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What Can I Do
ORCHESTRA - BAND
Sheetmusic to print
61 sheet music found
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1
26
51
What'll I Do?
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Irving Berlin
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Ralph Ingalls
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What'll I Do?
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Ralph Ingalls
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.942821 Composed by Irving Berlin. Arranged by Ralph Ingalls. Jazz. Score and parts. 57 p...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.942821 Composed by Irving Berlin. Arranged by Ralph Ingalls. Jazz. Score and parts. 57 pages. Ralph Ingalls #6268779. Published by Ralph Ingalls (A0.942821). This arrangement features solo flugelhorn and Jazz Ensemble/Big Band. There are no range problems for your brass players. Trumpets can be substituted throughout for flugelhorns, if necessary. I have included two piano parts. The electric piano part has the chord voicings written out. If your piano player is experienced, I would recommend using this part and encouraging him or her to voice the chords as experience dictates. .
$20.00
Stronger (What Doesn't Kill You)
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Brass ensemble
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INTERMEDIATE
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Pop music
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Kelly Clarkson
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Frank Pugh
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Stronger
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Frank Pugh
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arra...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. Score and parts. 24 pages. Frank Pugh #3444699. Published by Frank Pugh (A0.942708). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for brass quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 3:14 in length.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$15.99
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestra
#
ADVANCED
#
Mark O'Connor
#
Americana Symphony "Variations
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestra
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ADVANCED
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Mark O'Connor
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Americana Symphony "Variations
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestra
#
ADVANCED
#
Mark O'Connor
#
Americana Symphony "Variations
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Mark O'Connor Musik International
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
When I Look In The Mirror...
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Concert band
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INTERMEDIATE/ADVANCED
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi ...
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Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
It Ain't What You Do
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Orchestra
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INTERMEDIATE
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Contemporary
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Bananarama
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Derek Hasted
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It Ain't What You Do
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. S...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809). T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...I hope you enjoy this piece!
$4.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
What Else Can I Do?
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Orchestra
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INTERMEDIATE
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Diane Guerrero & Stephanie Bea
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Juan Villodre
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What Else Can I Do?
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Juan Villodre
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1341113 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Juan Villodre. 21st...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1341113 By Diane Guerrero & Stephanie Beatriz. By Lin-Manuel Miranda. Arranged by Juan Villodre. 21st Century,Children,Film/TV. 69 pages. Juan Villodre #926687. Published by Juan Villodre (A0.1341113). Arrange for voices and full orchestra.
$49.99
Do You Hear What I Hear
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Concert band
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INTERMEDIATE
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Carole King
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Paul Hemmer
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Do You Hear What I Hear
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PJMS MUSIC
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1193934 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Paul Hemmer. Christmas,Sacred,Sta...
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Concert Band - Level 3 - Digital Download SKU: A0.1193934 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Paul Hemmer. Christmas,Sacred,Standards. Score and parts. 50 pages. PJMS MUSIC #793404. Published by PJMS MUSIC (A0.1193934). This beautiful Christmas classic is scored for a Concert band with a Vocal soloist. Standard instrumentation plus a Harp part can easily be performed on the piano if a harp is not available.Â
$60.00
Broke - Chose Money Over Me
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Jazz Ensemble
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ADVANCED
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Rom...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Ascending Everest
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Concert band
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INTERMEDIATE
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Contemporary
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Sir Lunch
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Ascending Everest
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Sir Lunch
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published b...
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Concert Band - Level 3 - Digital Download SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0.1024251). Ascending Everest is an exciting new work for Concert Band that endeavors to create the varying moods that I imagine would accompany such an incredible undertaking as scaling the world's tallest mountain.The piece opens with a dramatic minor chord as the behemoth is viewed in person for the first time. It then quickly delves into the business at hand with a mixture of excitement and forboding. The middle section represents the first night's base camp, as weariness and doubt cause the climber great trepidation over what is yet to come. What if I can't do it? What if I fail? The tone begins a subtle change as renewed determination sets in, and the climax rings of victory!This work is for Concert Band, however the standard instrumentation is not strictly adhered to. In my experience, most high school or community bands don't have anyone to play bassoon and so I elected not create such a part. Also, you will note that there is no Percussion 2. It was merged with Percussion 1. Please feel free to contact me with feedback at sirlunch@gmail.com One last note. The mp3 is a computer generated file and begins at around the 30 sec mark.
$65.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
In Your Slumber
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Concert band
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BEGINNER
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron...
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Jolene
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Brass ensemble
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INTERMEDIATE
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Country
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Dolly Parton
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Frank Pugh
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Jolene
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Frank Pugh
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.942710 By Dolly Parton. By Dolly Parton. Arranged by Frank Pugh. Country. Score and parts. 30 pages. ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.942710 By Dolly Parton. By Dolly Parton. Arranged by Frank Pugh. Country. Score and parts. 30 pages. Frank Pugh #3486763. Published by Frank Pugh (A0.942710). If you want to add some upbeat variety to your next concert, try this country classic by Dolly Parton! Arranged as a brass quintet, it clips along at a lively pace that's certain to be fun for both the listener and the performer. An optional snare drum part is written to add to the effect. If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium as well. The song comes in at around 2:05 in length.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkedIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!
$12.99
"A Lucky Star" A 1920s Musical, Full Orchestral Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Broadway
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James Nathaniel Holland
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"A Lucky Star" A 1920s Musical
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s. Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice. Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.
$32.50
Harmony (string parts – violin and string orchestra)
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String Orchestra
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ADVANCED
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O...
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String Orchestra - Level 5 - Digital Download SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik International #6208193. Published by Mark O'Connor Musik International (A0.861939). Harmony (string parts – violin and string orchestra) MO168C-GString Parts (score and parts available)Music by Mark O’Connor39 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168C-GCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Harmony (violin solo part – violin and string orchestra)
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String Orchestra
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ADVANCED
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O...
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String Orchestra - Level 5 - Digital Download SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208191. Published by Mark O'Connor Musik International (A0.861938). Harmony (violin solo part – violin and string orchestra) MO168BViolin Solo Part (score and parts available)Music by Mark O’Connor6 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168BCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
Harmony (score – violin and string orchestra)
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String Orchestra
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ADVANCED
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O...
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String Orchestra - Level 5 - Digital Download SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208189. Published by Mark O'Connor Musik International (A0.861937). Harmony (score – violin and string orchestra) MO168AScore (parts available)Music by Mark O’Connor35 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168ACopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Munsters Theme
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Concert band
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EASY
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Jack Marshall
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Kyle L
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Scor...
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Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
You've Got To Hide Your Love Away
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Orchestra
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INTERMEDIATE
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Rock
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love A
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contem...
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Great Optimism!
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Concert band
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ADVANCED
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Caiden Christensen
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Great Optimism!
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Caiden Christensen
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pa...
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Concert Band - Level 5 - Digital Download SKU: A0.1441681 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 57 pages. Caiden Christensen #1021705. Published by Caiden Christensen (A0.1441681). I came up with this song by answering one simple question: “What do I really want to do with my music?” The answer came very quickly: “I want people to feel strong emotions of happiness when they listen to my music!” Soon after, I started composing a very simple outline of the piece.My biggest hope when you listen to this song is that it brings you much joy and happiness! I believe Optimism is a truly important view to have on life. Sometimes, you just have to look on the bright side! Unfortunately, there cannot always be happiness. If there was no sadness, you would not recognize or appreciate the happiness. There has to be opposition in order to feel anything. Without sadness and pain there would be no joy and happiness. That's why I wrote this song the way I did. In the beginning, it starts fairly happy and exciting! But then, sadness enters and even a bit of anger. It adds great contrast to the end which feels even more exciting and elated! I hope this song helps you feel optimistic, excited, and happy!
$49.99
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Jazz combo
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INTERMEDIATE
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Christian contemporary
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Sacred music
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Deborah Johnson, Various Publi
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DJWorks Music
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS P
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Deborah Johnson
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christia...
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
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