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Who Made Who
CHORAL - VOCAL - CHOIR
Choral TTBB
Sheetmusic to print
13 sheet music found
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1
What Was I Made For?
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1450755 By Bil…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1450755 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Charles Beale. 21st Century,Pop. 10 pages. Charliebmusic #1030300. Published by charliebmusic (A0.1450755). This resonant Billie Eillish song swept to success thanks to its appearance in the 2024 'Barbie' movie. The lyric is really around mental health and identity. A break-up song on one level, it asks an ex-partner who am I if I am not with 'you'? It also has a wider resonance, in the voice of someone in a mentally fragile and potentially traumatized state, who is gradually healing.This quiet and reflective TTBB arrangement features a soloist at the start, and, like the original, ends on a question.
$1.99
1.83 €
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Choral TTBB
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Billie Eilish
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What Was I Made For?
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charliebmusic
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
WAYFARING STRANGER (Poor Wayfaring Stranger)
Choral TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.23 €
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Choral TTBB
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Unknown - traditional
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Pippo Non Lo Sa
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giusep…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.69 €
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Choral TTBB
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Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
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Pippo Non Lo Sa
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Bacco Baccanels
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SheetMusicPlus
Fix You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865869 By Javier Colon. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865869 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Charles Beale. Rock. Octavo. 9 pages. Charliebmusic #5307511. Published by charliebmusic (A0.865869). This compassionate and intimate ballad was written by Coldplay, and appeared on their break-through 2005 album 'X&Y'. It is a song about being there for someone who is at the end of their emotional rope. This arrangement starts quite and still, and, as in the original, the piano/band parts build to a surprising and emotional climax, where the choir comes back in at full belt, singing 'tears stream down your face'. A change happens, comfort is given, a deep connection is made and the song ends as it started - quiet and still.This short arrangement has a solo opportunity for tenor or baritenor, and the TTBB choral parts are simple and satisfying.
$1.99
1.83 €
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Choral TTBB
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Javier Colon
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Fix You
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charliebmusic
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SheetMusicPlus
Cherish
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1372339 By David Ca…
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1372339 By David Cassidy. By Terry Kirkman. Arranged by Larry Wright. A Cappella,Barbershop. 5 pages. Larry Wright #956638. Published by Larry Wright (A0.1372339). A MEN'S 4-part, a cappella medium tempo'd ballad made popular by the British pop/rock group called The Association.NOTE: This is NOT an arrangement of the complete song!!! For more information, email me <larry@larrywrightmusic.com>.IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price..., NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: If the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements... to combat cheating. Sorry quartets!! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant, vocal learning trax<www.larrywrightmusic.com>.
$1.99
1.83 €
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Choral TTBB
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David Cassidy
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for assistance
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Cherish
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Larry Wright
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SheetMusicPlus
BLESSED ASSURANCE
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522436 Composed by Lyrics …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522436 Composed by Lyrics -Fannie Crosby, Music - Phoebe Knapp. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred,Traditional. Octavo. 3 pages. Paul A. Jorg #6120691. Published by Paul A. Jorg (A0.522436). Here is a bit of what Fanny Crosby had to say about how the song came into being:Sometimes a tune is furnished me for which to write the words. The hymn titled Blessed Assurance was made in this manner. My dear friend Phoebe Palmer Knapp (Mrs. Joseph), so well-known as a writer and singer of most excellent music and as an aid and inspiration to all who knew her, had composed the tune; and it seemed to me one of the sweetest I had heard for a long time. She asked me what it said. I replied, Blessed assurance. I felt while bringing the words and tones together that the air and the hymn were intended for each other.-from Fanny Crosby's Memories This song and To God Be the Glory are two of her most widely published songs, and this song appears in 951 hymnals, according to Himnary.org.This arrangement is for 4 part male harmony (TTBB) a cappella.
$4.59
4.23 €
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Choral TTBB
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Lyrics -Fannie Crosby, Music - Phoebe Knapp
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BLESSED ASSURANCE
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Paul A. Jorg
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SheetMusicPlus
Africa
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic
$5.00
4.61 €
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Choral TTBB
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Toto
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Africa
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Jonathan Kilhams
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SheetMusicPlus
I'll Never Smile Again
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971384 By Tommy Dorsey & H…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971384 By Tommy Dorsey & His Orchestra. By Ruth Lowe. Arranged by Jim Shubert. Contemporary. Octavo. 2 pages. James W. Shubert #6478493. Published by James W. Shubert (A0.971384). 4 part male Barbershop Arrangement (TTBB) Early Intermediate Level. The song that made Sinatra. A great big band song by Ruth Lowe (who also wrote the Sinatra sign-off radio show song Put Your Dreams Away (for another day)). Part of my 'Sinatra Suite', This arrangement resonates with the sense of 'Ol' Blue Eyes' as well as the Pied Pipers. A smooth sell to most audiences. Check before you use it in competition.
$1.99
1.83 €
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Choral TTBB
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Tommy Dorsey & His Orchestra
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I'll Never Smile Again
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James W. Shubert
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SheetMusicPlus
Voices Answering Back: The Vampires
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Published by JWP Music (A0.1031323). This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin. Approximate duration: 7 minutes. The text is used by permission of the poet. Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist. You can reach me through my website at www.johnplantmusic.com. My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.
$4.00
3.69 €
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Choral TTBB
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John Plant
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Voices Answering Back: The Vampires
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JWP Music
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SheetMusicPlus
It's The Most Wonderful Time Of The Year
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996393 Composed by Eddie P…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.996393 Composed by Eddie Pola, Edward Eddie Pola, and George Wyle. Arranged by Jay Dearling. A Cappella,Barbershop,Contemporary. Octavo. 4 pages. Jay Dearling #6383185. Published by Jay Dearling (A0.996393). Made popular by Andy Williams as a Christmas classic, having previously sung it with his brothers who frequently joined Andy on his Christmas shows with this song. A TTBB arrangement for any quartet or chorus at Intermediate level. A popular classic for the Christmas Season.This should be sung with a rolling lilt in 3/4 time that gets the audience swaying.Further details can be found on www.jaydeemusic.me.uk.
$1.99
1.83 €
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Choral TTBB
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Eddie Pola, Edward Eddie Pola, and George Wyle
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It's The Most Wonderful Time Of The Year
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Jay Dearling
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SheetMusicPlus
The Stream of Life for TTBB voices and Piano
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1004797 Composed by Leslie…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1004797 Composed by Leslie Kleen. Contemporary. Octavo. 13 pages. Music From Riverside #4368548. Published by Music From Riverside (A0.1004797). The life-affirming poem by Rabrindranath Tagore is set for men's chorus (TTBB) and piano.The same stream of life that runs through my veins night and day runs through the whole world and dances in rhythmic measures.It is the same life that shoots in joy through the dust of the earth in numberless blades of grass, and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean cradle of birth and death, of ebb and flow.I feel my limbs are made glorious by the touch of this world of life.And my pride is from the life-throb of ages dancing in my blood this moment..
$1.99
1.83 €
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Choral TTBB
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Leslie Kleen
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The Stream of Life for TTBB voices and Piano
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Music From Riverside
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SheetMusicPlus
Psalm 46
Choral TTBB
SATB chorus divisi and piano - Difficult - Digital Download SKU: MQ.AHM-37-E Compos…
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SATB chorus divisi and piano - Difficult - Digital Download SKU: MQ.AHM-37-E Composed by Christopher Aspaas. Reformation. 16 pages. Aspen Hill Music - Digital #AHM-37-E. Published by Aspen Hill Music - Digital (MQ.AHM-37-E). English. Psalm 46.Psalm 46 was composed during the height of the global pandemic and cultural upheaval of 2020. The text reflects the challenges of our time (the nations rage, the kingdoms are moved, and the earth melted, what desolation has been made of the earth...) as well as a comforting response (Be still, there is a river whose streams make glad the city of God). This work was selected for performance at the NCCO 2022 National Conference.
$2.85
2.63 €
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Choral TTBB
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Christopher Aspaas
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Psalm 46
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Aspen Hill Music - Digital
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SheetMusicPlus
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