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TRANSFORMATION SYMPHONY
ORCHESTRA - BAND
Sheetmusic to print
17 sheet music found
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1
TRANSFORMATION SYMPHONY
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Chamber Orchestra
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ADVANCED
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Sara Bongo
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TRANSFORMATION SYMPHONY
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014368 Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014368 Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and parts. 183 pages. Sara Bongo #6237381. Published by Sara Bongo (A0.1014368). Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofiev’s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.)Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed.
$200.00
TRANSFORMATION SYMPHONY Movement I- DREAM
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Chamber Orchestra
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ADVANCED
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Sara Bongo
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TRANSFORMATION SYMPHONY Moveme
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014365 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014365 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122 pages. Sara Bongo #5372521. Published by Sara Bongo (A0.1014365). P { margin-bottom: 0.08in } Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofiev’s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.) Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed. P { margin-bottom: 0.08in }
$90.00
TRANSFORMATION SYMPHONY Movement III- PERSEVERANCE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sara Bongo
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TRANSFORMATION SYMPHONY Moveme
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014367 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 106...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014367 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 106 pages. Sara Bongo #6121489. Published by Sara Bongo (A0.1014367). The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.)Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed.
$50.00
TRANSFORMATION SYMPHONY Movement II- SACRIFICE
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sara Bongo
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TRANSFORMATION SYMPHONY Moveme
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Sara Bongo
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014366 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 61 ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1014366 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 61 pages. Sara Bongo #5374913. Published by Sara Bongo (A0.1014366). Developed from a study of Sergei Prokofiev’s Classical Symphony in D Major, Opus 25, the
$50.00
Symphony in D minor (Movement 3)
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String Orchestra
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INTERMEDIATE
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Cesar Auguste Franck
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Davison Yon
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Symphony in D minor
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Davison Yon
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructi...
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String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructional,Romantic Period. Score and Parts. 44 pages. Davison Yon #877509. Published by Davison Yon (A0.1286453). Captivating Transformation: Symphony No. 5 Movement 3 by César Franck - Reimagined for String OrchestraStep into a world of enchanting musical metamorphosis with this meticulously crafted arrangement of Symphony No. 5 Movement 3 by the composer César Franck. This unique adaptation brings a fresh perspective to the timeless beauty of Franck's original composition, tailored specifically for a string orchestra, allowing its inherent brilliance to shine anew.A Symphony Reimagined: This arrangement carefully preserves the essence and emotional depth of César Franck's Symphony No. 5 3rd Movement while introducing a captivating twist through the medium of a string orchestra. The lush harmonies, poignant melodies, and intricate textures are ingeniously reinterpreted, breathing new life into the piece while honoring its historical significance.Unveiling Emotion: Franck's original composition is renowned for its ability to evoke a wide range of emotions, and our arrangement takes this a step further. The inherent expressiveness of the string orchestra accentuates the poignant moments, heightening the emotional impact and transporting listeners to a world where every note carries an indelible story.Versatility and Adaptability: Perfect for both intimate chamber settings and grand concert stages, this arrangement offers remarkable versatility. Whether performed in a refined chamber ensemble or by a full string orchestra, the arrangement's adaptability ensures an unforgettable musical experience that resonates with audiences of all ages.For Performers and Collectors: This meticulously crafted arrangement is an invaluable addition to the repertoire of string orchestras, chamber ensembles, and music collectors. Musicians will relish the opportunity to interpret a beloved classical piece in a new light, while collectors will treasure this arrangement as a testament to the ever-evolving nature of musical artistry.Elevate Your Repertoire: Embark on a musical journey that transcends time and tradition. This arrangement of Symphony No. 5 by César Franck for string orchestra offers a chance to explore the symphonic gem from a fresh perspective, making it an essential addition to the repertoire of any ensemble seeking to elevate their performances to new heights.
$40.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Chamber Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Sinfonietta No.1 (Transformations) for Orchestra
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Orchestra
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INTERMEDIATE
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Scott Markle
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Sinfonietta No.1
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MarcoPolo Press
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 pages. MarcoPolo Press #5755357. Published by MarcoPolo Press (A0.1021047). Sinfonietta No.1 (Transformations) is an intermediate orchestral pieces in four movements that is almost 10 minutes (9:53) long. It is called a sinfonietta because, while it has the elements of a full symphony, it is shorter. The entire piece is based on the motif in the first bar of the first movement, and that motif get transformed (hence the subtitle Transformations) in many different ways. It is like how a person changes in various situations and in various stages of their life. The first movement (Allegretto) is in sonata form, the second (Andante Adagio) is in a quasi ABA form, the third (Scherzoish) is a Baroque-like quasi scherzo and trio with a modified scherzo at the end, and the fourth (Theme & Variations) is a theme with 3 variations, but elements of the first 3 movements are repeated at the end. .
$40.00
Concertino - for clarinet, mandolin and symphony orchestra
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Chamber Orchestra
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestra
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
Andante sostenuto (Symphony No. 1 in C Minor, Op.68: II)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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F
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Andante sostenuto
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808707 Composed by Johannes Brahms. Arranged by F. Leslie Smith. Romantic Period. Score and parts. 38...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808707 Composed by Johannes Brahms. Arranged by F. Leslie Smith. Romantic Period. Score and parts. 38 pages. Sweetwater Brass Press #6302383. Published by Sweetwater Brass Press (A0.808707).     It took Johannes Brahms some 21 years to finish his First Symphony, but it was certainly worth the wait. A consensus masterpiece, Brahms’ First is outstanding, considered one of the finest symphonies coming out of the Austro-German tradition. Many see the finale as the centerpiece of this work, especially its main theme, the wonderfully noble chorale. But of course, every movement of this symphony is comprised of compelling melodies. The work is full of them. Some of the most beautiful occur in the slow movement, the second, which is marked Andante sostenuto. In this arrangement, those melodies are transformed into a moving setting for brass quintet, a musical expression of release and calm.
$6.99
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Ofer Ben-Amots
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Enchanted Landscapes, A Sympho
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The Composer's Own Press
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Munamiktia - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Juan Guerra González
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Munamiktia - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gon...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99
The Four Seasons in the Basque Country
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6...
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Cleopatra and the Snake
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Rodion Shchedrin
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Cleopatra and the Snake
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Schott Music - Digital
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SheetMusicPlus
3 (2. auch Afl., 2. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Crot. · Tamb. · gr. Tr. · Guiro Â...
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3 (2. auch Afl., 2. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Crot. · Tamb. · gr. Tr. · Guiro · Mar.) (2 Spieler) - Str. soprano voice and orchestra - difficult - Digital Download SKU: S9.Q23950 Dramatic scene for soprano and symphony orchestra. Composed by Rodion Shchedrin. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 15 minutes. Schott Music - Digital #Q23950. Published by Schott Music - Digital (S9.Q23950). Russian.This monodrama sums up the essential moments of the second scene from Act V of Shakespeare's tragedy Antony and Cleopatra in the Russian translation of Boris Pasternak. The conflict between life and death, between the power of love and the 'power drug' as motives for the suicide of the legendary beauty is transformed into a sensually ardent musical language which can bring out the tessitura of a dramatic soprano very effectively.
$23.99
Suspensión de Soledad en 3 Tiempos
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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William Ortiz
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Suspensión de Soledad en 3 Ti
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ort...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Published by William Ortiz (A0.1008988). A work for Symphony Orchestra which consists of three movements: ArmonÃa Bilingüe, Marcha and Beat Box. This is a work were rhythm takes over to articulate a contemporary and empirical sound world. It is born of my admiration of popular culture and presents no pretensions. The title signifies a suspension, an absence or a liberation from the prejudice of dogmatic elitist musical thinking and styles that have stigmatized symphonic music. The first movement generates the source material of which the whole work is based. Rhythm , the principal element of the piece, is used as a continuo, serving to connect all three movements. It is especially highlighted in the second movement which is a kind of instrumental rap. The final movement Beat Box alludes to the large portable radios, aka ghetto blasters, popular at one time in urban neighborhoods. Thus I conceive the orchestra here as a large radio were music changes from one station to another transmitting and transforming wireless sound vibrations into different moods and grooves.
$45.00
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Orchestra
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INTERMEDIATE
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Alexander Borodin, Cesar Anton
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Arkady Leytush
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Collective composition by Boro
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-K...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
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