composed by Franz Lehar. Arranged by Albert Schwarzmann. 19th Century,20th Century,Opera,Romantic Period,Singer/Songwriter. 83 pages. Edition Schwalbe #1062781. Published by Edition Schwalbe (A0.1485710). Freunde, das Leben ist lebenswert! (Life Is Worth Living, My Friends) is an aria from Giuditta, the last operetta by Austrian-Hungarian composer Franz (Ferenc) Lehár, first performed on 20th January 1934 at Vienna State Opera in Austria. It's the first performance aria of Octavio, a part for a powerfol tenor singer. The large orchestral score is not easy to balance with the tenor part, perhaps even more tricky with wind orchestra. The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer on 23rd April 2016 in Salzburg, Austria with native of Thailand tenor Nutthaporn Thammathi at their concert Spring in Sanzburg and repeated by Salzburg Wind Philharmonic with same conductor and soloist at their Three Kings' Concert on 6th January 2023 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. Live recordings of both concerts are available at https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ and https://www.salzburg-windphilharmonic.at/de/musikalische-verfuehrung-fruehling-in-salzburg/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and https://www.jpc.de/jpcng/classic/detail/-/art/musikalische-verfuehrung/hnum/10428713/?iampartner=303&subid=umr7&ref=partner.jpc.de.
$82.00
74.35 €
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Concert band
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Franz Lehar
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"Freunde, das Leben ist lebenswert!"
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Edition Schwalbe
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SheetMusicPlus
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