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Second To One
VIOLA
Sheetmusic to print
105 sheet music found
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101
Sorry Seems To Be The Hardest Word
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Viola, Piano
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INTERMEDIATE
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Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and pa...
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Piano,Viola - Level 3 - Digital Download SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946197. Published by Keith Terrett (A0.747039). Arranged for Viola & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
3 ONE MOVEMENT HYMN SONATAS (for Viola and Piano with Score/Parts)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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Gary Lanier, Lowell Mason, Tra
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Gary Lanier
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3 ONE MOVEMENT HYMN SONATAS
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier...
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Piano,Viola - Level 3 - Digital Download SKU: A0.617754 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6049303. Published by The Lanier Company (A0.617754). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Viola and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99
BRANDENBURG CONCERTO #6 Reduction for one Viola accompanied by Keyboard
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Viola, Piano
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Steve Newman
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BRANDENBURG CONCERTO #6 Reduct
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steve newman
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by St...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.916582 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Standards. Score and parts. 31 pages. Steve newman #3388849. Published by steve newman (A0.916582). Brandenburg 6 is a unique composition because of its original instrumentation (2 lead violas + string orchestra), and because of the nature of the first movement- that starts with a canon for the 2 violas playing the same line just one eighth note apart! Its fun to play, but hard to get the needed players to make it happen. So here is a reduction where the violist plays the first viola part, and a keyboard does the second viola part plus a reduced version of the backing strings. This piano reduction is meant to accompany a violist playing the original first viola part. If you want an excellent contemporary typesetting of the first viola part, you can get it at the Free Scores website- http://www.free-scores.com/download-sheet-music.php?pdf=43649 PLAY ALONG MP3’s There are mp3 files ‘in the cloud’ which you can download and use to practice with. They use the stereo capability to have the soloist on one channel, and the keyboard on the other. This way you can tune out your part if you want, or leave it in, at a volume of your choice. The tempo of the ‘playalong’ tracks can be adusted to your choice by using readily available playback software for instance, Roni music-https://www.ronimusic.com/, or even websites that do it for you online. Also, even very inexpensive mp3 players in the under $20 range nowadays provide playback with adjustable tempo. The mp3 files can be downloaded from-https://app.box.com/s/xpkqc7xpkhlixbf56tsahqu3tkt83gpo xml files are also available if you have a notation program and want to customize the score or the sound files. Steve Newman Nov 2017 newmans@cruzio.com
$4.00
TO GOD BE THE GLORY One Movement Hymn Sonata (for Viola and Piano with Score/Part)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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William H
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Gary Lanier
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TO GOD BE THE GLORY One Moveme
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The Lanier Company
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pa...
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Piano,Viola - Level 3 - Digital Download SKU: A0.617740 Composed by William H. Doane, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 16 pages. The Lanier Company #6047177. Published by The Lanier Company (A0.617740). TO GOD BE THE GLORY One Movement Hymn Sonata is a musical work by Gary Lanier for Viola and Piano of one of our most cherished Hymns. The theme is one of God's love and the Christian's praise for Him in giving His Son that makes a way for us to life forever in His loving presence. The word, sonata is used by the composer/arranger because of the many ways the hymn tune is presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. TO GOD BE THE GLORY One Movement Hymn Sonata is perfect for Church services or any gatherings where hymns of the grace and love of God is desired. The score, including cover and instrumental part is 16 pages long.
$8.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola, Violoncello Duet, Piano Accompaniment)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts. 
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead....
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794331. Published by Cathy Stamegna (A0.781123). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola Duet, Piano Accompaniment)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts. 
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arran...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794329. Published by Cathy Stamegna (A0.781122). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
A Salute to the Big Apple: Viola
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Viola (band part)
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Instructional
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Calvin Custer
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A Salute to the Big Apple: Vio
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0016098_VA1 Viola. Arranged by Calvin Custer. Instructional. Part. 8 pages. Alfred Music - Digital...
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Full Orchestra - Digital Download SKU: AX.00-PC-0016098_VA1 Viola. Arranged by Calvin Custer. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_VA1). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
Journey to Joy
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Viola (band part)
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INTERMEDIATE/ADVANCED
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Miriam Troxler
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Journey to Joy
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Miriam Troxler
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.744284 Composed by Miriam Troxler. Concert,Contemporary,Spiritual,Standards. Individual part. 3 pages. Mi...
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Viola Solo - Level 4 - Digital Download SKU: A0.744284 Composed by Miriam Troxler. Concert,Contemporary,Spiritual,Standards. Individual part. 3 pages. Miriam Troxler #4350831. Published by Miriam Troxler (A0.744284). For everything there is a season, and a time for every purpose under heaven. Ecclestiastes 3:1 Beginning in A Minor, Journey to Joy opens with a dirge. The double stop melody has A as a pedal tone throughout. The second section is a waltz. The low register of the viola is brought to the forefront. The pulse picks up and uses more of the viola’s upper register. The work accelerates and finishes in C Major with a jig. Duration: Approximately 5 minutes
$4.99
Game Of Thrones Main Titles Viola-Cello Duet
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Viola, Cello (duet)
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Film/TV
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Ramin Djawadi
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Abraham Maduro
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Game Of Thrones Main Titles Vi
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Abraham Maduro
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SheetMusicPlus
Viola, Cello, String Duet - Intermediate - Digital Download By Ramin Djawadi. Arranged by Abraham Maduro. Score, Set of Parts. 10 pages. Published by ...
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Viola, Cello, String Duet - Intermediate - Digital Download By Ramin Djawadi. Arranged by Abraham Maduro. Score, Set of Parts. 10 pages. Published by Abraham Maduro
Viola-Cello Duet arrangement of the great Game Of Thrones Main Titles song, in this arrangement the melody remains almost the same and is shared between the two parts, score and parts of two versions are included: the first is in the original tonality of c minor and the second in a more friendly a minor tonality, 60 BPM, 1:40 minutes long approx, intermediate level, special to be performed in concerts, recitals, weddings or just to have fun at home. "2018 New ArrangeMe Song Contest Entry"
https://youtu.be/qKrkD3-n64A
$9.95
Annie's Song
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String Trio: 3 violas
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INTERMEDIATE
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John Denver
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Raymond Fenech
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Annie's Song
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Raymond Fenech
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SheetMusicPlus
String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.760301 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Count...
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String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.760301 By John Denver. By John Denver. Arranged by Raymond Fenech. Christmas,Country,Easter,Rock,Wedding. Score and parts. 15 pages. Raymond Fenech #3560027. Published by Raymond Fenech (A0.760301). 2018 New ArrangeMe Song Contest EntryAnnie's Song is a folk rock and country song recorded and written by singer-songwriter John Denver. The song was released as a single from Denver's album, Back Home Again. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. Annie's Song also went to number one on the Easy Listening chart. Billboard ranked it as the No. 25 song for 1974. The Duration is approx. 3.04 minutes and the level is Early Intermediate/ Intermediate
$12.99
Kommos (Lamentation) / "When the World Moved On" - Viola
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Viola (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sa...
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Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Liebe, (German for Love), Viola Duet
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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Liebe,
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.590476 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #621199...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.590476 Composed by David McKeown. Holiday,Love,Wedding,World. Score. 4 pages. David McKeown #6211999. Published by David McKeown (A0.590476). Liebe, (German for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Violas.This duet is inspired by the German Baroque style, particularly the slow compound-time compositions of JS Bach and the canonic sonatas written by GP Telemann. Both composers filled their works with deep emotion, transcending the strict musical rules of the period. Liebe is a Canon, with the first part following the second throughout, one bar behind, like lovers in intimate conversation.Liebe is written for players at an intermediate standard and upwards. The melody should always carry momentum and adding plenty of expression will help convey the style. Liebe has a performance time of around three minutes. Click the link above to hear a full performance the Clarinet version of Liebe on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Sonata in a Simple Scale for Viola and Piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. P...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
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Viola
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sa...
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Viola Solo - Level 5 - Digital Download SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sullivan: The Lost Chord for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
10 Jazz Duets for Viola
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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10 Jazz Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.586728 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 17 pages. David McKeow...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.586728 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 17 pages. David McKeown #3002587. Published by David McKeown (A0.586728). 10 Jazz Duets for Viola are original compositions by Dave McKeown, arranged in easy keys and within a suitable range. If you play to an intermediate standard and upwards, then you and your audience will enjoy 10 Jazz Duets for Viola.The duets are in a variety of styles from rock to gospel to swing, and each piece sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the YouTube link above to hear a full-length performance of one of the duets on Clarinet.10 Jazz Duets for Viola areperfect for concert performances large and smallfully articulated to help develop that sense of jazz style.great for helping with jazz rhythms.road tested with scores of students.fun to play.great as stand-alone pieces without the second part.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
11 Easy Jazz Duets for Viola
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2 Violas (duet)
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EASY
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David McKeown
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11 Easy Jazz Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 2 - Digital Download SKU: A0.586713 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 14 pages. David McKeow...
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Viola Duet Viola - Level 2 - Digital Download SKU: A0.586713 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 14 pages. David McKeown #3002523. Published by David McKeown (A0.586713). 11 Easy Jazz Duets for Viola are original compositions by Dave McKeown, arranged in easy keys and within a suitable range. If you play to an early intermediate standard and upwards you and your audience will really enjoy 11 Easy Jazz Duets for Viola. They are in a variety of styles from rock to gospel to swing, and each duet sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the youtube link to hear a full length performance of one of the duets on Clarinet.11 Easy Jazz Duets for Viola areperfect for concert performances large and smallfully articulated to help develop that sense of jazz style.great for helping with jazz rhythms.road tested with scores of students.fun to play.great as stand alone pieces without the second part.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$8.99
10 Swing Duets for Viola
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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10 Swing Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.586746 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 13 pages. David McKeow...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.586746 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 13 pages. David McKeown #3002621. Published by David McKeown (A0.586746). 10 Swing Duets for Viola are original compositions by David McKeown. If you play to an intermediate standard and upwards, then you and your audience will enjoy 10 Swing Duets for Viola. They are in a variety of swing styles, and each duet sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the YouTube link to hear a full-length performance of one of the duets on Clarinet.10 Swing Duets for Viola areperfect for concert performances large and smallfully articulated to help develop that sense of jazz style.great for helping with jazz rhythms.road tested with scores of students.fun to play.great as stand-alone pieces without the second part.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203 In particular look out for companion collections of duets in Jazz, Easy Jazz, Rock and Blues styles.
$8.99
10 Rock Duets for Viola
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2 Violas (duet)
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EASY
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David McKeown
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10 Rock Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 2 - Digital Download SKU: A0.586786 Composed by David McKeown. Blues,Instructional,Jazz,Rock,Standards. Score. 12 pages. David M...
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Viola Duet Viola - Level 2 - Digital Download SKU: A0.586786 Composed by David McKeown. Blues,Instructional,Jazz,Rock,Standards. Score. 12 pages. David McKeown #3002717. Published by David McKeown (A0.586786). 10 Rock Duets for Viola are original compositions by Dave McKeown. If you play to an intermediate standard and upwards, then you and your audience will really enjoy these pieces. They are in a variety of Rock styles, and each duet sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the youtube link to hear a full length performance of one of the duets on Clarinet. 10 Rock Duets for Viola are fully compatible with the other Brass, Woodwind and String volumes in the series…great for mixed ensembles. perfect for concert performances large and small fully articulated to help develop that sense of Rock style. great for helping with Rock rhythms. road tested with scores of students. fun to play. great as stand-alone pieces without the second part. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$8.99
11 More Swing Duets for Viola
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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11 More Swing Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.586760 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 12 pages. David McKeow...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.586760 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 12 pages. David McKeown #3002651. Published by David McKeown (A0.586760). 11 More Swing Duets for Viola are original compositions by Dave McKeown. If you play to an intermediate standard and upwards, then you and your audience will really enjoy these pieces. They are in a variety of swing styles, and each duet sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the youtube link to hear a full length performance of one of the duets on Clarinet. 11 More Swing Duets for Viola are fully compatible with the other Brass, Woodwind and String volumes in the series…great for mixed ensembles. perfect for concert performances large and small fully articulated to help develop that sense of jazz style. great for helping with jazz rhythms. road tested with scores of students. fun to play. great as stand-alone pieces without the second part. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$8.99
10 Blues Duets for Viola
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2 Violas (duet)
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INTERMEDIATE
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David McKeown
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10 Blues Duets for Viola
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.586773 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 12 pages. David McKeow...
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.586773 Composed by David McKeown. Blues,Instructional,Jazz,Standards. Score. 12 pages. David McKeown #3002679. Published by David McKeown (A0.586773). 10 Blues Duets for Viola are original compositions by Dave McKeown. If you play to an intermediate standard and upwards, then you and your audience will really enjoy these pieces. They are in a variety of Blues styles, and each duet sets a new rhythmic challenge. Listen to the short sample audio of three duets from the collection played on Clarinet, Flute and Saxophone, or follow the youtube link to hear a full length performance of one of the duets on Clarinet. 10 Blues Duets for Viola are fully compatible with the other Brass, Woodwind and String volumes in the series…great for mixed ensembles. perfect for concert performances large and small fully articulated to help develop that sense of jazz style. great for helping with jazz rhythms. road tested with scores of students. fun to play. great as stand-alone pieces without the second part. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$8.99
Away In A Manger: for Viola & Piano
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Viola, Piano
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BEGINNER
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Christmas
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the 1880’s the cradle s
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Mueller
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James M
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Away In A Manger: for Viola &
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 ...
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Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Corrente Op. 1 #1 for Viola and Cello
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Viola, Cello (duet)
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INTERMEDIATE
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Aubert, Jacques
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Nick Lacanski
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Corrente Op. 1 #1 for Viola an
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theupperstaff
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.648639 Composed by Aubert, Jacques. Arranged by Nick Lacanski. Baroq...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.648639 Composed by Aubert, Jacques. Arranged by Nick Lacanski. Baroque,Instructional,Standards. Score and parts. 8 pages. Theupperstaff #4794159. Published by theupperstaff (A0.648639). This is the second of four movements of this violin sonata. I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money, movements are sold individually. No need to purchase a multi-movement work when your desire is to perform only one. Thank you for looking.
$4.99
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Can't Take My Eyes Off Of You
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Viola
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INTERMEDIATE
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Frankie Valli
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Sherry Lewis
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Can't Take My Eyes Off Of You
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Sherry Lewis Publishing
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.1226118 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sherry Lewis. Pop,Wedding. Individual ...
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Viola Solo - Level 3 - Digital Download SKU: A0.1226118 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sherry Lewis. Pop,Wedding. Individual part. 13 pages. Sherry Lewis Publishing #822146. Published by Sherry Lewis Publishing (A0.1226118). CAN'T TAKE MY EYES OFF OF YOU for violin and viola duoscore: 5 pages  parts: 4 pagestime: 3'10DEMO NOTE: Often I've begun the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course.MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three partshowever I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
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