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Into the Unknown
PIANO
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1
The Flying Dutchman
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Classical
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Hämmerklavier
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Moritz Eggert
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Hämmerklavier
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Schott Music - Digital
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SheetMusicPlus
Piano, french harp and kazoo (1 player) - difficult - Digital Download SKU: S9.Q5926 Part XII, Highway 61, after a blues by Fred MacDowell. Compos...
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Piano, french harp and kazoo (1 player) - difficult - Digital Download SKU: S9.Q5926 Part XII, Highway 61, after a blues by Fred MacDowell. Composed by Moritz Eggert. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5926. Published by Schott Music - Digital (S9.Q5926). “Hammerklavier†is a full-length cycle in which the composer sends the listener on a journey, a journey into the unknown; this journey presents itself as an act of unleashing, taking Eggert on a departure from the traditions of our planet. The title does not refer to a concert piano, nor to Beethoven’s Hammerklavier Sonata, but to a specific manner of playing: the pianist does not only have to touch the keys, but to be a “performer†in the wider sense. Pieces I-XI have already appeared in two volumes (ED 8622 and ED 9137) and on a recording under WERGO (WER 6611-2) played by the composer.
$22.99
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP....
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - Strings quintet and Piano
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Unknown
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Connie Boss
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067516 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. D...
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Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067516 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 193. Connie Boss #6429831. Published by Connie Boss (A0.1067516). This mp3 is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in 5 part strings - taking turns between the high and low strings and then all together. - purchase sheet music on here. cdboss@cvalley.netLyrics Below: O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum!
$1.99
Deep River, Gospel Song for Descant Recorder and Piano
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Sacred music
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Traditional
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David McKeown
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Deep River, Gospel Song for De
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David McKeown
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SheetMusicPlus
Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592697 Composed by Traditional. Arranged by David M...
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Instrumental Duet,Piano Descant Recorder,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592697 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6411731. Published by David McKeown (A0.592697). Deep River is a beautiful gospel song arranged here for Solo Descant Recorder and Piano.Deep River was first published in 1917 and quickly became a public favourite. The writer and origin of the song is unknown, but certainly stretch back into the nineteenth century. In the recording age, Deep River was made famous by Marian Anderson, Paul Robeson and Tommy Dorsey.
$2.49
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