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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.34 €
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Viola, Piano
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.34 €
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Viola, Piano
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Martin Luther
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549814 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 47 pages. Jmsgu3 #3545591. Published by jmsgu3 (A0.549814). Duration: 6:12, Score: 29 pages, Solo part: 5 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.51 €
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Viola, Piano
#
Peter Ilyich Tchaikovsky
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Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tc…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549792 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538867. Published by jmsgu3 (A0.549792). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
29.51 €
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Viola, Piano
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Themes from 007: Viola
Viola (band part)
Full Orchestra - Digital Download SKU: AX.00-PC-0016056_VA1 Viola. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016056_VA1 Viola. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016056_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016056_VA1). ISBN 9780757936180. UPC: 029156134841.Think of all the James Bond movies and theme after theme will come to mind. Calvin Custer has taken four of these great melodies and created a work that will please players and audiences alike. Included are The James Bond Theme, For Your Eyes Only, Live and Let Die, and the incomparable Goldfinger.
$3.00
2.69 €
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Viola (band part)
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Themes from 007: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The First Noel for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Ar…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.34 €
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Viola, Piano
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Traditional
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The First Noel for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.51 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Russian Jam- viola duet
2 Violas (duet)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.845082 Composed by Phil Beama…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.845082 Composed by Phil Beaman. 20th Century,Folk,Instructional,Jazz,Multicultural,World. Score. 7 pages. Phil Beaman #6134649. Published by Phil Beaman (A0.845082). Pure fun! I took the stereotypical Russian folk dance theme, and then I jam on it! There are nine 8-bar sections in this theme and variations. I categorize it as Contemporary Classical because it fuses Classical, Baroque, Romantic, chromaticism, and lots of early jazz, all with a strong and vigorous Russian folk dance beat. Practicing your technique has never been so much fun; from mordents to syncopation with lots of varying articulation including staccato, slur, accents, and tenutos.
$4.99
4.47 €
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2 Violas (duet)
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Phil Beaman
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Russian Jam- viola duet
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Phil Beaman
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
29.51 €
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Viola, Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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jmsgu3
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SheetMusicPlus
Another Way To Die
Viola
Viola Solo - Level 3 - Digital Download SKU: A0.857167 By Jack White & Alicia Keys.…
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Viola Solo - Level 3 - Digital Download SKU: A0.857167 By Jack White & Alicia Keys. By Jack White. Arranged by Elbsound.studio. Contemporary. Individual part. 2 pages. Elbsound.studio #3510521. Published by Elbsound.studio (A0.857167). Transcription of the original part.Also available for violin 1, violin 2, cello and double bass and other James Bond songs.
$6.99
6.26 €
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Viola
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Jack White & Alicia Keys
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Another Way To Die
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Elbsound.studio
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SheetMusicPlus
Brother James's Air
Viola, Organ
Instrumental Duet Instrumental Duet,Organ,Viola - Level 4 - Digital Download SKU: A0.74…
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Instrumental Duet Instrumental Duet,Organ,Viola - Level 4 - Digital Download SKU: A0.749882 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Concert,Sacred. Score and parts. 7 pages. Evelyn R Larter #6265811. Published by Evelyn R Larter (A0.749882). This lovely melody, associated with the Twenty-third Psalm, can be used at any time of the year for church preludes and offertories, and for recitals. Also available for violin and for cello. For more information on my music please visit www.evelynlartermusic.com, or my Facebook page for Evelyn Larter Music. Feedback always welcome.
$6.99
6.26 €
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Viola, Organ
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Evelyn R
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Brother James's Air
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Evelyn R Larter
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.3 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Brother James' Air: Viola
Viola
By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. For Full Orchestra. Instructio…
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By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. For Full Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.69 €
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Viola
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James Leith MacBeth Bain
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Brother James' Air: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.14 €
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Viola, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
Just Breathe
Viola
Viola Solo - Level 4 - Digital Download SKU: A0.688660 By Pearl Jam. By Eddie Vedde…
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Viola Solo - Level 4 - Digital Download SKU: A0.688660 By Pearl Jam. By Eddie Vedder. Arranged by Fabio Britto. Folk,Rock,Wedding. Individual part. 2 pages. Minhas Partituras #6628941. Published by Minhas Partituras (A0.688660). Arrangement of the song Just Breathe (Pearl Jam) for Viola Solo with Chords.
$4.99
4.47 €
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Viola
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Pearl Jam
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Just Breathe
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Minhas Partituras
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SheetMusicPlus
James Bond Medley: Viola
Viola (band part)
Full Orchestra - Digital Download SKU: AX.00-PC-0015659_VA1 Viola. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015659_VA1 Viola. Composed by Monty Norman. Arranged by Victor Lopez. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015659_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015659_VA1). UPC: 038081280899.In his James Bond Medley arrangement, Victor LA3pez shows that the 007 agent is alive and well. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. Careful considerations have been given to tonality and rhythmical issues as related to the strings. Bowings have also been included to facilitate playability. For more additional flexibility, solo parts have been cued throughout. With solid scoring, adequate ranges and classic selections, this James Bond Medley is a sure winner! (9:23).
$3.00
2.69 €
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Viola (band part)
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Monty Norman
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James Bond Medley: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Viola
Viola (band part)
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry …
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Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.13 €
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Viola (band part)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
I Write The Songs
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce …
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Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
35.78 €
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Viola, Piano
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Barry Manilow
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I Write The Songs
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jmsgu3
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SheetMusicPlus
The Violin & Viola Duo Christmas Duet Book
Violin, Viola (duet)
Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian, Repertoire, …
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Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian, Repertoire, General Instructional, Christmas, New Year's. Score. 41 pages. Published by jmsgu3
20 of the most popular Christmas songs arranged for Violin and Viola. Each song is arranged in two versions: one with the melody in the Violin, then with the melody in the Viola against a free Violin accompaniment. Score: 40 pages. Duration: >30 min. Players read from the score. No page turns.<br> <br> Contents:<br> Veni, veni Emannuel 1<br> <br> Helmsley 3<br> <br> Antioch 5<br> <br> Carol 7<br> <br> Es ist ein Ros 9<br> <br> Gloria 11<br> <br> God Rest You Merry 13<br> <br> Greensleeves 15<br> <br> In Dulci Jubilo 17<br> <br> Mendelssohn 19<br> <br> Personet hodie 21<br> <br> The First Noel 23<br> <br> Salzburg 25<br> <br> Three Kings of Orient 27<br> <br> Adeste Fidelis 29<br> <br> St. Louis 31<br> <br> Away in a Manger 33<br> <br> Stille Nacht 35<br> <br> Auld Lang Syne 37<br> <br> We Wish You a Merry Christmas 39.
$32.95
29.51 €
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Violin, Viola (duet)
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Traditional
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The Violin & Viola Duo Christmas Duet Book
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jmsgu3
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SheetMusicPlus
We Have All The Time In The World
Viola
Viola Solo - Level 3 - Digital Download SKU: A0.857182 Composed by John Barry. Arra…
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Viola Solo - Level 3 - Digital Download SKU: A0.857182 Composed by John Barry. Arranged by Jan Angermüller. Contemporary. Individual part. 1 pages. Elbsound.studio #3510555. Published by Elbsound.studio (A0.857182). Transcription of the original part. Also available for violin 1, violin 2, cello and double bass and other James Bond songs.
$5.99
5.36 €
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Viola
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John Barry
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We Have All The Time In The World
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Elbsound.studio
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SheetMusicPlus
Tomorrow Never Dies from the Motion Picture TOMORROW NEVER DIES
Viola
Viola Solo - Level 3 - Digital Download SKU: A0.857174 By Sheryl Crow. By Mitchell …
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Viola Solo - Level 3 - Digital Download SKU: A0.857174 By Sheryl Crow. By Mitchell Froom and Sheryl Crow. Arranged by Jan Angermüller. Contemporary. Individual part. 4 pages. Elbsound.studio #3510537. Published by Elbsound.studio (A0.857174). Transcription of the original part. Partially divisi for two celli.Also available for violin 1, violin 2, cello and double bass and other James Bond songs.
$4.99
4.47 €
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Viola
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Sheryl Crow
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Tomorrow Never Dies from the Motion Picture TOMORROW NEVER DIES
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Elbsound.studio
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SheetMusicPlus
Nobody Does It Better from THE SPY WHO LOVED ME
Viola (band part)
Viola Solo - Level 3 - Digital Download SKU: A0.857188 By Carly Simon. By Marvin Ha…
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Viola Solo - Level 3 - Digital Download SKU: A0.857188 By Carly Simon. By Marvin Hamlisch. Arranged by Jan Angermüller. Contemporary. Individual part. 2 pages. Elbsound.studio #3510603. Published by Elbsound.studio (A0.857188). Transcription of the original part. Also available for violin 1, violin 2, cello and double bass and other James Bond songs.
$5.99
5.36 €
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Viola (band part)
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Carly Simon
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Nobody Does It Better from THE SPY WHO LOVED ME
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Elbsound.studio
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.551447 Composed by Antonio Vivaldi…
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Piano,Viola - Level 5 - Digital Download SKU: A0.551447 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 191 pages. Jmsgu3 #5205031. Published by jmsgu3 (A0.551447). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$49.95
44.73 €
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Viola, Piano
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Antonio Vivaldi
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Op
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Vivaldi: The Four Seasons Complete for Viola & Piano
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jmsgu3
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SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.551339 Composed by Antonio Vivaldi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.551339 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 43 pages. Jmsgu3 #5024423. Published by jmsgu3 (A0.551339). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$32.95
29.51 €
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Viola, Piano
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Antonio Vivaldi
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Op
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Vivaldi: Spring from the Four Seasons for Viola & Piano
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jmsgu3
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SheetMusicPlus
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