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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.82 €
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Concert band
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Austin Ralphson
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'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Austin Ralphson
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SheetMusicPlus
Fix It Again Tony!
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774335 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774335 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 82 pages. Brad Esbensen Music Services #3537877. Published by Brad Esbensen Music Services (A0.774335). FIX IT AGAIN TONY! is an original composition for big band and featured as a set piece for the 2002 Australian Academy Festival of Music B Grade Jazz Ensemble division. It is a blues in F with a grooving shuffle feel. In the opening choruses, the big band is divided into three smaller combos playing the head, backing riffs and rhythmic stabs. Be sure to have the players listen carefully to each other and to be aware of which combo they belong to. Solo space is provided for the 2nd Trumpet and 1st Trombone players, although this could be opened up to feature other band members. The solo section is followed by a Sax section soli before the head returns to take the chart out. The inspiration for this title came from my first car - a 1970 FIAT 124 - which provided me with many years of enjoyable motoring. Any automotive enthusiast will get the joke in this title.www.bemus.com
$60.00
55.31 €
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Jazz Ensemble
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Brad Esbensen
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Fix It Again Tony!
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Brad Esbensen Music Services
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SheetMusicPlus
Concert Piece for String Orchestra and Percussion
Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Downloa…
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Large Ensemble Cello,Double Bass,Drum Set,Percussion,Viola - Level 5 - Interactive Download SKU: A0.484898 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 210. Ivan Howard #6a81xPENwbs5YndgEXuaW0. Published by Ivan Howard (A0.484898). Key: C major.All is in the name. With added percussion this is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra and Percussion is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. Percussion should blend in. Be careful not to overpower orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 61-64.- Timpani 1 & 2, Toms and Bass Drum are to play wildly. Just not overpowering. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 91.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
5.52 €
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Ivan H
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Concert Piece for String Orchestra and Percussion
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Ivan Howard
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SheetMusicPlus
Variations on a Theme in D Flat
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
9.22 €
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Concert band
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Kendra Brown
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Variations on a Theme in D Flat
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Kendra Brown
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SheetMusicPlus
Concert Piece for String Orchestra
Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899
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Large Ensemble Cello,Double Bass,Viola - Level 5 - Interactive Download SKU: A0.484899 Composed by Ivan H. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 209. Ivan Howard #15Zj6pJDY5MZUCd9nAaZoD. Published by Ivan Howard (A0.484899). Key: C major.Description: All is in the name. This is sure to be a festive Concert Piece for your students. While providing various sectional solis, various higher positions in the strings, playful pizzicato sections, jaunting melodies. Concert Piece for String Orchestra is sure to be a new favorite among your students and audience members alike. Performance Notes: mm 3 & 4.- the pizzicato for the violas should not be too loud, even it's marked with an accent. Should blend in with the orchestra. mm 7.- Even though this is a full 4 beat measure rest. This measure is to be counted as 1 beat. A slight Grand Pause (G.P.) mm 8-12.- Cello and Bass are soli here. Be careful no to overbear the violins and violas. mm. 33- Cellos have the counter melody and should slightly be heard over the orchestra. mm 56. - 1st & 2nd Violins- should play in the middle part of the bow. mm 57.- lower cellos and bass should play jauntily. With a strong slight broadened accent. mm 78-81.- Violas, Cellos and Bass are soli, here. 2nd Violins have the counter melody and should be heard behind the lower strings. 1st Violins are to play from frog to tip of the bow. mm 90.- All strings are to play from the frog to the tip of the bow. Alot of subito dynamics. This piece is meant to have fun. Hope you and your orchestra enjoy this as much as I did making it!
$5.99
5.52 €
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Ivan H
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Concert Piece for String Orchestra
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Ivan Howard
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SheetMusicPlus
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphso…
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
13.82 €
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Concert band
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Austin Ralphson
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Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Austin Ralphson
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SheetMusicPlus
Eleanor Rigby
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.803610 By David Cook. By Dome…
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String Orchestra - Level 2 - Digital Download SKU: A0.803610 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartney. Arranged by Phyllis Hopper. Rock. Score and parts. 15 pages. HopSez Productions #6859673. Published by HopSez Productions (A0.803610). If you liked the Beatles' original, you'll find this enjoyable. Designed for middle school strings, the parts are easy, without compromising the unique rhythms and melodic lines that make this truly Eleanor Rigby. The recommended tempo is slightly under what the Beatles used; you can slow it more if needed. Just be careful to keep the short notes short and the long notes long and you'll be okay.
$19.99
18.43 €
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String Orchestra
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David Cook
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Eleanor Rigby
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HopSez Productions
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SheetMusicPlus
Witchcraft
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774376 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774376 Composed by Cy Coleman. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. 70 pages. Brad Esbensen Music Services #3925833. Published by Brad Esbensen Music Services (A0.774376). The relaxed swing feel of Witchcraft is sure to make a great feature for the crooner in your band! The arrangement is based on one recorded by Frank Sinatra and is in the key of F major. Trumpet players need cup and harmon mutes and trombone players need cup mutes. A break for the band and needs to be played strongly and with plenty of punch. Be careful not to overblow and concentrate on accurate phrasing and articulation. The ending fades out with a musical full stop provided by the baritone sax and bass. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
$60.00
55.31 €
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Jazz Ensemble
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Cy Coleman
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Witchcraft
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Brad Esbensen Music Services
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SheetMusicPlus
Fuddy Duddy
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Phil…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Philips Music Service. Jazz. Score and parts. 26 pages. John Philips Music Service #3867651. Published by John Philips Music Service (A0.947273). This is all about your bary player. He should stand in front of the band into a mic. Be careful not to have the band so loud that you cover the soloist. The whole charts revolves around the LOW 'A . Solo has a few notes beyond an eighth. Watch the ending--the Bary does a Basie ending, very high. A happy loose chart.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
13.83 €
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Jazz Ensemble
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John Philips Music Service
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Fuddy Duddy
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John Philips Music Service
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SheetMusicPlus
Lovely Day
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1229733 By Bill Withers. By Bill …
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Concert Band - Level 4 - Digital Download SKU: A0.1229733 By Bill Withers. By Bill Withers and Skip Scarborough. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Soul,Standards. Score and Parts. 46 pages. John Ivor Holland #825491. Published by John Ivor Holland (A0.1229733). There's nothing quite like this Bill Withers classic for instantly lifting your mood, and now your band can bring this sunny optimism to your next bandstand or indoor concert. Released towards the end of 1977, it charted well around the world and the recording features one of the longest recorded notes (at 18 seconds)! There is a solo oppotunity for your star alto sax player (with a suggested solo line), bass guitar and vibes, but just relax into the groove and everything will be just fine - be careful of the 'one drop' towards the end, though...
$49.99
46.09 €
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Concert band
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Bill Withers
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Lovely Day
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John Ivor Holland
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SheetMusicPlus
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
27.66 €
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Jazz Ensemble
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Charles Tenet
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Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Tobi Crawford
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
To The Moon, Op. 48
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1512855 Composed by Chris Knapp. 21st Century,Classical. 83 pages. Chris Knapp #1087810. Published by Chris Knapp (A0.1512855). About the piece'To The Moon' takes inspiration from the Earth's Moon, the beauty andmajesty of the celestial body and all it encompasses. It also charts the energy and excitement surrounding the space race and the ultimate goal to get to the Moon! The piece helps to explore extended tonalities and considers a different approach to Orchestral writing and performance choreography.This piece can be performed by any number of performers, ideally, traditional Orchestral numbers work well but experimentation with larger/fewer numbers on various parts within the different 'ensembles' can produce exciting results.Performance directionsThe ideal performing conditions for this piece are that the orchestra are split into 4 'ensembles' as indicated in the score. Each ensemble is grouped in a way that means all ensembles are pointing to the centre (see diagram 1 below). The audience should similarly be positioned around the room in a circle behinf each of the ensembles. Therefore, an ideal focal point for this performance would be a visual representation of the Moon in the centre of the room, ideally lit in some way. Representations of the Moon may take the form of a 3D lit representation (potentially made, perhaps a local Art project) or a projected representation onto the floor of the performance space. TheMoon should be of sufficient size as to not be lost in the space and careful planning should be done to ensure optimal visual effect. The role of the conductor during the performance ideally would be minimal, perhaps sat in one of the ensembles providing minimal direction. However, due to the capabilities of the performers, the conductor may have to take a more active role in the performance. In this case, diagram 1 (below) shows the ideal place for the conductor to be positioned so that performers can see as much as possible but so that attention is not diverted from the visual effect.To get in touch email me at: cknapp.nottingham@gmail.com.
$49.99
46.09 €
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Orchestra
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Chris Knapp
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To The Moon, Op. 48
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Chris Knapp
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SheetMusicPlus
Haydn Serenade for String Orchestra or String Quartet
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.759567 Composed by Hoffstette…
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String Orchestra - Level 2 - Digital Download SKU: A0.759567 Composed by Hoffstetter attr. Haydn. Arranged by Mark Lansom. Classical,Contemporary,Instructional,Praise & Worship,Wedding. Score and parts. 8 pages. Mark Lansom #4335003. Published by Mark Lansom (A0.759567). Haydn's (though most probably Hoffstetter's) famous Serenade, in a sound-alike arrangement. Middle parts are slightly redistributed for ease in the third violin part, which is the same as the viola part and can be omitted. Cello and bass parts are alike, so it can also be played by string quartet. There is some careful editing, including indications as to whether the grace notes should be on or before the beat. Written with school groups in mind that might have a few good violins to play the melody. It's tiring for young players to play so much pizzicato, but with one violin part made easier takes much less rehearsal time! However it can be enjoyed by string players of all ages. Score and parts included.
$13.99
12.9 €
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String Orchestra
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Hoffstetter attr
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Haydn Serenade for String Orchestra or String Quartet
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Mark Lansom
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SheetMusicPlus
INTERMEZZO from MANON LESCAUT
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1512662 Composed by Giacomo Pucci…
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Concert Band - Level 4 - Digital Download SKU: A0.1512662 Composed by Giacomo Puccini. Arranged by Walter Cragnolin. 20th Century,Opera. 71 pages. Walter Cragnolin #1087612. Published by Walter Cragnolin (A0.1512662). It is a transcription and arrangement for symphonic band of the famous instrumental Intermezzo from Manon Lescaut.Thanks to careful attention to the arrangement, the piece can be performed by a full or reduced ensemble, without compromising its emotional impact.It will be an unforgettable experience for you and your audience. Enjoy!!!!
$59.99
55.31 €
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Concert band
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Giacomo Puccini
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INTERMEZZO from MANON LESCAUT
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Walter Cragnolin
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SheetMusicPlus
Street Player
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1404055 Composed by Daniel Seraph…
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Concert Band - Level 3 - Digital Download SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Rock. 89 pages. John Ivor Holland #987228. Published by John Ivor Holland (A0.1404055). 'Street Player' is the opening track on Chicago 13, the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. The song is a cover, having previously been performed by Rufus and didn't chart very highly, although the album eventually was certified Gold. It is primarily known as being sampled for the 1995 hit The Bomb! (These Sounds Fall into My Mind) by The Bucketheads, the 2009 hit I Know You Want Me (Calle Ocho) by Pitbull and the 2013 remix by dance music producer Tradelove. The original recording featured a long trumpet solo by Maynard Ferguson; this arrangement, however, has been shortened, although still packing a punch with its distinctive brass lines - it should still be accessible to most bands with some careful rehearsal to get the rhythms together and should be a sure-fire hit with your audience.
$59.99
55.31 €
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Concert band
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Daniel Seraphine and David Hawk Wolinski
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Street Player
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John Ivor Holland
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SheetMusicPlus
The Holberg Suite: Bassoon
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_B1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Flute
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_F1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_VC1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Timpani
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_TMP). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Emerald Isle Melody
Concert band
Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-FRA-219 Composed by Trad…
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Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-FRA-219 Composed by Traditional. Arranged by Bill Simon. Multicultural. Score and Parts. 29 pages. PDF Band Music #PDF-BAND-FRA-219. Published by PDF Band Music (B0.PDF-BAND-FRA-219). 8.5 x 11 inches.Emerald Isle Melody is based on an Irish folk tune. The most popular version of this tune is the hymn Be Thou My Vision, but it is also the foundation for Lord of All Hopefulness and Make Us True Servants. This arrangement gives the young band a chance to work on phrasing and tone without going to extremes with ranges - clarinets stay below the break and brass are comfortable. Even a young band will be able to project a lot of emotion with this piece giving careful attention to dynamics, tempo and phrasing. .
$42.00
38.72 €
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Concert band
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Traditional
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Emerald Isle Melody
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PDF Band Music
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SheetMusicPlus
The Holberg Suite: Score
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by E…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0005616. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005616). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$10.00
9.22 €
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Orchestra
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Edvard Grieg
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Festival.
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The Holberg Suite: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Skygazer Fanfare: 1st B-flat Trumpet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017025_T1 1st B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0017025_T1 1st B-flat Trumpet. Composed by Randall D. Standridge. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017025_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017025_T1). UPC: 038081505947.Gazing into the sky, one may be overcome with the infinite possibilities of our worlds and, thus, ourselves. It is this sense of wonder and hope that has been captured in Skygazer Fanfare. This work for concert band uses syncopated rhythms, layered percussion, and a sense of forward motion to create an exciting soundscape for young musicians. Careful attention has been paid to range and scoring to create a work that is attainable by smaller ensembles while retaining a full sound for larger ensembles as well. (2:20) This title is available in SmartMusic.Concert/Contest.
$3.00
2.77 €
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Concert band
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Randall D
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Skygazer Fanfare: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Skygazer Fanfare: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017025_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0017025_BTX E-flat Baritone Saxophone. Composed by Randall D. Standridge. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017025_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017025_BTX). UPC: 038081505947.Gazing into the sky, one may be overcome with the infinite possibilities of our worlds and, thus, ourselves. It is this sense of wonder and hope that has been captured in Skygazer Fanfare. This work for concert band uses syncopated rhythms, layered percussion, and a sense of forward motion to create an exciting soundscape for young musicians. Careful attention has been paid to range and scoring to create a work that is attainable by smaller ensembles while retaining a full sound for larger ensembles as well. (2:20) This title is available in SmartMusic.Concert/Contest.
$3.00
2.77 €
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Concert band
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Randall D
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Skygazer Fanfare: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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