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It Came Upon the Midnight Clear, for Violin and Viola Duet
Violin, Viola (duet)
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1315714 Compose…
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1315714 Composed by Richard Storrs Willis. Arranged by Cindy Blevins. Christmas. 5 pages. Cindy Blevins #904462. Published by Cindy Blevins (A0.1315714). This is a beautiful, playable arrangement for the wonderful duet of violin and viola. I have begun doing these duets by special request. You receive the score and the separate parts.
$4.99
4.59 €
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Violin, Viola (duet)
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Richard Storrs Willis
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It Came Upon the Midnight Clear, for Violin and Viola Duet
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Cindy Blevins
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.16 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Champagne Problems
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1454376 By Taylor Swift. By Taylor…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1454376 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by Elena Fortin. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and part. 4 pages. Elena Fortin #1033477. Published by Elena Fortin (A0.1454376). Champagne Problems by Taylor Swift and William BoweryArranged for Viola and Piano by Elena FortinOne of my students is doing a modified arrangement of this Taylor Swift/William Bowery hit. Her Mom plays viola and asked if she could accompany her for her end-of-year performance. I wrote this arrangement for the pair of them. It's fun to make music together as a family!The piano part is an easy - early intermediate arrangement. The viola part is written for an intermediate player. The ending could be quite challenging with some quick sixteenth note scales for the viola player that talk to the sixteenth notes in the piano part. The ensemble is a little bit challenging--I would suggest that the piano player learn their part really well--there are some rhythm patterns that need to be solid to play it with another player.The violist should listen carefully to the left hand of the piano player--that is where you should hear the heartbeat of the piece!Enjoy!Elena Fortin
$4.99
4.59 €
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Viola, Piano
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Taylor Swift
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Champagne Problems
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Elena Fortin
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SheetMusicPlus
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