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Love Has Come!
MARIMBA
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Christmas Medley for Marimba Trio
Marimba
Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. C…
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Marimba Solo - Level 3 - Digital Download SKU: A0.935391 Arranged by Dan Heslink. Christian,Christmas. Individual part. 13 pages. Pharaoh Publications #6194993. Published by Pharaoh Publications (A0.935391). Christmas Medley for Marimba Trio . . . . . . . . . . . . . . arr. Dan HeslinkThis medley combines three of the most favored Carols celebrating the miracle of Christ’s birth. Angels We Have Heard On High encapsulates the birth of Jesus Christ as narrated in the Gospel of Luke. The flowing second part of this carol portrays the shepherds’ wonder as they encounter a multitude of angels singing and praising. The spiritual renewal brought about by the birth of the Christ child is given in What Child Is This? Sung to the tune of the traditional English song Greensleeves, its haunting quality has made it one of the most popular of Christmas carols. And focusing on the immediacy of the Child’s entrance into the world, Away in a Manger has become the most loved of all American Christmas carols. The medley opens with an eight-measure introduction that immediately establishes the Christmas spirit, and then moves on to Angels We Have Heard on High. The binary form of this section should suggest to the performers two contrasting manners of execution, one involving brisk, rhythmic strokes and the other more legato in nature. At the second indicated rehearsal number What Child Is This? introduces a new key and new meter for new melodic content. The score shapes these phrases with dynamic changes, which should be observed with care. The dynamic arches and divided eighth note passages will enhance the impetus of a rolling ternary meter The medley’s final selection, Away in a Manger, begins at measure sixty-seven. A light and delicate approach to execution should create an innocent, child-like characterization. The final cadence of this selection is expanded to a bolder conclusion. Players and conductor may wish to experiment with a dead stroke on the last soft note, to artistically suggest that the music may be experienced for a moment even after it is concluded. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:21. The arranger, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$3.99
3.62 €
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Marimba
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Christmas Medley for Marimba Trio
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Pharaoh Publications
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SheetMusicPlus
A Night In Tunisia
Trumpet, Euphonium (duet)
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By…
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.15 €
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Trumpet, Euphonium (duet)
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
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