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ORCHESTRA - BAND
Sheetmusic to print
144 sheet music found
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126
One Note Samba (Samba De Uma Nota So)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Pat Thomas
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Philip Coe
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One Note Samba
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Phil Coe
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1494312 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by Philip C...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1494312 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by Philip Coe. 20th Century,Jazz,Latin. 33 pages. Phil Coe #1070908. Published by Phil Coe (A0.1494312). This arrangement for Jazz Orchestra is a Guitar feature that opens with a very simple guitar and drums samba setup. The ensemble enters with a stronger statement that builds to the head.The guitar plays the A section of the head in octave or single notes. The bridges section swings as a single eighth note guitar line. The background starts with the sax section followed with counterpoint between the trumpet and trombone sections.The second time through the form, Tenor Sax 1 solos over the first half changes and background. The guitar takes over solo on the last half of the form which leads into an echo of the intro and builds up to the shout chorus.The shout builds to a melodic trumpet high D followed by an obvious quotation by the ensemble. Repetition of the ensemble intro with a main theme fragment is followed by brass pyramids and a final theme stinger to close out the piece. 160 bpm per quarter note is a suggested tempo but the piece can be taken faster for more excitement and energy. The piece is written in 4/4 for the swing bridge section. The samba sections should be felt in 2/2 with the accent on the 2. The quarter note always stays the same.
$60.00
The Crocodile Races
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Concert band
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ADVANCED
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Jonathan Monk
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Jonathan Monk
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The Crocodile Races
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Jonathan Monk
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1220595 By Jonathan Monk. By Jonathan Monk. Arranged by Jonathan Monk. Children,Comedy,Pop,Singer/Songw...
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Concert Band - Level 5 - Digital Download SKU: A0.1220595 By Jonathan Monk. By Jonathan Monk. Arranged by Jonathan Monk. Children,Comedy,Pop,Singer/Songwriter. Score and Parts. 16 pages. Jonathan Monk #816933. Published by Jonathan Monk (A0.1220595). What a surprise, here down by the river side! Don't miss a moment! It's so close!
$6.99
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestra
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INTERMEDIATE/ADVANCED
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Perio...
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestra
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INTERMEDIATE/ADVANCED
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Perio...
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Homage to O'Keeffe for Orchestra
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Orchestra
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ADVANCED
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon...
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Capricious Celts
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Concert band
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Fergus O'Carroll
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Capricious Celts
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1291831 Composed by Fergus O'Carroll. Celtic,Irish. Score and Parts. 84 pages. Seolta Music Limited #88...
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Concert Band - Level 4 - Digital Download SKU: A0.1291831 Composed by Fergus O'Carroll. Celtic,Irish. Score and Parts. 84 pages. Seolta Music Limited #882443. Published by Seolta Music Limited (A0.1291831). Capricious Celts started life as a fanfare for band to celebrate the turning of the millenium in 2000 AD.  It soon morphed into a piece that shows the capricious nature of people, always changing, sometimes abruptly, with many different ideas and styles. This became Celtic in nature because much of the piece is based on the idea of traditional Irish music, although all of the themes themselves are original to the composer. To highlight the Millenium, the Irish themes morph into something that is strongly influenced by jazz rhythms, idioms and voicings and this reflects the close bond between the island of Ireland and the “new world†of America which became home to so many of our celtic peoples.  The piece closes with a short section bringing all of the three elements together, traditional, jazz and fanfare.To browse all band and wind ensemble music titles from Seolta Publishing click here
$90.00
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Things We Lost In The Fire
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String Orchestra
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INTERMEDIATE
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Rock
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Bastille
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Paul Trapkus
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Things We Lost In The Fire
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Paul Trapkus
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 p...
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String Orchestra - Level 3 - Digital Download SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapkus #6287901. Published by Paul Trapkus (A0.911152). A meticulous arrangement of Things We Lost in the Fire as recorded by Bastille for string orchestra, piano, and optional drum set without vocals. The arrangement is a karaoke version so that you can add a singer for a performance closely resembling the original song. The included optional drum set part is not shown in the score. Bowings have been carefully added in all parts.More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:Take On Me • Africa • Never Gonna Give You Up • Ghostbusters • Secrets • Final Countdown • Darude Sandstorm • Dancing Queen • Undisclosed Desires • Some Nights • The Office Theme • Seal Lullaby • Only Time • Pompeii • Radioactive • Paradise • May It Be • Laughter Lines • Things We Lost in the Fire • All I Ever Wanted • La Valse d'Amelie • Young and Beautiful • Raging Fire
$49.99
Captain Kangaroo (puffin' Billy)
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Brass ensemble
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Contemporary
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Edward White
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F
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Captain Kangaroo
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwat...
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Brass Ensemble - Digital Download SKU: A0.808693 Composed by Edward White. Arranged by F. Leslie Smith. Contemporary. Score and parts. 39 pages. Sweetwater Brass Press #4760441. Published by Sweetwater Brass Press (A0.808693).   On a visit to the Isle of Wight, British composer Edward George White came across an ancient steam locomotive bearing the sobriquet Puffing Billy. Inspired, White wrote the similarly titled Puffin’ Billy in 1952. The tune was recorded by a group labeled Melodi Light Orchestra and was included in the Chappell Recorded Music Library, a collection of tunes that could be used as incidental music in various types of productions. Both British and U.S. producers made use of the library; two stand out. One was BBC’s Children’s Favourites, which adopted Puffin’ Billy as theme music in 1952 and continued its use for 14 years. The second was Captain Kangaroo, a new 8 a.m. weekday children’s program launched by CBS-TV in October 1955 starring Bob Keeshan as the title character. Each episode opened and closed with Puffin’ Billy and would do so until 1974, making it White’s most recognizable composition.    This brass quintet version follows the 1952 Melodi Light Orchestra recording pretty closely. It retains the key signatures of the original-G to B-flat, then back to G-and the tempo (cut time; half note = 112). Trumpets’ highest note is their A above the staff; trombone has one F above the staff. Tuba’s very last note is G below the staff. The rest is pretty much within normal playing range. Trumpets get somewhat of a workout with chromatic runs in sections E and F. Most will find this an easy piece to play.  This arrangement was completed in 2019, and performance time runs about 2 minutes, 54 seconds. The arranger, Les Smith, will be happy to provide substitute parts (e.g., treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$12.99
Telemann concertino in C for two violins (adapted for young players)
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String Orchestra
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INTERMEDIATE
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Georg Philipp Telemann
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Pamela Moutoussi
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Telemann concertino in C for t
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Pamela Moutoussi
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.847059 Composed by Georg Philipp Telemann. Arranged by Pamela Moutoussi. Baroque,Concert. Score and...
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String Orchestra - Level 3 - Digital Download SKU: A0.847059 Composed by Georg Philipp Telemann. Arranged by Pamela Moutoussi. Baroque,Concert. Score and parts. 27 pages. Pamela Moutoussi #6664439. Published by Pamela Moutoussi (A0.847059). This is the final mvt movement of the concerto, which is suitable for an intermediate string orchestra with two soloists of about grade 6 ABRSM level. It's close to the original, but i think there are some flats missing so added the B flats where it think they should be. The youtube clip has all the movments so skip to 7 minutes in.
$10.00
Rhapsody for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Man With The Harmonica
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Concert band
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EASY
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Ennio Morricone
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Juan José Peláez Vilanov
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Man With The Harmonica
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John Joseph
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1139276 Composed by Ennio Morricone. Arranged by Juan José Peláez Vilanova. 20th Century,Film/TV....
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Concert Band - Level 2 - Digital Download SKU: A0.1139276 Composed by Ennio Morricone. Arranged by Juan José Peláez Vilanova. 20th Century,Film/TV. Score and parts. 47 pages. John Joseph #739559. Published by John Joseph (A0.1139276). The weight of Ennio Morriocone in the composition of film music in the second half of the s. XX is indisputable, in terms of innovation and production volume. The particular technique of treating the melodic cells will become a paradigm of his language, along with the use of innovative timbres, which were not common in the orchestral music of the time. The close collaboration with Sergio Leone during the 60s will contribute to consolidating him as a benchmark in the sound of the Western genre. After the success of the so-called Dollar Trilogy, Paramount Pictures asked Leone to repeat the formula before tackling other projects. This one, with a more generous budget, will start filming C'era una volta il West, an eclectic story in which all the characteristic elements of the genre are represented: the railroad, the gunslingers and bandits, the american pioneers, the woman of character indomitable and the enigmatic man in search of revenge. Leone again entrusted the soundtrack to Ennio Morricone, playing this one a fundamental role in the story. The present transcription incorporates the original sounds of the author, such as the harmonica, the electric and classical guitar, the harpsichord or the choir, in the ensemble of the concert band, seeking to achieve a greater sound fidelity with the score. Understanding the difficulty that having these resources can entail, the previous specific parts are of an optional nature, so that the arrangement also works without them, and also if any of the parts is incorporated independently of the rest.
$49.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. T...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Lily Park - I. Wind Bell
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Orchestra
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INTERMEDIATE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
Brahms Hungarian Dance No 5 for Violin and String Orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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Johannes Brahms
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Paul Wood
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Brahms Hungarian Dance No 5 fo
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1206985 Composed by Johannes Brahms. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pa...
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String Orchestra - Level 3 - Digital Download SKU: A0.1206985 Composed by Johannes Brahms. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pages. MyMusicScores.com #805169. Published by MyMusicScores.com (A0.1206985). Hungarian Dance No. 5 in F♯ minor, Op. 21, No. 5 is a popular piece of music by Johannes Brahms. It is one of the 21 Hungarian Dances, which were originally written for piano duet. Joseph Joachim arranged this piece for violin and piano, and it is a beautiful and challenging piece to play.Joseph Joachim was a close friend of Brahms and one of the most renowned violinists of his time. He was born in Hungary and had a deep appreciation for Hungarian music. Joachim was so taken with Brahms' Hungarian Dances that he arranged them for violin and piano.Here is an arrangement for violin and string orchestra of Joachim's version for violin and piano.The PDF file contains the score and all instrumental parts.
$14.99
Aria Della Battaglia: (wp) 14 in Eb
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP14EB (wp) 14 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages....
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP14EB (wp) 14 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp14Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP14EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 16 in Bb Bass Clef
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP16BBBC (wp) 16 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Pa...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP16BBBC (wp) 16 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp16BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP16BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 8 in Bb Bass Clef
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP8BBBC (wp) 8 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP8BBBC (wp) 8 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp8BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP8BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 7 in Bb Bass Clef
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP7BBBC (wp) 7 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP7BBBC (wp) 7 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp7BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP7BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 12 in Bb Bass Clef
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Pa...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp12BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP12BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 5 in Eb
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP5EB (wp) 5 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. A...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP5EB (wp) 5 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp5Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP5EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 13 in Eb
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP13EB (wp) 13 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages....
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP13EB (wp) 13 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp13Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP13EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 12 in Eb
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12EB (wp) 12 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages....
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12EB (wp) 12 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp12Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP12EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
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