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Sheetmusic to print
13 sheet music found
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1
Oriental Dance - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750961 Composed by Brendan Ellige…
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Concert Band - Level 3 - Digital Download SKU: A0.750961 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 72 pages. BJE Music #5358511. Published by BJE Music (A0.750961). This is an original composition for Concert Band was written in 2007 - then expanded and revised in 2020. It has an Oriental flavor with rhythmic percussion, Staccato woodwind parts and often a sustained bassline…Elements of a pentatonic scale. There is also a version for Orchestra.The MP3 was recorded with NotePerformer 3Grade = 4 Duration = 3:30 mins.
$25.00
23.01 €
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Concert band
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Brendan Elliget MAGA 537
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Oriental Dance - Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
Oriental Festmarch From Aladdin
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1221727 Composed by Carl August N…
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Concert Band - Level 3 - Digital Download SKU: A0.1221727 Composed by Carl August Nielsen. Arranged by Yves Bouillot. 20th Century. Score and Parts. 59 pages. Yves Bouillot #818035. Published by Yves Bouillot (A0.1221727). Aladdin, opus 34 by Carl Nielsen, is incidental music created to accompany a revival of Aladdin by Danish playwright Adam Oehlenschläger at the Royal Danish Theater in February 1919. Oriental Festmarch is the best known and most accessible piece of this incidental music.
$45.00
41.41 €
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Concert band
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Carl August Nielsen
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Oriental Festmarch From Aladdin
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Yves Bouillot
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SheetMusicPlus
You Only Live Twice
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry an…
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Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99
46.01 €
#
Concert band
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John Barry and Leslie Bricusse
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You Only Live Twice
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Keith Terrett
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SheetMusicPlus
In A Minor Mood v2 - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750956 Composed by Brendan Ellige…
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Concert Band - Level 3 - Digital Download SKU: A0.750956 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5218861. Published by BJE Music (A0.750956). This is an original composition for Concert Band in D minor with a slightly oriental flavor. There are sections of staccato for the woodwinds and brass as well as dramatic lines especially for the horns and trumpets - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is also a version Orchestra at this web site...The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:45 mins.
$15.00
13.8 €
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Concert band
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Brendan Elliget MAGA 537
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In A Minor Mood v2 - Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
China town - Flexible concert band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.855968 Composed by Pott Shrigley …
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Concert Band - Level 2 - Digital Download SKU: A0.855968 Composed by Pott Shrigley Press. 20th Century,Children,Contemporary,World. Score and parts. 25 pages. Darren Lloyd #4728201. Published by Darren Lloyd (A0.855968). A flexible arrangement of an original composition aimed at beginner bands. Written with the pentatonic scale in mind to give an oriental flavour! The piece has a staccato lively section at the start with a contrasting legato section before DC'ing for a rousing finish!Arranged in 5 parts. V1 = 4parts. V2 = 4 parts. V3 = 3 parts. V4 = 3 parts. V5 = 4 parts.Parts for Flute octave higher, Flute, Oboe, Clarinet Bb, Alto Sax, Tenor Sax, Bari Sax, Bassoon, Horn in F, Horn in Eb, Trumpet Bb, Trombone Bass clef, Trombone Treble clef, Baritone Bass clef, Baritone Treble clef, Tuba Bass clef, Tuba Treble clef, Glockenspiel, Drum set, Bass, Guitar.
$9.99
9.19 €
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Concert band
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Pott Shrigley Press
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China town - Flexible concert band
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Darren Lloyd
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SheetMusicPlus
The Imperial Crown (Concert Band)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.759803 Composed by Raymond Fenech…
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Concert Band - Level 3 - Digital Download SKU: A0.759803 Composed by Raymond Fenech. 20th Century,Contemporary,Film/TV,Standards,Video Game. Score and parts. 34 pages. Raymond Fenech #2930297. Published by Raymond Fenech (A0.759803). 'The Imperial Crown' is an original incidental piece of music in which we hear an oriental theme and than develops into an exotic ending. Nice slow tempo throughout the piece.
$25.00
23.01 €
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Concert band
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Raymond Fenech
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The Imperial Crown
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Raymond Fenech
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SheetMusicPlus
Mother Goose Suite (score only, 11" x 17" format)
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.932827 Composed by Maurice Ravel …
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Concert Band - Level 4 - Digital Download SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. 45 pages. Komodo Music #6530195. Published by Komodo Music (A0.932827). Ravel's enchanting masterpiece, transcribed for symphonic band or wind ensemble in a brand new edition for SMP Press! The entire suite has been lovingly and painstakingly recast for winds and percussion, with an emphasis on transparent textures and colorful scoring. Included are: the pensive Pavane for the Sleeping Princess in the Woods, Little Tom Thumb, the exotic Oriental-flavored Laidonnerette (Little Ugly), Princess of the Pagodas, the charming waltz Dialogue Between Beauty and the Beast, and the ravishingly beautiful finale, The Fairy Garden. Long a favorite with orchestras and audiences, Ravel's Mother Goose Suite's introduction to wind band audiences is long overdue! Score only, parts available separately.
$40.00
36.81 €
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Concert band
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Maurice Ravel
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Mother Goose Suite
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Komodo Music
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SheetMusicPlus
The Caravan
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.916766 Composed by John Isbell. W…
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Concert Band - Level 4 - Digital Download SKU: A0.916766 Composed by John Isbell. World. Score and parts. 54 pages. John Isbell Music #4288547. Published by John Isbell Music (A0.916766). An oriental themed piece for Wind Symphony. Great to listen to and your ensemble will have tons of fun while playing it!Includes Score & Parts.MP3 Audio is computer generated.
$99.99
92.02 €
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Concert band
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John Isbell
#
Parts
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The Caravan
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John Isbell Music
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.01 €
#
Orchestra
#
Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
#
SheetMusicPlus
In A Minor Mood - Orchestra v2 Score and Parts PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elli…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223193. Published by BJE Music (A0.750955). This is an original composition for orchestra in D minor with a slightly oriental flavor. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is a Violin 3 part which is a sub for Viola.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 3:03 mins.
$20.00
18.41 €
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Orchestra
#
Brendan Elliget MAGA 537
#
In A Minor Mood - Orchestra v2 Score and Parts PDF
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BJE Music
#
SheetMusicPlus
In A Minor Mood - Orchestra Score and Parts PDF
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750943 Composed by Brendan Elli…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.750943 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #5032459. Published by BJE Music (A0.750943). This is an original composition for orchestra in D minor with a slightly oriental flavour. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:45 mins.
$25.00
23.01 €
#
Orchestra
#
Brendan Elliget MAGA 537
#
In A Minor Mood - Orchestra Score and Parts PDF
#
BJE Music
#
SheetMusicPlus
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