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6 sheet music found
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Prelude on Herzlich lieb
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French horn
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INTERMEDIATE
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Sacred music
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Jeremy Zimmer
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Jeremy Zimmer
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Prelude on Herzlich lieb
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Shaw Music
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SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1092762 Composed by Jeremy Zimmer. Arranged by Jeremy Zimmer. Sacred. Individual part. 16 pages. Sh...
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French Horn Solo - Level 3 - Digital Download SKU: A0.1092762 Composed by Jeremy Zimmer. Arranged by Jeremy Zimmer. Sacred. Individual part. 16 pages. Shaw Music #696869. Published by Shaw Music (A0.1092762). This lyrical solo is flexibly scored for low instrument (bassoon, horn, trombone, cello) and two-manual organ. A beloved hymn tune is treated with sensitivity and grace and will serve as a fitting prelude throughout the church year. Music includes the part for instruments in both C and F.
$7.95
Sullivan: The Lost Chord for French Horn & Piano
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French Horn and Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for F
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional...
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Lo, How A Rose E'er Blooming - Horn in F Solo
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French Horn and Piano
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INTERMEDIATE/ADVANCED
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Brian Buda
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Brian Buda
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Lo, How A Rose E'er Blooming -
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budaful music
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SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.1049300 By Brian Buda. By Traditional German Carol. Arranged by Brian Buda. Christmas,Classical,Ho...
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French Horn,Piano - Level 4 - Digital Download SKU: A0.1049300 By Brian Buda. By Traditional German Carol. Arranged by Brian Buda. Christmas,Classical,Holiday,Sacred,Traditional. Score and part. 12 pages. Budaful music #653667. Published by budaful music (A0.1049300). Lo, How a Rose E'er Blooming has been beautifully and sensitively arranged for accompanied solo horn in F. A perfect addition to a Christmas concert, wedding, church service, or other holiday event. A 3-page part is included in the PDF. This arrangement can be performed 1 of 2 ways. 1) The entire 3 verse version which is moderately advanced and involves polyrhythms or, 2) the shortened 2 verse version which is a bit easier. The full arrangement lasts approximately 4:20 and the shorter version should last around 3:15.
$4.99
DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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French Horn and Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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French Horn,Piano - Level 2 - Digital Download SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Fauré: Sicilienne for French Horn & Piano
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French Horn and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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James M
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Fauré: Sicilienne for French
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.549073 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,...
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549073 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards. Score and part. 15 pages. Jmsgu3 #3450083. Published by jmsgu3 (A0.549073). Gabriel Fauré: Sicilienne Op. 78. Duration: ca. 3:30 Score: 11 pg. 86 ms. meter: 6/8 pages: Parts: 2 pg. Very nice recital encore piece. Very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity.
$32.95
Jingle Bells in Different Styles for French Horn Quintet
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Horn Ensemble
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styl
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Woods Only, Arrangements
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SheetMusicPlus
Horn Quintet - Level 4 - Digital Download SKU: A0.1308304 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, A...
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Horn Quintet - Level 4 - Digital Download SKU: A0.1308304 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #897543. Published by Woods Only, Arrangements (A0.1308304). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Horn in F Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
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