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CHORAL - VOCAL - CHOIR
Sheetmusic to print
12 sheet music found
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1
General Roll Call. Jubilee Song
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Choral SATB
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S
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S
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Chas
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General Roll Call. Jubilee Son
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (SATB quartet) - Digital Download SKU: LV.4761 Composed by S.B. Spinning. Arranged by Chas. D. Blake. Biblical references, Religion, Deat...
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Piano and voice (SATB quartet) - Digital Download SKU: LV.4761 Composed by S.B. Spinning. Arranged by Chas. D. Blake. Biblical references, Religion, Death, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4761). General Roll Call. Jubilee Song. Arranged by Chas. D. Blake. By S.B. Spinning. Published 1886 by W.F. Shaw in n.p. Composition of strophic with chorus (call and response) with piano and voice (satb quartet) instrumentation. Subject headings for this piece include Biblical references, Religion, Death, Symbols. First line reads I've listed and I'm bound to fight when the gen'ral roll is call'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Willie Bell
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Choral SATB
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George R
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Willie Bell
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.320 Composed by George R. Poulton. Clothing & dress, Portraits, Love, Death, Symbols, S...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.320 Composed by George R. Poulton. Clothing & dress, Portraits, Love, Death, Symbols, Seasons. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.320). Musical Compositions of Geo. R. Poulton. No. 1. Willie Bell. Geo. R. Poulton. Published 1854 by J. Sage & Sons, 209 Main St. in Buffalo. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Portraits, Love, Death, Symbols, Seasons. First line reads Down in yonder shadowed valley, where the deathtide's waters roll.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Willie Bell. Song and Chorus
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Choral SATB
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George R
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Willie Bell. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3630 Composed by George R. Poulton. Cherubs, Vases, Flowers, Seasons, Symbols, Death, L...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3630 Composed by George R. Poulton. Cherubs, Vases, Flowers, Seasons, Symbols, Death, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3630). Willie Bell. Song and Chorus. Composed by George R. Poulton. Published 1854 by J. Sage & Sons, 209 Main St. in Buffalo. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Cherubs, Vases, Flowers, Seasons, Symbols, Death, Love. First line reads Down in yonder shadowed valley, where the death-tide's waters roll.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Who Will Care for Mother Now? Song with Chorus
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Piano, Voice
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Charles Carroll Sawyer
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C
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Who Will Care for Mother Now?
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22910 Composed by Charles Carroll Sawyer. Arranged by C.F. Thompson. Civil War--Union, Mothers & children, War...
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Piano and voice - Digital Download SKU: LV.22910 Composed by Charles Carroll Sawyer. Arranged by C.F. Thompson. Civil War--Union, Mothers & children, War casualties, Death, Religion, Angels, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22910). Who Will Care for Mother Now? Song with Chorus. Words and Music by Charles Carroll Sawyer. Arranged by C.F. Thompson. Published 1863 by Sawyer & Thompson, 59 Fulton Avenue in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Mothers & children, War casualties, Death, Religion, Angels, Patriotism. First line reads Why am I so weak and weary, see how faint my heated breath.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Shall I See My Home Again. A Beautiful Song With Chorus
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Piano, Voice
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Rose Carroll
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Shall I See My Home Again. A B
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22669 Composed by Rose Carroll. Homesickness, Guards, Families, War casualties, Death, Heaven, Civil war--Conf...
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Piano and voice - Digital Download SKU: LV.22669 Composed by Rose Carroll. Homesickness, Guards, Families, War casualties, Death, Heaven, Civil war--Confederate. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22669). Shall I See My Home Again. A Beautiful Song With Chorus. Written & Composed by Rose Carroll. Published 1863 by H.D. Hewitt, 56 Nth. Charles St. in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Homesickness, Guards, Families, War casualties, Death, Heaven, Civil war--Confederate. First line reads The moon was softly beaming upon the tented ground.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Angels Came Singing, sacred choral music
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Angels Came Singing, sacred ch
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339986 Composed by Kevin G. Pace (ASCAP), Krista Mason Pace. Christian,Christmas,Easter,...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1339986 Composed by Kevin G. Pace (ASCAP), Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 11 pages. Kevin G. Pace #925650. Published by Kevin G. Pace (A0.1339986). A glorious choral arrangement for Christmas or Easter.  Music by Kevin G. Pace.  Text by Krista Mason Pace.Text:Great are the words of prophets of oldWho spoke of a King to come as foretold;A Savior, Redeemer, to rule and to reign;Taking our sorrow, grief, loss, and pain.Angels came singing, sent from aboveRevealing as promised, our Father’s love;Teaching the world of His plan for all menThat through God’s own Son, we’d come home again.Chosen of God, a virgin so fairWas blessed from on high, a Son she would bear,And call His name Jesus, for He was the One;His life to offer, Thy will be done.Angels came singing, sent from aboveDeclaring glad tidings, our Father’s love;Shepherds and wise men would reverently bendFor Jesus was born, the Savior of men. Women did come, their spices prepared;Still grieving the loss of life thus not spared.Then, finding the tomb with the stone rolled awayVoid of His body, cried in dismay.Angles came singing, sent from aboveWhy seek ye the living? Our Father’s LoveRising, thus breaking the death bands to giveA promise of life to all who would live.Seeking for truth, he knelt down to pray;Disturbed by the strife of men in his day.A pillar of light shone around this young boy;Christ and His Father answered in joy.Angels came singing, sent from above;Proclaiming the good news, our Father’s love;Full restoration of truth to the Earth;That all may rejoice, His gift of great worth.This Christmas (Easter) day, I ponder anewHis birth, life, and death; my covenants true,And His resurrection that leads to my own;Prophets still leading, guiding me home.Angels are singing, sent from our homeProtecting our children, loved ones who roam.One day we'll join them to sing in His light.He’s coming again in glory and might.
$1.99
Call me Not Back From the "Echoless Shore."
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Choral SATB
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Henry Tucker
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Call me Not Back From the "Ech
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3799 Composed by Henry Tucker. Comfort, Children, Death, Sleeping. Lester S. Levy Colle...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3799 Composed by Henry Tucker. Comfort, Children, Death, Sleeping. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3799). Call me Not Back From the Echoless Shore. In Reply to Rock Me to Sleep, Mother. Song, With Chorus And Lullaby, Ad. Lib. Words by Charles Carroll Sawyer. Music by Henry Tucker. Published 1862 by Sawyer & Thompson, 59 Fulton Ave. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Comfort, Children, Death, Sleeping. First line reads Why is your forehead deep furrowed with care?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Sweet are the charms of her love
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Choral SATB
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Healey Willan
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Sweet are the charms of her lo
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.879608 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517999. Publis...
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Choral Choir (SATB) - Digital Download SKU: A0.879608 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517999. Published by Biretta Books (A0.879608). Healey Willan's SATB a capella part-song setting of Sweet are the charms of her love exhibits lovely choral writing at its best. The text is by Barton Booth (1681-1733):Sweet are the charms of her love, More fragrant that the damask rose, Soft as the down of turtle dove,Gentle as air when Zephyr blows,Refreshing as descending rains,To sunburnt climes and thirsty plains.True as the needle to the pole,Or as the dial to the sun;Constant as gliding waters roll,Whose swelling tides obey the moon;From ev'ry other charmer free,My life and love follow thee. Love, and his sister fair, the soul,Twin-born, from heav'n together came,Love with the universe control,When dying seasons lose their name.Divine abodes shall own his pow'rWhen time and death shall be no more.A piano reduction is included for use in rehearsal. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$2.95
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Marion Lee. Ballad and Chorus
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Choral SATB
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H
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Marion Lee. Ballad and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3489 Composed by H. S. Thompson. Love, Sailors, Shipwrecks, Death, Grief. Lester S. Lev...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3489 Composed by H. S. Thompson. Love, Sailors, Shipwrecks, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3489). A Collection of Songs, Ballads and Quartetts by H.S. Thompson. Marion Lee. Ballad and Chorus. H.S. Thompson. Published 1858 by Oliver Ditson and Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Sailors, Shipwrecks, Death, Grief. First line reads Come to me love for here I am waiting, sadly and lone by the dark rolling sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Canticle of Freedom (A Song for Peace) cantata for choir and orchestra
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alan Bullard
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Canticle of Freedom
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1452243 Composed by Alan Bullard. 21st Century,Classical. 90 pages. Colne Edition /...
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Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1452243 Composed by Alan Bullard. 21st Century,Classical. 90 pages. Colne Edition / BullardMusic #1031565. Published by Colne Edition / BullardMusic (A0.1452243). Alan Bullard's Canticle of Freedom (A Song for Peace), written in 1999 and first performed in 2000, is a prayer for a new millennium of freedom and peace, and each of the four movements takes as its starting point one of the verses from the nineteenth-century Christmas hymn 'It came upon the midnight clear'. It is scored for mixed choir, children's or youth choir, soprano and baritone soloists and a moderate size orchestra. The first movement tells of a solemn, still, and peaceful earth, and the second of a jubilant heaven. The third movement speaks of 'two thousand years of wrong' - the wars and persecution that have disfigured the last two millennia - and the last movement leads us from death to life, with a positive and joyful hope for the future: in the words of the hymn: 'When peace shall over all the earth its ancient splendours fling'. The text has been selected from a variety of poets and sources, ranging from mediaeval times to the present day. The score available here is the vocal score, with a piano reduction of the orchestral parts: for avaialablity of full score and parts please contact alanbullardmusic@gmail.com or colneedition@gmail.comThe link is to a YouTube scrolling scorewww.alanbullard.co.uk.
$8.99
Symphony in A flat Major "Phoenix" - All Parts
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An-lun Huang
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Symphony in A flat Major "Phoe
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DoReMi Edition
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SheetMusicPlus
Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281....
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Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.
$500.00
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