Home page
Browse Free-scores.com
CHORAL - VOCAL - CHOIR
FREE SHEET MUSIC
SHEET MUSIC STORE
DIGITAL SHEET MUSIC
MUSIC EQUIPMENT
--INSTRUMENTS--
ACCORDION
VIOLA
OTHER INSTRUM…
BALALAIKA
BANJO
BASS
BASSOON
DRUM
BOUZOUKI
FLUGELHORN
CHOIR - VOCAL
CHARANGO
ZITHER
CLARINET
HARPSICHORD
HANDBELLS
DOUBLE BASS
HORN
ENGLISH HORN
BAGPIPE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
MARCHING BAND
FLUTE
RECORDER
PANPIPES
MUSICAL COURS…
GUITAR
HARMONICA
HARP
OBOE
BOOKS
LUTE, THEORB
MANDOLIN
MARIMBA
ORCHESTRA - B…
ORGAN - ORGAO
BLANK SHEET M…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA DA GAMB…
VIOLIN - FIDD…
CELLO - VIOLO…
XYLOPHONE
The Call [High Voice]
Not classified
106
Piano & keyboards
Piano, Voice
43
Guitars
Voice
Choral SATB
39
High voice
19
Choral 3-part
16
Choral 2-part
16
Choral TTBB
11
Choral Unison
10
Baritone voice, Piano
2
Choral SSAA
2
Vocal duet, Piano
2
Soprano voice, Piano
2
Choral SSAATTBB
2
Voice solo
2
Mezzo-Soprano voice, Piano
1
Alto voice, Piano
1
Tenor voice
1
Medium voice, Piano
1
Low voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
Woodbrass
Strings
Orchestra & Percussion
Others
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
18
Digital Sheet Music
153
Sheet Music Books
463
Music Equipment
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Call [High Voice]
CHORAL - VOCAL - CHOIR
Sheetmusic to print
153 sheet music found
<
1
26
51
....
151
The Unquiet Grave from American Death Ballads (Downloadable)
#
High voice
#
David Conte
#
The Unquiet Grave from America
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
#
High voice
#
EASY
#
the stream and o'er the mead;<
#
Todd Marchand
#
The Lamb
#
Con Spirito Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
With A Shout (1 Thessalonians 4.16-18 WEB)
#
Sacred music
#
Chris Monteiro
#
With A Shout
#
Christopher M. Monteiro
#
SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score ...
(+)
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
Ave Maria - vocal solo-high
#
High voice
#
EASY
#
Phil Beaman
#
Ave Maria - vocal solo-high
#
Phil Beaman
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
#
Tenor voice
#
ADVANCED
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
(+)
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Baritone voice, Piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
(+)
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
David of the White Rock
#
High voice
#
David of the White Rock
#
Schott Music - Digital
#
SheetMusicPlus
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Mu...
(+)
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
Call Upon His Name - Soprano & Tenor duet
#
High voice
#
INTERMEDIATE
#
Joseph Virgilio
#
Call Upon His Name - Soprano &
#
Mr Joe's Music Company
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.960933 Composed by Joseph Virgilio. Contemporary,Sacred,Spiritual. 14 pages. Mr Joe's Music Co...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.960933 Composed by Joseph Virgilio. Contemporary,Sacred,Spiritual. 14 pages. Mr Joe's Music Company #6134895. Published by Mr Joe's Music Company (A0.960933). An expression of faith and hope in the Lord written for two very good friends in return for sharing kindness and generosity with their musicianship.
$3.50
Let Me Call You Sweetheart (Vocal Solo, High-Medium Voice, Chords, Piano Accompaniment)
#
Medium voice, Piano
#
INTERMEDIATE
#
Music by Leo Friedman and Word
#
Cathy Stamegna
#
Let Me Call You Sweetheart
#
Cathy Stamegna
#
SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780912 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by ...
(+)
Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780912 Composed by Music by Leo Friedman and Words by Beth Slater Whitson. Arranged by Cathy Stamegna. Film/TV,Holiday,Standards,Traditional,Wedding. 6 pages. Cathy Stamegna #5774695. Published by Cathy Stamegna (A0.780912). This timeless piece from 1910 is a winner for Weddings or Anniversaries with a memorable sing-along refrain. Recorded by various artists from The Peerless Quartet (1911) to Bing Crosby and Fats Domino. Featured in numerous films and TV shows including Downton Abbey and The Murdoch Mysteries (The Artful Detective). An intermediate level piano accompaniment with chords for guitar or mallet instruments to join in. Arranger’s comments included.
$4.99
Let's Call The Whole Thing Off (High Voice) (from Shall We Dance)
#
High voice
#
Let's Call The Whole Thing Off
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - Digital Download SKU: HX.471119 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX...
(+)
(High Voice) - Digital Download SKU: HX.471119 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.471119).
$1.99
The Wexford Carol for Voice and Piano (Omnibus Edition)
#
Piano, Voice
#
INTERMEDIATE
#
Christmas
#
M
#
M
#
The Wexford Carol for Voice an
#
Vocal Works
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
$9.99
Shout the victory (high voice solo)
#
Choral 3-part
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
Emily D
#
Bill Coe
#
Shout the victory
#
Bill Coe
#
SheetMusicPlus
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.962847 Composed by Emily D. Watson, James M. Black, and Traditional. Arranged by Bill Coe. Christ...
(+)
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.962847 Composed by Emily D. Watson, James M. Black, and Traditional. Arranged by Bill Coe. Christian,Gospel,Sacred,Spiritual. Octavo. 8 pages. Bill Coe #3215369. Published by Bill Coe (A0.962847). This is a lively medley of three great gospel tunes: When We All Get to Heaven, When the Roll Is Called Up Yonder, and When I Can Read My Title Clear and is great for church anthems. Running time 4:20.
$5.95
Come, My Way, My Truth, My Life (The Call) (Vocal Solo - High Key)
#
Piano, Voice
#
EASY
#
Sacred music
#
Christian contemporary
#
Stephen DeCesare
#
Come, My Way, My Truth, My Lif
#
Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.630750 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Sp...
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.630750 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Exultet Music #6475667. Published by Exultet Music (A0.630750). The tender words by George Herbert.Come, my Way, my Truth, my Life: Such a Way, as gives us breath: Such a Truth, as ends all Strife: Such a Life, as killeth death. has been set to a fresh new melody and scored for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
Let's Call The Whole Thing Off [Jazz version] (arr. Brent Edstrom)
#
High voice
#
Broadway
#
Jazz
#
Let's Call The Whole Thing Off
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - Interactive Download SKU: HX.457781 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Le...
(+)
(High Voice) - Interactive Download SKU: HX.457781 This edition: Interactive Download. Broadway,Jazz,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.457781).
$4.99
Life Is A Highway
#
Choral 3-part
#
INTERMEDIATE
#
Rascal Flatts
#
Erin Craig
#
Life Is A Highway
#
Erin Craig
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888137 By Rascal Flatts. By Tom Cochrane. Arranged by Erin Craig. A Cappella. Octavo. 6 pages. Er...
(+)
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888137 By Rascal Flatts. By Tom Cochrane. Arranged by Erin Craig. A Cappella. Octavo. 6 pages. Erin Craig #4414947. Published by Erin Craig (A0.888137). This is a very accessible choral arrangement of Life is a Highway that sounds great in intermediate and advanced choirs alike! The rhythms provide a challenge, but the harmonies are triadic and intuitive. Use it to work on syncopations, rhythms, and articulations, or as a first step into a cappella singing.There is an optional open solo/vamp section at the end where choristers can add vocal improv on the gimme gimme gimme motifs of the original Tom Cochrane recording, or try out their own phrases in the call and response style.It can be sung with beatboxing, or with as much hand percussion as you want to add. It is voiced for SAB with optional divisi only in the very last measure, so it can be sung by groups of any size. This fun, up-tempo rock song would be a great piece to open or close a set with!Duration: ~ 3'30arranged by Erin Craig. www.ErinCraig.ca
$3.00
The Night We Called It A Day (High Voice)
#
High voice
#
Jazz
#
Frank Sinatra
#
The Night We Called It A Day
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470459 By Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Di...
(+)
(High Voice) - Digital Download SKU: HX.470459 By Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470459).
$1.99
Lord Jesus, Think on Me — SATB voices, organ
#
Choral SATB
#
INTERMEDIATE
#
Todd Marchand
#
Lord Jesus, Think on Me — SA
#
Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944...
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com
$2.00
Pentecost Sequence (Vocal solo - High Key)
#
High voice
#
BEGINNER
#
Stephen DeCesare
#
Pentecost Sequence
#
Exultet Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.519053 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditiona...
(+)
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.519053 By Stephen DeCesare. By Stephen DeCesare. A Cappella,Classical,Easter,Sacred,Traditional. 3 pages. Exultet Music #129684. Published by Exultet Music (A0.519053). Sometimes called the Golden Sequence, is a sequence prescribed in the Roman Liturgy that is sung before the Gospel during the Pentecost Mass. Scored for a Vocal solo (with optional chords for an instrumentalist to accompany). Accessible and appropriate for any church setting.
$4.99
The Old Things
#
High voice
#
INTERMEDIATE
#
Steven Mark Kohn
#
The Old Things
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.9235-E Composed by Steven Mark Kohn. 22 pages. E. C. Schirmer Music Company - Digital #9235-E. P...
(+)
High voice and piano - Medium - Digital Download SKU: MQ.9235-E Composed by Steven Mark Kohn. 22 pages. E. C. Schirmer Music Company - Digital #9235-E. Published by E. C. Schirmer Music Company - Digital (MQ.9235-E). English.“The Old Thingsâ€, a short story by Jessie Anderson Chase, was one of 81 prize winners in the collection “Short Stories from Lifeâ€, published in 1916. The author poetically explores aging, the things we care about, and in the end, what we chose to leave behind. Steven Mark Kohn crafted an original libretto out of this simple, heartfelt story. The singer becomes the voice of different characters in a charming narrative.
$17.25
SEIZE THE MOMENT
#
High voice
#
MICHAEL L
#
TIMOTHY C
#
SEIZE THE MOMENT
#
Creative Horizons Music Publishers
#
SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.991731 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. 20th Century,Musical/Show. 5 page...
(+)
High Voice,Vocal Solo - Digital Download SKU: A0.991731 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. 20th Century,Musical/Show. 5 pages. Creative Horizons Music Publishers (ASCAP) #3072125. Published by Creative Horizons Music Publishers (ASCAP) (A0.991731). FROM THE MUSICAL SHOW CALLED WE ARE DIFFERENT NOW' COMES A MUSICAL INVITATION TO ATTEMPT TO DO ANYTHING AND EVERYTHING YOU DREAM OF DOING BECAUSE LIFE IS SHORT AND ANYTHING POSSIBLE IS WORTH THE ATTEMPT. FOR THE TENOR VOICE PLUS A POSSIBLE DUET WITH A SOPRANO VOICE AS IN THE INCLUDED RECORDING.
$3.00
<
1
26
51
....
151
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
