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Concert Ready (Elementary Wind Feature - Piano Accompaniment)
Piano solo
Piano - Digital Download SKU: A0.1071861 Composed by G L Harvey. Children,Concert,I…
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Piano - Digital Download SKU: A0.1071861 Composed by G L Harvey. Children,Concert,Instructional,Standards,Traditional. Accompaniment. Duration 165. G L Harvey #4621437. Published by G L Harvey (A0.1071861). This MP3 file is a piano accompaniment for Concert Ready, arranged in three different versions as a solo/group feature for elementary wind players and piano or brass band or wind band. The MP3 will work for all three versions and all three versions are for sale on Sheet Music Plus. Also note that there is a two bar count in and some piano rests have been filled with skeleton notes to minimize any possible timing errors.
$2.99
2.73 €
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Piano solo
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G L Harvey
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Concert Ready
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G L Harvey
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SheetMusicPlus
Easy Concert Pieces
Easy Piano
Piano - very easy to easy - Digital Download 48 Easy Pieces from 5 centuries. This ed…
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Piano - very easy to easy - Digital Download 48 Easy Pieces from 5 centuries. This edition: Sheet music. Unterricht, Konzert, Piano. Easy Concert Pieces. Downloadable. Op. 2. Schott Music - Digital #Q49448. Published by Schott Music - Digital
The Easy Concert Pieces series presents easy piano pieces for beginners in progressive order. Three volumes have already been published.<br> These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. .<br> <br> Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythms and very easy chord playing. Crossing the thumb under, polyphony and pedal are not required yet.<br> <br> Volume 2 (ED 22548) extends the range to two octaves. .Hand turns (crossing the thumb under), pedal, simple polyphony and three- or four-part chords all feature in Volume 2, as do simple ornaments, playing cantabile and differentiating between melody and accompaniment.<br> <br> Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting.
$16.99
15.51 €
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Easy Piano
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Easy Concert Pieces
Easy Piano
Piano - easy - Digital Download 41 Easy Pieces from 4 Centuries. This edition: Shee…
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Piano - easy - Digital Download 41 Easy Pieces from 4 Centuries. This edition: Sheet music. Unterricht, Konzert, Piano. Easy Concert Pieces. Downloadable. Op. 3. Schott Music - Digital #Q49449. Published by Schott Music - Digital
The Easy Concert Pieces series by the experienced piano teacher Monika Twelsiek presents easy piano pieces for beginners in progressive order. Three volumes have already been published. .<br> <br> These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. .<br> <br> Volume 3 is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. .<br> <br> Also available:<br> Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythms and very easy chord playing. Crossing the thumb under, polyphony and pedal are not required yet. .<br> <br> Volume 2 (ED 22548) extends the range to two octaves. Hand turns (crossing the thumb under), pedal, simple polyphony and three- or four-part chords all feature in Volume 2, as do simple ornaments, playing cantabile and differentiating between melody and accompaniment.
$16.99
15.51 €
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Easy Piano
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Chopin Piano Concerto No. 1 in E minor Op. 11 Concert Transcription for Solo Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1512670 By Philip Kim. By Frederic …
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Piano Solo - Level 5 - Digital Download SKU: A0.1512670 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score. 66 pages. Philip Kim #1087621. Published by Philip Kim (A0.1512670). This is the third arrangement from a series of piano concertos for solo piano. The first two are Beethoven's Emperor Concerto and Rachmaninoff's second concerto. Chopin's concertos always sounded like a grandiose piano sonata to me. The orchestration isn't as complex as Beethoven's and Rachmaninoff's. But it didn't mean it was easy to transcribe. I think the transcription turned out well. Already a challenging piece, a solo version is more. The beautiful Romance of the second movement is worth learning it. Thank you for your purchase and enjoy practicing.My other concert transcriptions of piano concertos:Romance from Chopin's Piano Concerto No. 1 Op 11 second movement for Solo PianoBeethoven Piano Concerto No. 5 Op. 73 Emperor Concert Transcription For Solo Piano Complete movements Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Complete Movements)Rhapsody on a Theme of Paganini Op. 43 18th Variation for solo piano
$35.00
31.94 €
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Piano solo
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Philip Kim
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Chopin Piano Concerto No. 1 in E minor Op. 11 Concert Transcription for Solo Piano
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Philip Kim
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SheetMusicPlus
Romance from Chopin's Piano Concerto No. 1 Op 11 Second movement for Solo Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1512679 By Philip Kim. By Frederic …
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Piano Solo - Level 5 - Digital Download SKU: A0.1512679 By Philip Kim. By Frederic Chopin. Arranged by Philip Kim. 19th Century,Chamber,Classical,Romantic Period. Score. 11 pages. Philip Kim #1087624. Published by Philip Kim (A0.1512679). This is the beautiful second movement from Chopin's Piano Concerto in E minor Op. 11 that I transcribed for solo piano. This is one of my favorite concerto movements of all time. There are already a few transcriptions of this movement, particularly done by Balakirev, which is wonderful. The complete concerto is also available. Thanks for your purchase and enjoy. My other concert transcriptions of piano concertos:Chopin's Piano Concerto in E minor Op. 11 Complete MovementsBeethoven Piano Concerto No. 5 Op. 73 Emperor Concert Transcription For Solo Piano Complete movements Rachmaninoff Piano Concerto No. 2 Op. 18 Concert Transcription for Solo Piano (Complete Movements)Rhapsody on a Theme of Paganini Op. 43 18th Variation for solo piano
$13.00
11.86 €
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Piano solo
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Philip Kim
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Romance from Chopin's Piano Concerto No. 1 Op 11 Second movement for Solo Piano
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Philip Kim
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SheetMusicPlus
Easy Concert Pieces
Violin and Piano
Piano - very easy - Digital Download 50 Easy Pieces from 5 Centuries. This edition: …
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Piano - very easy - Digital Download 50 Easy Pieces from 5 Centuries. This edition: Sheet music. Unterricht, Konzert, Piano. Easy Concert Pieces. Downloadable. Op. 1. Schott Music - Digital #Q49447. Published by Schott Music - Digita
For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order.<br> <br> The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.<br> <br> Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required.<br> <br> Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment.<br> <br> Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting.
$16.99
15.51 €
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Violin and Piano
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Easy Concert Pieces
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Schott Music - Digita
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SheetMusicPlus
All Things Are Ready - easy piano
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.560874 Composed by Charles Hutchins…
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Easy Piano - Level 1 - Digital Download SKU: A0.560874 Composed by Charles Hutchinson Gabriel, William Augustine Ogden. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #2897019. Published by SamuelStokesMusic.com (A0.560874). This is an arrangement of the hymn All Things Are Ready for easy piano in C major. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com.
$2.50
2.28 €
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Easy Piano
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Charles Hutchinson Gabriel, William Augustine Ogden
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All Things Are Ready - easy piano
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SamuelStokesMusic.com
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SheetMusicPlus
Beethoven's Sonata Pathetique, opus 13, 3rd movement, as a Piano Concerto
Piano solo
Level 4 - Digital Download SKU: A0.1200096 By Aere Greenway. By Ludwig van Beethove…
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Level 4 - Digital Download SKU: A0.1200096 By Aere Greenway. By Ludwig van Beethoven, and Aere Greenway. Arranged by Aere Greenway. Classical,Romantic Period. Accompaniment. Duration 343. Aere R Greenway #798901. Published by Aere R Greenway (A0.1200096). Transform your piano solo, into a piano concerto! Simply put the orchestra-parts audio file on your phone, and connect your phone to the performance venue's sound system. Â When ready to perform, press play on the audio file on your phone, listen for the introductory timpani note, and start playing the piano part along with the pre-recorded orchestra parts.
$9.97
9.1 €
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Piano solo
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Aere Greenway
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Beethoven's Sonata Pathetique, opus 13, 3rd movement, as a Piano Concerto
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Aere R Greenway
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SheetMusicPlus
Beethoven's Sonata Pathetique, opus 13, 2nd movement, as a Piano Concerto
Piano solo
Level 4 - Digital Download SKU: A0.1200095 By Aere Greenway. By Ludwig van Beethove…
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Level 4 - Digital Download SKU: A0.1200095 By Aere Greenway. By Ludwig van Beethoven, and Aere Greenway. Arranged by Aere Greenway. Classical,Romantic Period. Accompaniment. Duration 300. Aere R Greenway #798897. Published by Aere R Greenway (A0.1200095). Transform your piano solo, into a piano concerto! Simply put the orchestra-parts audio file on your phone, and connect your phone to the performance venue's sound system. Â When ready to perform, press play on the audio file on your phone, listen for the introductory timpani note, and start playing the piano part along with the pre-recorded orchestra parts.
$9.97
9.1 €
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Piano solo
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Aere Greenway
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Beethoven's Sonata Pathetique, opus 13, 2nd movement, as a Piano Concerto
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Aere R Greenway
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SheetMusicPlus
desires are already memories
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1028957 Composed by Andy McLeroy. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.1028957 Composed by Andy McLeroy. 20th Century,Concert,Contemporary. Score. 5 pages. Andy McLeroy #5712209. Published by Andy McLeroy (A0.1028957). A reflective, enigmatic solo piano piece inspired by a quote from the novel Invisible Cities by Italo Calvino. Learn more at LineAndLandscape.com.
$3.99
3.64 €
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Piano solo
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Andy McLeroy
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desires are already memories
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Andy McLeroy
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.89 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Easy Concert Pieces
Flute and Piano
Flute and piano - easy to intermediate - Digital Download This edition: Sheet music. …
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Flute and piano - easy to intermediate - Digital Download This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q54939. Published by Schott Music - Digital
This second volume of flute pieces, too, is based on today's flute teaching practice, containing arrangements from the classical repertoire as well as own compositions by Gü.nther Johannes Schmitz. The pieces are quite different with regard to style, partly influenced by jazz, Impressionism, world music or film music. 'Das Mä.usefest' contains stylistic elements of Jewish music, 'Zyklop' combines oriental and impressionist sounds. 'Fanfare der Gaukler', however, evokes medieval sound associations mixed with modern playing techniques on the flute. 'Ragtime Holiday' and 'The Conquerer' were inspired by the King of Ragtime, Scott Joplin. A jazz version of Rimsky-Korsakov's 'The Flight of the Bumble Bee' is an interesting encore and contained herein as is Bach's Badinerie. Some of the pieces have already been performed at the competition 'Jugend musiziert' and have proven a success.
$16.99
15.51 €
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Flute and Piano
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.07 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Notturno in Gb Major of Ottorino Respighi
Piano solo
Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standard…
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Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standards. Score. 9 pages. Michael Butkus-Bomier #3622741. Published by Michael Butkus-Bomier
Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh!
Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane.
Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten.
Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout.
The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.
$4.25
3.88 €
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Piano solo
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Respighi, O
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Notturno in Gb Major of Ottorino Respighi
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Michael Butkus-Bomier
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SheetMusicPlus
"Hungarian Dance No. 5" for Violin and Piano
Violin and Piano
Piano, Violin - Level 3 - Digital Download Composed by Johannes Brahms (1833-1897). Arrang…
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Piano, Violin - Level 3 - Digital Download Composed by Johannes Brahms (1833-1897). Arranged by Fishel Pustilnik. Concert, Film/TV, Jazz, Pop. 9 pages. F and N Enterprise #3067135. Published by F and N Enterprise
An excellent arrangement of famous "Hungarian Dance No. 5" for Violin and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books "Jazz and Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. "This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8." Lore Ruschiensky, Editor, (from review in "The Canadian Music Teacher") "Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume". Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.82 €
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Violin and Piano
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Johannes Brahms
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"Hungarian Dance No. 5" for Violin and Piano
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F and N Enterprise
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SheetMusicPlus
We Wish You A Merry Christmas (intermediate piano solo)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.926883 Composed by Unknown. Arrange…
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Piano Solo - Level 3 - Digital Download SKU: A0.926883 Composed by Unknown. Arranged by Jemetris Brown. Children,Christian,Christmas,Concert. Score. 2 pages. Jemetris Brown #3582621. Published by Jemetris Brown (A0.926883). Are you ready for the holidays? Well here is an arrangement of We Wish You A Merry Christmas for intermediate piano! This piece is about 1:40min and is perfect for recitals, concerts, family gatherings, and anything festive! For more information you can contact me at jemetrisbrown@gmail.com.
$6.99
6.38 €
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Piano solo
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Unknown
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We Wish You A Merry Christmas
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Jemetris Brown
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SheetMusicPlus
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCorkle Music and eBook Publications #6189873. Published by DF McCorkle Music and eBook Publications (A0.784928). Key: F, Range F3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Voice
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Dennis McCorkle, Adele Paxton
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The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Slim Sophia (or "Reverie’) - An Original Song Setting of Walter de la Mare's Poetry for VOICE and
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF McCorkle Music and eBook Publications #6189973. Published by DF McCorkle Music and eBook Publications (A0.784933). Key: Db, Range G3 to Ab4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Voice
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Dennis McCorkle, Adele Paxton
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Slim Sophia
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis Mc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCorkle Music and eBook Publications #6189923. Published by DF McCorkle Music and eBook Publications (A0.784929). Key: B/D#m, Range F#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Voice
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Dennis McCorkle, Adele Paxton
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Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Silver - An Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Key G
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784936 Composed by De…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784936 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 7 pages. DF McCorkle Music and eBook Publications #6190031. Published by DF McCorkle Music and eBook Publications (A0.784936). Key: G, Range F#3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Vocal and Guitar
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Dennis McCorkle, Adele Paxton
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Silver - An Original Song Setting of Walter de la Mare's Poetry for VOICE and GUITAR: Key G
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
The Listeners - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bm
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784938 Composed by De…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784938 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 12 pages. DF McCorkle Music and eBook Publications #6190051. Published by DF McCorkle Music and eBook Publications (A0.784938). Key: Bm, Range F3 to F5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Vocal and Guitar
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Dennis McCorkle, Adele Paxton
#
The Listeners - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key Bm
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DF McCorkle Music and eBook Publications
#
SheetMusicPlus
The Bees’ Song - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key A
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784937 Composed by De…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784937 Composed by Dennis McCorkle, Adele Paxton. Blues,Concert,Contemporary,Rock. Score. 12 pages. DF McCorkle Music and eBook Publications #6190039. Published by DF McCorkle Music and eBook Publications (A0.784937). Key: Am, Range E3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
7.26 €
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Piano, Vocal and Guitar
#
Dennis McCorkle, Adele Paxton
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The Bees’ Song - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key A
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
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