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Al
CHORAL - VOCAL - CHOIR
Baritone voice, Piano
Sheetmusic to print
7 sheet music found
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Gioacchino Rossini: Largo al Factotum della citta', from Il Barbiere di Siviglia for baritone and piano
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Baritone voice, Piano
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INTERMEDIATE
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Classical
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Gioacchino Rossini
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Virtualsheetmusic
Instantly downloadable sheet music by Gioacchino Rossini for baritone & piano of MEDIUM skill level. Contents: il barbiere di siviglia, largo al factotum della citta',the barber of seville / classical,opera...
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Instantly downloadable sheet music by Gioacchino Rossini for baritone & piano of MEDIUM skill level. Contents: il barbiere di siviglia, largo al factotum della citta',the barber of seville / classical,opera
$5.75
The Old Rugged Cross
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Baritone voice, Piano
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EASY
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George Bennard
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Sandy McIntire
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The Old Rugged Cross
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Sandy McIntire
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.697710 Composed by George Bennard. Arranged by Sandy McIntire. Country,Easter,Inst...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.697710 Composed by George Bennard. Arranged by Sandy McIntire. Country,Easter,Instructional,Sacred,Standards. 6 pages. Sandy McIntire #6487767. Published by Sandy McIntire (A0.697710). The Old Rugged Cross has been a favorite gospel hymn since it was published in 1913. It has been recorded by many star soloists, including Ernest Tubbs,  Al Green, Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, George Jones, Eddy Arnold, Johnny Cash and June Carter, Ella Fitzgerald, Mahalia Jackson, Jo Stafford, Gordon MacRae, Merle Haggard, Patsy Cline, Loretta Lynn, Ray Price, Tennessee Ernie Ford, The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, and George Beverly Shea. This arrangement is an Early Intermediate Tenor or Baritone Solo. Lyrics are shown on the separate solo sheet. The piano accompaniment includes musical cues for the soloist.
$5.99
Ange Flégier: Les Filles d'Arles for baritone and piano
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Baritone voice, Piano
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INTERMEDIATE
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Ange Flégier
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Ange Flégier: Les Filles d'Ar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.534381 Composed by Ange Flégier. Concert,Romantic Period,Standards. 7 pages. Mu...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.534381 Composed by Ange Flégier. Concert,Romantic Period,Standards. 7 pages. Musik Fabrik Music Publishing #3399581. Published by Musik Fabrik Music Publishing (A0.534381). A Provençal song on a French text by Jules Gaillard.
$9.10
Largo al factotum
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Baritone voice, Piano
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Gioachino Rossini
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Largo al factotum
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Schott Music
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SheetMusicPlus
From Il barbiere di Siviglia . Composed by Gioachino Rossini (1792-1868). Edited by Francesca Licciarda. Copyright 2014 Schott Music GmbH & Co. KG, Main...
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From Il barbiere di Siviglia . Composed by Gioachino Rossini (1792-1868). Edited by Francesca Licciarda. Copyright 2014 Schott Music GmbH & Co. KG, Mainz. 12 pages. Published by Schott Music (S9.Q10856). - - - Schott Music
$3.99
Al sen ti stringo e parto
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Baritone voice, Piano
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Classical
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Sacred music
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George Frideric Handel
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Wolfgang Birtel
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Al sen ti stringo e parto
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Schott Music
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SheetMusicPlus
Aria del Re' from 'Ariodante'. Composed by George Frideric Handel (1685-1759). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2015 Schott...
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Aria del Re' from 'Ariodante'. Composed by George Frideric Handel (1685-1759). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music (S9.Q25290). - - - Schott Music
$3.99
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