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Love Begins
ORCHESTRA - BAND
Sheetmusic to print
112 sheet music found
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101
Butterfly Lovers Concerto
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String Orchestra
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INTERMEDIATE/ADVANCED
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Gang Chen and Zhanhao He
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Lyris Pat
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Butterfly Lovers Concerto
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Lyris Pat
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1452599 Composed by Gang Chen and Zhanhao He. Arranged by Lyris Pat. 20th Century,Multicultural,Rom...
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String Orchestra - Level 4 - Digital Download SKU: A0.1452599 Composed by Gang Chen and Zhanhao He. Arranged by Lyris Pat. 20th Century,Multicultural,Romantic Period,World. 17 pages. Lyris Pat #1031690. Published by Lyris Pat (A0.1452599). The Butterfly Lovers Violin Concerto (Liang Zhu 梁祝) is a beloved concerto that features traditional Chinese folk tunes written in the Western orchestral idiom. This rendition has taken the main tune from the first movement and abridged it to fit into a short 5 minute stand alone piece.This arrangement is for 2 advanced solo violinists, optional guzheng, harp, or piano, and an intermediate student string orchestra. The 2 solo violin parts here are symbolic of Zhu Yingtai (祝英臺), the story's protagonist, and of Liang Shanbo (梁山伯), her lover. The first movement describes Zhu’s road to Hangzhou for her studies. As a young woman she is forbidden to attend school so she becomes disguised as a man. She meets Liang for the first time and their passionate journey begins, first as a sweet friendship and then finally as a tragic, forbidden love.
$75.00
Into Love's Light
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String Orchestra
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EASY
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M
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Into Love's Light
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LudwigMasters Digital
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SheetMusicPlus
String Orchestra - Grade 2.5 - Digital Download SKU: XM.50255152 Composed by M. L. Daniels. Original Concert Works. Score. 6 pages. LudwigMasters Digital...
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String Orchestra - Grade 2.5 - Digital Download SKU: XM.50255152 Composed by M. L. Daniels. Original Concert Works. Score. 6 pages. LudwigMasters Digital #50255152. Published by LudwigMasters Digital (XM.50255152). ISBN 9781682968260. 9 x 12 inches.Beautifully voiced harmonies with an expressive melody take this lyric work to musical heights of inexpressible loveliness. It begins in C major, with modulations into both D and G major. There is some optional third position for violin 1 and low strings have an active and flowing bass line.
$5.00
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Symphony No. 2, "Litanies of L
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
Theme From Ice Castles (through The Eyes Of Love)
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Orchestra
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INTERMEDIATE
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Contemporary
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Carole Bayer Sager and Marvin
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Daniel G Fritch
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Theme From Ice Castles
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Daniel G Fritch
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.919785 Composed by Carole Bayer Sager and Marvin Hamlisch. Arranged by Daniel G Fritch. Contemporary....
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Full Orchestra - Level 3 - Digital Download SKU: A0.919785 Composed by Carole Bayer Sager and Marvin Hamlisch. Arranged by Daniel G Fritch. Contemporary. Score and parts. 90 pages. Daniel G Fritch #6706455. Published by Daniel G Fritch (A0.919785). This is a full orchestra arrangement suitable for high school or community orchestras. Each section has rich sounds supporting the classic piano melody from this song.InstrumentationPiccolo Flutes 1 & 2Oboes 1 & 2 (2nd Oboe optional) Clarinets in Bb 1 & 2 Bass Clarinet Bassoons 1 & 2 (covered by Bass Clarinet 2nd Bassoon optional)Horns in F 1, 2, 3 & 4Bb Trumpets 1, 2 & 3Trombones 1 & 2Bass TromboneTubaPercussion I High hat/Suspended Cymbal/Bass (Drum kit)Percussion II Tambourine/ShakerTimpani ( D, Bb G)Harp (optional)PianoViolin IViolin IIViolaCelloDouble BassBackgroundIce Castles is a 1978 American romantic drama film directed by Donald Wrye and starring Lynn-Holly Johnson and Robby Benson. It is the story of Lexie Winston, a young figure skater, and her rise and fall from super stardom. Tragedy strikes when, following a freak accident, Lexie loses her sight, leaving her to hide away in the privacy of her own despair. She eventually perseveres and begins competing in figure skating again. The work was filmed on location in Colorado and Minnesota. Its theme song Through the Eyes of Love, performed by Melissa Manchester, was nominated for the Academy Award for Best Original Song at the 52nd Academy Awards. [wikipedia]
$69.95
Into Love's Light (full orchestra)
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Orchestra
#
M
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Into Love's Light
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.834138 Composed by M. L. Daniels. 20th Century,Romantic Period. Score and parts. 42 pages. M. L. Daniels #12293...
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Full Orchestra - Digital Download SKU: A0.834138 Composed by M. L. Daniels. 20th Century,Romantic Period. Score and parts. 42 pages. M. L. Daniels #12293. Published by M. L. Daniels (A0.834138). Into Love's Light is for full orchestra, and begins gently, but grows as it proceeds. It has a climax near the end that has made it very popular with the Williamson County Symphony Orchestra for whom it was written. Audiences have commented that it brings chill bumps or tears. Time of performance is 4:50. It is fairly easy to play, and was selected by two junior all-region orchestras in Texas. However, to obtain the best results, a mature orchestra is recommended in order to pull off the big climax near the end.
$25.00
I Fall In Love Too Easily
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Jazz Ensemble
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INTERMEDIATE
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Latin/World Music
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Jazz
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Jule Styne and Sammy Cahn
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Ryan Hyde
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I Fall In Love Too Easily
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Ryan Hyde
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1082650 Composed by Jule Styne and Sammy Cahn. Arranged by Ryan Hyde. Jazz,Latin,Standar...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1082650 Composed by Jule Styne and Sammy Cahn. Arranged by Ryan Hyde. Jazz,Latin,Standards. Score and parts. 33 pages. Ryan Hyde #686863. Published by Ryan Hyde (A0.1082650). A killer opener or closer! A Latin spin on a jazz standard that is typically performed as a ballad. The piece begins with a vocal solo free of time, followed by a drum intro and then an upbeat Samba groove for the voices and rhythm section. The beginning of the form features the sopranos and altos, then the tenors and basses, introducing the melody, then breaks into 4-part voicings over the form. A solo section is followed by a fun and rewarding soli section, then finishes the last A one more time to finish the tune. A very fun and roaring piece that is a crowd pleaser for your jazz choir!
$60.00
Can't Help Falling In Love
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Marching band
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INTERMEDIATE
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Wedding/Ballad
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Rock
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Elvis Presley
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Patrick Glenn Harper
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Can't Help Falling In Love
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Patrick Glenn Harper
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SheetMusicPlus
Marching Band - Level 3 - Digital Download SKU: A0.1208677 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Patrick...
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Marching Band - Level 3 - Digital Download SKU: A0.1208677 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Patrick Glenn Harper. Film/TV,Pop,Rock. Score and Parts. 36 pages. Patrick Glenn Harper #806774. Published by Patrick Glenn Harper (A0.1208677). This marching band arrangement of the Elvis classic begins with a small ensemble statement of the melody, and gradually builds to an epic full-band ending that would work great for the slower, more melodic portion of your halftime show. A baritone treble clef part is included. Check out the Youtube video for the full-length recording with score view.
$49.99
Love Walked In from GOLDWYN FOLLIES
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Jazz Ensemble
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ADVANCED
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Contemporary
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George Gershwin and Ira Gershw
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Mike McGowan
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Love Walked In from GOLDWYN FO
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Mike McGowan
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.845541 Composed by George Gershwin and Ira Gershwin. Arranged by Mike McGowan. 20th Cent...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.845541 Composed by George Gershwin and Ira Gershwin. Arranged by Mike McGowan. 20th Century. Score and parts. 61 pages. Mike McGowan #4356625. Published by Mike McGowan (A0.845541). This is a challenging arrangement showcasing the trombones and trumpets. The chart begins with a trombone soli that moves into two jazz trumpet solos. The trumpet section takes off with a bebop soli that leads to a shout chorus featuring the entire band!
$15.00
Circles - Concerto for Cello & (H.S.) String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cel...
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
Plaisir d'amour
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Brass ensemble
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INTERMEDIATE
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Jean-Paul-Égide Martini
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F
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#
Plaisir d'amour
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Class...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Vision...
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visiona...
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Symphonie Fantastique: IV. Marche au supplice
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Concert band
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INTERMEDIATE
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Opera
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Classical
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Hector Berlioz
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Guilherme Ribeiro
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Symphonie Fantastique: IV. Mar
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Gui Ribeiro
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,R...
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Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.
$14.99
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjam...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
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Orchestra
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ADVANCED
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Sacred music
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Edward Miller, Isaac Watts, Wi
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Michael Thomas Andrews
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Crown of Thorns, Crowns of Glo
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Michael Thomas Andrews
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
9/11 - A 20 Year Memorial Tribute (orchestrated)
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Concert band
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J
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9/11 - A 20 Year Memorial Trib
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J. Randolph Hall
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SheetMusicPlus
Concert Band Alto Saxophone,Bass Clarinet,Bassoon,Drum Set,Flute,Horn,Oboe,Piano and Keyboard,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.509074...
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Concert Band Alto Saxophone,Bass Clarinet,Bassoon,Drum Set,Flute,Horn,Oboe,Piano and Keyboard,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.509074 Composed by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Standards,World. Score and parts. 40 pages. Duration 158. Published by J. Randolph Hall (A0.509074). Twenty years ago, an evil terrorist act was committed. The twin Towers in New York were destroyed by planes. The Pentagon was attacked. A fourth plane crashed in Pennsylvania. Feelings of shock, grief, horror, confusion, and anger followed in the wake of this senseless destruction. Fire fighters, police, and members of our Armed Services stepped up with great resolve to act as heroes in response to the attacks. Section A begins with the hum of airplanes followed by the for attacks. Section B expresses the various emotions people felt that day. After this section vents a feeling of national rage, it changes to a feeling of militaristic resolve as our troops go off to fight those responsible for the attacks. Section C borrows an American tune from the Civil War and WW1. Every heart is in the fight for the cause of truth and right, And the freedom of our own beloved land. Many people may know it as Jesus loves the little children. The parts not marked in red are meant to be sung in unison. In measure 45, the flutes and oboes play a decant over the melody. Three measures from the end, the band lands on a deceptive cadence followed by the rest of the measures going to the tonic.
$10.00
Symbology for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brando...
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Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Lion
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Marching band
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EASY
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Daniel Mccook and Michael Will
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Turq Whiteside
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Lion
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Mage Marching
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SheetMusicPlus
Marching Band - Level 2 - Digital Download SKU: A0.1286925 Composed by Daniel Mccook and Michael William Freesh. Arranged by Turq Whiteside. Contemporary...
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Marching Band - Level 2 - Digital Download SKU: A0.1286925 Composed by Daniel Mccook and Michael William Freesh. Arranged by Turq Whiteside. Contemporary,Rock. Score and Parts. 25 pages. Mage Marching #877898. Published by Mage Marching (A0.1286925). The perfect song for the team to make a dramatic entrance to, in an original arrangement scored for marching band by Turq Whiteside, with the parts already conveniently flip-folder sized. Picture it: The crowd is milling around. Your low brass & saxes hit that epic power chord that screams Shut up and pay attention!The verse comes to an end and the chanting begins, with your conveniently 2-syllable team name subbed in. Even Joe Six-Pack and Suzie Popcorn will figure it out pretty quick.You get the signal from the coach, and pass it on to the band. The anticipation builds, and just as the chorus begins, the team bursts through the banner/out of the locker room/off their bus/etc.Once you finish out the chorus, you launch straight into your school fight song or similar.It's an epic, beloved tradition waiting to be made.
$55.00
Above the Palm Trees
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String Orchestra
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BEGINNER
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Traditional Iraqi Folk Song
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Dena El Saffar
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Above the Palm Trees
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Songburd Music
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1473895 Composed by Traditional Iraqi Folk Song. Arranged by Dena El Saffar. Classical,Folk,Multicu...
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String Orchestra - Level 1 - Digital Download SKU: A0.1473895 Composed by Traditional Iraqi Folk Song. Arranged by Dena El Saffar. Classical,Folk,Multicultural,Traditional,World. 24 pages. Songburd Music #1051616. Published by Songburd Music (A0.1473895). One of the most well-known love songs of the Middle East is an Iraqi love song called Fog el Nakhl, which translates in English to “Above the Palm Trees.” The iconic melody, which begins at measure 32, is couched within an original melody that serves as an introduction and then reappears at the end to gently bring the song to a close. The entire piece is in a mode called Maqam Hijaz, which is built on the notes D, Eb, F#, G, A, Bb, C, and D.
$60.00
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