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9976
My Shot (from Hamilton) (arr. Larry Moore) (10-Piece Digital Pack)
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String Orchestra
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INTERMEDIATE
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Walt Disney
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Broadway
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Albert Johnson and Lin-Manuel
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Larry Moore
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My Shot
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Hal Leonard - Digital
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SheetMusicPlus
Level 3-4 - Digital Download SKU: HX.367512 From the Broadway musical Hamilton. By Albert Johnson and Lin-Manuel Miranda. Arranged by Larry Moore....
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Level 3-4 - Digital Download SKU: HX.367512 From the Broadway musical Hamilton. By Albert Johnson and Lin-Manuel Miranda. Arranged by Larry Moore. This edition: scorch. Musical/Show. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.367512).
Digital Pack includes
:
My Shot (from Hamilton) (arr. Larry Moore) - Percussion
My Shot - Piano
My Shot - Bass
My Shot - Viola
My Shot - Violin 3 (Viola Treble Clef)
My Shot - Violin 2
My Shot - Conductor Score (Full Score)
My Shot - Cello
My Shot - Vocal Solo
My Shot - Violin 1
$50.00
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Vision...
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visiona...
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Please Don't Love Me From A Distance
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Jazz Ensemble
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INTERMEDIATE
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Michael Drake
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Kevin Carberry
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Please Don't Love Me From A Di
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1506961 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1506961 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Reggae,World. 104 pages. Michael Gene Drake #1082343. Published by Michael Gene Drake (A0.1506961). “Please Don’t Love Me From A Distance” Is a Big Band arrangement of a song from my CD “No Tan Lines” 1997. It is a vocal with a horn solo.michaeldrakemusic@outlook.com www.drakemusic.com https://www.youtube.com/watch?v=LC-6AT5diPw Please Don’t Love Me Oh oh oh oh oh From A Distance.Please Don’t Love Me From A Distance, I got to have you next to me,Through the good times and the sorrow, My love for you will always be,Please Don’t Love Me From A Distance, Let our lives reflect ourselves,May we always keep in our hearts,A love that shares and understands.Please Don’t Love Me From A Distance, Believe in us and we become,Like the oak tree in our front yard,Growing tall and very strong.Please Don’t Love Me From A Distance, Please don’t love me from afar,Please don’t love me from arms length,‘Cause this is all that I ask of you.
$35.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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String Orchestra
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic P...
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Handel Highlights - March from Scipio Air from Rinaldo See the Conquering Hero- for Flex ensembles
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Concert band
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Classical
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George Frideric Handel
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David Catherwood
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Handel Highlights - March from
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Opus 3 Music
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.739498 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Multicultural,Wedding,World. Sco...
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Concert Band - Digital Download SKU: A0.739498 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Multicultural,Wedding,World. Score and parts. 55 pages. Opus 3 Music #5792461. Published by Opus 3 Music (A0.739498). Three of Handel's best loved tunes arranged for flexible quartets or ensembles.1. March from Scipio2. Air from Rinaldo (Lascia ch'io pianga)3. See the Conquering Hero (Thine be the Glory) from Judas MaccabeusThese arrangements are suitable for school orchestras and ensembles and more experienced players. The arrangements allow for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass band. Very suitable for brass or string quartets or mixed wind groups. The generous set of parts included in the download is listed below. As with all music available from Opus 3 Music these arrangements have been well tried and tested in performanceA full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion
$17.50
Stride- based on a theme from Rhapsody In Blue for little big band
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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George Gershwin
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John Hoesly
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Stride- based on a theme from
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453565 By George Gershwin. By George Gershwin. Arranged by John Hoesly. Jazz,Standards....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453565 By George Gershwin. By George Gershwin. Arranged by John Hoesly. Jazz,Standards. 78 pages. PRS&B #1032789. Published by PRS&B (A0.1453565). Stride: from Rhapsody In Blue- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, “national pep”. This is known as the Stride theme because of it’s resembling a typical stride piano accompaniment so prominent in the era. Here, it is presented as a stand-alone tune. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Tag Blues: from Rhapsody In Blue- Jazz Ensemble Big Band
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Jazz Ensemble
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INTERMEDIATE
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George Gershwin
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John Hoesly
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Tag Blues: from Rhapsody In Bl
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.753647 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 52 ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.753647 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 52 pages. PRS&B #6202157. Published by PRS&B (A0.753647). Tag Blues: from Rhapsody In Blue- for big band/jazz ensemble arranged by John Hoesly. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, national pep. The Tag Blues is a theme from RIB that is used as connective tissue throughout the piece. It is most famously stated in the bass clarinet. It is know as the the Good Evening Friends theme. In this arrangement, it is lifted from RIB and presented as a stand-alone blues tune. There is a solo for piano and tenor sax, but any member of the band could step in and solo on its simple blues changes. Difficulty level is intermediate and certainly playable by most high school jazz ensembles. Lead Tpt G5.
$50.00
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Jazz Ensemble
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INTERMEDIATE
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Classical
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
Offertoire (from 'In Memoriam')
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Concert band
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INTERMEDIATE
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Hedwige Chrétien
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John Ivor Holland
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Offertoire
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chrétien. Arranged by John Ivor Holland. 20th Century,Classical,Multicultu...
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Concert Band - Level 3 - Digital Download SKU: A0.1460836 Composed by Hedwige Chrétien. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Praise & Worship,Religious,World. 39 pages. John Ivor Holland #1039739. Published by John Ivor Holland (A0.1460836). Hedwige Chrétien (15 July 1859 – 1944) was a French composer, appointed professor at the Paris Conservatoire in 1889 where she had previously been a student from 1874. She was a prolific composer, yet not much else is known about her life. Her compositions, about 150 in all, consist of pieces for piano, orchestral and chamber works, songs, two ballets and two one-act operas. One of the most extensive collections of her work in the United States is held in the University of Michigan's Women Composers Collection, which is available on microfilm from there and other libraries. 'Offertoire' dates from 1926 and is taken from a collection of works for organ or harmonium called 'In Memoriam' for use in funeral services but works well as a standalone piece, particularly suitable for memorial events or moments of calm in a programme. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
They Can't Take That Away From Me
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Jazz Ensemble
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INTERMEDIATE
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Frank Sinatra
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John Hoesly
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They Can't Take That Away From
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453574 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Hoesly. ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453574 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Hoesly. Film/TV,Jazz,Pop,Standards. 71 pages. PRS&B #1032798. Published by PRS&B (A0.1453574). THEY CAN’T TAKE THAT AWAY FROM ME- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. They Can't Take That Away from Me has become a standard in the Great American Songbook, celebrated for its timeless elegance and emotional resonance. One of Gershwin’s best. Features a nice counter line/answer motive.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
And The Glory Of The Lord (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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George Frideric Handel
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Charles A
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And The Glory Of The Lord
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1232907 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 21 pages. CG Publications #828536. Published by CG Publications (A0.1232907). The glorious opening chorus from, from Handel’s “MESSIAH,†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Performance requires a moderately accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.Â
$14.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Themes from the Beach 3rd Horn in F
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Peter Westin
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Themes from the Beach 3rd Horn
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1011735 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #344...
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Concert Band - Level 4 - Digital Download SKU: A0.1011735 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449491. Published by Peter's Publishing House (A0.1011735). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.This is a separate part scored for 3rd Horn in F from Themes from the Beach (Score Sold Separately). The Horn Part is 5 pages long with no offbeats throughout and is Scored in 4 movements, 1 - Atmospheres , 2 - Strolling in Paradise, 3 - Chillin Ballad, 4 - Exposed to the sunlight. Each different part will need separate purchases.
$3.99
Roses From the South - Strauss Waltz Medley for Big Band
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Jazz Ensemble
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INTERMEDIATE
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Classical
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Johann Strauss Jr
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Daryl McKenzie
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Roses From the South - Strauss
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic Period,World. Score and Parts. 92 pages. Daryl McKenzie #5376935. Published by Daryl McKenzie (A0.718329). Roses From the South - Strauss Waltz Medley for Big Band (saxes). Four waltzes in a medley - each can be performed separately if required. 5 Saxes (Ten 2 & Bari opt.), 4 Trumpets (3rd & 4th opt.), 4 Trombones (3rd & 4th opt.), Piano, Guitar, Bass, Drums.An alternative arrangement using woodwind doubles on all sax parts is also available on SMP: Search HerePlayable with 3 Saxes, 2 Trumpets, 2 Trombones and no Guitar.Full audio demo (from Sibelius WW version): Click HereRosen aus dem Süden (Roses From the South), Op. 388, is a waltz medley composed by Johann Strauss II (1825 –  1899) in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin (The Queen's Lace Handkerchief). This arrangement is ideal for formal balls or ballroom dancing requiring a Viennese waltz. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$59.99
Tears for the Death of an Infant, Solo Cello (Violin or Viola) and Orchestra from the Snow Queen Bal
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Chamber Orchestra
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INTERMEDIATE
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James Nathaniel Holland
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Tears for the Death of an Infa
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Holland #3365251. Published by James Nathaniel Holland (A0.730410). Excerpt from Act 2, Scene 1 Gerde Mourns the Death of Kai from the ballet The Snow Queen Trio for Solo Cello (or Solo Violin, or Solo Viola, and small orchestra by American Costa Rican composer James Nathaniel Holland. Sad and moving. Full score (in Concert pitch) and Individual parts (including solo parts) included. Piano reduction scores sold separately but measures match up to any arrangement and scores from the full ballet. Can be augmented with optional piano or organ from the reduction scores.Instrumentation: 1fl, 1clBb, 1bsn, 4 hrns in F, Chimes, solo cello (or solo violin or solo viola), stringsDuration: 4:29 minutesYouTube presentation (with cello): https://youtu.be/7bHPvmjvY_4Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook: https://www.facebook.com/jamesnathanielholland.
$15.95
Return Of The Blues: from Rhapsody In Blue- for jazz ensemble big band
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Jazz Ensemble
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INTERMEDIATE
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George Gershwin
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John Hoesly
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Return Of The Blues: from Rhap
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 pages. PRS&B #6202151. Published by PRS&B (A0.753645). Return Of The Blues: from Rhapsody In Blue- for big band/jazz ensemble arranged by John Hoesly. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, national pep. Return Of The Blues is known as the ritornello (Italian: return) theme as it appears seven times during RIB. It is one of the more famous themes from RIB, being heard right after the clarinet glissando in the beginning of the piece. Here, it is presented as a stand-alone tune. It is written with a trumpet solo, but the solo can be played by any member of the band. Difficulty level is intermediate and certainly playable by most high school jazz ensembles. Lead Tpt Ab5.
$50.00
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Frank Sinatra
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Matt Amy
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They Can't Take That Away From
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Matt Amy Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.750498 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Matt Amy. 20th...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.750498 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Matt Amy. 20th Century. Score and parts. 69 pages. Matt Amy Music #4999981. Published by Matt Amy Music (A0.750498). Medium Swing for male vocal duet in the key of D. 116 BPM, Duration: 2'57More arrangements from Matt Amy here: https://www.sheetmusicplus.com/publishers/matt-amy-music-sheet-music/3005565?ac=1
$50.00
"Lascia ch'io pianga" an Air from the Opera Rinaldo by Handel - String Quartet/Orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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George Frideric Handel
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David Catherwood
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"Lascia ch'io pianga" an Air f
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Opus 3 Music
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.739445 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Opera. Score and p...
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String Orchestra - Level 3 - Digital Download SKU: A0.739445 Composed by George Frideric Handel. Arranged by David Catherwood. Baroque,Opera. Score and parts. 4 pages. Opus 3 Music #3692975. Published by Opus 3 Music (A0.739445). Lascia ch'io pianga an Air from the Opera Rinaldo by Handel arranged for String Quartet by David CatherwoodOne of Handel's most well known tunes - in the original key of F majorThis arrangement is suitable for String Quartet (or String Orchestra with a Double bass playing from the 'cello part.) Â As with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceThe download contains parts for the following instruments:1st Violin2nd ViolinViola Cello/BassAlso available as a flexible arrangement for wind and brass (in the key of C) at the following linkhttps://www.sheetmusicplus.com/title/march-from-scipio-digital-sheet-music/20467700
$4.50
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Sinfonia for strin
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and P...
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String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00
Abraham’s Daughter: March from the Civil War
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Concert band
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INTERMEDIATE
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Folkloric/Traditional
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Abraham’s Daughter: March fr
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs)....
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Delius: La Calinda (from Koanga) for Orchestra
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Orchestra
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ADVANCED
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classi...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
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