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Scarlatti
CHORAL - VOCAL - CHOIR
Sheetmusic to print
217 sheet music found
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201
Le Violette - Eb Major
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Piano, Voice
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Classical
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Alessandro Scarlatti
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Sharyn Rogers
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Le Violette - Eb Major
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Change the Key
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1507016 Composed by Alessandro Scarlatti. Arranged by Sharyn Rogers. Baroque. 5 pages. Change the Key #108240...
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Vocal Solo,Voice - Digital Download SKU: A0.1507016 Composed by Alessandro Scarlatti. Arranged by Sharyn Rogers. Baroque. 5 pages. Change the Key #1082401. Published by Change the Key (A0.1507016). Le Violette from the opera Pirro e Demetrio by Alessandro Scarlatti transposed to Eb Major for voice and piano. Vocal range Bb - C.
$6.50
Le Violette - G Major
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Piano, Voice
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Classical
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Alessandro Scarlatti
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Sharyn Rogers
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Le Violette - G Major
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Change the Key
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1507017 Composed by Alessandro Scarlatti. Arranged by Sharyn Rogers. Baroque. 5 pages. Change the Key #108240...
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Vocal Solo,Voice - Digital Download SKU: A0.1507017 Composed by Alessandro Scarlatti. Arranged by Sharyn Rogers. Baroque. 5 pages. Change the Key #1082402. Published by Change the Key (A0.1507017). Le Violette from the opera Pirro e Demetrio by Alessandro Scarlatti transposed to G Major for voice and piano. Vocal range D - E.
$6.50
Mass in G Major - Qui sedes - Duet (Soprano, Alto) - Vocal Score
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Vocal duet, Piano
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INTERMEDIATE
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Qui sedes -
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Hélder Bento
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SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1485457 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroqu...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1485457 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 6 pages. Hélder Bento #1062514. Published by Hélder Bento (A0.1485457). Mass in G Major - Qui sedes - Duet (Soprano, Alto) - Vocal ScoreCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$5.99
SCARLATTI: Spesso vibra per suo gioco (transposed to D minor)
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Piano, Voice
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Classical
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Alessandro Scarlatti
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ArtSongTranspositions
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SCARLATTI: Spesso vibra per su
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1401698 Composed by Alessandro Scarlatti. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 p...
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Piano,Vocal,Voice - Digital Download SKU: A0.1401698 Composed by Alessandro Scarlatti. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #984881. Published by AST Publications, LLC (A0.1401698). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
O cessate di piagarmi (F-sharp minor)
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Piano, Voice
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Alessandro Scarlatti
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O cessate di piagarmi
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00360FS Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00360FS. Published by Bell...
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Voice and piano - Digital Download SKU: XB.DNLB00360FS Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00360FS. Published by Bells Publishing (XB.DNLB00360FS). F-sharp minor [Vocal range: E#4-E5].
$4.95
La speranza (F Major)
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Piano, Voice
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Alessandro Scarlatti
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La speranza
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00340F Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00340F. Published by Bells ...
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Voice and piano - Digital Download SKU: XB.DNLB00340F Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00340F. Published by Bells Publishing (XB.DNLB00340F). F major [Vocal range: C4-E5].
$4.95
Sento nel core (C-sharp minor)
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Piano, Voice
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Alessandro Scarlatti
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Sento nel core
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00385CS Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00385CS. Published by Bell...
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Voice and piano - Digital Download SKU: XB.DNLB00385CS Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00385CS. Published by Bells Publishing (XB.DNLB00385CS). C-sharp minor [Vocal range: B#3-C#5].
$4.95
O cessate di piagarmi (C-sharp minor)
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Piano, Voice
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Alessandro Scarlatti
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O cessate di piagarmi
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00360CS Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00360CS. Published by Bell...
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Voice and piano - Digital Download SKU: XB.DNLB00360CS Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00360CS. Published by Bells Publishing (XB.DNLB00360CS). C-sharp minor [Vocal range: C4-C#5].
$4.95
Cara e dolce (Original key. G minor)
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Piano, Voice
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Alessandro Scarlatti
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Cara e dolce
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00339G Composed by Alessandro Scarlatti. Score. 3 pages. Bells Publishing #DNLB00339G. Published by Bells ...
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Voice and piano - Digital Download SKU: XB.DNLB00339G Composed by Alessandro Scarlatti. Score. 3 pages. Bells Publishing #DNLB00339G. Published by Bells Publishing (XB.DNLB00339G). Original key. G minor [Vocal range: D4-Eb5].
$4.95
Gia il sole dal Gange (D Major)
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Piano, Voice
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Alessandro Scarlatti
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Gia il sole dal Gange
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00361D Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00361D. Published by Bells ...
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Voice and piano - Digital Download SKU: XB.DNLB00361D Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00361D. Published by Bells Publishing (XB.DNLB00361D). D major [Vocal range: A3-B4].
$4.95
Chi vuole innamorarsi (1) (B-flat Major)
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Piano, Voice
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Alessandro Scarlatti
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Chi vuole innamorarsi
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00337BB Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00337BB. Published by Bell...
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Voice and piano - Digital Download SKU: XB.DNLB00337BB Composed by Alessandro Scarlatti. Score. 2 pages. Bells Publishing #DNLB00337BB. Published by Bells Publishing (XB.DNLB00337BB). B-flat major [Vocal range: D4-Eb5].
$4.95
Sento nel core (F minor)
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Piano, Voice
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Alessandro Scarlatti
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Sento nel core
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Bells Publishing
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SheetMusicPlus
Voice and piano - Digital Download SKU: XB.DNLB00385F Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00385F. Published by Bells ...
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Voice and piano - Digital Download SKU: XB.DNLB00385F Composed by Alessandro Scarlatti. Score. 5 pages. Bells Publishing #DNLB00385F. Published by Bells Publishing (XB.DNLB00385F). F minor [Vocal range: E4-F5].
$4.95
Mass in G Major - Kyrie
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Choral SATB
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INTERMEDIATE
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Kyrie
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Hélder Bento
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1237388 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Ea...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1237388 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Octavo. 6 pages. Hélder Bento #832901. Published by Hélder Bento (A0.1237388). Carlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major.This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$2.00
A Melody of Scarlatti
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Choral 3-part
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INTERMEDIATE
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superimposing the text over th
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Wayland Rogers
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A Melody of Scarlatti
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WR Editions
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.866648 Composed by Wayland Rogers. Baroque,Contemporary. Octavo. 7 pages. WR Editions #3069027. P...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.866648 Composed by Wayland Rogers. Baroque,Contemporary. Octavo. 7 pages. WR Editions #3069027. Published by WR Editions (A0.866648). Upon hearing a piece of music by Domenicao Scartlatti, Aldous Huxley wrotea succinct four-line poem expressing its transporting effect on him. The exact pieceto which he was referring is not known, however this Sonata in A Major, K. 208seems to me a perfect match. By superimposing the text over the musicI have expressed my appreciation of the two artists' work:Scarlatti's beautiful music and Huxley's lovely reflection on it.
$2.50
Le Violette Bb Major
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Piano, Voice
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Classical
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Alessandro Scarlatti
#
Change the Key
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Le Violette Bb Major
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Change the Key
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.856624 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #300309...
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Vocal Solo,Voice - Digital Download SKU: A0.856624 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #3003095. Published by Change the Key (A0.856624). Le Violette transposed to Bb Major for voice and piano. Vocal range F - G.
$4.50
Le Violette - Ab Major
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Piano, Voice
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Classical
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Alessandro Scarlatti
#
Change the Key
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Le Violette - Ab Major
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Change the Key
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.856623 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #300309...
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Vocal Solo,Voice - Digital Download SKU: A0.856623 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #3003093. Published by Change the Key (A0.856623). Le Violette transposed to Ab Major for voice and piano. Vocal range Eb - F.
$4.50
SCARLATTI Alessandro: O cessate di piagarmi, aria from the opera "Il Pompeo", - Voice and
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High voice
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INTERMEDIATE
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: O cessat
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868717 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Bar...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868717 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4405460. Published by Really Good Music, LLC. (A0.868717). O cessate di piagarmi is an aria from the opera Il Pompeo (1683) by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (F#4 – F5) for high voice.
$5.95
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Domenico SCARLATTI
#
Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Ba...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868642 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365848. Published by Really Good Music, LLC. (A0.868642). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in B minor (D4 – E5) for high voice. .
$5.95
Le Violette - F Major
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Piano, Voice
#
Classical
#
Alessandro Scarlatti
#
Change the Key
#
Le Violette - F Major
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Change the Key
#
SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.856626 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #300309...
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Vocal Solo,Voice - Digital Download SKU: A0.856626 Composed by Alessandro Scarlatti. Arranged by Change the Key. Baroque. 6 pages. Change the Key #3003099. Published by Change the Key (A0.856626). Le Violette transposed to F Major for voice and piano. Vocal range C - D.
$4.50
SCARLATTI Alessandro: Toglietemi la vita ancor, aria from the opera "Il Pompeo", - Voice
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Soprano voice, Piano
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INTERMEDIATE
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Togliete
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. ...
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868718 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4405466. Published by Really Good Music, LLC. (A0.868718). Toglietemi la vita ancor is an aria from the opera Il Pompeo (1683) by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (F#4 – Ab5) for high voice. .
$5.95
SCARLATTI, Domenico: Consolati, e spera, aria from the opera "Ifigenia in Tauri", - Voice
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Alto voice, Piano
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INTERMEDIATE/ADVANCED
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Domenico SCARLATTI
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Sergei PICHUGIN
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SCARLATTI, Domenico: Consolati
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Really Good Music, LLC.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroq...
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365844. Published by Really Good Music, LLC. (A0.868641). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (Bb3 – C5) for low voice. .
$5.95
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
SCARLATTI Alessandro: Crudel tiranno Amore, aria from solo cantata Quella pace gradita, arranged for
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High voice
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INTERMEDIATE/ADVANCED
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Alessandro SCARLATTI
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Sergei PICHUGIN
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SCARLATTI Alessandro: Crudel t
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Bar...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869017 Composed by Alessandro SCARLATTI (1660 – 1725). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6354077. Published by Really Good Music, LLC. (A0.869017). Crudel tiranno Amore is an Aria 1 from solo cantata Quella pace gradita, composed by Alessandro SCARLATTI (1660 – 1725), one of the greatest composers of Italian Baroque. It has been realized from the score of the cantata and arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E flat major (Eb4 – G5) for high voice.
$5.95
O Cessate di Piagarmi (Vocal duet)
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Vocal duet, Piano
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INTERMEDIATE
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Opera
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Classical
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Alessandro Scarlatti
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John Ross
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O Cessate di Piagarmi
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John Ross
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages....
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages. John Ross #3447535. Published by John Ross (A0.741860). Alessandro Scarlatti's O Cessate di Piagarmi from his 1683 opera Pompeo is a favourite of singers and singing teachers, being one of the early Italian arias often used in vocal tuition. This arrangement adds a second soloist, providing a decorative balancing part to the original aria's melodic line. Scarlatti repeats his melody line in the original aria. In this arrangement it is shared between the singers - soloist 1 singing it the first time, with soloist 2 singing a second part. On the repeat the singers swap roles. In this way each singer has the main tune once during this arrangement. There are additional decorations and ornaments in the repeated version. Creating a duet from a solo aria gives singers the chance to participate in some vocal chamber music and add another dimension to their performance skills.
$1.99
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