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Three
PIANO
Tenor voice, Piano
Sheetmusic to print
5 sheet music found
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1
Three Auden Songs
Tenor voice, Piano
For tenor and piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable.…
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For tenor and piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 9 minutes. Schott Music - Digital #Q7024. Published by Schott Music - Digital
'Three Auden Songs' was commissioned by Theatre Royal de la Monnaie for the tenor Mark Padmore and the pianist Andrew West who gave the first performance in Brussels in 2009. Lyricism and clarity are its defining characteristics, and a strong feeling for both voice and accompaniment that comes naturally to this fine composer/pianist.
$15.99
14.38 €
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Tenor voice, Piano
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Three Auden Songs
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Schott Music - Digital
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SheetMusicPlus
Three Auden Songs
Tenor voice, Piano
Tenor voice and piano - Digital Download SKU: S9.Q2888 For tenor and piano. …
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Tenor voice and piano - Digital Download SKU: S9.Q2888 For tenor and piano. Composed by Hans Werner Henze. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q2888. Published by Schott Music - Digital (S9.Q2888). English.
$21.99
19.78 €
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Tenor voice, Piano
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Hans Werner Henze
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Three Auden Songs
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Schott Music - Digital
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
59.33 €
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Tenor voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Beatrice (2019) for tenor and piano
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869626 Composed by Thom…
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869626 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. 65 pages. Thomas Oboe Lee #5018215. Published by Thomas Oboe Lee (A0.869626). Dante Alighieri (1265-1321) is of course a major Italian poet. But the story of his youthful infatuation with Beatrice caught my eyes. I got his book La Vita Nuova in a dual language edition published by Dover and proceeded to look for the right set of poems for my setting. There are four long poems that I found beautiful and fabulous, but I ended up using only portions of the first three. Even so the song cycle is quite long, at 28 minutes. The work is set for tenor and piano. Audio link: https://thomasoboelee.bandcamp.com/album/beatrice-2019-from-la-vita-nuovaVideo link: https://youtu.be/-x6buAsLAWo
$9.99
8.99 €
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Tenor voice, Piano
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Thomas Oboe Lee
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Beatrice
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Thomas Oboe Lee
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SheetMusicPlus
Four Sonnets
Tenor voice, Piano
Tenor voice and piano - Digital Download SKU: S9.Q42527 For tenor and piano.…
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Tenor voice and piano - Digital Download SKU: S9.Q42527 For tenor and piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q42527. Published by Schott Music - Digital (S9.Q42527). English.This work, commissioned by Barbara and Roy Hall, is the third piece Watkins has written for Mark Padmore following In my craft or sullen art and Three Auden Songs. Comprised of texts by Trumbull Stickney, James Thomson, Elizabeth Bishop and John Clare, the songs run one into the next and are united in their wistful, contemplative soundworld.
$22.99
20.68 €
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Tenor voice, Piano
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Huw Watkins
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Four Sonnets
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Schott Music - Digital
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SheetMusicPlus
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