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Into the Woods - Timpani
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26
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.06 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
The Teddy Bears' Picnic
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1153962 By Ellen Harle. By Jo…
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String Orchestra - Level 3 - Digital Download SKU: A0.1153962 By Ellen Harle. By John W. Bratton. Arranged by Ellen Harle. 20th Century,Children. Score and parts. 27 pages. Fireworks Music #754232. Published by Fireworks Music (A0.1153962). This charming and popular children's song is arranged here for strings. It would work for quartet (2 violins, viola or violin 3, and cello), String Quintet with the inclusion of double bass, or string orchestra or ensemble. The included violin 3 part is primarily viola in treble clef, if a viola player is not available. The violin 1 part includes some third position work, and a simplified cello part is also included if the player finds the string crossings too difficult. This would suit intermediate level players and therefore suitable for school chamber groups and ensembles. It is particularly enjoyable repertoire for more senior students to perform to younger students. Purchase includes score and all parts. Please enjoy, and remember: don't go into the woods alone!
$49.99
45.33 €
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String Orchestra
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Ellen Harle
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The Teddy Bears' Picnic
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Fireworks Music
#
SheetMusicPlus
Over The River And Through The Woods (for String Orchestra)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.611468 Composed by Traditional.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.611468 Composed by Traditional. Arranged by Stephen DeCesare. Children,Christmas,Folk,Holiday,Instructional. Score and parts. 32 pages. Exultet Music #486039. Published by Exultet Music (A0.611468). Exciting and fun arrangement of the popular Holiday classic. Scored for Violin 1 and 2, Viola, Cello, Double Bass, Wood Blocks and Piano. Starts as chorale-type piece then develops into a four-part canon. Can be played for Thanksgiving and throughout the Christmas season. Accessible for all levels of playing from schools to professional groups. Video Review: https://www.youtube.com/watch?v=UHalNo6BYkg
$49.99
45.33 €
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Orchestra
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Traditional
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Over The River And Through The Woods
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Exultet Music
#
SheetMusicPlus
Highlights From Into The Woods - Eb Alto Clarinet
Concert band
Level 3 - Digital Download SKU: HX.307157 By Stephen Sondheim. Arranged by Michael …
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Level 3 - Digital Download SKU: HX.307157 By Stephen Sondheim. Arranged by Michael Brown. Broadway,Musical/Show. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.307157).
$6.00
5.44 €
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Concert band
#
Stephen Sondheim
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Highlights From Into The Woods - Eb Alto Clarinet
#
Hal Leonard - Digital
#
SheetMusicPlus
No One Is Alone (from Into The Woods) - Conductor Score (Full Score)
String Orchestra
String Orchestra - Level 3-4 - Digital Download SKU: HX.350872 Arranged by James Ka…
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String Orchestra - Level 3-4 - Digital Download SKU: HX.350872 Arranged by James Kazik. This edition: scorch. Broadway,Concert,Disney,Jazz,Pop,Standards. 7 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.350872).
$5.00
4.53 €
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String Orchestra
#
No One Is Alone
#
Hal Leonard - Digital
#
SheetMusicPlus
No One Is Alone (from Into The Woods) - Bass
Level 3-4 - Digital Download SKU: HX.350878 Arranged by James Kazik. This edition: …
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Level 3-4 - Digital Download SKU: HX.350878 Arranged by James Kazik. This edition: scorch. Broadway,Concert,Disney,Jazz,Pop,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.350878).
$7.00
6.35 €
#
No One Is Alone
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Hal Leonard - Digital
#
SheetMusicPlus
No One Is Alone (from Into The Woods) - Viola
Level 3-4 - Digital Download SKU: HX.350876 Arranged by James Kazik. This edition: …
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Level 3-4 - Digital Download SKU: HX.350876 Arranged by James Kazik. This edition: scorch. Broadway,Concert,Disney,Jazz,Pop,Standards. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.350876).
$7.00
6.35 €
#
No One Is Alone
#
Hal Leonard - Digital
#
SheetMusicPlus
Highlights From Into The Woods - Eb Baritone Saxophone
Concert band
Level 3 - Digital Download SKU: HX.307162 By Stephen Sondheim. Arranged by Michael …
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Level 3 - Digital Download SKU: HX.307162 By Stephen Sondheim. Arranged by Michael Brown. Broadway,Musical/Show. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.307162).
$6.00
5.44 €
#
Concert band
#
Stephen Sondheim
#
Highlights From Into The Woods - Eb Baritone Saxophone
#
Hal Leonard - Digital
#
SheetMusicPlus
Highlights From Into The Woods - Baritone T.C.
Concert band
Level 3 - Digital Download SKU: HX.307171 By Stephen Sondheim. Arranged by Michael …
(+)
Level 3 - Digital Download SKU: HX.307171 By Stephen Sondheim. Arranged by Michael Brown. Broadway,Musical/Show. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.307171).
$6.00
5.44 €
#
Concert band
#
Stephen Sondheim
#
Highlights From Into The Woods - Baritone T.C.
#
Hal Leonard - Digital
#
SheetMusicPlus
Into The Woods (Medley) - Synthesizer II
Piano (band part)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Mus…
(+)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Musical/Show. EPak. 7 pages. Duration 14:45. Published by Hal Leonard - Digital Sheet Music
$7.00
6.35 €
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Piano (band part)
#
Concert
#
Into The Woods
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Into The Woods (Medley) - Synthesizer I
Piano (band part)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Mus…
(+)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Musical/Show. EPak. 11 pages. Duration 14:45. Published by Hal Leonard - Digital Sheet Music
$7.00
6.35 €
#
Piano (band part)
#
Concert
#
Into The Woods
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Into The Woods (Medley) - Bassoon
Bassoon (band part)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Mus…
(+)
Arranged by Ed Lojeski and Stephen Sondheim. Instrumental Ensemble. Broadway; Concert; Musical/Show. EPak. 7 pages. Duration 14:45. Published by Hal Leonard - Digital Sheet Music
$7.00
6.35 €
#
Bassoon (band part)
#
Concert
#
Into The Woods
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.67 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.67 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.67 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Into the Dark Woods
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.703520 Composed by Eric Bingham…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.703520 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 38 pages. Eric Bingham-Kumpf #3880059. Published by Eric Bingham-Kumpf (A0.703520).
$30.00
27.2 €
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Orchestra
#
Eric Bingham-Kumpf
#
Into the Dark Woods
#
Eric Bingham-Kumpf
#
SheetMusicPlus
God Rest Ye Merry Gentlemen
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.901464 Composed by Traditional …
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Brass Ensemble - Level 3 - Digital Download SKU: A0.901464 Composed by Traditional English Carol. Arranged by Hayden Woods. Christian,Christmas,Jazz,Sacred. Score and parts. 20 pages. Hayden Lee Woods #3820273. Published by Hayden Lee Woods (A0.901464). *** 2018 Holiday Contest Entry ***God Rest Ye Merry Gentlemen has been revamped to fit a more jazz-focused sound within the parameters of the brass quintet. The intro follows the second half of the original carol before breaking into a more upbeat fast-paced romp that trades the melody across all the instruments. It is a shorter piece that demands the technique of some syncopation and embellishments on the main theme. Each part is important between the melody and chord building with many chords having an added 7th and 9th to contextually bring this piece to the next level. This version transposes from F minor to G minor for an ease of performance in intermediate-level chamber ensembles. For a slightly more advanced version, which tests the range of the horn and the dexterity of the trumpets in a different transposition, follow the link (https://www.sheetmusicplus.com/title/god-rest-ye-merry-gentlemen-digital-sheet-music/20820430).This purchase includes a full 10 page score and each individual part of 2 pages each.The audio clip is a MIDI export of the piece, so there will be a few discrepancies on how the piece should sound; however the general context is very present throughout.For more info on the arranger, follow https://woodshaydenlee.wixsite.com/trombone to get to know the artist and contact for questions or services!
$9.99
9.06 €
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Brass ensemble
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Traditional English Carol
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God Rest Ye Merry Gentlemen
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Hayden Lee Woods
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SheetMusicPlus
God Rest Ye Merry Gentlemen
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.901463 Composed by Traditional …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.901463 Composed by Traditional English Carol. Arranged by Hayden Woods. Christmas,Jazz,Sacred. Score and parts. 21 pages. Hayden Lee Woods #3676473. Published by Hayden Lee Woods (A0.901463). *** 2018 Holiday Contest Entry ***God Rest Ye Merry Gentlemen has been revamped to fit a more jazz-focused sound within the parameters of the brass quintet. The intro follows the second half of the original carol before breaking into a more upbeat fast-paced romp that trades the melody across all the instruments. It is a shorter piece that demands the technique of some syncopation and embellishments on the main theme. Each part is important between the melody and chord building with many chords having an added 7th and 9th to contextually bring this piece to the next level. This version, which transposes from F minor to F# minor, along with a horn line that is in the upper register, provides a challenge for fingerings that will test the dexterity of valved instruments. For an intermediate version, follow the link (*link TBD*).This purchase includes a full 11 page score and each individual part of 2 pages each.The audio clip is a MIDI export of the piece, so there will be a few discrepancies on how the piece should sound; however the general context is very present throughout.For more info on the arranger, follow https://woodshaydenlee.wixsite.com/trombone to get to know the artist and contact for questions or services!
$9.99
9.06 €
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Brass ensemble
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Traditional English Carol
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God Rest Ye Merry Gentlemen
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Hayden Lee Woods
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SheetMusicPlus
Highlights From Into The Woods - Conductor Score (Full Score)
Concert band
By Stephen Sondheim. Arranged by Michael Brown. Broadway; Musical/Show. Concert Band. 34 p…
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By Stephen Sondheim. Arranged by Michael Brown. Broadway; Musical/Show. Concert Band. 34 pages. Published by Hal Leonard - Digital Sheet Music
$10.00
9.07 €
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Concert band
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Stephen Sondheim
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Musical/Show
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Highlights From Into The Woods - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
No One Is Alone (from Into The Woods) - Piano
Piano (band part)
Broadway; Concert; Disney; Jazz; Pop; Standards. Orchestra. 2 pages. Published by Hal Leon…
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Broadway; Concert; Disney; Jazz; Pop; Standards. Orchestra. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.350879). - Orchestra - Broadway; Concert; Disney; Jazz; Pop; Standards - Hal Leonard - Digital Sheet Music
$7.00
6.35 €
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Piano (band part)
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Concert
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No One Is Alone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Into The Woods (Accompaniment Track)
Concert band
Composed by Stephen DeCesare. For Concert Band. Broadway,Musicals,Children's Music,Ch…
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Composed by Stephen DeCesare. For Concert Band. Broadway,Musicals,Children's Music,Children's Musicals,Fairy Tales. Accompaniment. Published by Exultet Music
$3.99
3.62 €
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Concert band
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Stephen DeCesare
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Into The Woods
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Exultet Music
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SheetMusicPlus
Selections from Into the Woods - Full Score
Concert band
By Stephen Sondheim (1930-). Arranged by Stephen Bulla. Broadway; Musical/Show. Concert Ba…
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By Stephen Sondheim (1930-). Arranged by Stephen Bulla. Broadway; Musical/Show. Concert Band. 31 pages. Published by Hal Leonard - Digital Sheet Music
$7.50
6.8 €
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Concert band
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Stephen Sondheim
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Musical/Show
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Selections from Into the Woods - Full Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Highlights From Into The Woods - Oboe
Oboe (band part)
Broadway; Musical/Show. Concert Band. 3 pages. Published by Hal Leonard - Digital Sheet Mu…
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Broadway; Musical/Show. Concert Band. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.307152). - Concert Band - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$6.00
5.44 €
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Oboe (band part)
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Musical/Show
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Highlights From Into The Woods - Oboe
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Highlights From Into The Woods - Baritone B.C.
Saxhorn / baritone b.c. (band part)
Broadway; Musical/Show. Concert Band. 3 pages. Published by Hal Leonard - Digital Sheet Mu…
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Broadway; Musical/Show. Concert Band. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.307170). - Concert Band - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$6.00
5.44 €
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Saxhorn / baritone b.c. (band part)
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Musical/Show
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Highlights From Into The Woods - Baritone B.C.
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Highlights From Into The Woods - Bb Bass Clarinet
Clarinet (band part)
Broadway; Musical/Show. Concert Band. 2 pages. Published by Hal Leonard - Digital Sheet Mu…
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Broadway; Musical/Show. Concert Band. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.307158). - Concert Band - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$6.00
5.44 €
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Clarinet (band part)
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Musical/Show
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Highlights From Into The Woods - Bb Bass Clarinet
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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