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He\\\'s Coming Soon.
CHORAL - VOCAL - CHOIR
Sheetmusic to print
8 sheet music found
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1
He's Coming Soon.
Choral SATB
Choral Choir (4-Part) - Digital Download SKU: A0.989510 Composed by S J Martin Payn…
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Choral Choir (4-Part) - Digital Download SKU: A0.989510 Composed by S J Martin Payne. Arranged by Richard Putnam. Christian,Gospel,Praise & Worship,Sacred. Octavo. 18 pages. S J Martin Payne #2880397. Published by S J Martin Payne (A0.989510). Very good Praise and Worship song, suitable for Gospel Choirs and small groups.
$4.99
4.54 €
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Choral SATB
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S J Martin Payne
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He's Coming Soon.
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S J Martin Payne
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SheetMusicPlus
Come Forth, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99
1.81 €
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Choral SATB
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Kevin G
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death was sure by then
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Come Forth, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
A Child Is Born
Choral 3-part
SAB choir, Piano - Digital Download SKU: LX.65-1984M A Christmas Worship Experie…
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SAB choir, Piano - Digital Download SKU: LX.65-1984M A Christmas Worship Experience of the Christ-Light. Composed by Laura Kathryn Rosser and Mary McDonald. With Optional Full Orchestra, Choral Cantatas. Christmas. 92 pages. Monarch Music #e65/1984M. Published by Monarch Music (LX.65-1984M). The significance of Christ's coming is beautifully conveyed in this service of worship for the Christmas season. Recognizing Jesus' birth as the coming of the Christ-Light offers us hope, peace, light, joy, and love. We sense the celebration shared by all who welcome Him, from the Israelites 2,000 years ago to each of us who invite this Child into our hearts today. The blending of new anthems with familiar carols and choruses makes this suitable for traditional and blended churches alike. Beginning with a quiet theme incorporating the beloved Londonderry Air, the orchestral overture is soon energized with a Celtic setting of the French carol He Is Born. A brief narrative precedes an optional candlelight processional by the choir while familiar choruses and carols offer the congregation an opportunity to join in singing this celebration of Christ's birth. Other well-known tunes include the chorus I Worship You, Almighty God, and a fresh version of When You Left Your Throne..
$9.95
9.06 €
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Choral 3-part
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Laura Kathryn Rosser and Mary McDonald
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A Child Is Born
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Monarch Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.63 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Even For His Prodigal One, a sacred hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
$1.99
1.81 €
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Choral SATB
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Kevin G
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broken rocks can be strong
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Even For His Prodigal One, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Dia
Choral SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Canda…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00
13.66 €
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Choral SATB
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Sounds of That Holy, Sacred Night - a sacred Christmas hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1429535 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1429535 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #1010232. Published by Kevin G. Pace (A0.1429535). A notable, sacred Christmas hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:The sounds of that holy, sacred nightBegan with moans of pain,Mary cried out as all mothers do,From the straw where she had lain.She was young, but knew God’s will:Become the mother of His Son, He came to earth as all men do,Born to be The Anointed One. Another sound broke through the night,A whimper from a newborn babe,In Bethlehem so long ago,Where in a manger He was laid.He cried as all babies do,But cradled in His mother’s care,He left heaven’s glory to reside,In a world of dark despair. Songs rang out that joyous night,As angels came down to Judah’s hills,And choirs proclaimed the wondrous birth,And the heavens their voices filled.“Peace on earth, good will to men,”Were the glad tidings of great news.The Word of God manifest in flesh,Would proclaim His gospel’s truths. Then Mary’s song that holy night,Became a lullaby of joy,As she gazed with wondermentAt this child, her precious baby boy,Hers to hold but for a time,Soon His Father’s work to do,On earth becoming Savior Lord,To live and die for me and you. Chorus:Sounds of that sacred nightHeard by so very few,Now ring forth from land to land,Announcing again the joyous news.The sounds and songs that holy night,We celebrate at Christmas time,The song of love that Christ was born,Song of love, O Love Divine!
$1.99
1.81 €
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Choral SATB
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Kevin G
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Sounds of That Holy, Sacred Night - a sacred Christmas hymn
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Kevin G. Pace
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SheetMusicPlus
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