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Flute and Piano
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The Deserted Garden
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1302238 Composed by Florence Beatr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1302238 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Classical. Score and part. 4 pages. Nagamon Publications #891843. Published by Nagamon Publications (A0.1302238). Florence Beatrice Price (April 9, 1887 – June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.This short and tuneful piece is perfect in any performance.
$8.00
7.4 €
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Flute and Piano
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Florence Beatrice Price
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The Deserted Garden
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Nagamon Publications
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SheetMusicPlus
Selected Pieces Vol. 1
Flute and Piano
Fl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM493 Composed by Ernes…
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Fl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM493 Composed by Ernest Tomlinson. Flute and Piano. Score and part. 33 pages. Forton Music - Digital #FM493. Published by Forton Music - Digital (F2.FM493). ISBN 9790570483921.All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.
$12.95
11.97 €
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Flute and Piano
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Ernest Tomlinson
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Selected Pieces Vol. 1
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Forton Music - Digital
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SheetMusicPlus
Selected Pieces
Flute and Piano
Fl. Pft - Intermediate - Digital Download SKU: F2.FM483 Composed by Cecile Chaminad…
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Fl. Pft - Intermediate - Digital Download SKU: F2.FM483 Composed by Cecile Chaminade. Arranged by Robert Rainford. Flute and Piano. Score and part. 38 pages. Forton Music - Digital #FM483. Published by Forton Music - Digital (F2.FM483). ISBN 9790570483822.These four pieces have been arranged from Chaminade's large number of character pieces for piano, spanning just about her entire compositional career. Each demonstrates her abiity to paint a picture of a mood, or a style using beautiful flowing melodic lines, well crafted accompaniments, and harmonies that can change the mood of the music in an instant. Ranging in standard from about grades 3 - 6, this volume is a great way to bring the music of this otherwise neglected composer back to the concert platform.
$12.95
11.97 €
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Flute and Piano
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Cecile Chaminade
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Selected Pieces
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Forton Music - Digital
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SheetMusicPlus
Music From a Deserted Garden (Flute and Piano)
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1045446 Composed by John A. Dempse…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1045446 Composed by John A. Dempsey. Classical,Contemporary,Holiday,Pop,Sacred. Score and part. 12 pages. John A. Dempsey #650027. Published by John A. Dempsey (A0.1045446). This quiet, peaceful duet for flute and piano is recommended for a myriad of settings, including recitals and concerts as well as traditional church services and other worship events. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music. Â Key: D major. Â 8 pages of music (that includes a separate two-page flute part).
$6.99
6.46 €
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Flute and Piano
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John A
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Music From a Deserted Garden
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John A. Dempsey
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SheetMusicPlus
Enchanted
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1306754 By Taylor Swift. B…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1306754 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 13 pages. Glauco Fernandes #896086. Published by Glauco Fernandes (A0.1306754). Intermediate Arrangement Sheet Music for Flute and Piano with Chord Notations for Taylor Swift's 'Enchanted'Discover Taylor Swift's music in a whole new way! We present to you the sheet music for the intermediate arrangement of the song 'Enchanted,' specially adapted for flute with piano accompaniment.Highlights:- Intermediate arrangement suitable for musicians looking to elevate their skills.- Complete sheet music for the flute with detailed notations.- Piano accompaniment to add depth and emotion to your performance.- Ideal for a variety of events, including weddings.- Contains chord notations for musicians of different instruments to play together.This arrangement captures the magical essence of Taylor Swift's original music, allowing you to interpret it in a unique and engaging way. Whether for your personal musical pleasure or to impress your audience, this sheet music is the perfect choice.Get the sheet music now and start creating your own musical magic with 'Enchanted'!.
$6.99
6.46 €
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Flute and Piano
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Taylor Swift
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Enchanted
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Glauco Fernandes
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SheetMusicPlus
Enchanted
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1306756 By Taylor Swift. B…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1306756 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 13 pages. Glauco Fernandes #896088. Published by Glauco Fernandes (A0.1306756). “Intermediate Arrangement Sheet Music for Flute and Piano for Taylor Swift’s ‘Enchanted’Discover Taylor Swift’s music in a whole new way! We present to you the sheet music for the intermediate arrangement of the song ‘Enchanted,’ specially adapted for flute with piano accompaniment.Highlights:  •   Intermediate arrangement suitable for musicians looking to elevate their skills.  •   Complete sheet music for the flute with detailed notations.  •   Piano accompaniment to add depth and emotion to your performance.  •   Ideal for a variety of events, including weddings.This arrangement captures the magical essence of Taylor Swift’s original music, allowing you to interpret it in a unique and engaging way. Whether for your personal musical pleasure or to impress your audience, this sheet music is the perfect choice.Get the sheet music now and start creating your own musical magic with ‘Enchanted’!â€.
$6.99
6.46 €
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Flute and Piano
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Taylor Swift
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Enchanted
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Glauco Fernandes
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SheetMusicPlus
Hark The Herald Angels Sing (Swing); A funky 5/4 arrangement (with flute solo notated) for flute (in
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.761498 Arranged by Chris Lawry, Ke…
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Flute,Piano - Level 3 - Digital Download SKU: A0.761498 Arranged by Chris Lawry, Keri Degg. Christmas,Jazz. Score and part. 10 pages. Masquerade Music #4810037. Published by Masquerade Music (A0.761498). A fantastically funky arrangement in 5/4 time (with the Composer's own written out 'jazz/funk-style' solo) for flute (in C) and Piano. An accessible piece; around grade 5 flute, enabling you to practice it in limited time for the Holiday/Christmas season. Expertly arranged by Chris Lawry (Composer/Pianist/Orchestrator), and Keri Degg (Composer/Saxophonist/Clarinettist/Flautist). The piece is one of five from 'Christmas Jazz Volume 1' (also available in Eb Sax, Bb Clarinet, and Eb Saxophone, in addition to this flute edition). Christmas Jazz Volume 1 includes; Silent Night, God Rest Ye (Seriously groovy!), The First Nowell (unashamedly smoochy), and I Saw Three Ships (wonderfully funky) in addition to this Hark The Herald (in 5/4).
$3.99
3.69 €
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Flute and Piano
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Hark The Herald Angels Sing
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Masquerade Music
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SheetMusicPlus
Love Lifted Me, Gospel Hymn for Flute and Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.592992 Composed by James Rowe. Arr…
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Flute,Piano - Level 2 - Digital Download SKU: A0.592992 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415173. Published by David McKeown (A0.592992). Love Lifted Me is a beautiful hymn arranged here for Solo Flute and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
2.3 €
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Flute and Piano
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James Rowe
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Love Lifted Me, Gospel Hymn for Flute and Piano
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David McKeown
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SheetMusicPlus
Love Lifted Me, Gospel Hymn for Alto Flute and Piano
Flute and Piano
Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592991 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592991 Composed by James Rowe. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 4 pages. David McKeown #6415171. Published by David McKeown (A0.592991). Love Lifted Me is a beautiful hymn arranged here for Solo Alto Flute and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
2.3 €
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Flute and Piano
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James Rowe
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Love Lifted Me, Gospel Hymn for Alto Flute and Piano
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David McKeown
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SheetMusicPlus
Rock of Ages and Love Lifted Me
Flute and Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.647550 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.647550 Composed by Hastings, Smith. Arranged by Nick Lacanski. Christian,Sacred. Score and individual part. 6 pages. Theupperstaff #2043887. Published by theupperstaff (A0.647550). This arrangement combines two very different yet favorite hymns. Skillful arranging allows you to use both hymns independently. The transition from the intimacy of Rock to the exuberance of Love Lifted Me encompasses musically how one feels be becoming a Christian.
$3.99
3.69 €
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Flute and Piano
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Hastings, Smith
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Rock of Ages and Love Lifted Me
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theupperstaff
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SheetMusicPlus
The Teddy Bears Picnic for Flute
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.807955 By David D .Mason. By John …
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Flute,Piano - Level 3 - Digital Download SKU: A0.807955 By David D .Mason. By John W. Bratton. Arranged by David D. Mason. Broadway,Children,Contest,Festival,Instructional,Musical/Show. Score and part. 11 pages. David D Mason #414978. Published by David D Mason (A0.807955). The Teddy Bears Picnic was written in 1907 by John W. Bratton. I have arranged it for Flute with Piano accompaniment and optional Bass and Drums.
$4.99
4.61 €
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Flute and Piano
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David D
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The Teddy Bears Picnic for Flute
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David D Mason
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SheetMusicPlus
Come, Thou Long-Expected Jesus - reharm. arr. for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1303922 Composed by Charles Wesley…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1303922 Composed by Charles Wesley, Rowland H. Prichard. Arranged by Steve Lancaster. Advent,Christian,Christmas,Praise & Worship,Sacred. Score and part. 4 pages. Miratio Music #893448. Published by Miratio Music (A0.1303922). A reharmonization arrangement for Flute and Piano of the Christmas carol and Advent hymn, Come, Thou Long-Expected Jesus. Can be used in church services, or for performances and recitals. Sheet music includes chord symbols.
$4.00
3.7 €
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Flute and Piano
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Charles Wesley, Rowland H
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Come, Thou Long-Expected Jesus - reharm. arr. for Flute & Piano
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Miratio Music
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Rowland Hugh Prichard (Flute + Piano)
Flute and Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1351134 Composed by Rowland Hugh P…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1351134 Composed by Rowland Hugh Prichard. Arranged by Digital Book Music. Christian,Christmas. Score and part. 1 pages. Digital Book Music #935973. Published by Digital Book Music (A0.1351134). Come, Thou Long-Expected Jesus - Rowland Hugh Prichard (Flute + Piano).
$4.99
4.61 €
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Flute and Piano
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Rowland Hugh Prichard
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Come, Thou Long-Expected Jesus - Rowland Hugh Prichard
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Digital Book Music
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SheetMusicPlus
TAKE MY LIFE (and Let It Be Consecrated) - FLUTE SOLO with Piano Accompaniment (Grade 4)
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.806855 Composed by Henry . Césa…
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Flute,Piano - Level 4 - Digital Download SKU: A0.806855 Composed by Henry . César Malan. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6029439. Published by arrangements by GPoehlmann (A0.806855). TAKE MY LIFE (and Let It Be Consecrated) - FLUTE SOLO with Piano AccompanimentMedium Difficult (Grade 4). 73 Measures. Performance Time approx. 3:10Key: F - G. Meter: 4/4- 6/8. Flute Range (C4=middle C): G4 - G6.
$5.00
4.62 €
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Flute and Piano
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Henry
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TAKE MY LIFE
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arrangements by GPoehlmann
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549429 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494181. Published by jmsgu3 (A0.549429). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
30.46 €
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Flute and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak.…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549422 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493997. Published by jmsgu3 (A0.549422). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.46 €
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Flute and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Flute & Piano
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jmsgu3
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SheetMusicPlus
Valse - Scherzo op.34 for flute and piano
Flute and Piano
Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arran…
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Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
11.08 €
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Flute and Piano
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Piotr Tchaikovski
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Valse - Scherzo op.34 for flute and piano
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James Strauss
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SheetMusicPlus
Reprise (from "Spirited Away") // Flute & Piano
Flute and Piano
Piano Accompaniment, Flute - Intermediate - Digital Download By Joe Hisaishi. Arrange…
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Piano Accompaniment, Flute - Intermediate - Digital Download By Joe Hisaishi. Arranged by Marc Papeghin. Score, Set of Parts. 16 pages. Published by Marc Papeghin
A faithful arrangement for Flute & Piano of Joe Hisaishi's memorable piece from Spirited Away.
$6.99
6.46 €
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Flute and Piano
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Joe Hisaishi
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Reprise
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Marc Papeghin
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SheetMusicPlus
Saint-Saëns: The Swan for Flute & Piano
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camill…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.46 €
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Flute and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.46 €
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Flute and Piano
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.46 €
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Flute and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Friction
Flute and Piano
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
18.49 €
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Flute and Piano
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Fastnet Rock
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
2.76 €
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Flute and Piano
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
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