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1
Power Line for Two or More Energetic Drummers)
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
5.45 €
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Percussion Ensemble
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Brian Monroe
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Power Line for Two or More Energetic Drummers)
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BLM Music Publications
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SheetMusicPlus
Shores
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1028164 Composed by Graeme Culpepper. Contemporary. Score and parts. 44 pages. Graeme Culpepper #3407713. Published by Graeme Culpepper (A0.1028164). This piece is for 4 percussionists with an optional Harp part that can be played on piano. Shores is a very calming piece that is sure to soothe your audience. Starting in a very mellow manner shores utilizes the unique sound of the ocean drum to achieve a very subdue effect. The B section is more rhythmically involved and ends with a short canon that leads back into the A theme.This was premiered, performed, and recorded by the South Carolina Governor's School for the Arts and Humanities Percussion Ensemble
$12.25
11.15 €
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Percussion Ensemble
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Graeme Culpepper
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Shores
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Graeme Culpepper
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.53 €
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Percussion Ensemble
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
273.17 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
136.59 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Sharks' Teeth, a Musical Game for Percussion
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
9.1 €
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Percussion Ensemble
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Dan Heslink
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Sharks' Teeth, a Musical Game for Percussion
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Pharaoh Publications
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SheetMusicPlus
Gravity for Septet
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by Mohamm…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
15.47 €
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Percussion Ensemble
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Professor Burble's fourth invention
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David W…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
10.93 €
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Percussion Ensemble
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David Warin Solomons
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Professor Burble's fourth invention
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David Warin Solomons
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SheetMusicPlus
Blue Drive (For Mixed Ensemble) (Full Score)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Da…
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Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Published by Cody Weinmann (A0.835168). This is an original piece for mixed ensemble. It has piano, guitars, strings, percussion, and more! Why is it called Blue Drive? I have synesthesia -- the ability to see colors when hearing pitches. I know, it sounds weird, but I see the color blue when I see the note G. But anyway, this piece was inspired by an ad I heard on TV. I was wondering if I could compose something similar to what I heard. This is what came out. Hopefully, you all benefit from this music. This is good for small ensembles that are of many different instruments. Go ahead and do a virtual concert of this. It would be great! It has a great driving rhythm that could get your heart pumping.
$5.99
5.45 €
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Percussion Ensemble
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Cody Weinmann
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Blue Drive
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Cody Weinmann
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SheetMusicPlus
Winter Bells
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935375 Composed by Dan Heslink. Christmas,Contemporary,Hanukkah. Score and parts. 24 pages. Pharaoh Publications #4885579. Published by Pharaoh Publications (A0.935375). Winter Bells composed by Dan Heslink Imagine a cold winter evening in which church bells, sleigh bells, and other bell sounds are mixed into a tantalizing soundscape. Winter Bells explores the interaction of these sounds through chimes, sleigh bells, orchestra bells, marimba, vibraphone, two triangles, large suspended cymbal, large tam-tam, and two timpani. Winter Bells requires seven performers; the two chime players share one rack of chimes and one part. It presents mostly modest demands, both in performing technique in the number and type of percussion instruments. Challenges include rapid passage work in the part for orchestra bells, requiring smooth and even negotiation of the instrument, and a tour de force of polyrhythms at the end, where all bell timbres of the soundscape are juxtaposed. Some parts present more challenge than others, making it an ideal selection for ensembles populated by players of uneven levels of experience. To some listeners Winter Bells is possibly reminiscent of a sleigh ride without the horse’s hooves. It is sure to be an audience pleaser during a winter concert, especially close to Christmas and Hanukkah.
$3.99
3.63 €
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Percussion Ensemble
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Dan Heslink
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Winter Bells
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Pharaoh Publications
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SheetMusicPlus
Another Place
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Gr…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00
31.87 €
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Percussion Ensemble
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Hit & Miss
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.797628 Composed by Jeremy …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.797628 Composed by Jeremy Barnett. Contemporary,Instructional,Rock,World. Score and parts. 15 pages. Jeremy Barnett #3453873. Published by Jeremy Barnett (A0.797628). Hit & Miss by Jeremy BarnettFor 4 (or more) drummersInstrumentation - 1 drum of your choice per playerThis short and fiery work is ideal for your junior/beginner ensemble. Players will love the irresistible groove and interlocking patterns, as well as be challenged by syncopated rhythms and stick coordination. There is also a chance for improvised solos which allows yet more fun while stimulating the players musicality. Parts can be easily doubled to allow for ensembles of bigger proportions.
$14.00
12.75 €
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Percussion Ensemble
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Jeremy Barnett
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Hit & Miss
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Jeremy Barnett
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SheetMusicPlus
Devil's Rag (Marimba Accompaniment)
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.939387 Composed by Adam Gr…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.939387 Composed by Adam Grim. Concert. Score and parts. 25 pages. Adam B. Grim #6200531. Published by Adam B. Grim (A0.939387). The Devil's Rag is a fun little xylophone rag based on some of the famous Green brothers' rags that really made xylophone literature catch on. This is more advanced and requires some quick hands, but is really entertaining to play and listen to. It is mostly in C minor, but plays in C major as well to depict the xylophone player trying to entertain the devil while keeping their own sanity. The player is the jester of the underground, making some interesting music and harmony while keeping rhythmic ideas quick and steady. Truly a joy to play. This is the marimba quartet accompaniment version, for a piano accompaniment see my SMP Account.
$15.00
13.66 €
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Percussion Ensemble
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Adam Grim
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Devil's Rag
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Adam B. Grim
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SheetMusicPlus
Advance Australia Fair - For Orff Ensemble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.937769 By Yvonne Johnson. …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.937769 By Yvonne Johnson. By Peter Dodds McCormick. Arranged by Yvonne Johnson. Patriotic,Traditional. Score and parts. 8 pages. Yvonne Johnson #543555. Published by Yvonne Johnson (A0.937769). Advance Australia Fair - For Orff Ensemble Score and Full Set of 5 parts This easy instrumental arrangement of the national anthem of Australia has been scored for the more melodic Orff instruments. Sop Glock and Alto Met play the melody throughout with Alto Glock providing the harmony. Tambourine adds a rhythmic element and a feeling of celebration with the long shake at the end. Alto Glock and Bass Xylo will need their F# bars. Marimba could be used instead of Bass Xylo. The tempo and dynamic markings are suggested ones only.
$3.95
3.6 €
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Percussion Ensemble
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Yvonne Johnson
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Advance Australia Fair - For Orff Ensemble
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Yvonne Johnson
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SheetMusicPlus
Toil and Trouble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.862017 Composed by Jayne G…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.862017 Composed by Jayne Groves, Matt Moore. Children,Contemporary,Halloween,Instructional. Score and parts. 18 pages. M Moore & J Groves #2998787. Published by M Moore & J Groves (A0.862017). Players: 12+ Duration: 3:20Commissioned in 2016 by SCEGGS Darlinghurst for their ‘Shakespeare 400’ concert, Toil and Trouble is an atmospheric and visually engaging performance piece for large junior percussion ensemble. 12 or more players (Witches) play on plastic barrels (cauldrons) with rhythms based on the Witches’ spell from Shakespeare’s Macbeth. An eerie accompaniment is provided by a trio of experienced players. Toil and Trouble provides an enriching group experience, in both the learning process, and the performance.
$30.00
27.32 €
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Percussion Ensemble
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Jayne Groves, Matt Moore
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Toil and Trouble
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M Moore & J Groves
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SheetMusicPlus
Medley - If I Had A Hammer / O-e-o
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.884300 By Trini Lopez. By …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.884300 By Trini Lopez. By Christian De Walden, Francesco Boccuzzi, and Kenny O'Brien. Arranged by Aaron Ziegler. Contemporary. Score and parts. 30 pages. Aaron Ziegler #3918873. Published by Aaron Ziegler (A0.884300). This arrangement of Trini Lopez' song If I Had A Hammer is a great chart for beginning bands. With relatively simple rhythms, players can focus on techniques like rolling and dynamics.Difficulty: Easy/BeginnerFor more information about the arranger please visit: www.AaronZieglerPercussion.com .
$20.00
18.21 €
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Percussion Ensemble
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Trini Lopez
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Medley - If I Had A Hammer / O-e-o
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Aaron Ziegler
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SheetMusicPlus
Super Detroit
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.1019766 Composed by Rennard Stafford…
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Percussion Ensemble - Digital Download SKU: A0.1019766 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5012023. Published by Tempo X Percussion and Publications (A0.1019766). Birthed from Motown itself. This cadence offers groovy high powered rhythms for that individual who loves to party. This is great for a pep rally, stadium groove, show cadence and more. Has been officially performed by the Detroit Pistons Drumline. .
$6.50
5.92 €
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Percussion Ensemble
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Rennard Stafford
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Super Detroit
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Tempo X Percussion and Publications
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SheetMusicPlus
D 'n C
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy …
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy Barnett. 20th Century,Contemporary,Instructional,Rock,World. Score and parts. 16 pages. Jeremy Barnett #6305157. Published by Jeremy Barnett (A0.797630). This short and groovy work is ideal for your junior/beginner ensemble. Players will love the modern melodies and interlocking patterns, as well as be challenged by syncopated rhythms and stick coordination. Each player is individually showcased, and the parts are simple enough that non-percussionists can join the ensemble too. All parts can be easily doubled to allow more musicians to join in.P. 1 - glockenspielP. 2 - xylophoneP. 3 - timpaniP. 4 - snare drum + tambourineP. 5 - bass drum + triangle.
$14.00
12.75 €
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Percussion Ensemble
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Jeremy Barnett
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D 'n C
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Jeremy Barnett
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SheetMusicPlus
French National Anthem (La Marseillaise) Easy Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. B…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.732831 By Brooks Holmes. By Claude Rouget de Lisle. Arranged by Brooks Holmes. Folk,Instructional,Multicultural,Patriotic,World. Score and parts. 12 pages. Brooks Holmes #341090. Published by Brooks Holmes (A0.732831). This arrangement was designed for young musicians in the comfortable key of Concert F. It’s perfect for younger players with simple rhythms & limited requirement of rudiments. The piano part supports the melody but rarely doubles it. The solo part is easy to read yet still sounds totally professional and reflects a traditional vocal performance that’s perfect for any occasion. Check out Mr. Holmes’ YouTube performance for more details!
$6.99
6.36 €
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Percussion Ensemble
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Brooks Holmes
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French National Anthem
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Brooks Holmes
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SheetMusicPlus
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