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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.9 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.9 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.23 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.23 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.23 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Half-Past Two: 1st Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_PC1 1st Percussion. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_PC1 1st Percussion. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_PC1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: 1st Trombone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_TN1 1st Trombone. Comp…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_TN1 1st Trombone. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_TN1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_BTX E-flat Baritone Saxophone. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_BTX). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: B-flat Bass Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0017448_BC B-flat Bass Clarinet. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_BC). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Tuba
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_TB1 Tuba. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0017448_TB1 Tuba. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_TB1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: B-flat Tenor Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_TX1 B-flat Tenor Saxophone…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_TX1 B-flat Tenor Saxophone. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_TX1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_BTC1 Baritone T.C.. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_BTC1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Bells
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_B Bells. Composed by R…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_B Bells. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_B. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_B). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Bells
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: 2nd Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_PC2 2nd Percussion. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_PC2 2nd Percussion. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_PC2). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Oboe
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_O1 Oboe. Composed by R…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_O1 Oboe. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_O1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Flute
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0017448_F1 Flute. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_F1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: 1st B-flat Clarinet
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_C1 1st B-flat Clarinet…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_C1 1st B-flat Clarinet. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_C1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: 1st F Horn
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_H1 1st F Horn. Compose…
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Concert Band - Digital Download SKU: AX.00-PC-0017448_H1 1st F Horn. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_H1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: Timpani
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_TMP Timpani. Composed …
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Concert Band - Digital Download SKU: AX.00-PC-0017448_TMP Timpani. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_TMP). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Half-Past Two: E-flat Alto Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0017448_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0017448_AX1 E-flat Alto Saxophone. Composed by Randall D. Standridge. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017448_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017448_AX1). UPC: 038081517711.Half-Past Two is a rock piece for young band intended to reinforce and deepen the students' understanding of dotted quarter/eighth note rhythms, providing a vehicle for this concept that is fun and memorable for both students and audiences. The title is both an homage to time-inspired rock songs (25 or 6 to 4, Rock Around the Clock, Midnight Hour, etc. . . .) and a nod to the concept being taught---placing a note halfway past beat two. (2:35).
$3.00
2.75 €
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Concert band
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Randall D
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Half-Past Two: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
Concert band
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contempo…
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
22.9 €
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Concert band
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Neal Endicott
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Isn't It Enough to Think...Without Having to Believe
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Neal Endicott Music
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SheetMusicPlus
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
91.62 €
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Chamber Orchestra
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Ludwig van Beethoven
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Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Adrian Gagiu
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SheetMusicPlus
Pennsylvania 6-5000: Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0002331_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0002331_BTC1 Baritone T.C.. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002331_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002331_BTC1). UPC: 654979084754.With all the charisma of the original, this is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds -- bring it up to date by using a cell phone ring! Take a journey through musical -- and communication -- history with this energetic tune. (1:42).
$3.00
2.75 €
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Concert band
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Jerry Gray
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Pennsylvania 6-5000: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pennsylvania 6-5000: WP E-flat Tuba T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0002331_TBETC WP E-flat Tuba T.C.
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Concert Band - Digital Download SKU: AX.00-PC-0002331_TBETC WP E-flat Tuba T.C.. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002331_TBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002331_TBETC). UPC: 654979084754.With all the charisma of the original, this is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds -- bring it up to date by using a cell phone ring! Take a journey through musical -- and communication -- history with this energetic tune. (1:42).
$3.00
2.75 €
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Concert band
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Jerry Gray
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Pennsylvania 6-5000: WP E-flat Tuba T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pennsylvania 6-5000: Flute
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0002331_F1 Flute. Composed by …
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Concert Band - Digital Download SKU: AX.00-PC-0002331_F1 Flute. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002331_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002331_F1). UPC: 654979084754.With all the charisma of the original, this is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds -- bring it up to date by using a cell phone ring! Take a journey through musical -- and communication -- history with this energetic tune. (1:42).
$3.00
2.75 €
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Concert band
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Jerry Gray
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Pennsylvania 6-5000: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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