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You've selected:
Take the \\\\\\\\\\\\\\\'A\\\\\\\\\\\\\\\' Train
CHORAL - VOCAL - CHOIR
Sheetmusic to print
48 sheet music found
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1
26
Take The "a" Train
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.997722 Composed by Billy S…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.997722 Composed by Billy Strayhorn. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 5 pages. Bacco Baccanels #603390. Published by Bacco Baccanels (A0.997722). A simple but powerful vocal SATB arrangement SATB (the idea has come from a brass arrangement), of the world-famous song of the swing era. I gave the bass line some words to sing instead of a monotonous doom doom. Remember all the onomatopoeia are written in Italian, but it's no so hard to convert a pa to a pah and a dum to a doom! I really hope You enjoy it!
$2.99
2.69 €
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Choral SATB
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Billy Strayhorn
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Take The "a" Train
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Bacco Baccanels
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SheetMusicPlus
Take The "a" Train
Choral SATB
Choral Choir,Choral (SATB) - Digital Download SKU: A0.1355031 By Duke Ellington. By…
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Choral Choir,Choral (SATB) - Digital Download SKU: A0.1355031 By Duke Ellington. By Billy Strayhorn. Arranged by Ton Verweij. A Cappella,Jazz. 9 pages. Ton Verweij #939746. Published by Ton Verweij (A0.1355031).
$1.99
1.79 €
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Choral SATB
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Duke Ellington
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Take The "a" Train
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Ton Verweij
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SheetMusicPlus
Take The a Train
Choral TTBB
Composed by Billy Strayhorn (1915-1967). Arranged by Wayne M. Grimmer. A Cappella, Jaz…
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Composed by Billy Strayhorn (1915-1967). Arranged by Wayne M. Grimmer. A Cappella, Jazz. Barbershop Quartet. 5 pages. Wayne Grimmer #677511. Published by Wayne Grimmer
$12.99
11.68 €
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Choral TTBB
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Billy Strayhorn (1915-1967)
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Take The a Train
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Wayne Grimmer
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SheetMusicPlus
Take The a Train
Choral SATB
Composed by Billy Strayhorn (1915-1967). Arranged by Fabrizio Calligaris. A Cappella…
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Composed by Billy Strayhorn (1915-1967). Arranged by Fabrizio Calligaris. A Cappella. Octavo. 6 pages. Fabrizio Calligaris #4810197. Published by Fabrizio Calligaris
$3.50
3.15 €
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Choral SATB
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Billy Strayhorn (1915-1967)
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Take The a Train
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Fabrizio Calligaris
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SheetMusicPlus
Take the "A" Train
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
Here’s how to play “Take the "A" Train” on piano!<br> <br> With these piano sheets, you can play the famous jazz standard “Take the "A" Train”.<br> <br> "Take the "A" Train” was written by Billy Strayhorn, and became the signature tune of Duke Ellington, who regularly performed it with his orchestra.<br> <br> It was also recorded by countless other artists, including Ella Fitzgerald.<br> <br> <br> <br> This piano sheet music comes with the song’s full melody and lyrics - it sounds great when it’s just played instrumentally, but you can also use these sheets to accompany a singer, or sing along yourself!<br> <br> Here are the full lyrics to “Take the "A" Train”:<br> <br> <br> “You must take the "A" train<br> <br> To go to Sugar Hill way up in Harlem<br> <br> If you miss the "A" train<br> <br> You`ll find you missed the quickest way to Harlem<br> <br> Hurry, get on, now it`s coming<br> <br> Listen to those rails a-thrumming<br> <br> All aboard, get on the "A" train<br> <br> Soon you will be on Sugar Hill in Harlem”
$4.99
4.49 €
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Piano, Voice
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Take the "A" Train
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Mario Stallbaumer
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SheetMusicPlus
Going Home on the Morning Train (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.7954-E Composed by Gwyneth…
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SATB choir and Piano - Medium - Digital Download SKU: MQ.7954-E Composed by Gwyneth W. Walker. 17 pages. Duration 4 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #7954-E. Published by E. C. Schirmer Music Company - Digital (MQ.7954-E). English.A train whistle (high notes in piano or piccolo) is heard in the distance. Then, the train draws closer as the music grows in dynamics and tempo. By the time that the chorus enters, the music is filled with energy. This is a celebratory song of going home to the Promised Land ... (where) all my sins been taken away! Duration: 4:10.
$3.15
2.83 €
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Choral SATB
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the time that the chorus enters, the music is filled with energy
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Gwyneth W
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Going Home on the Morning Train
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
When The Saints (Medley)
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.975463 Composed by John …
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.975463 Composed by John Redmon, Jr., and Thomas J. Dawson. Arranged by John P. Redmon Music (ASCAP)/adm. by Reaching Records. Children,Christian,Jazz,Jewish,Traditional. Octavo. 16 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247627. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975463). When The Saints (Medley) moves swiftly with a playful and danceable delivery as frisky drums and glorious trumpet sound incredible alongside the strategic backing vocals from the Fresh Start Baptist Church Male Chorus... (Take Effects - https://takeeffectreviews.com/).This piano/vocal/choral arrangement is fun for the whole family! This medley includes : When The Saints / I’m Gonna Sing, Sing, Sing / This Train Is Bound For Glory / Swing Low. As in the original recording, the score incorporates vocal rounds leaving you in a frenzy of joy.When The Saints (Medley) appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.This version of When The Saints (Medley) is perfect for sing-alongs, bar songs, church gatherings, and festivals.The recorded version is just a little over 4 minutes but oh how quickly these four minutes fly by.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook: https://m.facebook.com/johnredmonmusic/Instagram: https://www.instagram.com/johnredmonmusic/Twitter: https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
$4.99
4.49 €
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Choral Unison
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John Redmon, Jr
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When The Saints
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John P. Redmon Music
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SheetMusicPlus
Take The "A" Train (Low Voice)
Melody line, (Lyrics) and Chords
Voice - Digital Download SKU: HX.1381094 This edition: scorch. Jazz,Standards. Real…
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Voice - Digital Download SKU: HX.1381094 This edition: scorch. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #811760. Published by Hal Leonard - Digital (HX.1381094).
$1.99
1.79 €
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Melody line, (Lyrics) and Chords
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Take The "A" Train
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Hal Leonard - Digital
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SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Choral 2-part
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.49 €
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Choral 2-part
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
The Letter: 1st Percussion
Choir - Digital Download SKU: AX.00-PC-0016208_PC1 1st Percussion. Composed …
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Choir - Digital Download SKU: AX.00-PC-0016208_PC1 1st Percussion. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016208_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016208_PC1). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.7 €
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Wayne Carson Thompson
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Recorded Acc. Available.
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The Letter: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Letter: B-flat Tenor Saxophone
Choir - Digital Download SKU: AX.00-PC-0016208_TX1 B-flat Tenor Saxophone. C…
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Choir - Digital Download SKU: AX.00-PC-0016208_TX1 B-flat Tenor Saxophone. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016208_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016208_TX1). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.7 €
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Wayne Carson Thompson
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Recorded Acc. Available.
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The Letter: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Letter: Drums
Choir - Digital Download SKU: AX.00-PC-0016208_D Drums. Composed by Wayne Ca…
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Choir - Digital Download SKU: AX.00-PC-0016208_D Drums. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016208_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016208_D). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.7 €
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Wayne Carson Thompson
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Recorded Acc. Available.
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The Letter: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Letter: Score
Choir - Digital Download SKU: AX.00-PR-0004502 Score. Composed by Wayne Cars…
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Choir - Digital Download SKU: AX.00-PR-0004502 Score. Composed by Wayne Carson Thompson. Arranged by Jay Althouse. Instructional. Score. 23 pages. Alfred Music - Digital Sheet Music #00-PR-0004502. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004502). UPC: 038081384696.Here's a rockin' remake of a timeless '60s hit, perfect for the pop portion of your concert. Give me a ticket for an airplane. Ain't got time to take no fast train. Kickin' groove!Inst. Parts Available (choral); Recorded Acc. Available.
$8.00
7.19 €
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Wayne Carson Thompson
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Recorded Acc. Available.
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The Letter: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Take The Strain
Choral SATB
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022856 Composed by M Cal…
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1022856 Composed by M Calvert. Children,Instructional,Musical/Show. Octavo. 23 pages. Martin Calvert #3478431. Published by Martin Calvert (A0.1022856). Song for a children's group. A bright and pantomime-feel to the overall rhythm. This will be part of a suite of songs exploring feelings and positive messages. Two relatively simple vocal parts in chant and echo with some harmony. Suitable for primary / elementary / middle schools as part of a production or one off. It helps children to understand perseverance and the ability to carry on through any troubles. #mental health support #socialmoraleducation Hyperlink to Sibelius score showing key changes. https://sibl.pub/HyMIIUFKM
$3.99
3.59 €
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Choral SATB
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M Calvert
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Take The Strain
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Martin Calvert
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SheetMusicPlus
The Old Rugged Cross
Choral (Single, Orchestra) - Digital Download SKU: H1.C5175DP Arranged by Joel Rane…
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Choral (Single, Orchestra) - Digital Download SKU: H1.C5175DP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. Concertato, Lent, General Worship, Cross of Christ, Joy, Stewardship. Octavo. 12 pages. Hope Publishing - Digital #C5175DP. Published by Hope Publishing - Digital (H1.C5175DP). By George Bennard.Beloved hymn by George Bennard Joel Raney has taken the words of George Bennard's beloved hymn and set them to a powerful original melody, creating a dramatic presentation of the Passion story. Ideal for Good Friday, the impact of this piece grows in resonance as strains of Bennard's original melody comes forth in the major key. The Orchestration includes a Conductor's Score and parts for: Piano, Violin 1, Violin 2, Viola, Cello, Oboe, B-flat Trumpet, French Horn and Percussion (chimes, suspended cymbal & timpani).
$3.25
2.92 €
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George Bennard
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The Old Rugged Cross
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Hope Publishing - Digital
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SheetMusicPlus
Billy Strayhorn: Take The "A" Train (Low Voice) - voice & other instruments (real book with lyrics)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Billy Strayhorn for voice & other instruments (real…
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Instantly printable sheet music by Billy Strayhorn for voice & other instruments (real book with lyrics) of MEDIUM skill level. / jazz,standards
$1.97
1.77 €
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Melody line, (Lyrics) and Chords
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Billy Strayhorn
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Virtualsheetmusic
Happy Place
Choral 2-part
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.79 €
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Choral 2-part
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Take My Yoke Upon You, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.79 €
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Choral SATB
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Kevin G
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I cannot find my way
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Take My Yoke Upon You, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Take the 'A' Train by Ella Fitzgerald - Piano/Vocal/Chords, Singer Pro
Piano, Vocal and Guitar
Performed by: Ella Fitzgerald: Take the 'A' Train Digital Sheetmusic - instantly…
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Performed by: Ella Fitzgerald: Take the 'A' Train Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- Big Band~~Jazz Standards~~Swing~~Vocal Jazz
$5.79
5.21 €
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Piano, Vocal and Guitar
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Ella Fitzgerald
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Just in Time for Christmas: An Original Christmas Musical for Children and Teens
Choral 2-part
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills. By Joanna C Mills. Arranged by Joanna C Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #412246. Published by Joanna Mills Music (A0.805209). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Just in Time for Christmas features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (some with an optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Full script • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.49 €
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Choral 2-part
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Joanna C Mills
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Just in Time for Christmas: An Original Christmas Musical for Children and Teens
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Joanna Mills Music
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Baritone voice, Piano
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
PLATFORM NINE an original stage musical
Choral SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1) Four in the Morning 2) Those Early Morning Blues * 3) Engine Driver * 4) Take a Train * 5) Platform Nine * 6) Start All Over Again * 7) Wanna Bet! 8) The Big Race 9) Sigh me a Sigh10) Why?11) Lonely Words *12) A Woman Is! *13) The Palais de Danse14) The Locomotion Rock15) A Face in the Crowd16) Take a Train (reprise)
$87.00
78.24 €
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Choral SATB
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Dennis A
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PLATFORM NINE an original stage musical
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Tyne Music
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto voice, Piano
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Alto voice, Piano
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.55 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.05 €
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Soprano voice, Piano
#
Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
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