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27 sheet music found
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26
Sussex by the Sea for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 32 pages. Cornelius Edition (uk) #1015153. Published by Cornelius Edition (uk) (A0.1435052). William Ward-Higgs 1866 – 1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment. This version for Orchestra (2121 2231 Perc Timp Str) is in the lower key of Bb(which corresponds to the key used in Military Band performances. The vocal edition in the low key ID 1529973 corresponds if this is to be sung. For further arrangements by Marcus Martin vist www.marcusmartinmusic.co.uk.
$31.00
28.53 €
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Orchestra
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Ward-Higgs
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Hove Albion F
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Sussex by the Sea for Orchestra
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Cornelius Edition
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SheetMusicPlus
Sussex by the sea for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1432706 Composed by Ward Higgs. A…
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Concert Band - Level 3 - Digital Download SKU: A0.1432706 Composed by Ward Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 34 pages. Cornelius Edition (uk) #1013130. Published by Cornelius Edition (uk) (A0.1432706). William Ward-Higgs 1866 – 1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment. This version for Concert Band is in the lower key of Bb which corresponds to the key used in Military Band performances.
$29.99
27.6 €
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Concert band
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Ward Higgs
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Hove Albion F
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Sussex by the sea for Concert Band
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Cornelius Edition
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SheetMusicPlus
Murderous Psychosis
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1382114 Composed by Sabrina Junca…
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Concert Band - Level 4 - Digital Download SKU: A0.1382114 Composed by Sabrina Junca. 21st Century,Contemporary. 101 pages. Sabrina Junca #960124. Published by Sabrina Junca (A0.1382114). Murderous Psychosis is an original piece in which we can hear the bass drum which imitates heartbeats, sometimes irregular. It is made up of several “sequencesâ€, each corresponding to a different state of mind or atmosphere.Don't be afraid of the flats ;).
$120.00
110.44 €
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Concert band
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Sabrina Junca
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Murderous Psychosis
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Sabrina Junca
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SheetMusicPlus
Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphon…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphony of Ukraine, A. Leytush. By Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov. Arranged by Arkady Leytush. 19th Century. Score and parts. 46 pages. Arkady Leytush #964744. Published by Arkady Leytush (A0.1380035). â??Joke Quadrilleâ? is a collective composition by various composers: N.V. Artsibushev, I.I. Wihtol, A.K. Liadov, N.A. Sokolov, A.K. Glazunov, N.A. Rimsky-Korsakov (the names appears in the sequence corresponding to the order of the six figures of the Quadrille). The quadrille was published by M. Beliaev in 1891. The complete manuscript is kept at the M. I. Saltykov-Schedrin State Public Library (M.P. Beliaev archive, No.c/2a-e). Several of the manuscripts are dated. On A.K. Lyadovâ??s manuscript is â??March 9, 1890â?,on N.A. Rimsky-Korsakovâ??s Manuscript is: â??March 9, 1890. St. Petersburg.â?
$40.00
36.81 €
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Orchestra
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The National Symphony of Ukraine, A
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â?on N
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Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
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Arkady Leytush
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SheetMusicPlus
12 Jazz Duets - Volume 1
Jazz combo
Jazz Combo - Level 2 - Digital Download SKU: A0.980407 Composed by Antoine Joffrey.…
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Jazz Combo - Level 2 - Digital Download SKU: A0.980407 Composed by Antoine Joffrey. Instructional,Jazz. Score and parts. 15 pages. Antoine Joffrey #3223037. Published by Antoine Joffrey (A0.980407). 12 Original Pieces for 2 Alto Saxophones.1 PDF Book & 48 play-along tracksEverything you need to play by yourself or with a friend!For each duet corresponds 4 tracks:- A first track with both saxes plus the rhythm section- A second track with sax 1 only plus the rhythm section- A third track with sax 2 only plus the rhythm section- A last track with the rhythm section only(You can get your tracks online from the link given in the PDF book.)
$14.99
13.8 €
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Jazz combo
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Antoine Joffrey
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12 Jazz Duets - Volume 1
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Antoine Joffrey
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SheetMusicPlus
O Holy Night (Cantique Noel) Orchestral Accompaniment for High Voice in Eb
Level 3 - Digital Download SKU: A0.1141585 By James Nathaniel Holland / Virtual rea…
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Level 3 - Digital Download SKU: A0.1141585 By James Nathaniel Holland / Virtual realization. By Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christian,Christmas,Classical,Opera,Romantic Period. Accompaniment. Duration 365. James Nathaniel Holland #741921. Published by James Nathaniel Holland (A0.1141585). High Voice (Key of Eb). Virtual orchestral realization accompaniment for James Nathaniel Holland's arrangement of the Christmas carol, O Holy Night originally by Adolphe Adam. Contains a 2 bar introduction which corresponds with the same piano arrangment. Can be used with instrumental or vocal sheet music variations in this key and this arrangement. https://www.sheetmusicdirect.com/en-US/se/ID_No/826810/Product.aspx.
$2.50
2.3 €
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James Nathaniel Holland / Virtual realization
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O Holy Night
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James Nathaniel Holland
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SheetMusicPlus
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
Orchestra
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged …
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Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
46.02 €
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Orchestra
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N
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N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestra
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.44 €
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Orchestra
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Alicia DomÃnguez Arcos Sonay
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Boudicca, Queen of the Iceni
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.22 €
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Brass ensemble
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.76 €
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Chamber Orchestra
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Fiona Cork
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Syzygy | Ethereal Chamber Orchestra
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Fiona Cork
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SheetMusicPlus
1. Symphonie
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 …
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3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99
31.28 €
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Karl Amadeus Hartmann
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1. Symphonie
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Schott Music - Digital
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Sexual Revolution
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1191016 By Macy Gray. By Darryl Swa…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1191016 By Macy Gray. By Darryl Swann, Dave Wilder, Jeremy Ruzumna, and Macy Gray. Arranged by Steve Milloy. Pop. Score and parts. 48 pages. Steve Milloy #790546. Published by Steve Milloy (A0.1191016). Instrumental pack for the corresponding TTBB arrangement: A0.596818.
$25.00
23.01 €
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Jazz combo
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Macy Gray
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Sexual Revolution
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Steve Milloy
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SheetMusicPlus
Richard Wagnersche Klavierlieder
2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two …
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2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$55.99
51.53 €
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Hans Werner Henze and Richard Wagner
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Richard Wagnersche Klavierlieder
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Schott Music - Digital
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SheetMusicPlus
The Love of God
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. L…
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Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
27.61 €
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Concert band
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Frederick M
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Revelations 5 (Mvt. II)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer…
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Concert Band - Level 4 - Digital Download SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title – it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope – even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with John’s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality – how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the piece’s latter half, which is a softer reimagining of the Lion character’s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPA’s wind ensemble composition contest.
$50.00
46.02 €
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Concert band
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John Dorhauer
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Revelations 5
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John J Dorhauer
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.43 €
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Orchestra
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score and parts)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868922 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 72 pages. Really Good Music, LLC. #4837469. Published by Really Good Music, LLC. (A0.868922). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$90.00
82.83 €
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Orchestra
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Lev PULVER
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PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
Sanctuary!
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1335796 Composed by Alan Menken…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1335796 Composed by Alan Menken. Arranged by Marcos Barilari. Broadway,Film/TV,Musical/Show. 225 pages. Marcos Barilari #921621. Published by Marcos Barilari (A0.1335796). This meticulously crafted arrangement corresponds to the film's original sequence, which includes the short Wizard of Oz cue from the battle scene as Laverne yeals Fly my beauties! Fly!. So whether you're a professional orchestra looking to perform this wonderful cue or a film score fan who simply wants to dive deep into the nuances of one of Menken's greatest scores, this Hunchback Of Notre Dame orchestration is definitely a must-have.
$90.00
82.83 €
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Orchestra
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Alan Menken
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Sanctuary!
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Marcos Barilari
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SheetMusicPlus
Sanctuary! - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1335577 Composed by Alan Menken…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1335577 Composed by Alan Menken. Arranged by Marcos Barilari. Broadway,Film/TV,Musical/Show. 48 pages. Marcos Barilari #921399. Published by Marcos Barilari (A0.1335577). This meticulously crafted arrangement corresponds to the film's original sequence, which includes the short Wizard of Oz cue from the battle scene as Laverne yeals Fly my beauties! Fly!.So whether you're a professional orchestra looking to perform this wonderful cue or a film score fan who simply wants to dive deep into the nuances of one of Menken's greatest scores, this Hunchback Of Notre Dame orchestration is definitely a must-have.
$60.00
55.22 €
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Orchestra
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Alan Menken
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Sanctuary! - Score Only
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Marcos Barilari
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SheetMusicPlus
PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra (score)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.868920 Composed by Lev PULVER (…
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Full Orchestra - Level 4 - Digital Download SKU: A0.868920 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 36 pages. Really Good Music, LLC. #4837467. Published by Really Good Music, LLC. (A0.868920). The last project of Solomon Mikhoels in the Moscow State Yiddish Theater (GOSET) was David Bergelson’s play Prince Reubeni (1947). Lev PULVER (1883 – 1970) composed music for the production, and it can be said that its quality perfectly corresponded to the grandeur of the performance as envisioned by Mikhoels. Since the work on the project has been stopped by the death of Mikhoels, the music for Prince Reubeni was preserved only as piano scores. Sergei PICHUGIN includes into this publication his own orchestral versions of two musical episodes of the play: Storm on the Sea and Dance of Dina.
$50.00
46.02 €
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Orchestra
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Lev PULVER
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PULVER Lev: Two Scenes from "Prince Reubeni" for Symphony Orchestra
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Really Good Music, LLC.
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.97 €
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Orchestra
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
HYFRYDOL (Key of E-flat) - hymn orchestration
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.742844 Composed by Rowland H. P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742844 Composed by Rowland H. Pritchard. Arranged by David Winkler. Christian,Sacred. Score and parts. 23 pages. Www.DavidWinkler.com #4624281. Published by www.DavidWinkler.com (A0.742844). The harmonization of this arrangement corresponds to the version found in the 1990Presbyterian Hymnal. The tune, HYFRYDOL, may be used with several different hymntexts.
$49.95
45.97 €
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Orchestra
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Rowland H
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HYFRYDOL
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www.DavidWinkler.com
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SheetMusicPlus
Make His Praise a Glorious Thing (Orchestration)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976726 Composed by Robert Myers. Christian,Gospel,Sacred. Score and parts. 60 pages. WheatMyer Music #5191479. Published by WheatMyer Music (A0.976726). Make His Praise a Glorious Thing is a new setting of the English language's great doxology from the pen of Thomas Ken. It builds on his words with references to the multitude of Psalmic exhortations to exuberantly praise God in manifold ways and make His praise glorious. The character of the piece reflects this with a joyous and spirited aesthetic above a driving tempo. The text also juxtaposes our contemporary praises within the historic stream of doxologies from saints past and future as a precursor to the eternal, magnificent, and heavenly doxologies portrayed in Revelation 5 and 7. The melody correspondingly has roots in the traditional Old 100th Psalm tune as well, although it will take a keen ear to catch it.Although set for SATB choir, it is hoped that the accessible melody will find a place in your congregational singing also. Make His Praise a Glorious Thing is a wonderful call to worship, responsorial, or sacred concert opening or closing. Choral octavos with piano accompaniment are available separately.
$45.00
41.41 €
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Orchestra
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Robert Myers
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Make His Praise a Glorious Thing
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WheatMyer Music
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SheetMusicPlus
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